Quaint, emotional, loving. Bittersweet acoustic guitar and banjo ...Quaint, emotional, loving. Bittersweet acoustic guitar and banjo intertwine with each other. Male vocal sings of forgetting mundane worries, living for love and making the most of a special connection. Gentle, personable vocals create a heartwarming atmosphere. Lyrics suggest giving up trivial aspects of life in favour of embracing love and freedom. Organic instrumentation illustrate a real, natural passion.歌词
Drown me out, I can’t hear you nowMy body left my heart when you left the roomDon’t look at the time, don’t look at your phoneJust follow me outta here into the unknownHelp me waste our time I’m calling you up, I’m telling you nowThat I can’t go on this wayHey hey hey, what do you say to thisYou and I forever lost in usHere comes the sunAnd honey we’re still young Help me out, I can’t bear this nowThe loneliness has broken me in twoAm I fool? Am I a fool for you?The only thing that keeps me hereIs knowing there’s a chance that you couldHelp me waste our time I’m calling you up, I’m telling you nowThat I can’t go on this wayHey hey hey, what do you say to thisYou and I forever lost in usHere comes the sunAnd honey we’re still young I’m calling you up, I’m telling you nowThat I can’t go on this wayHey hey hey, what do you say to thisYou and I forever lost in usHere comes the sunHere comes the sunAnd honey we’re still young
Quaint, emotional, meaningful. Bittersweet acoustic guitar and banjo ...Quaint, emotional, meaningful. Bittersweet acoustic guitar and banjo intertwine with each other. Ascending, echoing piano riff into warm chords instils a deeper sense of love and affection. Melancholy chord sequence creates a pained but heartwarming atmosphere. Instrumental version.
Quaint, emotional, meaningful. Bittersweet acoustic guitar and banjo ...Quaint, emotional, meaningful. Bittersweet acoustic guitar and banjo intertwine with each other. Melancholy chord sequence creates a pained but heartwarming atmosphere. Stripped back underscore version.
Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set ...Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set out a steady momentum. Lyrics about passion and the unending passing of time. Banjo plays out a repetitive accompanying riff, furthering the brave and striving pace. Religious sentiment conveys an old-fashioned stoicism.歌词
Time has taken its tollThere ain't nothing left hereThis ain't no home Dreams have cut off their wingsThis fire will burn through the nightAnd into the spring Food for the manFuel for the flameThe story went coldBuried in shameOn the day that she came she was singing hallelujah Pray for the ones who were lostPray that we all find a place in which we belong Free yourself from the chainsThere ain't nothing stopping you nowSo turn back around now dear Food for the manFuel for the flameThe story went coldBuried in shameOn the day that she came she was singing hallelujah Hey, I guess we got oldWe just spent all our days lying here in the cold As far as I can seeain't no use in this lifeain't no use in you or me Food for the manFuel for the flameThe story went coldBuried in shameOn the day that she came she was singing hallelujahOn the day that she came she was singing hallelujahOn the day that she came she was singing hallelujah
Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set ...Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set out a steady momentum. Banjo plays out a repetitive accompanying riff, furthering the brave and striving pace. Instrumental version.
Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set ...Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set out a steady momentum. A homely, warm atmosphere is created from the organic sounds of the guitar. Stripped back underscore version.
Cooperative, vivacious, confident. Deep, homophonic vocals move ...Cooperative, vivacious, confident. Deep, homophonic vocals move alongside tuneful percussion. Piano chords and soulful lead vocal instil a more direct atmosphere, with lyrics of pushing through dark times and finding hope. Uplifting section with ad libbed vocals, call and response between chorus and lead. A religious imagery through lyrics that explore the concept of rising once again, fighting against evil and seeking redemption.歌词
Oh na naOh na na oh Even in my darkest nights I find hope aliveI find my strength withinMmmmOh I will riseOh we will rise. I won’t give up after all we’ve been throughI won’t give in no no no no no no no no-oI have to stand with my sister and brotherSo we can win You know through the struggles we overcomeRight through the valleysThrough the dark nightsEven when life will bring you downWe get upWe get upAnd we will riseOh we will rise I won’t give upI won’t give inI have to standSo we can win. Oh na naEh eh eh
Cooperative, confident. Deep, homophonic vocals move alongside piano. ...Cooperative, confident. Deep, homophonic vocals move alongside piano. Piano chords and soulful lead vocal instil a more laidback atmosphere, with lyrics of pushing through dark times and finding hope. Higher pitched piano lifts the instrumentation, accompanied by call and response between chorus and lead vocals. A religious imagery through lyrics that explore the concept of rising once again, fighting against evil and seeking redemption. Acoustic version.
Vivacious, confident. Tuneful percussion moves alongside bass and ...Vivacious, confident. Tuneful percussion moves alongside bass and tense guitar. Cool piano chords instil a more laidback atmosphere. Higher pitched piano lifts the instrumentation, accompanied by rousing organ. Heavy, solo percussion illustrates a sturdy and spirited energy. Instrumental version.
Classy, carefree & smooth salsa/chachacha. Lead flute, Latin ...Classy, carefree & smooth salsa/chachacha. Lead flute, Latin percussion with cowbell & piano. Male choir & male singer @ 2'00.歌词
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Sumando muchas amistades
Se me quitan los pesares
Porque la vida es una fiesta
Y siempre voy a celebrar
Por eso canto
Porque el que canta
sus males espanta
Esto no es casualidad
Enamorado de la vida
Mi tambor siempre me inspira
Y Poleo a mi me dice
Cucucucuprá, Cucucucuprá...
Mi abuelita así decía
Toca las maracas mi nieto
Con la santa trinidad
Repica maracas
Coro 2: Y nunca pa atras no no no
Donde estas tu camará?
Caminando por la vida
Deja tu huella al andar
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Adding many friendships
I'm taking away my sorrows
Because life is a party
And I'll always celebrate
That's why I sing
Because those who sing
Their evils scare away
This is no coincidence
In love with life
My drum always inspires me
And Poleo tells me
Cucucucucuprá, Cucucucucuprá...
My grandmother used to say
play the maracas my grandson
With the holy trinity
Play the maracas
Chorus 2: And never backwards no no no no
Where are you my friend?
Walking through life
Leave your footprint as you walk
Chorus 1: Through life I'm walking forward and never backwards no no no no
Alternate without vocal. Classy, carefree & smooth salsa/chachacha. ...Alternate without vocal. Classy, carefree & smooth salsa/chachacha. Lead flute, latin percussion with cowbell & piano. For exotic lounge & party.
Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute ...Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute solo @1'45, Latin percussion, piano, male choir & male singer @3'28.歌词
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Abran paso
Que yo vengo como el tren
Y amarra bien en tu zapato
Vamos a bailar
Mi vida
Que no hay vuelta atrás
No es mentira
Todo lo que quiere es lo que pide
y eso mismo es lo que yo le doy
Con Chaboró
Baila que baila
Goza que goza
Que esta noche estamos' en fiesta
Candela que quema
Para la niña y pa la señora
Soy feliz
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Bueno mi gente,
Tenemos una sola vida
Disfrútenla !
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Chorus 2: And never backwards no no no no
Make way
I'm coming like a train
And tie well in your shoe
Let's go dancing
My life
There's no turning back
It's not a lie
All you want is what you ask for
And that's what I give you
With Chaboró
Dance that dances
Enjoy and enjoy
That tonight we're partying
Fire that burns
For the girl and for the lady
I'm happy
Chorus 1: I'm going through life moving forward and never backwards no no no no
Alternate without vocal. Elegant, cheerful & easy Latin ...Alternate without vocal. Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso solo flute @1'45, Latin percussion & piano.
Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).歌词
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban ...Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Latin percussion, piano, male vocals, choir & Cuban cuatro.歌词
ES:
Yo no tengo ni una cabra no tengo buey
y me vine caminando de Camagüey
caminé todo el sendero sin descansar
y solo me queda el cuero pa' trabajar
Cuando consiga un trabajo lo juro yo
iré a comprar una joya de la mejor
pa' llevarle al amor mio a la niña que
me tenia de amorio alla en Camagüey
Que yo no tengo, nada tengo
No tengo, nada tengo
Que yo no tengo, no tengoNo no tengo, no tengo
Que yo no tengo, no tengo
Ay lala lala lalala..
EN:
I don't even have a goat I don't have an ox
and I came walking from Camagüey
I walked all the way without resting
and I only have the leather left to work
When I get a job I swear I will
I'll go and buy a jewel of the best
to take to my love to the girl who had my love
I have a love affair with back in Camagüey
That I don't have, I don't have nothing
I don't have, I don't have anything
That I don't have, I don't haveI don't have, I don't have
That I don't have, I don't have
Ay lala lala lala lalala...
FR:
J’en ai rien (P Canzani)
Je ne même pas de chèvre j’ai pas de bœuf
Et je suis venu en marchant depuis Camagüey
J’ai marché tout le sentier sans aucun repos
Il ne me reste que la peau pour travailler
Quand je trouverai un travail je te le jure
J’irais acheter un bijou le plus beau
Pour l’offrir a mon amour la fille que
Me faisais tourner la tête la bas à Camagüey
Que je n’ai rien rien de rien
Que je n’ai rien je n’ai rien
Que je n’ai rien de rien
Non je n’ai rien je n’ai rien
Que je n’ai rien de rien
Underscore version. Upbeat. Lively & festive progressive Latin jazz ...Underscore version. Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Lead Cuban cuatro, Latin percussion & piano.
Spirited, powerful, brooding. Solitary piano sets out binary melody, ...Spirited, powerful, brooding. Solitary piano sets out binary melody, joined by muffled drum sample. Male vocal sings troubled romantic lyrics, setting out a fiery energy. Transition into triumphant section, full percussion pulsing electric guitars. Proudly resolute in the face of adversity, a stoic energy. Frail, organic piano illustrating an emotive poignance.歌词
If you've lost your love then I'll lose mineLose it down the backstreets of my mindIf you're needing change then take some timeRealise the dream that you denied Don't crawl under the weight of crimes that you can't forgive, noDon't replay the mistakesLetting go is not giving inDon't crawl under the weight of crimes that you can't forgive, noDon't replay the mistakesLetting go is not giving in Don't expect to hear me callingCalling out your nameDon't expect to see me fallingFall into the flames Calling out your name Calling out your name Calling out your name Calling out your name
Fall into the flamesFall into the flamesFall into the flamesFall into the flames Don't crawl under the weight of crimes that you can't forgive, noDon't replay the mistakesLetting go is not giving inDon't crawl under the weight of crimes that you can't forgive, noDon't replay the mistakesLetting go is not giving in
Spirited, powerful, brooding. Solitary piano sets out binary melody, ...Spirited, powerful, brooding. Solitary piano sets out binary melody, joined by muffled drum sample. Transition into triumphant section, full percussion pulsing electric guitars. Proudly resolute in the face of adversity, a stoic energy. Frail, organic piano sound throughout still illustrating an emotive poignance. Instrumental version.
Spirited, powerful, brooding. Solitary piano sets out binary melody, ...Spirited, powerful, brooding. Solitary piano sets out binary melody, apprehensive feeling. Male vocal sings troubled romantic lyrics, setting out a fiery energy. Transition into triumphant section, full percussion pulsing electric guitars. Proudly resolute in the face of adversity, a stoic energy. Frail, organic piano throughout illustrating an emotive poignance. Stripped back underscore version.
Spirited, powerful, brooding. Clattering, rough drum work conveying a ...Spirited, powerful, brooding. Clattering, rough drum work conveying a dirty, ruinous energy. Heavy bass line instilling a powerful, ruthless feeling. A stoic energy in the face of adversity. Stripped back drums and bass only underscore version.
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense piano tunes. Striking male vocal sings about remembering days past, moving swiftly into a lamenting chorus with heavy percussion. Contrast between airy, spacious verse and heavy, structured chorus supported by continuous bass notes. Lyrics and emotive melodies convey a lovelorn person struggling through memories of heartbreak.歌词
I've been thinking through days pastMe and you, summer afternoonsI need to know Where do the gone things go?Where do the gone things go? Drifting through the waves I feltThat sense of loss we never get acrossAnd words can't say Where do the gone things go?Where do the gone things go? Driving on that hillside springtime lightThere was no need to tell yourself that all is fine Where do the gone things go?Where do the gone things go? Surely the time knowsSurely the time knows
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense piano tunes. Contrast between airy, spacious verse and heavy, structured chorus supported by continuous bass notes. Emotive melodies convey a lovelorn person struggling through memories of heartbreak. Instrumental version.
Reminiscent, powerful, melancholic. Tense piano moves into more ...Reminiscent, powerful, melancholic. Tense piano moves into more decisive tune. Contrast between airy, spacious playing and heavy, structured style supported by continuous bass notes. Emotive melodies convey a lovelorn person struggling through memories of heartbreak. Stripped back underscore version.
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense strings. Striking male vocal sings about remembering days past, moving swiftly into a lamenting chorus with heavy percussion. Lyrics and emotive melodies convey a lovelorn person struggling through memories of heartbreak. Stripped back underscore version.
Brooding, dramatic, spirited. Serious electric guitar riff and ...Brooding, dramatic, spirited. Serious electric guitar riff and high-pitched wailing male voice combine to create an impassioned, driving energy. Dynamic vocal performance with occasional choral harmonies and sharp string sounds further convey emotion. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Lyrics sing about burying memories in darkness, a resolute post-heartbreak energy.歌词
Say goodbye to your vanishing dayTry to hide if you wantBut it always find a way Cos time is getting away from youA darkness you're never breaking throughCos time is getting away from youA darkness you're never breaking through So bury your memories nowMake a wish that you'll be foundUnderstand there's nowhere left to hideLet your soul be carried on the tide So bury your memories nowMake a wish that you'll be foundUnderstand there's nowhere left to hideLet your soul be carried on the tide Taken by the darknessBury my memoryYou know I won't be back Taken by the darknessBury my memoryYou know I won't be back Taken by the darknessBury my memoryYou know I won't be back
Brooding, dramatic, spirited. Serious electric guitar riff creates a ...Brooding, dramatic, spirited. Serious electric guitar riff creates a driving energy. Sharp strings and steady percussion further convey a growing momentum. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Instrumental version.
Brooding, dramatic, spirited. Serious electric guitar riff and ...Brooding, dramatic, spirited. Serious electric guitar riff and high-pitched wailing male voice combine to create an impassioned, driving energy. Dynamic vocal performance with occasional choral harmonies convey powerful emotion. Lyrics sing about burying memories in darkness, a resolute post-heartbreak energy. Stripped back melody and voice underscore version.
Brooding, dramatic, spirited. Serious electric guitar riff creates a ...Brooding, dramatic, spirited. Serious electric guitar riff creates a driving energy. Steady percussion and bass guitar further convey a growing momentum. More spirited, improvisational guitar as the atmosphere heats up. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Stripped back underscore version.
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with smooth piano and vocals. Lyrics sing of uncertainty and longing. The combination of minor and major chords supports this premise of desire for imbalance and uncertainty. Synthetic drums hit with emotive guitar picking. Swirling strings fill the backdrop, cathartic release at 02:25 with graceful bell melody and chattering, bass-heavy percussion.歌词
I can't tell if you staying or going And in the chaos of not knowingThat's where I find my peace In the uncertainty I withdraw my theoriesOur love is a processOf ending and beginning againIn the uncertaintyThat's where I find release I longed for you in the early hoursI needed to feel the uncertainty of your touchI longed for you in the early hoursI needed to feel the uncertainty of your touch Repeat
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with smooth piano. The combination of minor and major chords supports this premise of desire for imbalance and uncertainty. Synthetic drums hit with emotive guitar picking. Swirling strings fill the backdrop, cathartic release at 02:25 with graceful bell melody and chattering, bass-heavy percussion. Instrumental version.
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with tuneful vocals that disappear in a fuzzy echo. Lyrics sing of uncertainty and longing. Swirling strings fill the backdrop meeting with choral vocals. Emotion builds to a cathartic release at 02:25 with graceful bell melody and epic string movements. Stripped back underscore version.
Heartfelt, spirited, apprehensive. Echoing guitar plays a worried ...Heartfelt, spirited, apprehensive. Echoing guitar plays a worried ascending tune, meeting with synthetic percussion and commanding string melodies. Emotion builds to a cathartic release at 01:06 with graceful bell melody and epic string movements. Stripped back underscore version.
Electro pop song. Exotic, bright & lively, with a hint of nostalgia. ...Electro pop song. Exotic, bright & lively, with a hint of nostalgia. Suggested for daytime TV, romance, holidays & travel. Synth, male singer, electric guitar & rhythm.歌词
I wrote a melody
Not good enough for you
I found a remedy
That’s all I can do
Electro pop song. Exotic, bright & lively, with a hint of nostalgia. ...Electro pop song. Exotic, bright & lively, with a hint of nostalgia. Suggested for daytime TV, romance, holidays & travel. Synth, electric guitar & drums.
Alternate without vocals. Suspended intro with sparse piano, layers. ...Alternate without vocals. Suspended intro with sparse piano, layers. Build-up @ 0'46 with staccato strings. Riser @ 1'24. Climax starting @ 1'31 featuring a full hybrid orchestra. Tinkling back-end. Emotional & neo-classical trailer music suggested for fantasy films & magical landscapes.
