Trap / Freak Hip Hop. Heavy, strange, fast & swagger. Drum machine, Trap / Freak Hip Hop. Heavy, strange, fast & swagger. Drum machine, rapper, sub bass, chorus, synthesizers, music box. Eerie lyrcics about crafting raps like a mad scientist. Suggested for horror trailers, dark urban environments, edgy sports & halloween season.歌词
Chorus:
If you get one shot, you better make the most
I’m headed to the top, with a great approach
They call me MAD, cuz I’m dedicated (aye!)
I think they MAD, cuz I’m dedicated (aye!)
They call me MAD cuz I love it (aye!)
I get em talking, I’m the master of puppets (aye!)
The strings - the only thing that I’m cutting
When it comes to my craft, nobody can touch it!
Verse:
I’m a mad scientist, I got my eye on this
In the lab, working on my craft, There’s no denying this!
Yet I’m feeling like I’m out of gas, need to check the mileage
High motor, my focus - really imperative
I feel hopeless, but still going- oh what a nightmare it is
Through the hard times, I stick with it like how marriage should be
But they get divorced quickly, they go find something more trendy
They chase money and fame, get it but feel empty
But funny cuz I stick with it, but still I got a void in me,
Cuz I know there’s so much more, but still there’s a war in me
I’m sending the infantry, the missiles at my enemies
Chorus:
If you get one shot, you better make the most
I’m headed to the top, with a great approach
They call me MAD, cuz I’m dedicated (aye!)
I think they MAD, cuz I’m dedicated (aye!)
They call me MAD cuz I love it (aye!)
I get em talking, I’m the master of puppets (aye!)
The strings - the only thing that I’m cutting
When it comes to my craft, nobody can touch it!
Trap / Freak Hip Hop. Disturbing intro with music box & child's Trap / Freak Hip Hop. Disturbing intro with music box & child's laugh. Swagger, insidious, catchy & chanted. Drum machine, FX laughter, rapper, synthesizer, bass synth, pitchy vocals, theremin & tack piano. Psychotic lyrics about living in the forest, acting like a wild animal. Suggested for horror trailers, dark urban environments, edgy sports & halloween season.歌词
Woah woah woah
Woah woah woah
Psycho yeah
Might go Psycho Foreal
Casting magic spells
My life’s haunted…Still
That’s just how I’m built
that’s just how I’m built
I be lurking through the night yeah
Hiding in the darkness, I dont never see the light yeah
Wolf mode yeah I bark and then I bite
This the real me we ain’t rocking no disguise
Leave they head turning like owl
Feeling so bizarre the moon done make me howl
Cemetery late night we on the prowl
Living in the shadows that’s the only life that I know
Might go Psycho Foreal
Casting magic spells
My life’s haunted…Still
That’s just how I’m built
that’s just how I’m built
Yeah I’m giving em the creeps
I be haunting they dreams
The Spirits running free
I’m letting out the beast
Might go psycho yeah yeah
Might go psycho again
Not again not again
Trap / Freak Hip Hop. Driving, disturbing & assertive. Synthesizers, Trap / Freak Hip Hop. Driving, disturbing & assertive. Synthesizers, rapper, drum machine, pitched vocals & barrel organ. Creepy lyrics about being a boogeyman, acting like classic horror monsters. Suggested for horror trailers, dark urban environments, edgy sports & halloween season.歌词
Weird!
Woaaaah
Hahahah
let’s get it man
When I cross your path
9 years of bad luck like a black cat
Pull up in a mask
I’m moving like Dracula, better think fast woah
Keeping it real way down to my skeleton
Creepy and Cooky I’m right in my element
I got the magic, they wonder what spell it is
Call me the pumpkin king, came with a bag of tricks
Yeah I am the spider, I came from the web
You are a puppet, your life is pretend
I leave em screaming way out of they head (out of they head)
Turn to a wolf man I been seeing red
Say “hocus pocus” we raising the dead
I am the monster that’s under your bed (under your bed)
You better save yourself from the boogeymen boogeymen boogeyman
No they’ll never get out of my spider web, spider web, spider web
Say my name 3 times like beetlejuice
Spirit just left my body, I’m feeling loose
Take em to Salem, I just drank the magic juice
Whipping the cauldron, oh we gon party too
If this world normal, I must be a clown
when I pull up yo the circus in town
Your house has been haunted when I come around
I leave em shook, no they can’t make a sound
Got my bags of tricks and treats
Think I might have unlocked the beast
Past Me gone RIP
Yeah I pull up and I’m making em scream
spirits are moving we make em believe
They looking grim and I came to reap
I came to boogie, we ain’t miss a beat
You better save yourself from the boogeymen boogeymen boogeyman
No they’ll never get out of my spider web, spider web, spider web
You better save yourself from the boogeymen boogeymen boogeyman
No they’ll never get out of my spider web, spider web, spider web
Trap / Freak Hip Hop. Sustained, disillusioned but powerful & fast. Trap / Freak Hip Hop. Sustained, disillusioned but powerful & fast. Synthesizer, horror FX, chorus, rapper, bass synth, drum machine & celesta. Lyrics about being left out of society and standing out as a freak, akin to witches. Suggested for horror trailers, dark urban environments, edgy sports & halloween season.歌词
Chorus:
Uh, I am not a witch, but got them under spells
Put me in the mix, no way you could fail
You want my two cents? Throw it in the well
Go and make a wish, then go and blaze a trail
(x2)
Verse:
My different way of thinking, set me apart
They probably think I practice black magic, dark arts
But I’ve been falsely accused,
Don’t got a cauldron or broom (yeah!)
….
Angry mobs wanna drag me out to the town center
Wanna make me - the scapegoat
Cuz they running and jumping to conclusions like Usain Bolt
Thank God, I got a guardian angel
Yall try to wrong me - GRAVELY
If anything, I’m the one that should be ANGRY
All they ever do is BLAME ME,
All I ever did was lend my hand
All they ever did was point their finger and misunderstand
Cuz I do things they can’t believe,
But that’s just who I AM!
Thinking I’m some type of witch or got some crazy tricks up my sleeve,
But nope! I’m just me, I was made this way
And I got my own beliefs, I don’t wanna be like yall
See I’m free, unlike yall (yeah)
So call me what you want,
Still, I serve em like a restaurant or a tennis ball!
Here we go, everybody know - I flow like Niagra Falls
Chorus:
Uh, I am not a witch, but got them under spells
Put me in the mix, no way you could fail
You want my two cents? Throw it in the well
Go and make a wish, then go and blaze a trail
(x2)
Trap / Freak Hip Hop. Eccentric, impactful, exhilarating. Music box, Trap / Freak Hip Hop. Eccentric, impactful, exhilarating. Music box, synthesizers, rapper, drum machine, bass synth, horror FX, barrel organ & string section. Psychotic lyrics about hallucinating voices, seeing ghosts and losing one's sanity. Suggested for horror trailers, dark urban environments, edgy sports & halloween season.歌词
I think my mind playing tricks on me
Oh I don’t know what’s real
Booo! Hahaha
We trickin, we trickin
Let’s go!!
Creepy boy, I been paranoid
Someone knocking at my door with a scary voice
All I feel is scared, All I see is ghosts
Monsters underneath my bed are getting close
This a real life nightmare, my blood pumpin
Face getting all bent like a pumpkin
All these masks around me got my mind running
Fears setting in so maybe I should hide or something
I think My mind playing tricks on me
I might be running from myself
Yo The voices say we in for a treat
Oh I don’t know what’s real…
They pop out BOOO boo BOOOO Booo
Make you lose your cool (lose your cool)
Can’t block out DOOM doom DOOM doom
I don’t know what is true
Ahhhh
I keep feeling like the boy cry wolf
Cuz every time I’m saying look.. it’s an invisible ghost
Yo everybody dressin up but I’m the real freak show
Yo People jumping out they skin when I’m in my normal-est clothes
Woah!
“Look mom a vampire”
All I see is zombies, I might be over tired
I’m wicked with the pranks but no I’m not a liar
It’s your unlucky day, sincerely Micheal Myers
I think My mind playing tricks on me
I might be running from myself
Yo The voices say we in for a treat
Oh I don’t know what’s real…
Glittery, cute, passionate. Soulful piano mixes with high-pitched Glittery, cute, passionate. Soulful piano mixes with high-pitched notes to give a shimmering electro pop vibe, before launching into full-on percussion and emotive piano sequence. Sped-up pitched-up vocals give a bubblegum pop energy. Fast pace and hopeful tone offer visions of bright sunny days and people with a passion to live. An animated style.
Glittery, cute, passionate. Soulful piano mixes with high-pitched Glittery, cute, passionate. Soulful piano mixes with high-pitched notes to give a shimmering electro pop vibe, before launching into full-on percussion and emotive piano sequence. A bubblegum pop energy. Fast pace and hopeful tone offer visions of bright sunny days and people with a passion to live. An animated style. Instrumental version.
Glittery, cute, passionate. Soulful piano mixes with high-pitched Glittery, cute, passionate. Soulful piano mixes with high-pitched notes to give a shimmering electro pop vibe, before launching into full-on percussion and emotive piano sequence. A bright poppy energy. Fast pace and hopeful tone offer visions of bright sunny days and people with a passion to live. An animated style. Stripped back underscore version.
Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, floating vibe from uplifting chords and steady hip hop beat as male vocals talk over the beat. Lyrics start about being connected with the real world, being on the grind and staying centred. Whistling lead gives a throwback vibe amid conscious rap style.歌词
Yo they ask me, “Cam where you been?”.
I'm fine, I'm protecting my peace, I been staying offline, I been out in these streets, They been online too much, On top they been lying too much, At the club in line too much.
Focus on the mission, Get it how you live it, You don't need permission, I see you standing on ya business, You can do it too, Now I'm the big body, used to ride the coup, They be online tryna tell you what to do, They paying for your internet, phone, or your roof, Aye they need to simmer down, I aint all in the mix but I been around, I forgot to tell y'all I was in your town, And I aint take no pics I was busy getting down, I found peace, I was hanging off of the deep off end, I was staying inside on the weekend, I had grind make sure I could eat, Now when the ask how I'm doing I can tell them.
I'm fine, I'm protecting my peace, I been staying offline, I been out in these streets, They been online too much, On top they been lying too much, At the club in line too much, Focus on the mission, Get it how you live it, You don't need permission, I see you standing on ya business.
Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, floating vibe from uplifting chords and steady hip hop beat. Whistling lead gives a throwback vibe amid conscious rap style. Carefree energy from bright string samples and generally positive instrumentation. Instrumental version.
Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, floating vibe from uplifting chords and steady hip hop beat. Bass gives a sense of buoyancy alongside twinkling modest keys. Carefree energy from bright string samples and generally positive instrumentation. Stripped back underscore version.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy as people chat in a party situation. Launch into fun hip hop vibe with male vocals setting a party pace for people dancing. Lively vibe contrasted with cool relaxed instrumentation. Male vocals flirt with lyrics about two people liking eachother, complimentary to a significant other.歌词
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
You just clocked out your day shift, On the way to the club for your late shift, I mean you dance but you're not kind that take tips, But you should, ‘cause I seen how you shake hips (dang hold on), I want to see you, work, This ya song gon’ hit a little twerk, It’s getting late, hope you ain't gotta work, In the morning, be safe getting home, They patrolling, You said bye fuve times as you going, You ain't really trying to leave we be knowing, Man You know you're about to call in and, Next week you're going to call in again.
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Launch into fun hip hop vibe with monophonic lead melody contrasted cloudy delayed keys. Relaxed vibe gives a warm sultry energy. Instrumental version.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Relaxed vibe gives a warm sultry energy, jazzy chords offer a sense of comfort and coolness. Stripped back underscore version.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into fun beat and charismatic male vocals. A party all over the city with mentions of compass points. Rapping lyrics paint a picture of a cool individual riding through the streets, talking to girls and feeling their own style. Big bass give a confident tone.歌词
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on i don't need you to lie to me) Come on we got that sound don't we, (come on i don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
West side, South side, North side, East side, Uh what side you on, What what side you on, Yeah what side you on, What what side you on.
Look im on the north side tonight we creepin, Its a 4 day weekend so we 4 times turnt we just lit 4 up, So we pulled up geekin she was talking to you till I arrived with a crew now I know that hurt, Went from holdin my stance to doing my dance and shawty got back show me how that work, Im just keeping it real i just need my thrills when they play my song shawty know my verse, Aw man im the star of the function and its causing commotion but its all in conjunction see, Me and mans came with the jams so do your part and shake a lil yams, We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soul-style bass and simple lead give a throwback vibe, 90s style. Big boom bap percussion offers a confident tone. Instrumental version.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soft percussion and soul-style bass give a throwback 90s vibe. Stripped back underscore version.
Confident, passionate, demanding. Emotive lofi whistling sample is Confident, passionate, demanding. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy contrasted by lively ad libs. Male vocals give a sense of style and a commanding persona as lyrics talk about taking what you want and being proactive. Male vocals give a sense of arrogance and desire, backed up by gloomy instrumentation.歌词
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
I'm like woop woop, Okay what it do, I'm making big moves, Yea I'm coming through, While you're playing, Negotiating, what is you saying, Nah I ain't with the chit chat, I need a big bag, If she got a big ugh, Well then back it up, I need this that, And the third too, I got options, But I prefer you, I’ve been on the grind, but I ain't pretty Ricky, I need it all, I ain't doing 50/50, I got the pack on me, Iit's that sticky icky, Yea it’s up so, Holla if you with me, And we went from the car to the, (It’s a Lexus) Yea we went to the house to the, (It’s a mansion) Pulled up to the bank just to, (Put some cash in) Now we in the Jeep with the. (Speaker blasting)
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
Confident, passionate, tragic. Emotive lofi whistling sample is taken Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Gloomy instrumentation give a sense of struggle and honour. Instrumental version.
Confident, passionate, tragic. Emotive lofi whistling sample is taken Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Contrasted by heavy beats with commanding sub bass. Stripped back underscore version.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Male vocals rap about being real, rivalries with other guys. Toxic masculine vibe mixed with a cool calm tone.歌词
Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing, Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing you better, Shhhh cut all that noise, Shhhh cut all that noise out, Shhhh cut all that noise, Shhhh cut all that noise out, cut all that noise, cut all that noise out, cut all that noise, cut all that noise out.
Shhh quit the yappin if you aint bout that action, You a internet thug you be cappin, When its really time to move you be bufferin, Like he gon do something but you laggin, You aint saying nothing I just read the captions, And we here too deep came through the backend, Said it wasnt nothing turned it into something, Paty went from jumpin to someone getting jumped in, Better cut all that noise, (BE QUIET) Better cut all that noise out boy, (BE QUIET) Better cut all that noise, (BE QUIET) Before somebody bring the toys out.
Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing, Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing you better, Shhhh cut all that noise, Shhhh cut all that noise out, Shhhh cut all that noise, Shhhh cut all that noise out, cut all that noise, cut all that noise out, cut all that noise, cut all that noise out, BE QUIET, BE QUIET, BE QUIET, BE QUIET.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Cool vibe from icy synths leaking over groovy beat. Instrumental version.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Cool vibe from icy synths leaking over groovy beat. Stripped back underscore version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power, male vocals give a sense of skill and talent atop emotive instrumentation. Lyrics use bounce to give a sense of infectious buoyancy. Fresh and emotive style gives a feeling of realness and passionate performance.歌词
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
I got that bounce indeed, Took the game by surprise, they account for me, I need a her over there and an ounce of, I got that dog me, so come bounce with me, Fresh like I just came out the package, They gon try but nah they can’t match it, I came back outside and they lacking, I came back outside to get active, Said you was rider, Tell me is you sliding.
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Instrumental version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Stripped back underscore version.
Heavy, chaotic, retro. Screeching dissonant samples play out over a Heavy, chaotic, retro. Screeching dissonant samples play out over a simple 80s electronic beat and chunky bass. Maximalist percussion style gives a sense of rushed chaos and action. Muffled vocals offer a feeling of mystery, visions of a futuristic landscape, heavily industrial and dangerous. Choral vocals help to convey an uncertain atmosphere, with big beat bringing a dance element to tone.
Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are joined by unpredictable percussive elements giving a rushed and random style. Sub bass at 00:35 conveys strength amid randomly interjecting percussive sounds. Trickling hi hat sounds contrast swampy bass and big beat moments. Instrumental version.
Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are joined by random percussive elements giving a rushed style. Sub bass at 00:35 conveys strength amid randomly interjecting percussive sounds. Trickling hi hat sounds contrast swampy bass and big beat moments. Stripped back underscore version.
Impassioned, religious, bright. Guitar strumming and bottleneck blues Impassioned, religious, bright. Guitar strumming and bottleneck blues lead guitar give a country energy, supported by dynamic female vocals with a country passion. Lyrics about the joy around Jesus's birth. A sense of celebration around the coming of the lord. Harmonising vocals give a communal vibe. Direct drumbeat frilled with guitar gives a rustic style.
Impassioned, religious, bright. Guitar strumming gives a emotive Impassioned, religious, bright. Guitar strumming gives a emotive country vibe, supported by dynamic female vocals with a country passion. Lyrics about the joy around Jesus's birth. Harmonising vocals give a communal vibe. Acoustic version.
Impassioned, religious, bright. Muddy tremolo guitar plays out a Impassioned, religious, bright. Muddy tremolo guitar plays out a recognisable joyous tune. Guitar strumming gives a emotive country vibe, a tambourine rhythm offering visions of snow falling gently before country drumbeat arrives. Alternate version.
Impassioned, religious, bright. Guitar strumming and bottleneck blues Impassioned, religious, bright. Guitar strumming and bottleneck blues lead guitar give a country energy. A sense of celebration around the coming of the lord. Harmonising vocals give a communal vibe. Direct drumbeat frilled with guitar gives a rustic style. Instrumental version.
Wistful, warm, swaying. Slow country folk vibe sets out with steady Wistful, warm, swaying. Slow country folk vibe sets out with steady rhythm and twanging guitar. Female vocals are supported cooing chorus in a special Christmas tune. Visions of a nativity scene, bathed in warm and light. Soft instrumentation gives a sense of laidback love. A beautiful family scene in a warm house.
Wistful, warm, swaying. Slow country folk vibe sets out with steady Wistful, warm, swaying. Slow country folk vibe sets out with steady rhythm and pillowy piano. Female vocals happily sing a special Christmas tune. Visions of a nativity scene, bathed in warm and light. Soft instrumentation gives a sense of laidback love. A beautiful family scene in a warm house. Acoustic version.
Wistful, warm, swaying. Slow country folk vibe sets out with steady Wistful, warm, swaying. Slow country folk vibe sets out with steady rhythm and twanging guitar. Tremolo lead sways out with a recognisable Christmas tune. Visions of Christmas in a desert landscape or nativity scene. Soft instrumentation gives a sense of laidback love. A beautiful family scene in a warm house. Alternate version.
Wistful, warm, swaying. Slow country folk vibe sets out with steady Wistful, warm, swaying. Slow country folk vibe sets out with steady rhythm and twanging guitar. Visions of a nativity scene, bathed in warm and light. Soft instrumentation gives a sense of laidback love. A beautiful family scene in a warm house. Instrumental version.
Celebratory, lovely, communal. Positive chords play, with strumming Celebratory, lovely, communal. Positive chords play, with strumming communicating a determination. Overwhelming goodness in a country Americana setting, through banjo and guitar-based instrumentation. Chord progression gives a twinkling vibe as female vocals offer a celebration of Christmas time.
Celebratory, lovely, communal. Positive chords play, with strumming Celebratory, lovely, communal. Positive chords play, with strumming communicating a determination. Overwhelming goodness in a country Americana setting. Chord progression gives a twinkling vibe as female vocals offer a celebration of Christmas time. Acoustic version.
Celebratory, lovely, communal. Positive chords play, with strumming Celebratory, lovely, communal. Positive chords play, with strumming communicating a determination. Overwhelming goodness in a country Americana setting, through banjo and guitar-based instrumentation. Chord progression gives a twinkling vibe offering a celebration of Christmas time. Instrumental version.
Happy, religious, soft. Tremolo guitar leads into steady, starry Happy, religious, soft. Tremolo guitar leads into steady, starry country star with dulcet guitar and banjo. Lyrics give a religious celebratory vibe as positive chords march forward with joy. Jubilation in a country setting, slow rhythm and laidback instrumentation give a wistful energy in moments.
Happy, religious, soft. Tremolo guitar leads into steady, starry Happy, religious, soft. Tremolo guitar leads into steady, starry country star with dulcet guitar and banjo. Lyrics give a religious celebratory vibe as positive chords march forward with joy. Jubilation in a country setting, slow and laidback rhythm gives a wistful energy in moments. Acoustic version.
Happy, religious, soft. Tremolo guitar leads into steady, starry Happy, religious, soft. Tremolo guitar leads into steady, starry country star with dulcet guitar and banjo. Lead guitar sets out a recognisable Christmas tune. Jubilation in a country setting, slow rhythm and laidback instrumentation give a wistful energy in moments. Alternate version.
Happy, religious, soft. Tremolo guitar leads into steady, starry Happy, religious, soft. Tremolo guitar leads into steady, starry country star with dulcet guitar and banjo. Positive chords march with a feeling of celebration. Jubilation in a country setting, slow rhythm and laidback instrumentation give a wistful energy in moments. Instrumental version.
Wintry, cold, heartfelt. Soft piano meets with gentle euphoria to Wintry, cold, heartfelt. Soft piano meets with gentle euphoria to create a gentle but important scene. Passionate female vocals set a scene of cold beauty, landscapes of snow and ice. Subtle guitar follows along, giving a reminiscent energy, supported by twanging country guitar. Instrumentation grows steadily, representing the growing joy at the coming of Jesus. Tambourine rhythm at 02:35 gives excitement and makes the moment special.
Wintry, cold, heartfelt. Soft piano meets with gentle euphoria to Wintry, cold, heartfelt. Soft piano meets with gentle euphoria to create a gentle but important scene. Passionate female vocals set a scene of cold beauty, landscapes of snow and ice. Subtle guitar follows along, giving a reminiscent energy, supported by twanging country guitar. Representation the growing joy at the coming of Jesus. Acoustic version.
Wintry, cold, heartfelt. Soft piano meets with gentle euphoria to Wintry, cold, heartfelt. Soft piano meets with gentle euphoria to create a gentle but important scene. Tremolo lead sets out on a simplistic but heartfelt Christmas tune. Subtle guitar follows along, giving a reminiscent energy, supported by twanging country guitar. Instrumentation grows steadily, representing the growing joy at the coming of Jesus. Tambourine rhythm at 02:35 gives excitement and makes the moment special. Alternate version.
Wintry, cold, heartfelt. Soft piano meets with gentle euphoria to Wintry, cold, heartfelt. Soft piano meets with gentle euphoria to create a gentle but important scene. A cold beauty, landscapes of snow and ice. Subtle guitar follows along, giving a reminiscent energy, supported by twanging country guitar. Representation the growing joy at the coming of Jesus. Instrumental version.
Soft, religious, warm. Banjo and guitar walk together in a happy Soft, religious, warm. Banjo and guitar walk together in a happy assured tune. Female vocals sing, telling the story of Jesus' birth with heartfelt gentleness. Vocal harmonies give a sense of community and warmth. A group of individuals regaling themselves with the Christmas story as instrumentation grows like a roaring fire.
Soft, religious, warm. Banjo and guitar walk together in a happy Soft, religious, warm. Banjo and guitar walk together in a happy assured tune. Female vocals sing, telling the story of Jesus' birth with heartfelt gentleness. Vocal harmonies give a sense of community and warmth. A group of individuals regaling themselves with the Christmas story as instrumentation grows like a roaring fire. Acoustic version.
Soft, religious, warm. Banjo and guitar walk together in a happy Soft, religious, warm. Banjo and guitar walk together in a happy assured tune. Tremolo guitar sets out on an old Christmas tune, giving a wistful storytelling vibe. A group of individuals regaling themselves with the Christmas story as instrumentation grows like a roaring fire. Alternate version.
Soft, religious, warm. Banjo and guitar walk together in a happy Soft, religious, warm. Banjo and guitar walk together in a happy assured tune. Warm instrumentation with brush kit rhythm and welcoming tones. Starry vibe at 00:47 with dulcet bottleneck guitar. A sense of togetherness at Christmastime. Stripped back underscore version.
Wistful, folky, soulful. Banjo and guitar produce a heartfelt Wistful, folky, soulful. Banjo and guitar produce a heartfelt introduction, for female vocals to land softly, telling the story of the first Christmas, warmed by country twang. Instrumentation grows offering more rustic vibes and cooing vocals offer an elegant familial beauty. Visions of a baby lying happily in a manger, a starlit night above.
Wistful, folky, soulful. Acoustic guitar sets out with a heartfelt Wistful, folky, soulful. Acoustic guitar sets out with a heartfelt introduction, for female vocals to land softly, telling the story of the first Christmas. Ornate guitar begin to feather warm backdrop. Visions of a baby lying happily in a manger, a starlit night above. Acoustic version.
Wistful, folky, soulful. Banjo and guitar produce a heartfelt Wistful, folky, soulful. Banjo and guitar produce a heartfelt introduction, for tremolo guitar to give a warm melody, warmed by country twang. Instrumentation grows offering more rustic vibes. Visions of a baby lying happily in a manger, a starlit night above. Alternate version.
Wistful, folky, soulful. Banjo and guitar produce a heartfelt Wistful, folky, soulful. Banjo and guitar produce a heartfelt introduction warmed by country twang. Instrumentation grows offering more rustic vibes. Visions of a baby lying happily in a manger, a starlit night above. Instrumental version.
