Poppy, materialistic, rude. Bright bell synth plays a creeping melody Poppy, materialistic, rude. Bright bell synth plays a creeping melody leading into growing rhythm. Groups of voices ad-lib and shout, pushing a fun and cool energy. Chattering hi hats play out as female vocalist switches from Spanish to English, rapping about the importance of making money, valuing it over anything else. Pitched up vocals communicates a playful atmosphere along with minor sub bass melodies.歌词
Money money money, Yeah, money money money, Money money money. Todo es por dinero, Wanna be primero, I don't care bout ego, They playin' like lego, More money, less amigos, Moving like latinos, We gonna be ricos, We move like asesinos, And she knows I don't care bout pose, But I've got the best clothes, And I've got the best flows, I'm a pro, Ready to go, slo low, Billete y de to, mo' dough, Tengo todo yo, po lo. Money money money, Yeah, money money money, Money money money, Yeah, money money money. El dinero es todo lo que quiero Ser el premiero, Yo no entro en tu juego, El dinero es todo lo que quiero Ser el premiero, Yo no entro en tu juego, Dame dinero es todo lo que quiero Ser el premiero, Yo no entro en tu juego, Quiero dinero, Yo no entro en tu juego, Es todo lo que quiero Y lo hago por dinero. Money money money, Yeah, money money money, Money money money, Yeah, money money money. El dinero es todo lo que quiero Ser el premiero, Yo no entro en tu juego, El dinero es todo lo que quiero Ser el premiero, Yo no entro en tu juego, Dame dinero es todo lo que quiero Ser el premiero, Yo no entro en tu juego, Quiero dinero, Yo no entro en tu juego, Es todo lo que quiero Y lo hago por dinero.
Poppy, materialistic, rude. Bright bell synth plays a creeping melody Poppy, materialistic, rude. Bright bell synth plays a creeping melody leading into growing rhythm. Chattering hi hats play out with sharp bass part. A playful but serious tone, stylish individuals who mean business. Instrumental version.
Poppy, materialistic, rude. Bright bell synth plays a creeping melody Poppy, materialistic, rude. Bright bell synth plays a creeping melody leading into growing rhythm. Chattering hi hats play out with sharp bass part. A playful but serious tone, stylish individuals who mean business. Stripped back underscore version.
Traditional prison, logging, and railroad work song from the late Traditional prison, logging, and railroad work song from the late 19th century also known as Nine Pound Hammer. "Take this hammer and carry it to the captain". Country & western style singer, banjo, harmonica & slide dobro. Sousaphone & drums @ 0'58. Instrumental tr-16.歌词
Chorus
Take this hammer and carry it to the captain
Take this hammer and carry it to the captain
Take this hammer and carry it to the captain
An’ Tell him I’m gone
Tell him I’m gone
Verse 1
If he ask you was I runnin’
If he ask you was I runnin’
If he ask you was I runnin’
Tell him I was flyin’
Tell him I was flyin’
If he ask you was I laughin’
If he ask you was I laughin’
If he ask you was I laughin’
Tell him I was cryin’
Tell him I was cryin’
Chorus
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Verse 2
I don’t want no green back dollar
I don’t want no green back dollar
I don’t want no green back dollar
It hurts my pride
It hurts my pride
Chorus
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Well-known American blues song & jazz standard of uncertain origin. Well-known American blues song & jazz standard of uncertain origin. "Well, I’m going down to the St. James Infirmary, to see my baby there". Sad & disillusioned. Blues/soul singer, snaps, sousaphone, drums & marimba. Instrumental tr-17 & 18.歌词
Verse 1
Well, I’m going down to the St. James Infirmary,
to see my baby there
She was all stretched out,
on a long white table
So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can be You may search this whole world all over
But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoes A Stetson coat, and a Stetson hat
And put a twenty dollar gold piece on my watch chain
So the cats know, that I died fat
Ad Lib
St. James Infirmary, where can my baby be ?
It’s just at St. James Infirmary, yeah
Let my baby go, let my baby go Let my Baby go, go, go
Work song in a gospel/blues spirit. Inspired & meditative. Humming Work song in a gospel/blues spirit. Inspired & meditative. Humming blues vocal, percussion, banjo @ 0'25, choir & drums @ 0'48. Mandolin @ 1'12. Instrumental tr-23.
Fun, buoyant, excitable. Poppy drumbeat joins with lively bass to Fun, buoyant, excitable. Poppy drumbeat joins with lively bass to create a welcoming and energetic introduction. Organ and French vocals conjure visions of old Paris streets, a character skipping or walking joyfully through a French scene. Clean guitar solo at 00:53 furthers positive vibe.歌词
Tu passes tes jours a me le dire, Tu passes tes nuits à me l’écrire, Tu as beau jouer ton jeu, tu peux faire à qui mieux mieux, Tout le monde autour de moi voudrait te prévenir, Tu es un mauvais garçon, Alors fais bien attention a toi, Tu n’es rien qu’à moi,
Quand tu sors le soir avec tes amis, parler à d’autres filles je te l’interdis, Tu peux faire les yeux ronds et bouder comme un mauvais garçon, Ne joue pas les ingénus je t’ai prévenu, Tu es un mauvais garçon, Alors fais bien attention a toi, Tu n’es rien qu’à moi.
Fun, buoyant, excitable. Poppy drumbeat joins with lively bass to Fun, buoyant, excitable. Poppy drumbeat joins with lively bass to create a welcoming and energetic introduction. Organ conjures visions of old Paris streets, a character skipping or walking joyfully through a French scene. Clean guitar solo at 00:53 furthers positive vibe. Instrumental version.
Fun, buoyant, excitable. Poppy drumbeat joins with lively bass to Fun, buoyant, excitable. Poppy drumbeat joins with lively bass to create a welcoming and energetic introduction. Layered percussion offers a pacy vibe, a busy French street or city scene. Stripped back underscore version.
Cool, soulful, classic. Bass leads into a sturdy drum rhythm with Cool, soulful, classic. Bass leads into a sturdy drum rhythm with determined guitar and sleek organ chords. High-pitched reverbed backing vocals offer a sense of emotion and quaintness. Confident male vocals croon in a classy and sophisticated manner.歌词
Mais voilà tu l’as dans la peau, Mais voilà elle est tatouée là en dessous du coeur, Mais voilà tu l’as dans la peau, Mais voilà tu l’as dans la peau, Mais voilà elle est tatouée là en dessous du coeur, Mais voilà tu l’as dans la peau, Mais voilà elle est tatouée là.
Cool, soulful, classic. Bass leads into a sturdy drum rhythm with Cool, soulful, classic. Bass leads into a sturdy drum rhythm with determined guitar and sleek organ chords. Simplistic chords offers a sense of narrative progression, a montage involving determined characters. Instrumental version.
Cool, soulful, classic. Bass leads into a sturdy drum rhythm. Cool, soulful, classic. Bass leads into a sturdy drum rhythm. Background dissonance offers a sense of city life, with descending rough keys and reverb phase effects providing a cool vibe. Stripped back underscore version.
Unruly, mischievous, impassioned. Simplistic nursery rhyme melody Unruly, mischievous, impassioned. Simplistic nursery rhyme melody melds with sharp female rap vocals. Lyrics about pushing away people with negative energy, being a bratty, confident female. Melody and choral pads convey a sense of emotion juxtaposes rude lyrics. A bad girl who works hard and puts her heart into being stylish.
Unruly, mischievous, impassioned. Simplistic nursery rhyme melody Unruly, mischievous, impassioned. Simplistic nursery rhyme melody melds with sharp female rap vocals. Lyrics about pushing away people with negative energy, being a bratty, confident female. Melody and choral pads convey a sense of emotion juxtaposes rude lyrics. A bad girl who works hard and puts her heart into being stylish. Clean version.
Unruly, mischievous, impassioned. Simplistic nursery rhyme melody Unruly, mischievous, impassioned. Simplistic nursery rhyme melody plays alongside simplistic hip hop drums. Melody and choral pads convey a sense of emotion. Instrumental version.
Unruly, mischievous, impassioned. Simplistic nursery rhyme melody Unruly, mischievous, impassioned. Simplistic nursery rhyme melody plays alongside simplistic hip hop drums. Melody and choral pads convey a sense of emotion. Stripped back underscore version.
Fun, wild, determined. Industrial hip hop beat begins with booming Fun, wild, determined. Industrial hip hop beat begins with booming bass and reverbed ad lib lyrics. Male rap vocals about believing in yourself and your own style, not being affected by others around you. An upbeat and empowered energy, fun and quick-moving rhythm. Sirens at 01:05 communicates a naughty kind of danger matching with lyrics about heat and spirit.歌词
I been feeling I been feeling like this sauce too bold, I been feeling I been feeling like they sauce too cold. I’m a run at my pace, No comp this is my race, Staring at my only motivation, When I'm staring in the mirror, This is my face, Up late at night again, Cheffing up the will to win, Destiny is at the door, Before it knocks I let ‘em in. One of a kind, Ever since younging I wanted to shine, Wanted the heart and wanted the mind, Now that they're mine, I'm out on the grind, Mixing up the flavours, Beauty in that pot, Serve it with a waiver, Cause it’s just too hot, Cause it’s just too hot. My sauce too hot, My sauce too hot, My sauce to bold, They sauce too cold, My sauce too hot, My sauce too hot, My sauce to bold, They sauce too cold. Whipping the spice, This ain't a phase, I'm in it for life, When I’m a sage, They'll ask for advice, I’ll tell ‘em the sauce, It comes with a price, I spent years getting this right, It wasn't clear, I had to fight, Lane wasn't clear, I'm dodging the hype, Maneuvered in darkness, Now I'm the light. Whole thing lit, Faith plus work, This is what you get, Aim for the flame, This is what you hit, Find your lane that they just can't fit, Whole thing lit, Faith plus work, This is what you get, Aim for the flame, This is what you hit, Find your lane that they just can't fit. My sauce too hot, My sauce too hot, My sauce to bold, They sauce too cold, My sauce too hot, My sauce too hot, My sauce to bold, They sauce too cold, My sauce too hot.
Fun, wild, determined. Industrial hip hop beat begins with booming Fun, wild, determined. Industrial hip hop beat begins with booming bass. Hi hat percussion meets with dirty guitar notes to further support a feeling of heat and fun. An upbeat and cheeky energy. Sirens at 01:05 communicates a sense of crazy danger. Instrumental version.
Fun, wild, determined. Industrial hip hop beat begins with booming Fun, wild, determined. Industrial hip hop beat begins with booming bass. Hi hat percussion gives a feeling of determination and bouncy rhythm. An upbeat and cheeky energy. Sirens at 01:05 communicates a sense of crazy danger. Stripped back underscore version.
Lively, arrogant, competitive. Fuzzy bass meets with sturdy kick drum Lively, arrogant, competitive. Fuzzy bass meets with sturdy kick drum rhythm and bubbling dissonant sound. Clattering hip hop percussion meets with charismatic female rapper with lyrics about being different than the competition, always winning and being better than others around. Spacey feeling from bubbling sounds and trippy delay effects.歌词
Yeah, the champ is here, I'm built different. Listen up, I got somethin' to say, Keep your ears and eyes on me, I'm built different, I ain't average, Just here to play, This ain't no hopscotch, Nah, I'm built different, Pound for pound, You don't want it with me, I ain't here to make friends, I'm here to compete, Prepare yourself, Your defeat is imminent, Coz I'm built different, So what it is? Who's next? Who I gotta talk to? Who's signing the checks? First pick of the draft, Never touch a bench, Bout to drop some knowledge, Why don't you go fetch? You wanna know how a champ is made? Through blood, sweat and tears, Never mind the shade, What's a hater to an MVP? You ain't finna get a rise outta me. They don't make em' like me no more, I'm something' like a classic, If you thinkin' you can even the score, You gon' need some magic, I'm built different, You wouldn't understand, I'm built different, That's why I'm highly in demand. Hold up, I don't think you heard me, I meant what I said, Yeah I'm built different, I done' proved that I'm more than worthy, It's time to get ahead, I told you I'm built different, I shoot to score, I was born for this, Every day I go harder and I never miss, Prepare yourself, Your defeat is imminent, Coz I'm built different. They don't make em' like me no more, I'm something' like a classic, If you thinkin' you can even the score, You gon' need some magic, I'm built different, You wouldn't understand, I'm built different, That's why I'm highly in demand.
Lively, arrogant, competitive. Fuzzy bass meets with sturdy kick drum Lively, arrogant, competitive. Fuzzy bass meets with sturdy kick drum rhythm and bubbling dissonant sound. Clattering hip hop percussion meets with heavier bass to create a feeling of assured power. Spacey feeling from bubbling sounds and trippy delay effects. Instrumental version.
Lively, arrogant, competitive. Fuzzy bass meets with sturdy kick drum Lively, arrogant, competitive. Fuzzy bass meets with sturdy kick drum rhythm and bubbling dissonant sound. Clattering hip hop percussion meets with heavier bass to create a feeling of assured power. Spacey feeling from bubbling sounds and trippy delay effects. Stripped back underscore version.
Soulful, meaningful, nostalgic. Fuzzy piano line is joined by boom Soulful, meaningful, nostalgic. Fuzzy piano line is joined by boom bap hip hop samples and bass. Laidback but skilled male rapper with lyrics about growing up in rough areas, knowing the city and pushing to change for the better. Echoed melodies offer a nostalgic ghostly energy, looking at a bustling city and feeling the rush of all the people and skyscrapers. Lyrical content about struggle in impoverished areas with crime, feelings of empowerment.歌词
Yeah, yeah, Yeah, yeah,
Let's go, Yeah.
Yeah, grew up in a land full of monsters, Blinded by the city lights, Fell asleep to gunshots, Bang, bang lullabies, These dark times had us praying for some brighter days, Wishing well, but I'm really hoping for a change, Yeah, my homies claiming I changed up, One way in, one way out, If you ganged up, Only way you chasing dreams, If you laying down, The crabs in the hood, Hoping you don't make it out.
Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine,
(Why you living your life, In the dark when it’s light?) Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine.
Will I ever make it out? Maybe I will never know, Or see the age of 25, Even though they say I won’t, Somebody tell me, what do I have to live for? Get ahold of my life, I want more, It’s ok to dream now, Yeah, I gotta chase it, This life that I have is mine, And I can't replace it, So here I go, chasing it all, And I'll get back up if I fall.
Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine,
(Why you living your life In the dark when it’s light?)
Trapped in this state of mine, Trapped in this state of mine,
Trapped in this state of mine, Trapped in this state of mine.
Soulful, meaningful, nostalgic. Fuzzy piano line is joined by boom Soulful, meaningful, nostalgic. Fuzzy piano line is joined by boom bap hip hop samples and bass. Echoed melodies offer a nostalgic ghostly energy, looking at a bustling city and feeling the rush of all the people and skyscrapers. Gunshot FX inspire a sense of dangerous US cities, with lyrics about being trapped in the city spirit. No lead vocal version.歌词
Yeah, yeah, Yeah, yeah,
Let's go, Yeah.
Yeah, grew up in a land full of monsters, Blinded by the city lights, Fell asleep to gunshots, Bang, bang lullabies, These dark times had us praying for some brighter days, Wishing well, but I'm really hoping for a change, Yeah, my homies claiming I changed up, One way in, one way out, If you ganged up, Only way you chasing dreams, If you laying down, The crabs in the hood, Hoping you don't make it out.
Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine,
(Why you living your life, In the dark when it’s light?) Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine.
Will I ever make it out? Maybe I will never know, Or see the age of 25, Even though they say I won’t, Somebody tell me, what do I have to live for? Get ahold of my life, I want more, It’s ok to dream now, Yeah, I gotta chase it, This life that I have is mine, And I can't replace it, So here I go, chasing it all, And I'll get back up if I fall.
Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine, Trapped in this state of mine,
(Why you living your life In the dark when it’s light?)
Trapped in this state of mine, Trapped in this state of mine,
Trapped in this state of mine, Trapped in this state of mine.
Soulful, meaningful, nostalgic. Fuzzy piano line is joined by boom Soulful, meaningful, nostalgic. Fuzzy piano line is joined by boom bap hip hop samples and bass. Echoed melodies offer a nostalgic ghostly energy, looking at a bustling city and feeling the rush of all the people and skyscrapers. Gunshot FX inspire a sense of dangerous US cities. Instrumental version.
Celebratory, lively, upbeat. Quirky soulful piano chords join with Celebratory, lively, upbeat. Quirky soulful piano chords join with clapping to create an atmosphere of community reminiscent of a street party. Slick male vocals sing about feelings of positivity and joy. Heavy percussion support notions of energy and spirit. Instrumentation drops out for rap verse with fun, playful rhymes and ad libs. Organ chords communicate a sense of fulfilment.歌词
Yeah, It's all good, yeah it's all good, We gon come up, come up, Never looking back going to the finish line,
Yeah we run up, run up.
Yeah it's all good, All good, all good, Yeah it's all good, [All good, all good] Yeah its, all good, All good, all good, Yeah it's all good,
[All good, all good, all good]
Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah, yeah, yeah, yeah,
Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah, yeah, yeah.
Uh no improvisation if I say I'm good you know that’s a realisation, Yeah the sun comes after the rain celebration,
Moving out a dark place it's a renovation, Uh hold up wait a minute, Yeah we pop and lock it, We aim at the stars ain’t nobody can stop it, We stick to our lane, We don't care about no traffic, We never gon panic, We stay charismatic, Okay [woo].
It's all good right now, We running to the finish line, Smiles right now, So we know it's our time right now, So we going to the top, All smiles right now.
Yeah, It's all good, yeah it's all good, We gon come up, come up, Never looking back going to the finish line, Yeah we run up, run up.
Yeah it's all good, All good, all good, Yeah it's all good, [All good, all good] Yeah it's, all good, All good, all good, Yeah it's all good,
[All good, all good, all good].
Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Ain't no, ain't no, ain't no, ain't no, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Ain't no, ain't no.
Celebratory, lively, upbeat. Quirky soulful piano chords join with Celebratory, lively, upbeat. Quirky soulful piano chords join with clapping to create an atmosphere of community reminiscent of a street party. Voices shouting provide a sense of joy and energy. Heavy percussion supports playfulness and spirit. Organ chords communicate a sense of fulfilment. No lead vocal version.歌词
Yeah, It's all good, yeah it's all good, We gon come up, come up, Never looking back going to the finish line,
Yeah we run up, run up.
Yeah it's all good, All good, all good, Yeah it's all good, [All good, all good] Yeah its, all good, All good, all good, Yeah it's all good,
[All good, all good, all good]
Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah, yeah, yeah, yeah,
Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah it's all good, All good, all good, Yeah, yeah, yeah.
Uh no improvisation if I say I'm good you know that’s a realisation, Yeah the sun comes after the rain celebration,
Moving out a dark place it's a renovation, Uh hold up wait a minute, Yeah we pop and lock it, We aim at the stars ain’t nobody can stop it, We stick to our lane, We don't care about no traffic, We never gon panic, We stay charismatic, Okay [woo].
It's all good right now, We running to the finish line, Smiles right now, So we know it's our time right now, So we going to the top, All smiles right now.
Yeah, It's all good, yeah it's all good, We gon come up, come up, Never looking back going to the finish line, Yeah we run up, run up.
Yeah it's all good, All good, all good, Yeah it's all good, [All good, all good] Yeah it's, all good, All good, all good, Yeah it's all good,
[All good, all good, all good].
Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Ain't no, ain't no, ain't no, ain't no, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Going to the top, Ain't nobody here to stop us, Ain't no, ain't no.
Celebratory, lively, upbeat. Quirky soulful piano chords join with Celebratory, lively, upbeat. Quirky soulful piano chords join with clapping to create an atmosphere of community reminiscent of a street party. Voices shouting provide a sense of joy and energy. Heavy percussion supports playfulness and spirit. Organ chords communicate a sense of fulfilment. Instrumental version.
Celebratory, lively, upbeat. Quirky soulful piano chords join with Celebratory, lively, upbeat. Quirky soulful piano chords join with clapping to create an atmosphere of community reminiscent of a street party. Heavy percussion supports playfulness and spirit. Organ chords communicate a sense of fulfilment with chattering hi hats offering a modern hip hop aura. High pitched piano keys as instrumentation drops out, returning with force. Stripped back underscore version.
Heavy, confident, fun. Light, fuzzy synth notes create an Heavy, confident, fun. Light, fuzzy synth notes create an anticipatory energy followed by big 808 trap beat. Male vocals sing about doing things fast and with self assurance. Beat clears for verse as euphoric synth notes float around soundscape as male vocalist rap tunefully about practicing their talents, being brave in the face of a challenge and putting in work to be the best. Hardworking vibe, a montage of someone training for sport or something competitive.歌词
Yeah, yeah, yeah, Real quick, I've been going to the top, Yeah real quick, I'm a switch up on the spot, Yeah real quick, I'm a cop it while it’s hot, Yeah real quick, Real, real, real, real, Hit it real quick, Uh last second shot,
Hit it real quick, I'm a cop it while it’s hot, Hit it real quick, Yeah I'm headed to the top, Hit it real quick, Real, real, real, real, Hit it real quick.
Going to the top ain’t no exception, Lost or lesson yeah it’s all about perception, Heard yes twice but I Can't count my rejections,
Trick my mind to like it I guess that's self deception [woo], Winning’s what I like gotta make it right yeah I'm hyped, I ain't backing down ready for the fight yeah that’s right, Out of sight out of mind, But I'm going to set my eyes on everything that I like. Aye I’ve been, Putting in the work, I'm way to immerse, Everybody acting, How can I rehearse?
Gotta break the curse, Made it out the dirt, Triple up my worth, Reimburse, Everybody doubted, So I start em first, Universe, Keep on blessing me, I gotta go disperse,
In this purse, Darkest tunnel, But I always will emerge, They prefer it, That I stay down, Moving with the herd, But I'm gonna make out the trenches, For what it’s worth.
Yeah real quick, I've been going to the top, Yeah real quick, I'm a switch up on the spot, Yeah real quick, I'm a cop it while it’s hot, Yeah real quick, Real, real, real, real, Hit it real quick, Uh last second shot,
Hit it real quick, I'm a cop it while it’s hot, Hit it real quick, Yeah I'm headed to the top, Hit it real quick, Real, real, real, real, Hit it real quick.
Real real quick,
If you talking money then it peaked my interest,
Haters watching me better mind your business, Win, win, win in any exhibit, I'm winning, Yeah you inconsistent, Look at the scoreboard paint the pictures, I don't take no selfies I like bigger pictures, Cut any one off like I got the scissors, Real quick.
Climbing, climbing, climbing, When I reach the top, Greatness is all that I'm ever finding, Finish so defining, Made it from the bottom, If you need reminding, Cut from a different cloth, God did the redesigning.
Perfect timing, Remember when my card was always declining, Stars aligning,
So in my darkest hours I’m always shining, Scuba diving in the ocean, Facing sharks I'm always fighting,
Invest in my mount Everest I’m going to the top I'm climbing.
Yeah real quick, I've been going to the top, Yeah real quick, I'm a switch up on the spot, Yeah real quick, I'm a cop it while it’s hot, Yeah real quick, Real, real, real, real, Hit it real quick, Uh last second shot,
Hit it real quick, I'm a cop it while it’s hot, Hit it real quick, Yeah I'm headed to the top, Hit it real quick, Real, real, real, real, Hit it real quick.
Heavy, confident, fun. Light, fuzzy synth notes create an Heavy, confident, fun. Light, fuzzy synth notes create an anticipatory energy followed by big 808 trap beat oozing coolness and self assurance. Beat clears for verse as euphoric synth notes float around soundscape, backing vocals provide confident lyricism. Hardworking vibe, a montage of someone training for sport or something competitive. No lead vocal version.歌词
Ain’t no exception, All about perception, Count my rejections,
Trick my mind to like it
I guess that's self deception [woo], Winning’s what I like, Out of sight out of mind, But I'm going to set my eyes on everything that I like.
Putting in the work, To immerse, Rehearse, Break the curse, Triple up my worth, So I start em first, Universe, Go disperse,
In this purse.
Real quick,
Real quick, Real, real quick, Real quick, Hit it real quick, Real quick, quick, quick, quick, Real quick.
I'm real, What? Painting pictures, What?
Perfect timing, I'm always shining, I'm always fighting, Real quick.
Heavy, confident, fun. Light, fuzzy synth notes create an Heavy, confident, fun. Light, fuzzy synth notes create an anticipatory energy followed by big 808 trap beat oozing coolness and self assurance. Beat clears for verse as euphoric synth notes float around soundscape. Hardworking vibe, a montage of someone training for sport or something competitive. Instrumental version.
Heavy, confident, fun. Light percussion provides a sense of Heavy, confident, fun. Light percussion provides a sense of anticipation before big 808 trap beat breaks through oozing confidence and coolness. Beat clears for verse as euphoric synth notes float around soundscape. Hardworking vibe, a montage of someone training for sport or something competitive. Stripped back underscore version.
Heavy, boastful, bright. Airy pipe samples play through strange but Heavy, boastful, bright. Airy pipe samples play through strange but upbeat melody. Heavy distorted 808 beat joined by confident male vocals about flaunting stylishness. Vocals about being your own person, not paying attention to people who do not match your energy. Heavy but intricate energy from sharp rapping style and overly raw affectations in the beat.歌词
Flex [flex], Ice on me so you know
I gotta flex, [got money, got money, money] Money come around, So you know I gotta flex [flex], Tell me what’s next, Got the money now I flex [flex, flex], Tell me what’s next, Got the money now I.
Flexing I'm the man, Like I got the moola, Type of money,
Making strangers wish they really knew ya, And she coming round, Acting like she know my biz, So I cut her off, I don't really knew who fool her, Uhh diamonds on my wrist right now, I don't got free time, So just dip right now, She gon hit me up tonight, Like who with you right? I'm like me myself and I,
In the pic right now uhh.
Imma ball man, I'm a baller, She gon call me up tonight, But I never call her, I’m a shot caller, And the main author of my life, So no one can judge me your honour.
Flex [flex], Ice on me so you know I gotta flex, [Flex, flex, flex] Money come around, So you know I gotta flex [I gotta flex], Tell me what’s next, Got the money now I flex [flex, flex], Tell me what’s next, Got the money now I.
I look in the mirror, Cause I look to myself for advice [yeah], Hitting all my shots, And I'm hitting it precise [yeah], Building up the courage, Before I over analyse, Flex cuz nobody thought I really would survive [ok, ok].
Now I'm the man, So they know who I am, yeah they gonna show respect [respect on my name], Yeah, tried to put me in a noose, But I cut the rope off of my neck.
Yeah I'm feeling so alive man, Tried to stop me, But you know they couldn't stop man, Ahh man got the money in my right hand, Flexin’ on the gram, But I know that it’s God’s plan.
Just flex, Ice on me so you know I gotta flex, [got money, got money, money] Money come around,
So you know I gotta flex, [flex, flex, flex, flex] Tell me what’s next, Got the money now I flex [flex, flex], Tell me what’s next, Got the money now I.
Flexin yeah I'm really flexing I'll be, Flexin yeah I'm really flexing I'll be, Flexin yeah I'm really flexing,
I just stunt on my ex, Yeah I'm really flexing aye, Flexin yeah I'm really flexing,
I just uh, I just uh, I just uh Flex, flex, flex, flex, Flexin yeah I'm really flexing aye.
Heavy, boastful, bright. Airy pipe samples play through strange but Heavy, boastful, bright. Airy pipe samples play through strange but upbeat melody. Heavy distorted 808 beat joined by chanting and whispering backing vocals. Heavy but intricate energy from sharp rapping style and overly raw affectations in the beat. No lead vocal version.歌词
Really knew ya, Know my biz, I don't really knew who fool her, Wrist right now, So just dip right now, Who you with right now, In the pic right now uuh.
I'm a baller, Never call her, Caller, Author, Your honour.
Flex, Ice on me so you know I gotta flex, [Flex, flex, flex]
Flex [I gotta flex], Flex, Tell me what's next, Got the money now I.
Yeah, yeah, yeah, Ok, ok, Respect on my name, On my name.
Yeah I'm feeling so alive man, Tried to stop me, But you know they couldn't stop man, Ahh man got the money in my right hand, Flexin’ on the gram, But I know that it’s God’s plan.
Just flex, Flex, flex, Ice on me so you know I gotta flex, [got money, got money, money] Money come around, So you know I gotta flex, [flex, flex, flex, flex] Tell me what’s next,
Got the money now I flex, Tell me what’s next, Got the money now I.
Heavy, boastful, bright. Airy pipe samples play through strange but Heavy, boastful, bright. Airy pipe samples play through strange but upbeat melody. Heavy distorted 808 beat plays alongside pipes creating a heavy but intricate energy with overly raw affectations in the beat. Instrumental version.
Heavy, boastful, bright. Airy pipe samples play through strange but Heavy, boastful, bright. Airy pipe samples play through strange but upbeat melody. Heavy distorted 808 beat plays alongside pipes creating a heavy but intricate energy with overly raw affectations in the beat. Stripped back underscore version.
Dirty, rough, deft. Pulsing sub bass joins with sonar-like FX, into Dirty, rough, deft. Pulsing sub bass joins with sonar-like FX, into rock guitar chords stabbing out sharply before falling into droning power chords. Percussive FX and muted guitar notes convey a sense of dexterity, someone who is rough and enjoys a good time but is very skilled and able-bodied. Minor power chords offer a wicked atmosphere.
Dirty, rough, deft. Pulsing sub bass joins with sonar-like FX, into Dirty, rough, deft. Pulsing sub bass joins with sonar-like FX, into rock guitar chords stabbing out sharply before falling into droning power chords. Percussive FX and muted guitar notes convey a sense of dexterity, someone who is rough and enjoys a good time but is very skilled and able-bodied. Minor power chords offer a wicked atmosphere. Instrumental version.
Dirty, rough, deft. Pulsing sub bass joins with sonar-like FX, into Dirty, rough, deft. Pulsing sub bass joins with sonar-like FX, into swift-moving dirty drumbeat. Percussive FX and muted guitar notes convey a sense of dexterity, someone who is rough and enjoys a good time but is very skilled and able-bodied. Stripped back underscore version.
Inspirational, determined, powerful. Gentle euphoria launches into Inspirational, determined, powerful. Gentle euphoria launches into sharp indie rock sequence with choral voices and searing guitar tones. Impassioned male vocals sing about solidarity and bravery in the face of darkness, fighting for yourself. Spiky indie style conveys a feeling of tenacious energy.歌词
When the night gets dark, I’ll be standing right here,
Inspirational, determined, powerful. Gentle euphoria launches into Inspirational, determined, powerful. Gentle euphoria launches into sharp indie rock sequence with choral voices and searing guitar tones. Spiky indie style conveys a feeling of tenacious energy. Stripped back underscore version.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering,
Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya,
I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Explicit. Fiery, upbeat & sensual reggaeton-pop sung in Spanish. What Explicit. Fiery, upbeat & sensual reggaeton-pop sung in Spanish. What a good night that was. Male rap singer, male backing vocals, auto-tune, synth, sampling & electronic percussion.歌词
ES:
Ella después de la disco se calentó
En medio de la noche salió el sol
Y yo probé sus labios
Y ahí mismo quedé
Y la verdad no sé
Explicarte cómo fue
Si fue su cara o fue su pelo
Yo solo sé que quiero repetir de nuevo
Que bien lo hicimos esa noche
Nos devoramos en el coche
Y tú con tu perfume Dolce
Y nos pasamos fue un derroche
Toda la noche
Hicimos el amor después de la tertulia
De apellido Caliente, de nombre Julia
Una princesa aunque no venga de Asturias
Pero que fue salvaje controlar sus uñas
Y nos devoramos en el asiento trasero
La pasión a full los sentimientos bajo cero
Estaba mojada parecía un aguacero
Dice que soy su juguete y no quiero salir del juego
Y yo quiero repetir, no hay otra que le pueda competir
Cuando yo me voy ella me hace venir
Que bien lo hicimos esa noche
Nos devoramos en el coche
Y tú con tu perfume Dolce
Y nos pasamos fue un derroche
Toda la noche
Oooooooo, ooooo
Contigo mami lo repito
Una y otra vez
Oooooooo, oooooo
Tu eres la que me vira el mundo
Y me pones al revés
Oooooooo, ooooo
No quiero que te vallas
Ay mami quédate
Oooooooo, oooooo
Si tú eres la manzana
Entonces yo te morderé
Me lo hizo en la escalera
Me lo hizo en la piscina
Me lo hizo dentro del auto
Esa mujer es divina
Me gusta como camina
Me gustan toa' sus locuras
Yo con ella me caso
Está demasiado dura
Que bien lo hicimos esa noche
Nos devoramos en el coche
Y tú con tu perfume Dolce
Y nos pasamos fue un derroche
Toda la noche
Oooooooo, ooooo
No quiero que te vallas
Ay mami quédate
Oooooooo, oooooo
Si tú eres la manzana
Entonces yo te morderé
EN:
She got heated up after the disco
In the middle of the night the sun came out
And I tasted her lips
And right there I stayed
And the truth is I don't know
I can't tell you how it was
If it was her face or her hair
I only know that I want to repeat it again
What a good time we had that night
We devoured each other in the car
And you with your Dolce perfume
And we went on and on it was great
All night long
We made love after chatting
Her last name Caliente, her first name Julia
A princess though she didn't come from Asturias
But it was wild to control her nails
And we devoured each other in the back seat
Passion at full throttle feelings below zero
She was wet like a storm
She says I'm her toy and I don't want to get out of the game
And I want to repeat, there's no other that can compete with her
When I leave she makes me come
What a good time we had that night
We devoured each other in the car
And you with your Dolce perfume
And we went on and on it was great
All night long
Oooooooo, ooooo
With you mami I'd repeat it
Over and over again
Oooooooo, oooooooo
You're the one that flips my world
And you turn me upside down
Oooooooo, oooooo
I don't want you to go away
Oh mami stay right here
Oooooooo, oooooooo
If you're the apple
Then I'll bite you
She did it to me on the stairs
She did it to me in the pool
She did it to me in the car
That woman is divine
I like the way she walks
I like all her crazy ways
I'll marry her
She's too good
What a good time we had that night
We devoured each other in the car
And you with your Dolce perfume
And we went on and on it was great
All night long
Oooooooo, oooooo
I don't want you to go away
Oh mami stay right here
Oooooooo, oooooooo
If you're the apple
Then I'll bite you
Tell me where can I go no bow and arrow now how should I go ?
come back with the fire and go where lovers go get on it, get on it
oh the river so calm it was the day before not far from home
And now make it glow go break the rhythm now show me how to go
I feel like i’m a stranger
an imposter playing all round the world keep an eye on the sly moon
walking high on a hot air balloon
Tell me where can I go ? no bow and arrow now how should I go ?
come back with the fire and go where lovers go get on it, get on it
the big star so bright
will light the road ahead down to the high golden gate
And now make it shower
with sparkle silver dust summer moon celebrate yeah
I feel like i’m a stranger
an imposter playing all round the world keep an eye on the sly moon
walking high on a hot air balloon
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass and male vocals bragging about strength and prowess. Rap vocal style conveys self-assured atmosphere. Rise into EDM drop at 00:37 with trippy synths and large bass. Superhero energy from lyrics about a superior power and bravery. Hype rap verse at 01:26 displays talent through pacy delivery of lyrics about not needing any help or validation.歌词
I’m the bigger man, I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man,
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man, I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can, I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
Started low,
Here we go, Yeah,
Check my facts
Speak and act,
Wow, From the dust To the crown, Yeah,
Take it or leave it,
Ain’t gonna let no one in my head, yeah,
Cause I’ll be flying like I mean it man (I mean it!),
Saving all the ones who said I couldn’t be me,
Used to have a lot of doubt about myself (facts),
But now I shining brighter than you’ll ever be.
I’m the bigger man,
I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man.
Bring it to fruition
Making digits every minute, damn.
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
I don’t give a damn,
Cause I know,
Got a chip on my back,
Giving you facts,
Right off the bat, It’s an attack,
Started by me, I can do that,
I don’t need no validation from you, I am a king,
You better bow, I don’t see no enemies,
They went away like a cloud,
I’m in my zone, I’m in my zone, Before you talk,
Look where I’m at, Better look up, Yea!
Cause I'll be flying like I mean it, man (I mean it!),
I don’t need to cool it down, I make it clear,
Cruising ‘cause I’m always in my element,
Getting what I want,
‘Cause what I do is what I said I will.
I’m the bigger man,
I’m the bigger man (yea),
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man (yea),
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything I do it ‘cause I said I can,
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Stripped back underscore version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Launch into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Rise into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Stripped back underscore version.
