Sentimental, lively & smooth pop sung in Spanish & English. Sentimental, lively & smooth pop sung in Spanish & English. Better-off alone than with bad company. Female singer, electric piano, synth & electronic percussion.歌词
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Explicit. Sentimental, lively & smooth pop sung in Spanish. Explicit. Sentimental, lively & smooth pop sung in Spanish. Better-off alone than with bad company. Female singer, electronic piano, synth & electronic percussion.歌词
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Solemn, emotive, honest. Sorrowful acoustic guitar is joined by Solemn, emotive, honest. Sorrowful acoustic guitar is joined by passionate male choral voices. Lyrics present an individual in deep sadness, expressing feelings of isolation and mental anguish. Shaking voice and impassioned tone illustrate a deeply tear-jerking energy, lending itself to feelings of forgiveness and redemption. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone.歌词
I am a soul for sale Walking inside a maze I am a hidden trail
Lost in myself for days It’s not the life I choose
Solemn, emotive, honest. Sorrowful acoustic guitar presents an Solemn, emotive, honest. Sorrowful acoustic guitar presents an atmosphere of austere sadness. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone. Instrumental version.
Solemn, emotive, honest. Sorrowful acoustic guitar presents an Solemn, emotive, honest. Sorrowful acoustic guitar presents an atmosphere of austere sadness. Epic electric guitar offers a grandiose feeling, large panoramic landscapes. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone. Stripped back underscore version.
Wistful, nostalgic, energetic. Pop folk energy communicated through Wistful, nostalgic, energetic. Pop folk energy communicated through bright guitar chords and organic percussion. Male vocals reminisce about a romantic holiday, passion communicated as guitar strums more defiantly and vocals build in intensity. Love conveyed through lyrics longing to rekindle a romantic fire, with folky raw energy demonstrated through shouted vocals and accordions.歌词
One day in the sun I’ll take you back to New York city Where it all begun
Wistful, nostalgic, energetic. Pop folk energy communicated through Wistful, nostalgic, energetic. Pop folk energy communicated through bright guitar chords and organic percussion. Passion displayed as strumming becomes more intense and determined. Raw folky energy conveyed through fast pace and organic instrumentation. Instrumental version.
Wistful, nostalgic, energetic. Pop folk energy communicated through Wistful, nostalgic, energetic. Pop folk energy communicated through bright guitar chords and organic percussion. Passion displayed as strumming becomes more intense and determined. Raw folky energy conveyed through fast pace and organic instrumentation. Stripped back underscore version.
☆ Nominated "Best Use - Film Trailer" @Production Music Awards 2024 ☆ Nominated "Best Use - Film Trailer" @Production Music Awards 2024 ☆ Electronic hybrid track with confident strings ostinato & pads. Luminous, elegant & arty. Build-up with vocal layers & drum beat. Cut & Drop @ 1'38. Climax. Piano conclusion. Suggested for indie movie, teenage series & sci-fi.
Uplifting french touch track with 80's inspiration. Synth, pitch Uplifting french touch track with 80's inspiration. Synth, pitch voices & catchy beat. Break @ 0'41 building-up with an energetic groove. Perfect for dance party, festive content & fashion.歌词
Take me higher Take me higher, Can you make me, make me a believer?Take me higher Can you make me, make me a believer? Take me higher Can you make meTake meTake me higher Take me higher, Can you make me, make me a believer? Take me
Heavy, uplifting, passionate. Heavy R&B beat meets with impassioned Heavy, uplifting, passionate. Heavy R&B beat meets with impassioned whispered vocals that set out a mysterious scene, reminiscent of introspection, an individual exploring the darkness of their heart. Cathartic release at 00:41 as vocalist delivers emotive elongated notes, singing of a love or connection breaking down. Ambience in the verse communicated by panning vocal samples and relaxed instrumentation helps to embolden explosion of the chorus.歌词
Feeling Something Moving Closer All the reasons I can find
Finding Holding Secrets
Together You’re all the reasons I can find
Stop breaking down We hit the ground Stop pushing
Running Faster Dreaming Closer All the reasons I can find
Heavy, uplifting, passionate. Heavy R&B beat sets out a mysterious Heavy, uplifting, passionate. Heavy R&B beat sets out a mysterious energy. Cathartic release at 00:41 as heavy synths and basslines rattle in an uplifting sequence. Ambience in the verse communicated by more relaxed instrumentation helps to embolden explosion of the chorus. Instrumental version.
Contemporary, determined, attitude. Positive and playful female Contemporary, determined, attitude. Positive and playful female vocals with bright guitars, keys and atmospheric percussion. Confident and cool African-inspired pop with swagger.歌词
La La La La La Laa La* La La La La La Laa La*
Running down the side street Kicking up grass Doing math over last week JUNE! Nothing in the fridge Blue bunny in the freezer But it's hotter than a geyser out here Damn i'm trying to do the right thing Winter to the summer no spring *woo!* I'm a bad mamma jamma got the new Js on and my bling JUNE! All this black on black I'm trying to shake it off like a heart attack, c'mon JUNE! Got the hair slicked back Step into the sun, no slack imma kill it in JUNE!
La La La La La Laa La* Imma kill it in JUNE!
La La La La La Laa La* Imma kill it in JUNE! I'm the money on the airwaves, push it cause I'm dope on the block JUNE! See the new Rick James with the side faded out clement top Ya'll know it's hot out here, got my babies in their birthday suit *cute* Put my shades back on, I'm the M.I.B. and I get loose *ooh* JUNE! All this black on black I'm trying to shake it off like a heart attack, c'mon JUNE! Got the hair slicked back Step into the sun, no slack imma kill it in JUNE! La La La La La Laa La* Imma kill it in JUNE! La La La La La Laa La* Imma kill it in JUNE! La La La La La Laa La* Imma kill it in JUNE! La La La La La Laa La* Imma kill it in JUNE!
Atmospheric, playful, quirky. Confident female vocals with male vocal Atmospheric, playful, quirky. Confident female vocals with male vocal harmonies, with a romantic, hopeful theme. Mysterious intro is joined by bright, magical chimes, whistling, xylophone, piano and guitar, becoming more positive, dreamy, relaxed and summery.歌词
We don't need money, no, We don't need money for no rainy days, We don't need anyone, We'll shoot the breeze and sail away.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
Come and see me now, Come up and see me I'll make you smile, Get out the city now, Follow me and I'll make you wild.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
By tomorrow we'll be in oyster bay, Here's to sunshine, here's to making play all day, We don't need money, We don't need money for no rainy day.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
Positive, attitude, cool. Playful synth brass with relaxed beats, Positive, attitude, cool. Playful synth brass with relaxed beats, funky basslines, bright electric guitars and determined, atmospheric female vocals build to catchy, upbeat choruses with vocal FX and romantic lyrics. Sultry and fun commercial and contemporary female pop with swagger.歌词
U catch my eye The way you move is magical I’m paralyzedIt’s
Almost criminal
What I got to do to get you Right next to me Shinning like diamonds you’resparkling
You’re a 10 out of 9 You’re just what I like I can’t lie I like
What I see Cause you’re dressed to 9’s Want to call you mine wanna get out of here with me?
Under the lights Your smile irresistible U got me high Not like the rest, not Typical
What I got to do to get you Right next to me Shimmer like gold, ur all I. Need
You’re a 10 out of 9 You’re just what I like I can’t lie I like
What I see Cause you’re dressed to 9’s Want to call you minewanna get out of here with me?
Is it the alcohol talking? Cause darling I’ve never wanted Someone like u But what can I do?
You’re a 10 out of 9 You’re just what I like I can’t lie I like
What I see Cause you’re dressed to 9’s Want to call you mine wanna get out of here with me? X2
Uplifting, positive, fun. Stomping drums with cool electric guitar Uplifting, positive, fun. Stomping drums with cool electric guitar riffs and bright, 80's synths are joined by soulful and confident male vocals. Inspiring and energetic pop with euphoric, summery choruses to get you dancing.歌词
Attitude, energetic & raw speed-rock sung in Spanish. Revealing the Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
Electro pop, dreamy electro house. Introspective, smooth & soulful. Electro pop, dreamy electro house. Introspective, smooth & soulful. Suggested for love story & teen drama. Male singer, with rhythm & sampled voices @ 2'25.歌词
I can never let the past away I can never lie I’ve seen too much of what it does
And if I relish the walking in I can never lie I’ve seen too much of what it does
And certainty’s the worst of them For what it’s worth I fear that one Probably the only thing I understand
I can never chase the vanished thirst I can never lie I released that one a while ago Wouldn’t even blame the family curse Wouldn’t even try I wasn’t made a friend or foe
And certainty’s the worst of them For what it’s worth I fear that one Probably the only thing I understand
And the truth that we can grab sometimes Is enough for me
Electro pop song, dance-pop, electro-rock. Catchy intro then driving, Electro pop song, dance-pop, electro-rock. Catchy intro then driving, heady & bouncy. Female singer, synth, electric guitar & rhythm. Recommended for romance, fashion, attitude, TV shows歌词
I don’t know where I go
Looking at you
But I like you so
I hope you too
We’re like a wasted crush
You’re just like the first name on the board
That I need to touch
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
You don’t have to act
Like you don’t care
Consider the fact
I’ve never been there
We’re like a wasted crush
You’re just like the first name on the board
That I need to touch
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
We’re like a wasted crush
You’re just like the first name on the board
That I need to touch
We’re like a wasted crush
You’re just like the first name on the board
That I need to touch
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
Austere, bouncy, stylish. Formidable bass sets out a serious sequence Austere, bouncy, stylish. Formidable bass sets out a serious sequence amidst wistful percussive FX and ethereal vocal samples. Buoyant energy from chattering synths and tuneful, pulsating drums. Watery FX give an aqueous beach vibe, visions of beautiful people relaxing and lying on a beach in sunlight, claps lending a communal energy.
Austere, bouncy, stylish. Fun holiday drumbeat sets out a serious Austere, bouncy, stylish. Fun holiday drumbeat sets out a serious atmosphere with wistful percussive FX. Buoyant energy from deep kick and dynamic percussion. Stripped back underscore version.
Austere, bouncy, stylish. Formidable bass sets out a serious sequence Austere, bouncy, stylish. Formidable bass sets out a serious sequence amidst wistful percussive FX and ethereal vocal samples. Chattering synths and tuneful, pulsating drums gift a buoyant energy. Watery FX gift an aqueous beach vibe, visions of beautiful people relaxing and lying on a beach in sunlight, claps lending a communal energy. Stripped back underscore version.
Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated & classy. Female & male singer duet. Male singer @0'45, guitare & Brazilian percussions.歌词
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te pegar
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te encontrar
Zum zum zum zum Jussara vem sambar
Zum zum zum zum Jussara vem sambar
Indie folk ballad. Intimate, thoughtful & emotional. Male singer, Indie folk ballad. Intimate, thoughtful & emotional. Male singer, constant piano arpeggio & folk guitar. Suggested for nature drama, documentary & indie films.歌词
You’ll Turn Blizzard Into ZephyrAuteur/compositeur : Thomas Rozès
The icy head wind of truth rises.A mantle of snow will soon cover my innocence. Sweetie, your heart is so warm,You’ll turn blizzard into zephyr. Then will come out the rainbows,Sunflowers shall bloom on your land
Folk ballad / Nu Folk. Charming, sweet & sentimental. Relaxed. Female Folk ballad / Nu Folk. Charming, sweet & sentimental. Relaxed. Female singer, acoustic guitar & rhythm.歌词
There was a time
When I thought that you were just a player
And all my time
Depended on what you would do
And i would try
To look and sound like someone that I wasn’t
Cause you were the guy
Oh man oh yes oh yes you were the guy
And i would
Dress my hair
Make it look nice
Make sure I would have some hypnotizing eyes
Touch up my lipstick with my tiny pocket glass
Wear some jeans that shape a pretty little ass
I guess, That’s how I met my first love
The best person that I could dream of
There were some times
When you would see your friends and other women
And all that time
I’d go and do the same ‘till you were home
And i would try
To ignore my jealous opinions
Cause you were the guy
Oh man oh yes you were my handsome guy
And they would
Dress their hair
Make it look nice
Make sure they would have some hypnotizing eyes
Touch up their lipstick with their tiny pocket glass
Wear some jeans that shape a pretty little ass
I guess, That’s how we end a first love
And now, I just have to move on
(Humming)
And they would
Dress their hair
Make it look nice
Make sure they would have some hypnotizing eyes
Touch up their lipstick with their tiny pocket glass
Wear some jeans that shape a pretty little ass
I guess, That’s how we end a first love
And now, I just have to move on
Positive, motivating, uplifting. Dreamy intro of expansive, Positive, motivating, uplifting. Dreamy intro of expansive, reverberating synths are joined by propulsive drum and bass beats and bright toplines. Upbeat and driving EDM with a hopeful vibe, moving through light, minimal sections with atmospheric, contemporary vocal cuts before building again to a determined, rousing finale.
Positive, motivating, uplifting. Dreamy intro of expansive, Positive, motivating, uplifting. Dreamy intro of expansive, reverberating synths are joined by propulsive drum and bass beats and bright toplines. Upbeat and driving EDM with a hopeful vibe, moving through light, minimal sections before building again to a determined, rousing finale.
