Cool, warm, loving. Large drums and big band refrain falls into ...Cool, warm, loving. Large drums and big band refrain falls into minimalist style with soulful female vocals with lyrics about religious sentiment and family closeness. Warm brass instruments emerge with sharp accents for chord progression, inspiring a feeling of comfort and pleasure. Big band style explodes into life with jazzy improvisations. Visions of couples cuddling and enjoying each other's company in a cosy wintery scene. Jazzy conclusion adds a sense of emotion and tinges of melancholy. Vocal version.歌词
Silent night, holy night! All is calm, all is bright, Round yon Virgin, Mother and Child, Holy infant so tender and mild, Sleep in heavenly peace, Sleep in heavenly peace.
Silent night, holy night! Shepherds quake at the sight, Glories stream from heaven afar, Heavenly hosts sing Alleluia, Christ the Savior is born! Christ the Savior is born!
Cool, warm, loving. Large drums and big band refrain falls into ...Cool, warm, loving. Large drums and big band refrain falls into minimalist tune with piano and climbing blues bass. Warm brass instruments emerge with sharp accents for chord progression, inspiring a feeling of comfort and pleasure. Big band style explodes into life with jazzy improvisations. Visions of couples cuddling and enjoying each other's company in a cosy wintery scene. Jazzy conclusion adds a sense of emotion and tinges of melancholy.
Warm, bustling, celebratory. Cosy instrumentation plays through a ...Warm, bustling, celebratory. Cosy instrumentation plays through a slowly rising melody before settling into a jazzy refrain, slow and laid back. Soft double bass joins with clean piano melody, with jazz percussion conjuring images of people making their way through a snowy city on christmas eve. Saxophone solo at 01:16 provides a chilled atmosphere, with jazzy improvisational performance. Stripped back underscore version.
Warm, bustling, celebratory. Cosy instrumentation plays through a ...Warm, bustling, celebratory. Cosy instrumentation plays through a slowly rising melody before settling into a jazzy refrain, slow and laid back. Soft double bass joins with clean piano melody, with jazz percussion conjuring images of people making their way through a snowy city on christmas eve. Brass instruments embrace in a passionate style, communicating togetherness. Saxophone solo at 01:16 provides a chilled atmosphere, with jazzy improvisational performance.
Mysterious, lively, fragile. Basic harp notes mesh with reversed ...Mysterious, lively, fragile. Basic harp notes mesh with reversed euphoric notes, as a fragile euphoria slowly emerges like animals from a lush undergrowth. Harmonic notes further communicate a delicate atmosphere. Dive into low bass and subtle percussion moving feelings of quaintness and intrigue along patiently. Occasional female vocals inspire a feeling of organic fulfilment. An individual wandering through the undergrowth, feeling their way past greenery and flowers.
Mysterious, lively, fragile. Basic harp notes mesh with reversed ...Mysterious, lively, fragile. Basic harp notes mesh with reversed notes, as a fragile euphoria slowly emerges like animals from a lush undergrowth. Harmonic notes further communicate a delicate atmosphere. Dive into low bass and subtle percussion moving feelings of quaintness and intrigue along patiently. An individual wandering through the undergrowth, feeling their way past greenery and flowers. Instrumental version.
Mysterious, lively, fragile. Subtle euphoria and reversed notes ...Mysterious, lively, fragile. Subtle euphoria and reversed notes conjure visions of animals emerging from a lush undergrowth. Harmonic notes further communicate a delicate atmosphere. Instrumentation builds alongside female vocals. An individual wandering through the undergrowth, feeling their way past greenery and flowers. Stripped back underscore version.
Heroic, upbeat, impassioned. Dramatic riser moves into section ...Heroic, upbeat, impassioned. Dramatic riser moves into section utilising organic middle eastern instrumentation with charged electronic percussion. Emotive vocal trills and strings, large electronic beat moves alongside triumphant melody with energetic vocal shouts. Authentic Arabian instruments provide a sense of place and upheaval. Large trumpets provide bass melody that joins with sturdy beat.
Heroic, upbeat, impassioned. Dramatic riser moves into section ...Heroic, upbeat, impassioned. Dramatic riser moves into section utilising organic middle eastern instrumentation with charged electronic percussion. Trilling Arabian instruments provide a sense of place and upheaval. Large trumpets provide bass melody that joins with sturdy beat. Instrumental version.
Heavy, energetic, rough. Loud and proud middle eastern percussion ...Heavy, energetic, rough. Loud and proud middle eastern percussion provides a strong and formidable atmosphere, joined by winding flute sound. Build into heavy modern electronic beat, sharp interjections from authentic instruments. Deep bass providing a bombastic basis, vocal chants providing a sense of rhythm and power. Epic breakdown 01:15 as instrumentation falls away, echoed austere strings as energy builds up once again. Heavy bass and drums fire out along with flute melody. An atmosphere of seriousness and confidence, an action-packed moment that is fun and entertaining.
Heavy, energetic, rough. Loud and proud middle eastern percussion ...Heavy, energetic, rough. Loud and proud middle eastern percussion provides a strong and formidable atmosphere, joined by winding flute sound. Build into heavy modern electronic beat, sharp interjections from authentic instruments. Deep bass providing a bombastic basis, vocal chants providing a sense of rhythm and power. Epic breakdown 01:15 as instrumentation falls away, echoed austere strings as energy builds up once again. Heavy bass and drums fire out along with flute melody. An atmosphere of seriousness and confidence, an action-packed moment that is fun and entertaining. Instrumental version.
Heavy, energetic, rough. Loud and proud middle eastern percussion ...Heavy, energetic, rough. Loud and proud middle eastern percussion provides a strong and formidable atmosphere, sharp stops in drums conveys a sense of skill and talent. Deep bass providing a bombastic basis, vocal chants providing a sense of rhythm and power. Epic breakdown 01:15 as instrumentation falls away, echoed austere strings as energy builds up once again. Heavy bass and drums fire out along with flute melody. An atmosphere of seriousness and confidence, an action-packed moment that is fun and entertaining. Stripped back underscore version.
Mystic, subtle, daunting. Dazzling euphoric sound mixes with plucked ...Mystic, subtle, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a mission done under cover of darkness. Heavy sub bass injects a modern energy, contrasted with middle eastern instrumentation. Eerie vocals add to sense of intrigue and suspense.
Mystic, daunting. Dazzling euphoric sound mixes with plucked strings, ...Mystic, daunting. Dazzling euphoric sound mixes with plucked strings, into sharp melody inspiring feelings of uncertainty. A secretive situation or a mission done under cover of darkness. Heavy sub bass injects a modern energy, contrasted with middle eastern instrumentation. Instrumental version.
Mystic, daunting. Dramatic riser leads into sharp beat and heavy, ...Mystic, daunting. Dramatic riser leads into sharp beat and heavy, modern sub bass. A secretive situation or a mission done under cover of darkness. Eerie vocals add to sense of intrigue and suspense. Stripped back underscore version.
Buoyant, busy, fun. Authentic middle eastern instruments and ...Buoyant, busy, fun. Authentic middle eastern instruments and percussion set out a rhythmic sequence, joined shortly by repeated kick drum driving movement forward. Electronic bass injects a sense of buoyancy and an upbeat vibe into atmosphere of uncertainty and seriousness. Heavy electronic beat contrasts with traditional Arabian style.
Buoyant, busy, fun. Authentic middle eastern instruments set out a ...Buoyant, busy, fun. Authentic middle eastern instruments set out a rhythmic sequence. Electronic bass injects a sense of buoyancy and an upbeat vibe into atmosphere of uncertainty and seriousness. Heavy sidechained electronic sound contrasts with traditional Arabian style. Stripped back underscore version.
Buoyant, atmospheric. Sidechained flute instrument sets out a lively ...Buoyant, atmospheric. Sidechained flute instrument sets out a lively but washed out sound, an atmosphere of uncertainty and seriousness. Sparse instrumentation supports visions of far-reaching desert landscapes. Stripped back underscore version.
Lively, modern, hypnotic. Swift moving electronic beat melds with ...Lively, modern, hypnotic. Swift moving electronic beat melds with rhythmic sibilant percussion to create a dance atmosphere, traditional middle eastern instruments play out serious sequence melding with beat to create a determined lively feeling. Club vibe, a dancefloor in the middle east or somewhere hot and sunny, groups of people dancing uncontrollably to repeated beats and melodic sequences.
Modern, hypnotic. Delayed synth and plucked strings play out serious ...Modern, hypnotic. Delayed synth and plucked strings play out serious melodies, sidechained into a bouncy rhythm. Resonant echo communicates a sense of depth, a club somewhere sunny and hot. Stripped back underscore version.
Modern, hypnotic. Glittery synth echoes out, joined by dance string ...Modern, hypnotic. Glittery synth echoes out, joined by dance string melody. Sparse instrumentation communicates a feeling of depth, a far-reaching landscape somewhere hot and sunny. Stripped back underscore version.
Pacy, fun, lively. Sample plays on repeat, showcasing Arabian ...Pacy, fun, lively. Sample plays on repeat, showcasing Arabian instrumentation and rhythmic vocal chop. Swiftly launches into dance vibe with sharp interjecting vocal samples and pulsing string movements. Dance music style conjures visions of groups of people dancing and having fun, a heated and spirited atmosphere.
Pacy, fun, lively. Sample plays on repeat, showcasing Arabian ...Pacy, fun, lively. Sample plays on repeat, showcasing Arabian instrumentation. Swiftly launches into dance vibe with sharp pulsing string movements. Dance music style conjures visions of groups of people dancing and having fun, a heated and spirited atmosphere. Instrumental version.
Pacy, fun, lively. Sample plays on repeat, showcasing Arabian ...Pacy, fun, lively. Sample plays on repeat, showcasing Arabian instrumentation. Swiftly launches into dance vibe with sharp pulsing string movements. Dance music style conjures visions of groups of people dancing and having fun, a heated and spirited atmosphere. Stripped back underscore version.
Pacy, fun, lively. Sample plays on repeat, showcasing Arabian ...Pacy, fun, lively. Sample plays on repeat, showcasing Arabian instrumentation. Swiftly launches into dance style conjuring visions of groups of people dancing and having fun, a heated and spirited atmosphere. Stripped back underscore version.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside ...Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, with male vocalist warming up into autotuned hook. Sharp trap style with chattering hi hats and heavy bass. Lyrics tell a story of heartbreak and betrayal, confident in talents but expressive around emotions and feelings of sadness. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion.歌词
I'm just gonna let it ride for a second. I took it all for you, I took it all, I took it all for you, I took it all, Locked away my heart and den you threw away the key. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. High standards (high), really fly status (fly), You know it ain’t cappin (cap) if you really good at it (yeah), Take me out da hood but you can’t take my hood habits (hood habits), Brick for a verse and I call it jugg rapping (jugg), Know you heard dem stories about me now I’m a dog (dog), But every late night I be in ya call log, Hit it so good in the morning call off, Girl, I’m up right now, I could never fall off. Who dem must be trippin' know that I don't work for free (hey), Burning all this sage man keep that away from me, Baby I can’t play the game if I can’t play for keeps (keeps), Treat me like a dog you need to keep me on a leash (leash). I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. Play me like a sucker, I could love her but don’t trust her, I be lookin' in the mirror, And be feelin' so disgusted, And you can leave today, And then tomorrow have another, But they’ll never be another, Just remember when he touch it, Riding with my pistol (pistol), Blow me like a whistle (whistle), Mane I’m so authentic, And you know they artificial, Baby I’m a shark off in the water with the fishes (water with the fishes), Made a split decision and you really did me vicious. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. All for you, All, All for you, I took it all, All for you, All, All for you, I took it all.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside ...Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, echoing notes convey a wistful energy. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion. Instrumental version.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll, Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Cool, energetic, unique. Powerful sub bass launches into echoing ...Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs and emotive autotuned crooning. Lyrics separating lyricist from his competition, characterised as someone who is strong and avoids the pitfalls of life due to their austere nature and focus. Ignoring haters and only focusing on money. Trilling guitars infers a feeling of emotion, indicative of a love for the grind.歌词
You know we ain't cut the same, I come from a different cloth, I just ran my check up man and look at all of this I bought, I be hearing this and that but conversation let ‘em talk, Ain’t no sense in holding on you wanna leave I let you walk. Lately, it been feelin' like they trying me, Popped a 30 paranoid feel like they eying me, Throw that money when she pick it up it’s raking leaves, Really ballin' when you get it what they hate to see. I get that paper den I bounce, I get that paper den I’m out, I get that money then I pounce, Blow dat, blow dat by the ounce, Ooh she wanted me back then but I was busy what up now, Prolli took her on a date but day dreamin' bout an account, I run up the digits you know that I get it, I gotta go get it regardless, Even when I was broke, Wit no money account and my stomach would hurt when I’m starvin', Level up and took off like a Martian, Now them bands lookin' like they marching, Like a bull seeing red target, I be on it you know that I want it, Break it down like this shit a component, I got plugs it feel like I’m Tony, Mo connection than a fiber wire I can overnight it ain’t no waitin' on it, Everytime you get it then they hate it so it stay wit me, I can’t never let you in on secrets you might play with me. You know we ain't cut the same, I come from a different cloth, I just ran my check up man and look at all of this I bought, I be hearing this and that but conversation let ‘em talk, Ain’t no sense in holding on you wanna leave I let you walk. Lately, it been feelin' like they trying me, Popped a 30 paranoid feel like they eying me, Throw that money when she pick it up it’s raking leaves, Really ballin' when you get it what they hate to see.
Cool, energetic, unique. Powerful sub bass launches into echoing ...Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs. Trilling guitars infers a feeling of emotion, indicative of a love for the grind. Chattering trap hi hats offer an infectious energy. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi ...Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi ...Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, ...Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, sentimental, lazy & sophisticated. Male singer in crooner style, orchestra, string ensemble, brass & rhythm. Lead muted trumpet @ 1'42.歌词
I JUST DON’T CARE
Music by Sebastijan Duh Lyrics by John Greaves
THERE IS SOMETHING IN HIS EYES THAT I SHOULD RECOGNIZE BE SMART BE COOL BEWARE
EVEN THO I REALIZE IT’S PROBABLY UNWISE I JUST DON’T CARE
MY FEET ARE OFF THE GROUND MY POOR HEAD IS SPINNING AROUND
PLEASE JUST LET ME FANTASIZE HE’S NOT LIKE OTHER GUYS IT’S REAL LOVE I HAVE FOUND
LOOKS LIKE THE WRITING’S ON THE WALL NO USE IN FIGHTING, NONE AT ALL WHO COULD HAVE THOUGHT THAT I WOULD FALL SO HELPLESSLY ?
IF YOU’RE THINKING I AM DUMB TO FALL UNDER HIS THUMB DUMB MAYBE BUT I’M HAPPY
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, ...Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, lazy & sophisticated. Female singer, orchestra with string ensemble, brass & brushes. Muted trumpet @ 1'42.歌词
I JUST DON’T CARE
Music by Sebastijan Duh
Lyrics by John Greaves
THERE IS SOMETHING IN HIS EYES
THAT I SHOULD RECOGNIZE
BE SMART BE COOL BEWARE
EVEN THO I REALIZE
IT’S PROBABLY UNWISE
I JUST DON’T CARE
MY FEET ARE OFF THE GROUND
MY POOR HEAD IS SPINNING AROUND
PLEASE JUST LET ME FANTASIZE
HE’S NOT LIKE OTHER GUYS
IT’S REAL LOVE I HAVE FOUND
LOOKS LIKE THE WRITING’S ON THE WALL
NO USE IN FIGHTING, NONE AT ALL
WHO COULD HAVE THOUGHT THAT I WOULD FALL
SO HELPLESSLY ?
IF YOU’RE THINKING I AM DUMB
TO FALL UNDER HIS THUMB
DUMB MAYBE BUT I’M HAPPY
Jazzy show song in the spirit of Broadway musicals of the 30s & 40s. ...Jazzy show song in the spirit of Broadway musicals of the 30s & 40s. Carefree & determined. Male singer in crooner style, variety orchestra, piano, brass & rhythm.歌词
GOLDEN BOY Music by Julien VegaLyrics by John Greaves & Julien Vega
On the floor of Wall Street I’m one of a kindI’m no ordinary guyIf I sell or I buy I don’t even tryI can make a million dollars in the blink of an eye
Making a fortune is easy for meHow hard can it be? I’ll probably never get old Everything that I touch turns to gold
I’m flying high, I’m a fortunate guyBut try as I mightThere’s something that doesn’t sit rightAnd I think I know why
One thing I know that my money can’t buyThat’s love, think about it
Making and breaking and takingDoesn’t matter how big your greed is
When what you need isSomeone who’s pretty and witty and niceWho’s life doesn’t turn on a roll of the dice Who not so convinced everything has a price I don’t think twiceThat’s what I need Making a fortune is easy for meHow hard can it be?Excuse me but I’m on a rollYou see that all that I touch turns to gold I’m flying highI’m a fortunate guyAnd I don’t know whyI simply don’t burst into songOnly one thing is wrong One thing I know that my money can’t buyThat’s love, think about it
Making and breaking and takingAll you do is feed what your greed is
When what you need isSomeone who’s pretty and witty and niceWho’s life doesn’t turn on a roll of the dice Who’s not so convinced everything has a price I don’t think twice I knowLove is what I need
Jazz in the spirit of the 40s & 50s. Carefree & determined. Variety ...Jazz in the spirit of the 40s & 50s. Carefree & determined. Variety orchestra, with lead saxophone, piano, brass & rhythm. Suggested for vintage TV show & daytime TV.
Hip hop west coast. Streetwise, groovy, confident, enthusiastic & ...Hip hop west coast. Streetwise, groovy, confident, enthusiastic & positive. Brass @ 0'45. Break @ 1'07. Drum machine & keyboard. Music for urban environment, sport, tv underscore & lifestyle.
70s. Sophisticated & groovy with a disco touch. Wurlitzer piano ...70s. Sophisticated & groovy with a disco touch. Wurlitzer piano intro, strings & female vocals. Suggested for TV series, credits, opening & romance
