Electro house, electro dance, with a 90's vibe. Tense intro then Electro house, electro dance, with a 90's vibe. Tense intro then energetic drop @ 0'41, lively & effective. Club banger. Suggested for clubbing, fashion. Synth, vocals & rhythm.
Electro house, electro dance, with a 90's vibe. Tense intro then Electro house, electro dance, with a 90's vibe. Tense intro then energetic drop @ 0'41, lively & effective. Club banger. Suggested for clubbing, fashion. Synth & rhythm.
Solemn, noble & serious. Classical guitar duet & percussion @ 1'05. Solemn, noble & serious. Classical guitar duet & percussion @ 1'05. From Suite in Dm HWV 437 by G.F Haendel. Popularised by the film Barry Lindon.
Punctuated, serious & mysterious. Classical guitar duet & percussion. Punctuated, serious & mysterious. Classical guitar duet & percussion. From In the Hall of the Mountain King - Peer Gynt (Suite n°1 Op.46) by Edward Grieg.
Relaxed, brooding, swagger. Deep synth growls with laid-back guitars Relaxed, brooding, swagger. Deep synth growls with laid-back guitars are joined by cool drums and hypnotic synth organ toplines. Dreamy psych rock with attitude and a carefree, rebellious feel.
Relaxed, brooding, swagger. Deep synth growls with laid-back bass Relaxed, brooding, swagger. Deep synth growls with laid-back bass guitar are joined by cool drums. Dreamy psych rock with attitude and a carefree, rebellious feel. Stripped back underscore version.
Modern classical arrangement, hip-hop beat with opera voices. Catchy, Modern classical arrangement, hip-hop beat with opera voices. Catchy, lively & classy. Iconoclastic. From "King Arthur" by Purcell. Recommended for commercials. Synth, opera voices & rhythm.歌词
Shepherd, shepherd, leave decoying:Pipes are sweet on summer's day,Shepherd, shepherd, leave decoying:Women have the shot to pay.
Modern classical arrangement, electro, hard-tec. Dignified intro then Modern classical arrangement, electro, hard-tec. Dignified intro then techno beat, triumphant & tense. Totally iconoclastic. From the Pavane "Belle qui tient ma vie" by Thoinot. Suggested for team sports, party & clubbing. Synth & rhythm.
Modern classical arrangement, electro, hard-tec. Dignified intro then Modern classical arrangement, electro, hard-tec. Dignified intro then techno beat, triumphant & tense. From the Pavane "Belle qui tient ma vie" by Thoinot Arbeau. Suggested for team sports, party & clubbing. Synth, vinyl FX & rhythm.
Modern classical arrangement, electro dub. Relaxed, interrogative & Modern classical arrangement, electro dub. Relaxed, interrogative & mischievous. Iconoclastic. From "Gnossienne No.1" by Erik Satie. Suggested for commercials. Synth & rhythm.
Modern classical arrangement, electro beat. Moving intro with Modern classical arrangement, electro beat. Moving intro with sensitive string motive, nostalgic, then lively & energetic drop @ 1'23. Iconoclastic. From "The Four Seasons, Summer, Adagio" by Vivaldi. Suggested for clubbing. Synth, strings & rhythm.
Heartfelt, uplifting, sentimental. Romantic, hopeful piano melodies Heartfelt, uplifting, sentimental. Romantic, hopeful piano melodies build with atmospheric string sustain and delicate, jazzy drums to become determined and atmospheric. Reflective beginnings become strong and purposeful, building to a positive, inspiring peak and rousing finale. Nostalgic contemporary classical cue full of emotion.
Heartfelt, uplifting, sentimental. Atmospheric string sustains build Heartfelt, uplifting, sentimental. Atmospheric string sustains build with delicate, jazzy drums to become determined and atmospheric. Reflective beginnings become strong and purposeful, building to a positive, inspiring peak. Nostalgic contemporary classical cue full of emotion. Stripped back underscore version.
Wondrous, positive, dreamy. Expansive string swells ebb and flow Wondrous, positive, dreamy. Expansive string swells ebb and flow hypnotically. Ambient beginnings are joined by bright, hopeful mallets, building in an uplifting feel with innocent, light melodies. Beautiful and reflective orchestral ambience with an inspiring feel.
Deep heart-broken folk-blues-rock, sung in Spanish. Female voice, Deep heart-broken folk-blues-rock, sung in Spanish. Female voice, folk guitar, electric guitar, electric piano, backing vocals. Rhythm @ 0'42.歌词
ES:
Encerraste mi corazón para juzgarlo, evaluarlo y compararlo
Escogiste estrenar un nuevo corazón sin llanto, sin camino,
sin rasguños, sin tantos malos ratos.
Oyeme si yo fallé con tus pies, me tropecé.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
y en el fondo fondo se quedó.
Fue tan fácil, para matar el amor
La receta secreta para distraer la cabeza
El antídoto que cada poro cerró.
Tu amor, se esfumó tan pronto amaneció,
tan pronto la pasión llegó.
Sinceridad, esperaba de tu boca destilar
Oh la cara dar, qué poca fe quedaba.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
y en el fondo fondo se quedó.
Fue tan fácil, para matar el amor
La receta secreta para distraer la cabeza
El antídoto que cada poro cerró.
Y todos esos meses que luché por ti,
pusiste al límite mi corazón.
Un te amo mal usado,
pudiste haberme ahorrado malos ratos.
Corazón herido, corazón furioso
Yo te sano con mi voz.
1915 días a tu lado, creo que fueron más pero ahora no importa tanto,
esos días fueron comparados con unos cuantos, con unos cuantos.
Fue tan fácil, primero no era por mí, era por ti.
El juego de la veleta comenzó
Y en el fondo fondo se quedó.
EN:
You locked up my heart to judge it, evaluate it and compare it
You chose to open a new heart without tears, without a path,
without scratches, without so many bad times.
Hear me if I failed with your feet, I stumbled.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
and at the bottom it stayed at the bottom.
It was so easy, to kill love
The secret recipe to distract the head
The antidote that closed every pore.
Your love, vanished as soon as it dawned,
As soon as passion came.
Sincerity, I expected from your mouth to distill.
Oh to face it, how little faith was left.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
and at the bottom it remained.
It was so easy, to kill love
The secret recipe to distract the head
The antidote that closed every pore.
And all those months that I fought for you,
You pushed my heart to the limit.
A misused I love you,
You could have saved me some bad times.
Wounded heart, angry heart
I heal you with my voice.
1915 days by your side, I think it was more but now it doesn't matter so much,
those days were compared to a few, to a few.
It was so easy, first it wasn't for me, it was for you.
The game of the wind vane began
And deep in the bottom it stayed.
Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk guitar, electric piano, drums & strings @0'41. Full rock band @2'19.歌词
ES:
La conocí yendo a casa espontánea yo sin fe.
Para creer me la encontraba a punto de llover.
Había un tercer personaje admitiré también lo que sé, lo que sé.
Bella que te ves con él, enamorada de cien.
Inevitable tu juego de a la mañana ven,
escondidas, tiroteos y crispetas también.
Pupilas que van a cien, no podremos negar bien,
nada, nada…
Nos hundimos trago a trago hasta devolver.
Luego te vas y es muy tarde para ya volver.
No crecimos cautivos y sabemos correr y correr y correr...
Somos el mejor juego, fichas el uno del otro
¿Que esperabas buen final?
No.
EN:
I met her going home spontaneously, I had no faith.
To believe I met her when it was about to rain.
There was a third character I will also admit what I know, what I know.
Beautiful you look with him, in love a hundred ways.
Inevitable your game of in the morning come,
hide-and-seek, shootings and pop corn too.
Pupils that go a hundred ways, we won't be able to deny well,
nothing, nothing...
We sink drink by drink until we return.
Then you leave and it's too late to come back.
We didn't grow up captive and we know how to run and run and run...
We're the best game, tokens for each other.
Did you expect a good ending?
No.
