| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
We Just Groove [AMS5054 - 2] |
2'15 | Willie Eaglin, Shawn Horton | Boom Bap with a New Jack Swing twist. Fast, happy & catchy. Drum, | 态度 boom bap 舞动 动人 | Em | 110 | ||||
|
We Just Groove Alternate 1 [AMS5054 - 17] |
版本. | 2'15 | Willie Eaglin, Shawn Horton | Version without drums. | 态度 boom bap 舞动 动人 | Em | 110 | |||
|
We Just Groove Alternate 2 [AMS5054 - 18] |
版本. | 2'15 | Willie Eaglin, Shawn Horton | Drums only version. | 态度 boom bap 舞动 动人 | Abm | 110 | |||
|
We Just Groove Alternate 3 [AMS5054 - 19] |
版本. | 2'15 | Willie Eaglin, Shawn Horton | Instrumental version. | 态度 boom bap 舞动 动人 | Em | 110 | |||
|
We Just Groove Alternate 4 [AMS5054 - 20] |
版本. | 2'15 | Willie Eaglin, Shawn Horton | Underscore version. | 态度 boom bap 舞动 动人 | Em | 110 | |||
|
We Just Groove Edit 1 30
[AMS5054 - 21] |
版本. | 0'30 | Willie Eaglin, Shawn Horton | 30 second cut. | 态度 boom bap 舞动 动人 | Em | 110 | |||
|
We Just Groove Edit 2 15
[AMS5054 - 22] |
版本. | 0'15 | Willie Eaglin, Shawn Horton | 15 second cut. | 态度 boom bap 舞动 动人 | Em | 110 | |||
|
Tree Hunnit Dollas [AMS5054 - 3] |
2'55 | Willie Eaglin, Shawn Horton | Boom Bap. Eccentric, jerky & with attitude. Drums, vocal samples, | boom bap 怪异 青春剧 周期性的 | Bbm | 101 | ||||
|
Tree Hunnit Dollas Alternate 1 [AMS5054 - 23] |
版本. | 2'55 | Willie Eaglin, Shawn Horton | Version without drums. | boom bap 怪异 青春剧 周期性的 | Bbm | 101 | |||
|
Tree Hunnit Dollas Alternate 2 [AMS5054 - 24] |
版本. | 2'55 | Willie Eaglin, Shawn Horton | Drums only version. | boom bap 怪异 青春剧 周期性的 | Gm | 101 | |||
|
Tree Hunnit Dollas Alternate 3 [AMS5054 - 25] |
版本. | 2'55 | Willie Eaglin, Shawn Horton | Instrumental version. | boom bap 怪异 青春剧 周期性的 | Bbm | 101 | |||
|
Tree Hunnit Dollas Alternate 4 [AMS5054 - 26] |
版本. | 2'55 | Willie Eaglin, Shawn Horton | Underscore version. | boom bap 怪异 青春剧 周期性的 | Bbm | 101 | |||
|
Tree Hunnit Dollas Edit 1 30
[AMS5054 - 27] |
版本. | 0'28 | Willie Eaglin, Shawn Horton | 30 second cut. | boom bap 怪异 青春剧 周期性的 | Bbm | 101 | |||
|
Tree Hunnit Dollas Edit 2 15
[AMS5054 - 28] |
版本. | 0'15 | Willie Eaglin, Shawn Horton | 15 second cut. | boom bap 怪异 青春剧 周期性的 | Bbm | 101 | |||
|
Five Finger Discount [AMS5054 - 7] |
3'45 | Willie Eaglin, Shawn Horton | Boom Bap. Old school, stubborn, confident & slightly insidious. | 自信 人物 态度 boom bap | Am | 93 | ||||
|
Five Finger Discount
[AMS5054 - 47] |
版本. | 3'45 | Willie Eaglin, Shawn Horton | Version without drums. | 自信 人物 态度 boom bap | Am | 93 | |||
|
Five Finger Discount
[AMS5054 - 48] |
版本. | 3'45 | Willie Eaglin, Shawn Horton | Drums only version. | 自信 人物 态度 boom bap | Gbm | 93 | |||
|
Five Finger Discount
[AMS5054 - 49] |
版本. | 3'45 | Willie Eaglin, Shawn Horton | Instrumental version. | 自信 人物 态度 boom bap | Am | 93 | |||
|
Five Finger Discount
[AMS5054 - 50] |
版本. | 3'45 | Willie Eaglin, Shawn Horton | Underscore version. | 自信 人物 态度 boom bap | Am | 93 | |||
|
Five Finger Discount Edit 1
[AMS5054 - 51] |
版本. | 0'30 | Willie Eaglin, Shawn Horton | 30 second cut. | 自信 人物 态度 boom bap | Am | 92 | |||
|
Five Finger Discount Edit 2
[AMS5054 - 52] |
版本. | 0'15 | Willie Eaglin, Shawn Horton | 15 second cut. | 自信 人物 态度 boom bap | Gbm | 93 | |||
|
Mechanical Metamorphosis [BIB285 - 3] |
4'04 | James Cameron | Concerned, fresh, excitable. A muffled bass tone playing out a | 忧伤 社会悲剧 电子琴 信息技术 | Am | 140 | ||||
|
Mechanical Metamorphosis
[BIB285 - 16] |
版本. | 2'39 | James Cameron | Concerned, fresh, excitable. Floaty pad above sizzling texture FX | 忧伤 社会悲剧 信息技术 周期性的 | Am | 140 | |||
|
Mechanical Metamorphosis
[BIB285 - 17] |
版本. | 4'03 | James Cameron | Concerned, fresh, excitable. Eerie muffled pads give way to sorrowful | 海底 忧伤 伴音 信息技术 | Am | 139 | |||
|
Machine Made Plastic People [BIB285 - 4] |
2'54 | James Cameron | Clean, explorative, modern. Bright positive sounding keys play out a | 严谨 电子琴 伴音 自信 | Dm | 136 | ||||
|
Machine Made Plastic People
[BIB285 - 18] |
版本. | 2'54 | James Cameron | Clean, explorative, modern. Bright positive sounding keys play out a | 严谨 电子琴 伴音 自信 | Dm | 136 | |||
|
Out Of Sync [BIB285 - 6] |
2'49 | James Cameron | Mysterious, glum, bouncy. Muffled bassline offers a downbeat tone, | 社会悲剧 疑问 周期性的 反省 | C | 70 | ||||
|
Out Of Sync (Underscore) [BIB285 - 21] |
版本. | 2'49 | James Cameron | Mysterious, glum, bouncy. Strange glassy rumblings offer an uncertain | 社会悲剧 疑问 周期性的 反省 | Am | 70 | |||
|
Machines We Lost Along The Way [BIB285 - 10] |
3'39 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 电子琴 | Am | 162 | ||||
|
Machines We Lost Along The
[BIB285 - 26] |
版本. | 3'20 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 伴音 | Am | 161 | |||
|
Machines We Lost Along The
[BIB285 - 27] |
版本. | 3'39 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 电子琴 | Am | 80 | |||
|
Chasing The Infinite [INP078 - 2] |
2'39 | Adrien Sabathier, Lucas Safaru | Cool, determined, thoughtful. Sci-fi bassline and strings slink past | 调查研究 画面感 间谍片 阴险 | Am | 146 | ||||
|
Chasing The Infinite
[INP078 - 13] |
版本. | 2'39 | Adrien Sabathier, Lucas Safaru | Cool, determined, thoughtful. Sci-fi bassline and strings slink past | 调查研究 画面感 间谍片 阴险 | Am | 97 | |||
|
Hope Is Here [IOM036 - 3] |
1'56 | Omer Agca, John Spengemann, Amanda Ventrice | Hardy, inspired, explosive. Gospel vibe from vocal harmonies over R&B | 流行歌曲 果断 令人激动 态度 | Am | 152 | ||||
|
Hope Is Here (Instrumental) [IOM036 - 16] |
版本. | 1'53 | Omer Agca, John Spengemann, Amanda Ventrice | Hardy, inspired, explosive. R&B piano is backed by sharp bass and | 果断 浪漫喜剧 令人激动 态度 | Am | 152 | |||
|
Hope Is Here (Underscore) [IOM036 - 17] |
版本. | 1'53 | Omer Agca, John Spengemann, Amanda Ventrice | Hardy, inspired, explosive. R&B piano is backed by percussion. An | 果断 浪漫喜剧 令人激动 态度 | Am | 152 | |||
|
All Too Late [IOM036 - 5] |
3'10 | Whitney Coleman, Justin Krol, Quinn Scharber, John Williams | Wistful, rustic, regretful. Crooning electric guitar stands on top of | 多愁善感 忧伤 爱情 浪漫喜剧 | Em | 90 | ||||
|
All Too Late (Instrumental) [IOM036 - 20] |
版本. | 3'10 | Whitney Coleman, Justin Krol, Quinn Scharber, John Williams | Wistful, rustic, regretful. Crooning electric guitar stands on top of | 多愁善感 忧伤 爱情 浪漫喜剧 | Am | 90 | |||
|
All Too Late (Underscore) [IOM036 - 21] |
版本. | 3'10 | Whitney Coleman, Justin Krol, Quinn Scharber, John Williams | Wistful, rustic, regretful. Crooning electric guitar stands on top of | 多愁善感 忧伤 爱情 浪漫喜剧 | Am | 90 | |||
|
Every Day [IOM036 - 6] |
2'31 | Nicholas Kozushko | Wistful, emotive, special. Slow strumming and melancholic electric | 多愁善感 浪漫喜剧 男歌手 日常生活 | D | 140 | ||||
|
Every Day (Instrumental) [IOM036 - 22] |
版本. | 2'31 | Nicholas Kozushko | Wistful, emotive, special. Slow strumming and melancholic electric | 多愁善感 浪漫喜剧 日常生活 忧伤 | D | 140 | |||
|
Every Day (Underscore) [IOM036 - 23] |
版本. | 2'31 | Nicholas Kozushko | Wistful, emotive, special. Slow strumming and melancholic electric | 多愁善感 浪漫喜剧 日常生活 忧伤 | D | 70 | |||
|
Breaking Down [IOM036 - 8] |
2'51 | Andre Writer, Desmond James, Heyalak Jones, Dimitri L Syde | Poppy, soulful, hopeful. Emotive guitar chords strum out, supported | 青春剧 自信 流行歌曲 多愁善感 | Bm | 95 | ||||
|
Breaking Down (Instrumental) [IOM036 - 27] |
版本. | 2'51 | Andre Writer, Desmond James, Heyalak Jones, Dimitri L Syde | Poppy, soulful, hopeful. Emotive guitar chords strum out, supported | 青春剧 自信 多愁善感 忧伤 | G | 95 | |||
|
Breaking Down (Underscore) [IOM036 - 28] |
版本. | 2'51 | Andre Writer, Desmond James, Heyalak Jones, Dimitri L Syde | Poppy, soulful, hopeful. Emotive guitar chords strum out, supported | 青春剧 自信 多愁善感 忧伤 | G | 95 | |||
|
What's Next [TBX218 - 2] |
2'23 | Paul Thorne, Amanda Ventrice | Energetic, confident, stylish. Fast-paced hand drums with cheeky 歌词 | 态度 舞蹈流行音乐 青春剧 不平稳 | Abm | 134 | ||||
|
What's Next (Instrumental) [TBX218 - 14] |
版本. | 2'23 | Paul Thorne, Amanda Ventrice | Energetic, confident, stylish. Fast-paced hand drums feed into | 态度 舞蹈流行音乐 青春剧 不平稳 | Abm | 134 | |||
|
What's Next (Underscore) [TBX218 - 15] |
版本. | 2'23 | Paul Thorne, Amanda Ventrice | Energetic, confident, stylish. Fast-paced hand drums feed into | 态度 舞蹈流行音乐 青春剧 不平稳 | Abm | 134 | |||
|
Get Up & Jump [TBX218 - 6] |
2'07 | Negative One, Paul Thorne | Theatrical, playful, spirited. Fun guitar notes launch into dramatic | 果断 动人 打击流行乐 团队运动 | Fm | 150 | ||||
|
Get Up & Jump (Instrumental) [TBX218 - 22] |
版本. | 2'07 | Negative One, Paul Thorne | Theatrical, playful, spirited. Fun guitar notes launch into dramatic | 果断 动人 打击流行乐 团队运动 | Cm | 150 | |||
|
Get Up & Jump (Underscore) [TBX218 - 23] |
版本. | 2'07 | Negative One, Paul Thorne | Theatrical, playful, spirited. Fun guitar notes launch into | 果断 动人 打击流行乐 团队运动 | Cm | 150 | |||
|
Dot Chemistry [TBX219 - 1] |
2'09 | Willie Eaglin, Daniele Musto | Starry, slick, modern. Warm, defiant synth strings create a feeling | 人物 广告 电子舞曲 令人激动 | Em | 130 | ||||
|
Dot Chemistry (Instrumental) [TBX219 - 14] |
版本. | 2'09 | Willie Eaglin, Daniele Musto | Starry, slick, modern. Warm, defiant synth strings create a feeling | 电子舞曲 令人激动 人物 电子琴 | Bm | 130 | |||
|
Dot Chemistry (Underscore) [TBX219 - 15] |
版本. | 2'09 | Willie Eaglin, Daniele Musto | Starry, slick, modern. Warm, defiant synth strings create a feeling | 电子舞曲 令人激动 人物 电子琴 | Em | 130 | |||
|
Sweet Symphony [TBX219 - 9] |
1'55 | Gaelan Aguado, Willie Eaglin | Fresh, wistful, gritty. Emotive piano chords wind up into bouncy | 电子舞曲 令人激动 青春剧 电子琴 | C | 104 | ||||
|
Sweet Symphony (Underscore) [TBX219 - 24] |
版本. | 1'55 | Gaelan Aguado, Willie Eaglin | Fresh, wistful, gritty. Emotive piano chords wind up into bouncy | 电子舞曲 令人激动 青春剧 电子琴 | C | 104 | |||
|
Undercover Operations [CEG5056 - 1] |
2'05 | Hiroki Ishikura | Electro Jazz. Fast, stubborn & urgent. Double bass, brass stabs & | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | ||||
|
Undercover Operations
[CEG5056 - 13] |
版本. | 2'05 | Hiroki Ishikura | Underscore 1. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Db | 116 | |||
|
Undercover Operations
[CEG5056 - 14] |
版本. | 2'05 | Hiroki Ishikura | Underscore 2. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | |||
|
Undercover Operations Edit 1
[CEG5056 - 15] |
版本. | 0'20 | Hiroki Ishikura | 20 second cut. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | |||
|
Undercover Operations Edit 2
[CEG5056 - 16] |
版本. | 0'30 | Hiroki Ishikura | 30 second cut. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | |||
|
Undercover Operations Edit 3
[CEG5056 - 17] |
版本. | 1'00 | Hiroki Ishikura | 60 second cut. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Ab | 117 | |||
|
Undercover Operations Edit 4
[CEG5056 - 18] |
版本. | 0'14 | Hiroki Ishikura | Sting. | 追逐场面 悬念 拨奏低音提琴 电子爵士 | Db | 117 | |||
|
Wheeling and Dealing [CEG5057 - 2] |
2'37 | Colo Colo | Hip-hop beat. Catchy, nervous but cosy, with a UK touch. Synth, | 都市景色 果断 BEAT MAKING 自信 | Em | 100 | ||||
|
Wheeling and Dealing
[CEG5057 - 18] |
版本. | 2'35 | Colo Colo | Underscore version. | 都市景色 果断 BEAT MAKING 自信 | Em | 100 | |||
|
Wheeling and Dealing
[CEG5057 - 19] |
版本. | 2'37 | Colo Colo | No vinyl FX version. | 都市景色 果断 BEAT MAKING 自信 | Em | 100 | |||
|
Wheeling and Dealing Edit 20
[CEG5057 - 20] |
版本. | 0'20 | Colo Colo | 20 second cut. | 都市景色 果断 BEAT MAKING 自信 | Em | 100 | |||
|
Wheeling and Dealing Edit 30
[CEG5057 - 21] |
版本. | 0'30 | Colo Colo | 30 second cut. | 都市景色 果断 BEAT MAKING 自信 | Em | 100 | |||
|
Wheeling and Dealing Edit 60
[CEG5057 - 22] |
版本. | 1'00 | Colo Colo | 60 second cut. | 都市景色 果断 BEAT MAKING 自信 | Em | 100 | |||
|
Wheeling and Dealing Edit
[CEG5057 - 23] |
版本. | 0'11 | Colo Colo | Sting. | 都市景色 果断 BEAT MAKING 自信 | A | 100 | |||
|
The Shadow Economy [CEG5057 - 9] |
2'00 | Colo Colo | Hip-hop beat, trap beat. Inevitable, sad & constant. Pizz, electric | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | ||||
|
The Shadow Economy Alternate [CEG5057 - 50] |
版本. | 1'39 | Colo Colo | Underscore version. | 都市景色 电子琴 陷阱音乐 都市 | Fm | 148 | |||
|
The Shadow Economy Edit 20 sec [CEG5057 - 51] |
版本. | 0'20 | Colo Colo | 20 second cut. | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | |||
|
The Shadow Economy Edit 30 sec [CEG5057 - 52] |
版本. | 0'30 | Colo Colo | 30 second cut. | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | |||
|
The Shadow Economy Edit 60 sec [CEG5057 - 53] |
版本. | 1'00 | Colo Colo | 60 second cut. | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | |||
|
The Shadow Economy Edit Sting [CEG5057 - 54] |
版本. | 0'08 | Colo Colo | Sting. | 都市景色 电子琴 陷阱音乐 都市 | Cm | 148 | |||
|
Under the Cloak [CEG5057 - 10] |
2'07 | Chomsk' | Hip-hop beat. Muffled, serious & lively. Sample, piano, sampled | 都市景色 都市 BEAT MAKING 社会悲剧 | Em | 91 | ||||
|
Under the Cloak Alternate [CEG5057 - 55] |
版本. | 2'07 | Chomsk' | Instrumental version. | 都市景色 都市 BEAT MAKING 社会悲剧 | Em | 92 | |||
|
Under the Cloak Edit 20 sec [CEG5057 - 56] |
版本. | 0'20 | Chomsk' | 20 second cut. | 都市景色 都市 BEAT MAKING 社会悲剧 | Em | 92 | |||
|
Under the Cloak Edit 30 sec [CEG5057 - 57] |
版本. | 0'30 | Chomsk' | 30 second cut. | 都市景色 都市 BEAT MAKING 社会悲剧 | Em | 92 | |||
|
Under the Cloak Edit 60 sec [CEG5057 - 58] |
版本. | 1'00 | Chomsk' | 60 second cut. | 都市景色 都市 BEAT MAKING 社会悲剧 | Em | 91 | |||
|
Under the Cloak Edit Sting [CEG5057 - 59] |
版本. | 0'07 | Chomsk' | Sting. | 都市景色 都市 BEAT MAKING 社会悲剧 | Am | 91 |