| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Promise Lost [BIB058 - 9] |
0 | 3'26 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Atmospheric sampled asian introduction with a soft driving 4x4 kick | 世界电子音乐 动人 全景图 飞行 | Am | 108 | |||
|
All I Know [BIB058 - 10] |
0 | 4'22 | Omer Agca | Laid back hip hop beats with 'monk-like' atmospheric chants. | 合成合唱 循环 都市景色 把(旧曲片段)合成新曲 | Ebm | 90 | |||
|
Planet X [BIB058 - 11] |
0 | 3'46 | Omer Agca | Cool modern swaggery hip hop track. Laid back but with a contemporary | 抽象嘻哈 电子琴 态度 BEAT MAKING | Dm | 86 | |||
|
Redwings [BIB058 - 12] |
0 | 1'53 | Joe Edward Morris | Atmospheric, warm synth tones and a grooving drum track. Lots of edit | 全景图 循环 稳定的 二胡 | Dm | 80 | |||
|
Let's Hope [BIB058 - 13] |
0 | 3'06 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Slightly degraded sampled tones with modern finger clicks and a nice | 全景 耐心 循环 明朗 | Fm | 86 | |||
|
Yukimi's Theme [BIB058 - 14] |
0 | 2'59 | Nathaniel Pearn | Playful, naive, almost childlike introduction that build into a more | 钟琴 媚俗 & 艳俗 循环 天真幼稚 | Ebm | 120 | |||
|
Kou No Tori [BIB058 - 15] |
0 | 3'29 | Gareth Jones | Cold, atmospheric intro with percussion and clattering drums. | 工业 机械的 神秘 循环 | C | 120 | |||
|
Wherever it Goes [BIB049 - 1] |
2'54 | Chris Durkin, Courtney Visser | Expansive, dream-like pop track, building electronic production with 歌词 | 舞蹈流行音乐 室外 英语歌唱 女歌手 | Gbm | 115 | ||||
|
Wherever it Goes Instrumental [BIB049 - 14] |
版本. | 2'54 | Chris Durkin, Courtney Visser | Expansive, dream-like pop track, building electronic production with | 舞蹈流行音乐 室外 俱乐部 动人 | A | 115 | |||
|
Step Back [BIB049 - 12] |
3'26 | Omer Agca, Riah Knight | Low-slung funky rhythm, complete with horn sections, accompanied by a 歌词 | 流行歌曲 态度 女歌手 室外 | Gm | 98 | ||||
|
Step Back Instrumental [BIB049 - 25] |
版本. | 3'24 | Omer Agca, Riah Knight | Low-slung funky rhythm, complete with horn sections. | 态度 室外 节奏布鲁斯 现代 | Gm | 98 | |||
|
Warning Light [BIB038 - 1] |
0 | 3'17 | Conor O'Brien | Desolate, pulsing synths. Steadily building arpeggiated bassline. | 神秘 进步 气氛 抱歉 | Am | 80 | |||
|
Stroke by Stroke [CEZ4312 - 5] |
2'28 | Elisabeth Skornik, Guy Skornik | Crystalline, punctuated & obstinate. Staccato strings & vibrato @ | 通透 当代历史 耐心 mark tree | Cm | 120 | ||||
|
Stroke by Stroke Alternate 1 [CEZ4312 - 24] |
版本. | 2'27 | Elisabeth Skornik, Guy Skornik | Mechanical & punctuated. Electronics, percussion @ 1'04 & strings @ | 强调突出 通透 不可归类 工业 | C | 120 | |||
|
Stroke by Stroke Alternate 2 [CEZ4312 - 25] |
版本. | 2'28 | Elisabeth Skornik, Guy Skornik | Mechanical, mysterious & rigorous. Electronics. Build up gradually. | 机械的 当代历史 固执 进步 | C | 120 | |||
|
Stroke by Stroke Alternate 3 [CEZ4312 - 26] |
版本. | 2'26 | Elisabeth Skornik, Guy Skornik | Cyclic, regular & urgent. Electronics | 周期性的 社会悲剧 下降 小说纪录片 | C | 120 | |||
|
Stroke by Stroke Alternate 4 [CEZ4312 - 27] |
版本. | 2'27 | Elisabeth Skornik, Guy Skornik | Cyclic, crystalline & mysterious. Electronics. | 通透 周期性的 当代历史 小说纪录片 | C | 120 | |||
|
Stroke by Stroke Alternate 5 [CEZ4312 - 28] |
版本. | 1'06 | Elisabeth Skornik, Guy Skornik | Fast action. Determined, obstinate & serious. String orchestra. Neo | 果断 当代历史 不平稳 断奏 | Cm | 120 | |||
|
An Endless Experiment [CEZ4312 - 6] |
2'25 | Elisabeth Skornik, Guy Skornik | Repetitive, confident & steady. Strings & electronic waves. | 设计与建筑 自信 稳定的 企业宣传 | Dm | 120 | ||||
|
An Endless Experiment
[CEZ4312 - 29] |
版本. | 2'22 | Elisabeth Skornik, Guy Skornik | Constant, obstinate & patient. String orchestra playing staccato. | 设计与建筑 稳定的 企业宣传 固执 | F | 120 | |||
|
An Endless Experiment
[CEZ4312 - 30] |
版本. | 1'52 | Elisabeth Skornik, Guy Skornik | Vibrating drone & rhythm @ 0'37. Electronics. | 工业 设计与建筑 进行中 企业宣传 | Dm | 120 | |||
|
Minds at work [CEZ4312 - 7] |
0 | 2'37 | Elisabeth Skornik, Guy Skornik | Mechanical, dark & reflective. LIke a clock. Keyboards, chimes, | 社会悲剧 拨奏 工业 疑问 | Dm | 120 | |||
|
Logical Conclusion [CEZ4312 - 15] |
2'32 | Elisabeth Skornik, Guy Skornik | Serious, determined & punctuated. Fx delay, electronics & strings @ | 当代历史 调查研究 固执 安静 | Cm | 144 | ||||
|
Logical Conclusion Alternate 1 [CEZ4312 - 38] |
版本. | 2'04 | Elisabeth Skornik, Guy Skornik | Obstinate, nocturnal & introspective. Piano & electronics. | 社会悲剧 令人不安 琶音 安静 | Cm | 145 | |||
|
Logical Conclusion Alternate 2 [CEZ4312 - 39] |
版本. | 2'06 | Elisabeth Skornik, Guy Skornik | Insidious, nocturnal & worrying. Electronics. | 阴险 调查研究 果断 社会悲剧 | Cm | 145 | |||
|
Logical Conclusion Alternate 3 [CEZ4312 - 40] |
版本. | 1'16 | Elisabeth Skornik, Guy Skornik | Cyclic, détermined & rigorous. String orchestra playing staccato. | 周期性的 果断 当代历史 新古典音乐 | Cm | 145 | |||
|
Thirteen [TBX007 - 2] |
0 | 2'01 | Lee Sparey | Pulsing, positive and ethereal textures. Electronic synth topline | 气氛 全景图 全景 梦幻 | C | 124 | |||
|
Polaroid [TBX007 - 7] |
0 | 2'33 | Charlotte Harding | Downtempo electronica with orchestral elements. Positive, with rhythm | 漂泊 有节奏感 冰冷 机械的 | Dm | 86 | |||
|
Devinity Drone [TBX007 - 8] |
0 | 1'40 | Sergey Kolosov | Very panoramic and heavenly ambiences. Resolving, major chord | 气氛 全景 梦幻 全景图 | A | 102 | |||
|
Sweet Thunder [TBX007 - 9] |
0 | 2'39 | Jamie Wright | Solemn intro turns in to inspirational, post-rock influenced | 气氛 全景图 全景 太空 | Ab | 123 | |||
|
Deep Space [TBX007 - 10] |
0 | 2'16 | Alexander Joseph Irvine Mcconnell | Sci-fi drone, pulsing electronic sfx. Arpeggiated motifs, suitable | 气氛 太空 诡异 不平稳 | Am | 120 | |||
|
Moon Walking [TBX007 - 20] |
0 | 2'02 | Jamie Wright | Celestial, reversed sfx, celeste and string underscore. Suspended, | 中断 神秘 科学 伴音 | Am | 120 |