| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Somniferous Crystals [TBX007 - 22] |
0 | 2'12 | Peter Henry Mayne, Lee Sparey | Ethereal and slowly evolving cosmic synth pads. | 全景 气氛 周期性的 稳定的 | C | 60 | |||
|
Tension Bed for One [TBX006 - 1] |
0 | 2'13 | Peter Henry Mayne | Brooding and tense, yet ambient drone. High string note with pulsing | 气氛 稳定的 抱歉 悬念 | Dm | 60 | |||
|
Gaining Ground [TBX006 - 3] |
3'15 | Paul Thorne | Pulse underscore with investigatory tone. Tension, ambience and | 果断 悬念 调查研究 警匪片 | Dm | 98 | ||||
|
Gaining Ground (Underscore) [TBX006 - 21] |
版本. | 3'15 | Paul Thorne | Pulse underscore with investigatory tone. Tension, ambience and | light tension 果断 乐器 其他版本 | Dm | 98 | |||
|
Heist Time [TBX006 - 4] |
0 | 2'43 | Peter Nickalls | Electronic, pulsing bed. Tense yet calm, with gradual, determined | 调查研究 固执 果断 追逐场面 | Cm | 120 | |||
|
Odd Ones [TBX006 - 5] |
0 | 2'05 | Peter Henry Mayne, Lee Sparey | Muted, sparse, arpeggiated synth bed. Suspended and uncertain, with | 固执 催眠 进步 科学 | Am | 120 | |||
|
Tainted Heart [TBX006 - 6] |
0 | 2'20 | Peter Henry Mayne, Lee Sparey | Creeping and brooding sci-fi synths. Extra-terestial activity | 诡异 悬念 神经病 悬念 | Cm | 120 | |||
|
Pulses & Bells [TBX006 - 7] |
0 | 1'27 | Peter Henry Mayne, Lee Sparey | Arpeggiated synth pulses. Neutral and ambient. 80s sfx and bass with | 固执 诡异 悬念 电子琴 | Ebm | 120 | |||
|
Octivate [TBX006 - 8] |
0 | 2'10 | Peter Henry Mayne, Lee Sparey | Cosmic synth drones. Ambient and neutral in tone with more determined | 嗡嗡声 悬念 太空 稳定的 | Eb | 120 | |||
|
Estranged [TBX006 - 9] |
0 | 2'18 | Lee Sparey | Ambient, etheral drones with grounded bassline. Brooding in a calm, | 阴暗氛围 太空 诡异 气氛 | Bbm | 60 | |||
|
Cyber Hazards [CEZ4309 - 24] |
0 | 3'08 | Colo Colo | Drone. Anticipation. Wandering, interrogative & mystic @ 0'58. | 信息技术 抱歉 科幻片 美国独立制片电影 | D | 100 | |||
|
Can't Fix the Glitch [BIB055 - 3] |
0 | 2'31 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Warm heartfelt acoustic elements combine with strings to give a | 自信 日常生活 周期性的 新民谣 | C | 86 | |||
|
Twisting Rhythms [BIB055 - 9] |
0 | 2'28 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Plucked, playful acoustic guitar mixes with pulsing synths and a | 周期性的 企业宣传 民族吉他 原声乐器 | E | 110 | |||
|
Neon Lights [BIB052 - 2] |
0 | 2'33 | Christopher Thomas Judge | Cheesy 80s 8 bit / K-pop inspired synth pop for a determined workout | 复古电视 八十年代 都市景色 复古游戏 | Am | 122 | |||
|
Love Lost [BIB052 - 3] |
0 | 3'13 | Andrew John Gardner, Lee Rous | Romantic and heart-warming synth score. For themes of friendship and | 复古电视 模拟合成器 八十年代 全景 | D | 70 | |||
|
Children of the Night [BIB052 - 4] |
0 | 1'54 | Christopher Boot | Delicate yet scary arpeggiated lines with building, harrowing drones. | 复古电视 科幻片 合成波 八十年代 | Gm | 101 | |||
|
A Terrible Presence [BIB052 - 5] |
0 | 2'58 | Christopher Boot, Benjamin John Daniel | Arpeggiated motif with brooding, ominous bass undertones and sfx. | 轰隆声 复古电视 有毒 八十年代 | Dm | 71 | |||
|
Deleted Memory [BIB052 - 6] |
0 | 1'49 | Christopher Boot | Thoughtful, introspective and cerebral synth lines in repetitive | 电子 琶音器 IDM 令人不安 | D | 67 | |||
|
Coast to Coast [BIB052 - 7] |
0 | 3'30 | Vincenzo Salvia | Reflective intro breaks in to determined beat & heroic resolve. | 八十年代 复古电视 动人 电视主题曲 | Gbm | 121 | |||
|
Red Ferrari [BIB052 - 9] |
0 | 2'25 | Christopher Boot | Steady 80s synthwave dance track with quirky pentatonic lines | 八十年代 态度 复古电视 模拟合成器 | Bm | 95 | |||
|
Beyond Heaven's Gate [BIB052 - 13] |
0 | 2'37 | James Desmond, Robert Grant, Mikhail O Johnson, Panauh Kalayeh | Contemporary synthwave with elements of hip hop. Chilled, relaxed | 自信 完成 电吉他 公路电影 | Am | 90 |