| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Alex et Angelo [CEO2038 - 11] |
0 | 1'30 | Jérôme Lemonnier | Obstinate & serious. Hang, synth & fx reverse. | 钢鼓 严谨 有节奏感 科学 | Gm | 92 | |||
|
Sunburst [BIB046 - 18] |
0 | 2'30 | Daniel Thomason | Mellow funky bassline with some steel drums and a very caribbean | 放松 电吉他 无忧无虑 宁静 | G | 90 | |||
|
White Water [BIB046 - 19] |
0 | 2'54 | Conor O'Brien | Super washed out/ sun-drenched guitars, archetypal ambient chillout. | 电吉他 飞行 稳定的 明朗 | Dbm | 81 | |||
|
Autobahn to Interstellar [BIB041 - 2] |
0 | 4'12 | Guy Purssell | Positive intro slowly contorts to suspenseful, double-time | 琶音器 太空 科幻片 模拟合成器 | Dm | 100 | |||
|
Urban Dystopia [BIB041 - 3] |
0 | 3'04 | Guy Purssell | Low dystopian bass bed with vintage analogue synths & siren-like sfx. | 太空 科幻片 模拟合成器 气氛 | D | 104 | |||
|
Berlin After Hours [BIB041 - 4] |
0 | 3'46 | Guy Purssell | Gently undulating synth with a relaxed, panoramic feel and glistening | 太空 科幻片 气氛 摇摆 | Fm | 70 | |||
|
Deckard Thinks [BIB041 - 5] |
0 | 2'59 | Guy Purssell | Futuristic, cold sfx introduce a gentle, glistening synth leitmotif | 科幻片 模拟合成器 冷沙漠 恐怖 | Fm | 107 | |||
|
Mars in Orbit [BIB041 - 6] |
0 | 3'26 | Guy Purssell | Cinematic, revealing, cosmic beds with ethereal tones. | 太空 科幻片 深邃 科学 | Db | 144 | |||
|
Modular Interrogation [BIB041 - 7] |
0 | 3'10 | Guy Purssell | Driving, fast, arpeggiator with suspenseful sfx. | 琶音器 模拟合成器 循环 稳定的 | Bbm | 120 | |||
|
Analyst [BIB041 - 8] |
0 | 2'45 | Guy Purssell | Suspenseful drone intro resolves in a more etheral, warm and positive | 太空 科幻片 科学 模拟合成器 | F | 112 | |||
|
Enigma [BIB041 - 9] |
2'40 | Guy Purssell | Cold, bleak sfx intro with sporadic bass pulses and mysterious | 科幻片 模拟合成器 复杂 恐怖片 | Bm | 107 | ||||
|
Enigma SFX [BIB041 - 16] |
版本. | 2'04 | Guy Purssell | Deep, swelling bass with unnerving and melancholic pads. | fx backwards 科幻片 模拟合成器 复杂 | G | 123 | |||
|
Turing [BIB041 - 10] |
0 | 1'40 | Guy Purssell | Cold, bleak sfx intro with sporadic bass pulses and mysterious | 科幻片 琶音器 太空 模拟合成器 | Ab | 108 | |||
|
Ode to the Universe [BIB041 - 13] |
0 | 2'19 | Guy Purssell | Eerie yet calm textures and ambiences. Gentle swells of sfx, | 太空 科幻片 模拟合成器 深邃 | G | 153 | |||
|
Behind The Scenes [CEZ4252 - 16] |
2'31 | Elisabeth Skornik, Guy Skornik | Interrogative & continuous. Electronics, piano @ 0'39 & strings @ | fx backwards 安静 设计与建筑 企业宣传 | D | 104 | ||||
|
Behind the Scenes 2 [CEZ4252 - 32] |
版本. | 2'12 | Elisabeth Skornik, Guy Skornik | Powerful & continuous. Rhythm, electronics & piano @ 0'37. Underscore. | 节奏感 企业宣传 中立 气势 | D | 104 | |||
|
The Birth of Ambition [CEZ4244 - 4] |
0 | 2'17 | Gabriel Saban, Philippe Briand | Urgent & melancholic. Piano & electronics. | 后古典 日常生活 企业宣传 全景图 | G | 140 | |||
|
Genome [CEZ4242 - 17] |
0 | 2'19 | Gréco Casadesus, Gregory Cotti | Suspended & bustling. Electronics. | 背景电子乐 悬念 海底 明朗 | Am | 65 | |||
|
Free Fall [CEZ4242 - 18] |
0 | 2'21 | Christophe Zurfluh | Suspended & patient. Piano & electronics. | 宁静 科学 安静 悬念 | C | 81 | |||
|
Sequential Circuits [CEZ4240 - 19] |
0 | 1'43 | John Greaves | Tense & urgent. Electronics. | 稳定的 信息技术 疑问 伴音 | Gbm | 120 | |||
|
Le Corps de Métier [CEO2034 - 2] |
0 | 2'09 | Vincent Leibovitz | Panoramic & wandering. Banjo, guitar & electronics. | 公路电影 沉闷 全景图 电子民谣 | Em | 142 | |||
|
Projection [CEO2034 - 4] |
0 | 2'09 | Vincent Leibovitz | Intro with fade in. Repetitive & cristalline. Electronics. Build up. | 艺术风格 后古典 科幻片 通透 | C | 76 |