| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Beautiful Machine [TBX200 - 28] |
2'32 | Sergey Kolosov | Mechanical, elegant, futuristic. Heavy and quick percussion | 中断 警匪片 神秘 都市景色 | Em | 103 | ||||
|
Beautiful Machine (Underscore) [TBX200 - 84] |
版本. | 2'24 | Sergey Kolosov | Mechanical, elegant, futuristic. Gossamer strings convey a feeling of | 中断 警匪片 神秘 都市景色 | Em | 103 | |||
|
The Final Chance [INP073 - 8] |
3'21 | David Birnie | Sad, driven, legendary. Soft piano plays out with drooping sombre | 冒险片 史诗 画面感 令人激动 | Gb | 133 | ||||
|
The Final Chance (Underscore
[INP073 - 27] |
版本. | 2'52 | David Birnie | Sad, driven, legendary. Glassy notes play out with a sombre energy, | 冒险片 画面感 令人激动 进步 | Ebm | 133 | |||
|
The Final Chance (Underscore
[INP073 - 28] |
版本. | 3'21 | David Birnie | Sad, driven, legendary. Soft piano plays out with drooping sombre | 冒险片 画面感 令人激动 进步 | Gb | 133 | |||
|
Unstoppable [BIB273 - 1] |
2'07 | Kate Bryson, Iain Harper | Upbeat, funky, determined. Groovy beat joined by strong and 歌词 | 动人 流行歌曲 广告 舞蹈流行音乐 | Am | 118 | ||||
|
Unstoppable (Instrumental) [BIB273 - 12] |
版本. | 2'07 | Kate Bryson, Iain Harper | Upbeat, funky, determined. Groovy beat joined by strong and | 动人 流行歌曲 广告 舞蹈流行音乐 | Dm | 118 | |||
|
Unstoppable (Underscore) [BIB273 - 13] |
版本. | 2'07 | Kate Bryson, Iain Harper | Upbeat, funky, determined. Groovy beat joined by strong and | 动人 流行歌曲 广告 舞蹈流行音乐 | Dm | 118 | |||
|
Self-Made Man [CEZ4630 - 1] |
2'28 | Alexandre Perroud | Future beat electro, hip-hop beat. Inexorable intro with solo piano | 慢镜头 future beat 团队运动 都市景色 | Dm | 123 | ||||
|
Self-Made Man Alternate 1 [CEZ4630 - 14] |
版本. | 1'59 | Alexandre Perroud | Alternate no intro. | 慢镜头 强调突出 高雅 future beat | Dm | 123 | |||
|
Self-Made Man Alternate 2 [CEZ4630 - 15] |
版本. | 2'29 | Alexandre Perroud | Alternate no vocal. | 慢镜头 future beat 团队运动 都市景色 | Dm | 123 | |||
|
Self-Made Man Alternate 3 [CEZ4630 - 16] |
版本. | 1'59 | Alexandre Perroud | Alternate no intro no vocal. | 慢镜头 future beat 团队运动 都市景色 | Dm | 123 | |||
|
Self-Made Man Alternate 4 [CEZ4630 - 17] |
版本. | 0'36 | Alexandre Perroud | Alternate only intro. | 体育中的戏剧性 都市 反省 无电声钢琴 | Dm | 123 | |||
|
Self-Made Man Alternate 5 [CEZ4630 - 18] |
版本. | 1'00 | Alexandre Perroud | 60 second cut. | 慢镜头 future beat 团队运动 都市景色 | Dm | 123 | |||
|
Self-Made Man Alternate 6 [CEZ4630 - 19] |
版本. | 0'30 | Alexandre Perroud | 30 second cut. | 慢镜头 future beat 团队运动 都市景色 | Dm | 123 | |||
|
Self-Made Man Alternate 7 [CEZ4630 - 20] |
版本. | 0'10 | Alexandre Perroud | Sting. | 慢镜头 future beat 团队运动 都市景色 | A | 118 | |||
|
Self-Made Man Alternate 8 [CEZ4630 - 21] |
版本. | 0'06 | Alexandre Perroud | Sting 2. | 慢镜头 future beat 团队运动 都市景色 | Am | 123 | |||
|
Born For This [BIB271 - 10] |
2'14 | Olivier Bibeau | Determined, glorious, driven. Large dazzling synths and impacts give | 团队运动 画面感 史诗 预告片 | Dm | 127 | ||||
|
Born For This (Underscore A) [BIB271 - 32] |
版本. | 2'14 | Olivier Bibeau | Determined, glorious, driven. Large dazzling synths and impacts give | 团队运动 画面感 史诗 预告片 | Dm | 127 | |||
|
Born For This (Underscore B) [BIB271 - 33] |
版本. | 2'14 | Olivier Bibeau | Determined, glorious, driven. Large dazzling synths give a feeling of | 团队运动 画面感 史诗 预告片 | Dm | 127 | |||
|
Power In Your Soul [TBX199 - 3] |
2'49 | Iain Mahanty | Stylish, rousing, cool. Soulful trumpet riff launches into downplayed | 广告 动人 喜庆 开心 | Em | 120 | ||||
|
Power In Your Soul
[TBX199 - 14] |
版本. | 2'49 | Iain Mahanty | Stylish, rousing, cool. Glittery burst with funky synth into | 广告 喜庆 动人 开心 | Em | 120 | |||
|
The War Of Lies [INP072 - 6] |
2'53 | Alessandro Ciani, Marco De Bonis | Dramatic, perilous, apocalyptic. Echoed notes play out over desolate | 画面感 气势 预告片 高潮 | Bm | 81 | ||||
|
The War Of Lies (Alt Version) [INP072 - 21] |
版本. | 2'26 | Alessandro Ciani, Marco De Bonis | Dramatic, perilous, apocalyptic. Rumbling drums usher in snarling | 画面感 气势 预告片 史诗 | Gb | 111 | |||
|
The War Of Lies (Underscore A) [INP072 - 22] |
版本. | 2'11 | Alessandro Ciani, Marco De Bonis | Dramatic, perilous, apocalyptic. Bass ushers in emotive strings. A | 画面感 气势 预告片 高潮 | Gbm | 95 | |||
|
The War Of Lies (Underscore B) [INP072 - 23] |
版本. | 2'13 | Alessandro Ciani, Marco De Bonis | Dramatic, perilous, apocalyptic. Low rumbling drums usher in droning | 画面感 气势 预告片 高潮 | Gbm | 63 | |||
|
Forged In Fire [INP072 - 10] |
3'18 | Matthew St Laurent | Heroic, powerful, striving. Large strings and percussive impacts join | 画面感 命运 史诗 果断 | Fm | 101 | ||||
|
Forged In Fire (Underscore) [INP072 - 27] |
版本. | 2'57 | Matthew St Laurent | Heroic, powerful, striving. Large strings and percussive impacts | 命运 电影原声带 果断 背景电子乐 | Gm | 140 | |||
|
Nothing Left To Lose [TBX197 - 10] |
2'30 | William Brown, Benjamin Powell, Cinzano Taylor | Careless, explosive, passionate. Strong bass and claps push out with 歌词 | 朗朗上口 日间节目 动人 流行歌曲 | Dbm | 144 | ||||
|
Nothing Left To Lose
[TBX197 - 32] |
版本. | 2'30 | William Brown, Benjamin Powell, Cinzano Taylor | Careless, explosive, passionate. Strong bass and claps push out with | 朗朗上口 日间节目 动人 当代灵乐 | Dbm | 145 | |||
|
Nothing Left To Lose
[TBX197 - 33] |
版本. | 2'30 | William Brown, Benjamin Powell, Cinzano Taylor | Careless, explosive, passionate. Strong bass and claps push out with | 朗朗上口 日间节目 动人 当代灵乐 | Dbm | 145 | |||
|
Doughnuts [IOM026 - 2] |
0 | 2'34 | Benedic Lamdin, Riaan Vosloo | Groovy, retro, sultry. Jazz impacts push into funky 70s jazz vibe | 黑人电影 开心 冷爵士 cocktail bar | Fm | 117 | |||
|
The Recline [AMS5028 - 2] |
2'31 | Willie Eaglin, Shawn Horton | Boom Bap. Insistent, rhythmic & outgoing. Beat box, drums, brass | boom bap 街头运动 怪异 态度 | Gbm | 94 | ||||
|
The Recline Alternate 1 [AMS5028 - 16] |
版本. | 2'31 | Willie Eaglin, Shawn Horton | Alternate without percussion. | boom bap 街头运动 怪异 态度 | Abm | 185 | |||
|
The Recline Alternate 2 [AMS5028 - 17] |
版本. | 2'31 | Willie Eaglin, Shawn Horton | Alternate with percussion only. | boom bap 街头运动 怪异 态度 | Gbm | 94 | |||
|
The Recline Alternate 3 [AMS5028 - 18] |
版本. | 2'31 | Willie Eaglin, Shawn Horton | Alternate instrumental. | boom bap 街头运动 怪异 态度 | Gbm | 94 | |||
|
The Recline Alternate 4 [AMS5028 - 19] |
版本. | 2'31 | Willie Eaglin, Shawn Horton | Alternate underscore. | boom bap 街头运动 怪异 态度 | Abm | 185 | |||
|
The Recline Edit 1 (30 sec) [AMS5028 - 20] |
版本. | 0'30 | Willie Eaglin, Shawn Horton | 30 second cut. | boom bap 街头运动 怪异 态度 | Gbm | 94 | |||
|
The Recline Edit 2 (15 sec) [AMS5028 - 21] |
版本. | 0'15 | Willie Eaglin, Shawn Horton | 15 second cut. | boom bap 街头运动 怪异 态度 | Fm | 94 | |||
|
Composition Notebooks [AMS5028 - 4] |
2'09 | Willie Eaglin, Shawn Horton | Boom Bap. Cool, rhythmic & energetic. Brass, drums, electric guitar & | 街头运动 boom bap 日间节目 果断 | Bm | 94 | ||||
|
Composition Notebooks
[AMS5028 - 28] |
版本. | 2'09 | Willie Eaglin, Shawn Horton | Alternate without percussion. | 街头运动 boom bap 日间节目 果断 | Bm | 94 | |||
|
Composition Notebooks
[AMS5028 - 29] |
版本. | 2'09 | Willie Eaglin, Shawn Horton | Alternate with percussion only. | 街头运动 boom bap 日间节目 果断 | Ebm | 94 | |||
|
Composition Notebooks
[AMS5028 - 30] |
版本. | 2'09 | Willie Eaglin, Shawn Horton | Alternate instrumental. | 街头运动 boom bap 日间节目 果断 | Bm | 94 | |||
|
Composition Notebooks
[AMS5028 - 31] |
版本. | 2'09 | Willie Eaglin, Shawn Horton | Alternate underscore. | 街头运动 boom bap 日间节目 果断 | Em | 94 | |||
|
Composition Notebooks Edit 1
[AMS5028 - 32] |
版本. | 0'30 | Willie Eaglin, Shawn Horton | 30 second cut. | 街头运动 boom bap 日间节目 果断 | Bm | 94 | |||
|
Composition Notebooks Edit 2
[AMS5028 - 33] |
版本. | 0'15 | Willie Eaglin, Shawn Horton | 15 second cut. | 街头运动 boom bap 日间节目 果断 | Bm | 94 | |||
|
Jah Nation [CEZ4627 - 12] |
3'09 | Gaspard Night | Electro reggae dub. Original, unusual, naive & constant. Drum | 海滨 果断 好玩 DUB | C | 105 | ||||
|
Jah Nation Edit 1 (60 sec) [CEZ4627 - 109] |
版本. | 1'00 | Constant Michel Eeckman | 60 second cut. | 海滨 果断 好玩 DUB | C | 105 | |||
|
Jah Nation Edit 2 (30 sec) [CEZ4627 - 110] |
版本. | 0'30 | Constant Michel Eeckman | 30 second cut. | 海滨 果断 好玩 DUB | C | 105 | |||
|
Jah Nation Edit 3 (15 sec) [CEZ4627 - 111] |
版本. | 0'14 | Constant Michel Eeckman | 15 second cut. | 海滨 果断 好玩 DUB | C | 105 | |||
|
Valkyrie Of Vengeance [INP069 - 2] |
3'01 | Reid Durtschi | Determined, heroic, climactic. Light synth arpeggiations offer a soft | 画面感 战士 预告片 高潮 | Cm | 102 | ||||
|
Valkyrie Of Vengeance
[INP069 - 15] |
版本. | 3'01 | Reid Durtschi | Determined, heroic, climactic. Light synth arpeggiations offer a soft | 画面感 战士 预告片 高潮 | Cm | 102 | |||
|
Valkyrie Of Vengeance
[INP069 - 16] |
版本. | 3'01 | Reid Durtschi | Determined, heroic, climactic. Light synth arpeggiations offer a soft | 画面感 战士 预告片 高潮 | Cm | 102 | |||
|
Apocalyptic Symphony [INP069 - 8] |
2'14 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact with wilting choral voices | 画面感 追逐场面 紧急 冲突 | Cm | 123 | ||||
|
Apocalyptic Symphony (Alt
[INP069 - 26] |
版本. | 2'14 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact with wilting choral voices | 画面感 追逐场面 紧急 冲突 | Cm | 123 | |||
|
Apocalyptic Symphony
[INP069 - 27] |
版本. | 2'13 | James Cullen, Mike Newport | Intense, powerful, dangerous. Large impact sets out a powerful | 画面感 追逐场面 紧急 冲突 | Cm | 164 | |||
|
Get Loud [BIB264 - 8] |
2'18 | Olivier Bibeau | Playful, spirited, lively. Choral voices weave between pacy claps and 歌词 | 男歌手 拍手 说唱 团队运动 | Gm | 146 | ||||
|
Get Loud (No Lead Vocal) [BIB264 - 29] |
版本. | 2'18 | Olivier Bibeau | Playful, spirited, lively. Choral voices weave between pacy claps and | 拍手 说唱 团队运动 极限运动 | Gm | 146 | |||
|
Get Loud (Instrumental) [BIB264 - 30] |
版本. | 2'18 | Olivier Bibeau | Playful, spirited, lively. Bright piano and organs emerge from large | 拍手 说唱 团队运动 极限运动 | Gm | 146 | |||
|
Get Loud (Underscore) [BIB264 - 31] |
版本. | 2'18 | Olivier Bibeau | Playful, spirited, lively. Bright piano and organs emerge from large | 拍手 说唱 团队运动 极限运动 | Gm | 146 | |||
|
Top Secret [AMS5024 - 1] |
2'00 | Ilan Kunik | Dramedy. Jazzy, mischievous, mysterious, bouncy & fun. Big band. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | G | 68 | ||||
|
Top Secret Alternate 1 [AMS5024 - 9] |
版本. | 2'00 | Ilan Kunik | Alternate version without percussion. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | G | 102 | |||
|
Top Secret Alternate 2 [AMS5024 - 10] |
版本. | 2'00 | Ilan Kunik | Alternate version with only percussion. | 动画 侦探喜剧 电影爵士乐 果断 | Am | 68 | |||
|
Top Secret Alternate 3 [AMS5024 - 11] |
版本. | 2'00 | Ilan Kunik | Alternate version without strings. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | G | 68 | |||
|
Top Secret Alternate 4 [AMS5024 - 12] |
版本. | 2'00 | Ilan Kunik | Alternate bed version. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | Cm | 102 | |||
|
Top Secret Alternate 5 [AMS5024 - 13] |
版本. | 2'00 | Ilan Kunik | Alternate underscore version. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | Cm | 68 | |||
|
Top Secret Alternate 6 [AMS5024 - 14] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | G | 68 | |||
|
Top Secret Alternate 7 [AMS5024 - 15] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | Cm | 139 | |||
|
Going Undercover [AMS5024 - 2] |
2'08 | Ilan Kunik | Dramedy. Groovy, classy, mischievous & jazzy. Big band. Suggested for | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | ||||
|
Going Undercover Alternate 1 [AMS5024 - 16] |
版本. | 2'08 | Ilan Kunik | Alternate version without percussion. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 2 [AMS5024 - 17] |
版本. | 2'08 | Ilan Kunik | Alternate version with only percussion. | 好玩 动画 侦探喜剧 电影爵士乐 | Gm | 116 | |||
|
Going Undercover Alternate 3 [AMS5024 - 18] |
版本. | 2'08 | Ilan Kunik | Alternate version without strings. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 4 [AMS5024 - 19] |
版本. | 2'08 | Ilan Kunik | Alternate bed version. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 5 [AMS5024 - 20] |
版本. | 2'08 | Ilan Kunik | Alternate underscore version. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 6 [AMS5024 - 21] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 115 | |||
|
Going Undercover Alternate 7 [AMS5024 - 22] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 讽刺 & 恶意 好玩 动画 侦探喜剧 | Em | 152 | |||
|
Clowns In A Hurry [TBX189 - 5] |
2'00 | Jack Pierce | Frantic, chaotic, urgent. Fast-moving organ sequence displays an | 马戏 动人 多变的 好玩 | Fm | 140 | ||||
|
Clowns In A Hurry (Underscore
[TBX189 - 18] |
版本. | 2'01 | Jack Pierce | Frantic, chaotic, urgent. Fast-moving bass sequence dressed up with | 马戏 动人 多变的 好玩 | Fm | 140 | |||
|
Clowns In A Hurry (Underscore
[TBX189 - 19] |
版本. | 2'00 | Jack Pierce | Frantic, chaotic, urgent. Fast-moving keys and light tuba work gives | 马戏 动人 多变的 好玩 | Fm | 140 | |||
|
Quantum [INP066 - 4] |
2'15 | James Cullen, Mike Newport | Huge, sharp, intimidating. Large dramatic impact as a gradually | 气势 预告片 电影节奏 史诗 | Cm | 120 | ||||
|
Quantum (Underscore) [INP066 - 14] |
版本. | 2'11 | James Cullen, Mike Newport | Huge, sharp, intimidating. Large dramatic impact as a gradually | 气势 预告片 电影节奏 史诗 | Cm | 120 |