| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Lost Heroes [INP008 - 7] |
2'14 | Sergey Kolosov | Building, confident, adventurous. Mysterious opening of synth horns | 画面感 史诗 高潮 果断 | Dm | 95 | ||||
|
Lost Heroes Underscore [INP008 - 17] |
版本. | 1'53 | Sergey Kolosov | Building, confident, adventurous. Epic, propulsive trailer percussion | 画面感 史诗 高潮 果断 | Gm | 95 | |||
|
Lost Heroes Drum Only Bed [INP008 - 18] |
版本. | 1'50 | Sergey Kolosov | Building, confident, tough. Mysterious opening of synth atmospheres, | 画面感 史诗 高潮 果断 | Dbm | 95 | |||
|
Lost Heroes Brass and Vox
[INP008 - 19] |
版本. | 1'25 | Sergey Kolosov | Building, confident, adventurous. Mysterious opening of synth horns | 画面感 史诗 高潮 果断 | Dm | 103 | |||
|
Lost Heroes 30sec [INP008 - 28] |
版本. | 0'30 | Sergey Kolosov | Alternate version. 30 seconds. | 画面感 史诗 高潮 果断 | Bb | 95 | |||
|
Step Down [INP005 - 14] |
0 | 1'48 | Nico Willems | Atmospheric score like trailer sound design. Big, scary and dark. | 战争 战士 画面感 军事冲突 | Am | 142 | |||
|
El Presidente [TBX009 - 1] |
2'26 | Nick Rogers, Maryann Tedstone, Michael Tedstone | South American inspired traditional music, with a narco culture | 骄傲 强调突出 媚俗 & 艳俗 舞动 | Bm | 115 | ||||
|
El Presidente (alternate
[TBX009 - 24] |
版本. | 2'26 | Nick Rogers, Maryann Tedstone, Michael Tedstone | South American inspired traditional music, with a narco culture | 摇摆 骄傲 广告 当代西部片 | Bm | 115 | |||
|
Pablo's Dead [TBX009 - 6] |
0 | 1'39 | Sergey Kolosov, Harry George Lightfoot | Mexican funeral march - lively yet sombre. Large brass section and | 当代西部片 高潮 悲剧 好玩 | Dm | 112 | |||
|
Destruction Imminent (e) [INP003 - 15] |
0'33 | Sergey Kolosov | (Horn and drums bed) Melodic horn progression over tribal/rock war | 冲突 动作片 战士 沉重 | Cm | 100 | ||||
|
Destruction Imminent [INP003 - 1] |
版本. | 2'32 | Sergey Kolosov | Tribal war drum intro with alarming megahorn. Chromatically ascending | 冲突 动作片 战士 沉重 | Cm | 100 | |||
|
Housewives at War [TBX002 - 7] |
0 | 1'00 | Sergey Kolosov | Playful and comedic track, growing in size and tempo throughout, | 马戏团 摇摆 马戏 喜剧 | Em | 91 | |||
|
Secret Messenger [TBX001 - 2] |
0 | 1'00 | Sergey Kolosov | A contemporary full band track using guitar, horns and strings with a | 态度 侦探喜剧 电吉他 稳定的 | Gbm | 100 | |||
|
Jinxed Spy [TBX001 - 12] |
0 | 1'00 | Sergey Kolosov | Laid back jazz drums with horn stabs and a suspenseful but light | 侦探喜剧 间谍片 鼓 黑色电影 | Dm | 120 | |||
|
Roller Girl [CEZ4294 - 1] |
3'56 | Grand David | Typical disco of the mid 70's. Lively & catchy. Brass section, | 迪斯科舞曲 喜庆 七十年代 舞动 | Dm | 115 | ||||
|
Roller Girl 2 [CEZ4294 - 16] |
版本. | 3'50 | Grand David | Typical disco of the mid 70's. Lively & catchy. Brass section, | 迪斯科舞曲 喜庆 七十年代 舞动 | Dm | 115 | |||
|
Roller Girl (Vintage Mix) [CEZ4294 - 17] |
版本. | 3'59 | Grand David | Typical disco of the mid 70's. Lively & catchy. Brass section, | 迪斯科舞曲 喜庆 七十年代 舞动 | Dm | 115 | |||
|
Club 54 [CEZ4294 - 11] |
2'44 | Grand David | Funky disco in the spirit of the late 70's. Shiny & danceable. Brass | 迪斯科舞曲 放客 七十年代 俱乐部 | Bm | 117 | ||||
|
Club 54 (Vintage Mix) [CEZ4294 - 39] |
版本. | 2'42 | Grand David | Funky disco in the spirit of the late 70's. Shiny & danceable. Brass | 迪斯科舞曲 放客 七十年代 俱乐部 | Bm | 117 | |||
|
Foxy Brown [CEZ4232 - 5] |
0 | 1'51 | Grand David | Interrogative and classy. Electric guitar, brass, trumpet, flute & | 黑人电影 七十年代 爵士风 侦探喜剧 | Em | 105 | |||
|
Sugar Hill [CEZ4232 - 11] |
1'59 | Grand David | Rhythm and blues. Fun & bright. Wah-wah guitar, male sampled voice, | 黑人电影 七十年代 击弦古钢琴 骄傲 | Gm | 90 | ||||
|
Sugar Hill 2 [CEZ4232 - 16] |
版本. | 1'54 | Grand David | Rhythm and blues. Fun & bright. Wah-wah guitar, clavinet & rhythm. | 黑人电影 七十年代 击弦古钢琴 骄傲 | Gm | 90 | |||
|
Santo Domingo [CEZ4228 - 6] |
1'43 | Sr Ortegon | Merengue. Festive & stirring. Brass, keyboards & exotic rhythm. | 异域 多米尼加 舞动 动人 | Dm | 126 | ||||
|
Santo Domingo Underscore [CEZ4228 - 21] |
版本. | 1'43 | Sr Ortegon | Merengue. Festive & stirring. Keyboards & exotic rhythm. Caribbean | 异域 多米尼加 舞动 动人 | F | 126 | |||
|
Haiti [CEZ4228 - 7] |
2'00 | Sr Ortegon | Modern kompa. Haitian dance. Swaying & confident. Brass, guitar & | compa 海地 异域 喜庆 | Bbm | 105 | ||||
|
Haiti Underscore [CEZ4228 - 22] |
版本. | 2'00 | Sr Ortegon | Modern kompa. Haitian dance. Swaying & confident. Marimba, guitar, | compa 海地 异域 喜庆 | Bbm | 105 | |||
|
End Of The Road [BIB034 - 2] |
0 | 2'16 | Jack Baker | Catchy, quirky sampled choral loop with percussion. Building with | 果断 骄傲 命运 史诗 | Am | 113 | |||
|
Quiet Storm [BIB034 - 3] |
0 | 2'04 | Jack Baker | Dramatic timpani drum hits mixed with niave glockenspiel melody | 冲击 令人激动 介绍 自信 | Abm | 119 | |||
|
When The Light Shines [BIB034 - 9] |
0 | 2'38 | Jack Baker | Nice looping horn loop with military marching drum intro witching in | 骄傲 凯旋 鼓 果断 | Dm | 132 | |||
|
Hit [CEZ4198 - 5] |
0 | 1'59 | Grand David | Groovy & catchy soul track. Horn section, organ, clavinet @ 0'34 & | 日间节目 火热 灵乐 六十年代 | Em | 124 | |||
|
It's Time to Get Up [CEZ4198 - 8] |
2'43 | Grand David | Catchy & upfifting soul/groove song. Male singer, horn section & 歌词 | 舞动 时髦 灵乐 七十年代 | D | 96 | ||||
|
It's Time to Get Up 2 [CEZ4198 - 20] |
版本. | 2'42 | Grand David | Catchy & upfifting soul/groove. Horn section & rhythm. Sax chorus & | 七十年代 时髦 舞动 灵乐 | D | 96 | |||
|
Low Five (High Five - Martin
[BIB027 - 9] |
0 | 3'26 | Harry George Lightfoot, Martin Placido Olmos | Great horn samples with a steady dance beat and production. Bass | 电子摇摆乐 动人 介绍 室外 | C | 128 |