Hip Hop trailer/ Rap. Swaggering, brash & intimidating. Male Mc, Hip Hop trailer/ Rap. Swaggering, brash & intimidating. Male Mc, powerful beat & synth hook. Break @ 1'38. Suggested for sport challenge, sport trailer, combat sports, US Football, basketball competition & lifestyle.歌词
Back up
Back up
Back up
Freeze
Look at the spot we deep We run it we run it we deep
This flow's like a 100-degrees
With the squad up out in the field
The credit don’t need it we out for the visa Hustled the struggle the fees
Put that in everything I want the haters to see The players to see
The motivators 'casue they know how it feels
'Cause they relate to the greats
I don’t need no handouts
I don't need no favours and clout Popular demand
Feed the fam is only plated plan Cry me a river
You say that you the man Caution
I’m walking living moshpit
Build it we live
Growing the villa the city’s a tribe We bring the vibes
Back up
Back up
Back up
Freeze
Look at the spot we deep We run it we run it we deep
Back up
Back up
Back up
Freeze
Look at the spot we deep We run it we run it we deep
Don’t you come up in here with yo hands to side
All my dawgs is out to see so you know you can’t hide Back in the mix
They ain’t feel nothing like that in a minute Keep your head high as bad as it gets
We gon' make it out for all us to get Where my dawgs at?
Ain’t got that dog in you should fall back 100 of us we in all black
Huddled like dang you see all that?
Back up
Back up
Back up
Freeze
Look at the spot we deep We run it we run it we deep
Back up
Back up
Back up
Freeze
Look at the spot we deep We run it we run it we deep
Silly, frantic, comedic. Plodding low trumpet notes bump into detuned Silly, frantic, comedic. Plodding low trumpet notes bump into detuned piano with a chaotic tune, exploding @ 0'21 with percussive hits. A sloppy and goofy character bumping into people and trying to find a way through. A hilarious silly scene with a rushed atmosphere.
Silly, frantic, comedic. Plodding low trumpet notes bump into detuned Silly, frantic, comedic. Plodding low trumpet notes bump into detuned piano with a chaotic tune. A sloppy and goofy character bumping into people and trying to find a way through. A hilarious silly scene with a rushed atmosphere. Stripped back underscore version.
Clean, heavy, confident. Plucked strings are supercharged by emerging Clean, heavy, confident. Plucked strings are supercharged by emerging bassline and percussion rising into big explosion of sub bass and light trap percussion with DJ FX. A sense of fun and activity, with nervy tone @ 0'40 from skipping plucked string melody. Rocket bassline working itself up into rising explosion. A pressurised situation.
Clean, heavy, confident. Plucked strings are supercharged by emerging Clean, heavy, confident. Plucked strings are supercharged by emerging bassline and percussion rising into big explosion of sub bass and light trap percussion with DJ FX. A sense of fun and activity, with nervy tone @ 0'40 from skipping plucked string melody. Rocket bassline working itself up into rising explosion. A pressurised situation. Stripped back underscore version.
Clean, heavy, confident. Plucked strings are supercharged by emerging Clean, heavy, confident. Plucked strings are supercharged by emerging bassline and DJ FX. A sense of fun and activity, with nervy tone @ 0'40 from skipping plucked string melody. Rocket bassline working itself up into rising explosion. A pressurised situation. Stripped back no drums underscore version.
Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, matched by drum machine percussion and backed by deep trumpets and sub bass. Spooky vibes from plucked strings and Halloween wavy notes. Icey notes speed up @ 1'16, conveying a rise in tension. A mischievous character causing trouble in a laidback antagonistic style.
Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, matched by drum machine percussion and backed by deep church bells. Sub bass @ 0'30 provides power. Spooky vibes from plucked strings and Halloween wavy notes. Icey notes speed up @ 1'16, conveying a rise in tension. A mischievous character causing trouble in a laidback antagonistic style. Stripped back underscore version.
Empowered, rude, unapologetic. Menacing melody with rough energy Empowered, rude, unapologetic. Menacing melody with rough energy offers a mean atmosphere. Vocals chant empowering hook over rhythmic shouting. Female vocals about empowering girls with a sense of power. A power in appearance and tenacity. Uplifting bridges contrast raw verses.歌词
She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls, She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls.
They say I’m a girl’s girl, I empower my sisters, it’s how I roll, Got my crown on my head, The head ain’t heavy no it’s gentle, I’m emotional, sentimental, I’m a spiritual girl, not mental, And if I harm you its accidental, I’m a peace love type, But I’ll back my self, There are lessons that you learn, And some you find out for yourself, Sometimes it cuts your health, But in order to succeed you’ve gotta fail, And you need to trust yourself.
Coz a queen never heels, A queen can’t be brought to her knees, Coz a queen is an empress, A queen is born to lead.
Coz a queen never heels, A queen can’t be brought to her knees, Coz a queen is an empress, I’m a queen and I’m born to lead.
She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls, She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls.
Your skit’s lit plus cute earrings, And the cute one’s car is steering, Now off to the left he’s veering, Coz he can’t stop looking, peering.
I’m one of a kind, I’m a rare one, I’m the one that they meet but can’t have none, Coz I value myself and my power, I’m a queen and my presence is louder, I don’t fall back, I walk into, I don’t run when I am fearful, I’m a queen so I leave when I need to, They’re depending on me and I need to.
Yeah.
Coz a queen never heels, A queen can’t be brought to her knees, Coz a queen is an empress, A queen is born to lead.
Coz a queen never heels, A queen can’t be brought to her knees, Coz a queen is an empress, I’m a queen and I’m born to lead.
She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls, She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls.
She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls, She runs the world, Queen, queen, queen, queen, You can’t compete with girls, girls, girls, girls.
Empowered, rude, unapologetic. Menacing melody with rough energy Empowered, rude, unapologetic. Menacing melody with rough energy offers a mean atmosphere. A power from sub bass and sharp percussion. Uplifting bridges contrast raw verses. Instrumental version.
Empowered, rude, unapologetic. Menacing melody with rough energy Empowered, rude, unapologetic. Menacing melody with rough energy offers a mean atmosphere. A power from sub bass and sharp percussion. Uplifting bridges contrast raw verses. Stripped back underscore version.
Explosive, modern, heavy. Crowd cheering leads into slick Explosive, modern, heavy. Crowd cheering leads into slick instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation with ad libbed voices giving power and determination. A stylish but strong energy.
Explosive, modern, heavy. Crowd cheering leads into slick Explosive, modern, heavy. Crowd cheering leads into slick instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation. A stylish but strong energy. Instrumental version.
Explosive, modern, heavy. Slick electronic instrumentation, with Explosive, modern, heavy. Slick electronic instrumentation, with riser displaying a sense of hype and excitement. Dives into explosion and colourful electronic instrumentation. A stylish but strong energy. Bed version.
Cinematic trailer. Suspenseful and mysterious intro with female voice Cinematic trailer. Suspenseful and mysterious intro with female voice and sound design. Insidious build-up @ 0'38 with ticking FX and cinematic percussion. Imposing and fateful climax @ 1'18 with synthesizer and brass peaks. Final @ 1'54.
Cinematic hybrid orchestral. Emotional intro with piano ping, lyrical Cinematic hybrid orchestral. Emotional intro with piano ping, lyrical female vocals, positive strings & arpeggiator. Fearless climax @ 0'58 with cinematic percussion & staccato strings. Dramatic choir & percussion @ 1'35. Urgent climax @ 1'57 for a triumphant finale. Soft piano back end. Suggested for Sic-Fi adventures, modern fantasy & trailers.
Cinematic hybrid orchestral. Quiet intro with metal keyboard. Cinematic hybrid orchestral. Quiet intro with metal keyboard. Motivational build-up @ 0'20 with staccato strings, trailer fx & cinematic percussion. Suspenseful break @ 1'17 with darker synths. Glorious climax @ 1'38 with triumphant brass & choir. Suggested for space take off, epic trailers & achievement.
Searching, explorative, impassioned. Choral voices and phased pads Searching, explorative, impassioned. Choral voices and phased pads conjure an atmosphere of hope and uncertainty. A desperate situation where heroes are made and the fate of the world hangs in the balance. Riser cut down @ 0'33 with sci-fi boom. War drums convey an energy, pouring through futuristic synth sequences. Heroes looking out upon a new world. Cinematic show of power and strength.
Searching, explorative, impassioned. Choral voices and phased pads Searching, explorative, impassioned. Choral voices and phased pads conjure a quiet atmosphere of hope and uncertainty. A desperate situation where heroes are made and the fate of the world hangs in the balance.Heroes looking out upon a new world. Cinematic show of power and strength. Stripped back underscore version.
Panicked, intense, fated. Swirling strings formulate behind a rushed Panicked, intense, fated. Swirling strings formulate behind a rushed and sharp sequence, glittering with synth notes behind. Chugging rhythm starts @ 0'36, building with drums. Bit hit @ 1'19 as drums build again. An epic crescendo to a battle or final showdown. Synth notes at the end push a sense of dread and overwhelming power. Battle-ready and prepared to fight.
Panicked, intense, fated. Swirling strings formulate behind a rushed Panicked, intense, fated. Swirling strings formulate behind a rushed and sharp sequence, glittering with synth notes behind. Chugging rhythm starts @ 0'36. An epic crescendo to a battle or final showdown. Battle-ready and prepared to fight. Stripped back underscore version.
Epic, uncertain, powerful. Concerned strings push out, joined by Epic, uncertain, powerful. Concerned strings push out, joined by sharp chugging notes and rising synths offering a modern or futuristic energy. Dark clouds over a cybernetic landscape or future wasteland as a hero rises up, accompanied by valiant strings and big drum hits. Big impact and low drone trumpet @ 1'06 clears landscape for it to build up again. A showdown of infinite power in big crescendo @ 1'55.
Epic, uncertain, powerful. Concerned strings push out, joined by Epic, uncertain, powerful. Concerned strings push out, joined by sharp chugging notes and rising synths offering a modern or futuristic energy. Dark clouds over a cybernetic landscape or future wasteland as a hero rises up, accompanied by valiant strings. A showdown of strong powers and spirited forces. Stripped back underscore version.
Hypnotic, sharp, modern. Fast-paced bell synths push out as vocal Hypnotic, sharp, modern. Fast-paced bell synths push out as vocal samples rise up behind, joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Instrumental version.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Stripped back underscore version.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Stripped back underscore version.
Salsa Choke, fusion of salsa with urban rythhms. Sung in Spanish: Salsa Choke, fusion of salsa with urban rythhms. Sung in Spanish: ''If you like her, ask her to dance''. Upbeat, festive, danceable, exotic & teasing. Singer, Latin percussion, brass & rhythm section.歌词
ES:
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Llego la hora de mostrar los poderes
la parte favorita de todita las mujeres
con este estilo tan caro que tengo
me la llevo a la pista y luego la enciendo
Despues que la convenza
la voy a invita a bailar
y en el medio de la pista
la vo'aponer
la vo'aponer a gozar ...
(Baila salsa choque fusion que te traigo yo)
Oye salsa choke fusion que te traigo yo ...
(musica y sazon directo de mi barrio)
Musica bonita hecha en el barrio con buen sabor...
(Baila salsa choque fusion que te traigo yo)
Yo te dije que te iba a pone'a gozar en verdad
(Musica y sazon directo de mi barrio)
pa'que lo gozen, lo gozen to'...
(Aja...)
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choque pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce...
Salsa choke
con un toque que suena
bien rico, sabroso
made in Venezuela
y un raggamuffin
a la vieja escuela
hecho especialmente para ti ...
Despues que la convenza
la voy a invita a bailar
y en el medio de la pista
la vo'aponer
la vo'aponer a gozar ...
pa'que lo gozen, lo gozen to'
No pierdas el enfoque
disfruta salsa choke
vamos a bailar
y a gozar ...
(welcome to the party, salsa choke fusion)
(you hearme?)
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
con esta salsa choke pa've que lo que
picara, se le nota que ya lo conoce...
Si te gusta, sacala a bailar chocale
invitala aprietala pa'que sienta el roce
ENG:
If you like her, ask her to dance, bump into her,
invite her, hold her close so she feels the touch
with this salsa choke to see that what
will sting, you can tell she already knows him...
If you like her, ask her to dance, bump into her,
invite her, hold her close so she feels the touch
with this salsa choke pa've so that what
spice it up, you can tell she already knows it...
It's time to show off my powers
the favorite part of all women
with this expensive style that I have
I take her to the dance floor and then I turn her on
After I convince her
I'm going to ask her to dance
and in the middle of the dance floor
I'm going to
I'll make her enjoy herself...
(Dance to the salsa choque fusion that I bring you)
Hey, salsa choke fusion that I bring you...
(Music and flavor straight from my neighborhood)
Beautiful music made in the neighborhood with good flavor...
(Dance to the salsa choque fusion that I bring you)
I told you I was going to make you enjoy yourself, really
(Music and flavor straight from my neighborhood)
So you can enjoy it, enjoy it all...
(Aha...)
If you like it, ask her to dance chocale
Invite her, hold her close so she can feel the touch
With this salsa choque so she can feel
The tingle, you can tell she already knows it...
If you like it, ask her to dance chocale
invite her, hold her close so she feels the touch...
Salsa choke
with a touch that sounds
really good, tasty
made in Venezuela
and an old school raggamuffin
made especially for you...
After I convince her
I'm going to ask her to dance
and in the middle of the dance floor
I'm going to
I'll make her enjoy it...
(Welcome to the party, salsa choke fusion)
(You hear me?)
If you like it, ask her to dance, bump into her
invite her, hold her close so she feels the touch
with this salsa choke so she knows what
it's like, you can tell she already knows it...
If you like it, ask her to dance, chocale
invite her, hold her close so she feels the touch
FR:
Si tu l'aimes, invite-la à danser, chocale
invite-la, serre-la pour qu'elle sente le contact
avec cette salsa choke pour voir que ce qui
la titille, on voit bien qu'elle le connaît déjà...
Si tu l'aimes, invite-la à danser, chocale
invite-la, serre-la pour qu'elle sente le contact
avec cette salsa choke pa've que ce qui
la pique, on voit qu'elle le connaît déjà...
C'est l'heure de montrer mes pouvoirs
la partie préférée de toutes les femmes
avec ce style si cher que j'ai
je l'emmène sur la piste et ensuite je l'allume
Après l'avoir convaincue
je vais l'inviter à danser
et au milieu de la piste
je vais la mettre
je vais la faire profiter...
(Danse la salsa choque fusion que je t'apporte)
Écoute la salsa choke fusion que je t'apporte...
(musique et saveur directement de mon quartier)
De la belle musique faite dans le quartier avec du bon goût...
(Danse la salsa choque fusion que je t'apporte)
Je t'ai dit que j'allais vraiment te faire profiter
(Musique et saveurs directement issues de mon quartier)
pour que vous profitiez, que vous profitiez tous...
(Aha...)
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
avec cette salsa choque pour que ce qui
pique, on voit qu'elle connaît déjà...
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact...
Salsa choke
avec une touche qui sonne
bien riche, savoureuse
made in Venezuela
et un raggamuffin
à l'ancienne
fait spécialement pour toi...
Après l'avoir convaincue
je vais l'inviter à danser
et au milieu de la piste
je vais la mettre
la faire profiter...
pour qu'ils en profitent, qu'ils en profitent tous
Ne perds pas ta concentration
profite de la salsa choke
allons danser
et profiter...
(bienvenue à la fête, salsa choke fusion)
(tu m'entends ?)
Si tu l'aimes, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
avec cette salsa choke pour qu'elle
pique, on voit qu'elle connaît déjà...
Si tu aimes ça, invite-la à danser chocale
invite-la serre-la pour qu'elle sente le contact
Modern, feelgood, merry. Phased guitar produces warm chords giving a Modern, feelgood, merry. Phased guitar produces warm chords giving a wistful, laidback energy. Trap percussion and bass offer a super-powered feeling of loveliness and grateful energy. Female vocals set out a positive Christmas time, a feeling of togetherness at the best time of year. Contrast from classic happy vocals with cool fresh trap percussion.歌词
We made it to New Year's, my favorite time of year, Loved ones and best friends, come together again, Another time for spreading cheer, the holidays are finally here, Bright smiles and love you truly see, won't you please stay home with me.
Sleeping all day, let your worries fade away, You can warm your hands by the fireplace, And build a memory of this holiday, We made it to New Year's, my favorite time of year.
Loved ones and best friends, come together again, Another time for spreading cheer, the holidays are finally here, Bright smiles and love you truly see, won't you please stay home with me.
We made it to New Year's, my favorite time of year, Loved ones and best friends, come together again, Another time for spreading cheer, the holidays are finally here, Bright smiles and love you truly see, won't you please stay home with me.
Modern, feelgood, merry. Phased guitar produces warm chords giving a Modern, feelgood, merry. Phased guitar produces warm chords giving a wistful, laidback energy. Trap percussion and bass offer a super-powered feeling of loveliness and grateful energy. Cool fresh beats conjure images of a modern Christmas with an old-fashioned sense of warmth and welcome. Instrumental version.
Modern, feelgood, merry. Phased guitar produces warm chords giving a Modern, feelgood, merry. Phased guitar produces warm chords giving a wistful, laidback energy. Female vocals set out a positive Christmas time, a feeling of togetherness at the best time of year. Fresh instrumentation and vocaloid solo @ 1'35 give a modern shine to good vibe. Stripped back alternate version.
Mean, tenacious, snarling. Reversed beats work there way into unique Mean, tenacious, snarling. Reversed beats work there way into unique trickling hip hop beat with big bold bass. Voices give an exalted energy to competitive spirit. Echoing voices among emotive pads convey a candid atmosphere. A need-to-win sports match or competition. Explosive drop @ 0'50 with resonant. sharp bass. Incisive, a technically gifted person showing their talents.歌词
You can catch me in the pit, Wreckless energy I'm never signing out, You can catch me in the pit, (yeah, ooh) Wreckless energy I'm never signing out. (yeah, ooh)
You can catch me in the pit, Wreckless energy I'm never signing out, You can catch me in the pit, (yeah, ooh) Wreckless energy I'm never signing out. (yeah, ooh)
Mean, tenacious, snarling. Reversed beats work there way into unique Mean, tenacious, snarling. Reversed beats work there way into unique trickling hip hop beat with big bold bass. Pads and brass give an exalted energy to competitive spirit. A need-to-win sports match or competition. Explosive drop @ 0'50 with resonant. sharp bass. Incisive, a technically gifted person showing their talents. Instrumental version.
Mean, tenacious, snarling. Reversed beats work there way into big Mean, tenacious, snarling. Reversed beats work there way into big impacts with and rumbling brass. Pads and brass give an exalted energy. A need-to-win sports match or competition. Explosive drop @ 0'50 with sub bass. Incisive, a technically gifted person showing their talents. Stripped back underscore version.
Tense, powerful, epic. Curious and anxious vibe from muted guitars Tense, powerful, epic. Curious and anxious vibe from muted guitars sending up panicked notes, conveying tension. Percussion builds before releasing @ 0'58 with full-bodied war drum pounding and scratchy overdrive guitars launching with supreme strength. Strings and epic chord sequence conveys an apocalyptic vibe.
Tense, powerful, epic. Curious and anxious vibe from pad chords. Tense, powerful, epic. Curious and anxious vibe from pad chords. Percussion builds before releasing @ 0'58 with full-bodied war drum pounding and scratchy overdrive guitars launching with supreme strength. Strings and epic chord sequence conveys an apocalyptic vibe. Stripped back underscore version.
Tense, powerful, epic. Curious and anxious vibe from pad chords. Tense, powerful, epic. Curious and anxious vibe from pad chords. Tension builds with fizzling synths and stern detuned string dissonance. A catastrophic event beginning. Stripped back underscore version.
Tense, powerful, epic. Curious and anxious vibe from rolling drums Tense, powerful, epic. Curious and anxious vibe from rolling drums with high pitched tone. Percussion builds before releasing @ 0'38 with full-bodied war drum pounding conveying a supreme strength. Stripped back underscore version.
Arrogant, stylish, bumping. Comedic intro with trappy percussion and Arrogant, stylish, bumping. Comedic intro with trappy percussion and charismatic female vocals asking mirror who the most stylish person is. Explosion into trappy sub bass energy, a person who commands attention. Loud and proud energy. Winning attitude supported by inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers.歌词
Mirror, mirror on the wall, Am I the prettiest? Am I the flyest? You can't walk like me, you can't talk like me, So what you gonna do, Let’s Go.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
Cuz I'm up, watch me turn it up, Walking in the club yea yea, Pull it pull it up, give me what I want.
I'm a big stepper, all eyes on me, When I walk in, I move like a queen, Gold on my neck, ice on my sleeve, I do with real rich, I do with ease.
My money super long, stack super neat, And I ain't gotta flex but they still try to compete, My crown super high, my throne super deep, And I don't lose no sleep, I just win and repeat.
Cuz I'm up, watch me turn it up, Walking in the club yea yea, Pull it pull it up, sipping from my cup yea yea, And I'm super fly and you know whatsup yea yea, I'm just swiping by, give me what I want.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
I'm shameless, find me in the bag girl pages, Soon as you get home, gimme that, And your wages, You like it don't you, yea we on the same pages, I'm rude and I'm famous, I take a lot of patience.
Now baddies come in threes and the money come go early, So gimme all the cheese, You don't need it, you ain't worthy, And look me in my eyes and show me all your pearlys, Bet you've never ever seen a body this curvy.
All them eyes on me, all them eyes on me ya ya, All them eyes on me, Who run it, All them eyes on me, all them eyes on me ya ya, All them eyes on me.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. No lead vocal version.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. Instrumental version.
Arrogant, stylish, bumping. Trappy percussion explodes into sub bass Arrogant, stylish, bumping. Trappy percussion explodes into sub bass energy, a person who commands attention. Loud and proud energy. Inane instrumentation with bouncy sub bass and chattering hi hats. A charismatic or arrogant character demanding looks and whispers from onlookers. Stripped back underscore version.
