| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Native Lands [CEZ4071 - 28] |
0 | 4'04 | Eric Daniel | Plaintive & desolate. Slow march rhythm @ 1'36. Prepared guitar, | 漂泊 Ebow吉他 抱歉 自然灾害 | D | 80 | |||
|
First Meeting [CEV3002 - 9] |
0 | 4'01 | Dominique Grimaldi, Renaud Pion | Cyclic, mysterious & contemplative. Clarinet & bass guitar. | 漂泊 低音单簧管 地理政治 神秘 | Db | 82 | |||
|
The Path less travelled [CEZ4053 - 5] |
0 | 2'35 | Lionel Seillier | Reflective & soul searching. Gentle guitar & bass with drums @ 0'58. | 反省 摇摆 乡村摇滚 果断 | Em | 123 | |||
|
Rio Grande [CEZ4053 - 22] |
0 | 2'32 | Pajaro Canzani, Daniel Diaz | Primal. Atmospheric blues. Improvised bass & acoustic guitar with | 动物世界 全景图 嗡嗡声 稀疏 | E | 72 | |||
|
Arenas Blancas [CEZ4049 - 19] |
0 | 3'17 | Pajaro Canzani | Ragga for your holidays. Relax and enjoy yourselves. Marimba, | 自信 异域 放松 中美/加勒比 | D | 85 | |||
|
Murder One [CEZ4040 - 1] |
0 | 1'43 | Elisabeth Skornik, Guy Skornik | Investigative & dark ambient cityscape with hard groove. | 社会悲剧 调查研究 都市景色 动作片 | Eb | 60 | |||
|
Partir, Revenir 2 [CEZ4039 - 30] |
0 | 3'05 | Hélène Blazy | As happy as Ulysses whoever has had a fine trip... Electronic and | 固执 七十年代 果断 社会悲剧 | Am | 152 | |||
|
Pulse Reaction [AUD053 - 5] |
2'10 | Frederic Sicart | French Touch. Pulsating, groovy & hypnotic. Brass, guitar, drum | 周期性的 动人 法式 时尚 | Cm | 115 | ||||
|
Pulse Reaction (Short Edit) [AUD053 - 10] |
版本. | 0'26 | Frederic Sicart | Short edit version | 周期性的 动人 法式 时尚 | Cm | 115 | |||
|
Pulse Reaction (No Theme) [AUD053 - 15] |
版本. | 2'10 | Frederic Sicart | Underscore version | 周期性的 动人 法式 时尚 | Cm | 115 | |||
|
Orchestral Pieces No7 [AUD052 - 2] |
1'28 | Bruno Letort | Avant-garde classical. Cautious & stealthy with subtle tension. | 悬念 军事冲突 令人不安 无调性音乐 | Em | 61 | ||||
|
Orchestral Pieces No7 (Short
[AUD052 - 7] |
版本. | 0'25 | Bruno Letort | Short edit version | 悬念 军事冲突 令人不安 无调性音乐 | F | 100 | |||
|
Romantic Reverie [BIB299 - 10] |
1'47 | Fred Stoeyva | Swooning, dreamy, special. Hawaiian-coded instrumentation welcome in | 放松 安静 复古电影 懒惰 | G | 92 | ||||
|
Romantic Reverie (Bed) [BIB299 - 30] |
版本. | 1'47 | Fred Stoeyva | Swooning, dreamy, special. Hawaiian-coded instrumentation welcome in | 放松 安静 复古电影 懒惰 | G | 91 | |||
|
Romantic Reverie (Underscore) [BIB299 - 31] |
版本. | 1'47 | Fred Stoeyva | Swooning, dreamy, special. Hawaiian-coded instrumentation welcome in | 放松 安静 复古电影 懒惰 | Em | 92 | |||
|
Immediate Bording [CEC8068 - 1] |
2'02 | Zhang Hao, Peng Qu | Funky, positive, groovy & catchy. Electric guitar, synths, brass, | 舞动 日间节目 黑人电影 动人 | Fm | 120 | ||||
|
Immediate Bording Alternate [CEC8068 - 11] |
版本. | 2'02 | Zhang Hao, Peng Qu | No brass version | 舞动 日间节目 黑人电影 动人 | Fm | 120 | |||
|
From LAX to Narita [CEC8068 - 2] |
2'14 | Zhang Hao, Peng Qu | Vintage, light, cool & sparkling. Drum machine, synths, electric | 自信 流行电子音乐 人物 媚俗 & 艳俗 | G | 111 | ||||
|
From LAX to Narita Alternate [CEC8068 - 12] |
版本. | 2'14 | Zhang Hao, Peng Qu | No brass version | 自信 流行电子音乐 人物 媚俗 & 艳俗 | G | 111 | |||
|
From LAX to Narita Underscore [CEC8068 - 13] |
版本. | 2'14 | Zhang Hao, Peng Qu | Underscore version | 自信 流行电子音乐 人物 媚俗 & 艳俗 | D | 111 | |||
|
Love is a Daydream [CEC8068 - 6] |
2'28 | Zhang Hao, Peng Qu | Dreamy & nostalgic intro, then confident, romantic & kitsch. Synths, | 媚俗 & 艳俗 爱情 日间节目 动人 | Am | 108 | ||||
|
Love is a Daydream Alternate [CEC8068 - 18] |
版本. | 2'29 | Zhang Hao, Peng Qu | No lead synth & brass version | 媚俗 & 艳俗 爱情 日间节目 动人 | Am | 108 | |||
|
The Pink Convertible Cadillac [CEC8068 - 8] |
1'36 | Zhang Hao, Peng Qu | Sensual, exotic, glamorous & romantic. Synths, drums, electric piano, | 媚俗 & 艳俗 梦幻 电子键盘 日间节目 | C | 144 | ||||
|
The Pink Convertible Cadillac
[CEC8068 - 21] |
版本. | 1'36 | Zhang Hao, Peng Qu | No lead synth version | 媚俗 & 艳俗 梦幻 电子键盘 日间节目 | C | 144 | |||
|
Red Light, Green Light [MAG6105 - 2] |
2'15 | Mad Rey, Mookice | Ghetto house, Detroit house. Dreamy, nocturne yet lively. Synth & | 无忧无虑 都市景色 艺术风格 电子 | Gbm | 135 | ||||
|
Red Light, Green Light
[MAG6105 - 15] |
版本. | 2'15 | Mad Rey, Mookice | Alternate no FX. | 无忧无虑 都市景色 艺术风格 懒惰 | Gbm | 135 | |||
|
Red Light, Green Light Edit
[MAG6105 - 16] |
版本. | 1'00 | Mad Rey, Mookice | 60 second cut. | 无忧无虑 都市景色 艺术风格 懒惰 | Gbm | 135 | |||
|
Red Light, Green Light Edit
[MAG6105 - 17] |
版本. | 0'30 | Mad Rey, Mookice | 30 second cut. | 无忧无虑 都市景色 艺术风格 懒惰 | Gbm | 135 | |||
|
Red Light, Green Light Edit
[MAG6105 - 18] |
版本. | 0'20 | Mad Rey, Mookice | 20 second cut. | 无忧无虑 都市景色 艺术风格 懒惰 | Gbm | 135 | |||
|
Red Light, Green Light Edit
[MAG6105 - 19] |
版本. | 0'09 | Mad Rey, Mookice | Sting. | 无忧无虑 都市景色 艺术风格 懒惰 | Gbm | 105 | |||
|
Atlantico [CEL7047 - 31] |
2'09 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Thoughtful, melancholic, narrative & sensitive. Folk guitar, prepared | 民族吉他 反省 宁静 全景图 | Em | 99 | ||||
|
Atlantico Alternate [CEL7047 - 78] |
版本. | 2'08 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | 民族吉他 反省 宁静 全景图 | Em | 99 | |||
|
Caliente [BIB298 - 6] |
2'09 | Olivier Bibeau | Fun, hot, bouncy. Fast-paced synth ploughs through cool and 歌词 | 动人 人物 多变的 态度 | Dbm | 162 | ||||
|
Caliente (Instrumental) [BIB298 - 21] |
版本. | 2'09 | Olivier Bibeau | Fun, hot, bouncy. Fast-paced synth ploughs through cool and | 动人 人物 多变的 态度 | Dbm | 162 | |||
|
Caliente (Bed) [BIB298 - 22] |
版本. | 2'09 | Olivier Bibeau | Fun, hot, bouncy. Fast-paced synth ploughs through cool and | 动人 人物 多变的 态度 | Dbm | 162 | |||
|
Big Easy [IOM045 - 3] |
2'01 | David Birnie, Luke Hinchliffe | Retro, cool, fancy. Rimshots and kick drum join with clicking to | 侦探喜剧 间谍片 电影爵士乐 自信 | Gbm | 104 | ||||
|
Big Easy (Underscore) [IOM045 - 15] |
版本. | 2'01 | David Birnie, Luke Hinchliffe | Retro, cool, fancy. Rimshots and kick drum join with clicking to | 侦探喜剧 间谍片 电影爵士乐 自信 | Gbm | 104 | |||
|
Big Easy (Drums Only) [IOM045 - 16] |
版本. | 2'01 | David Birnie, Luke Hinchliffe | Retro, cool, fancy. Rimshots and kick drum join with clicking to | 侦探喜剧 间谍片 电影爵士乐 自信 | Em | 104 | |||
|
Game Time [IOM045 - 7] |
1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Gbm | 123 | ||||
|
Game Time (Underscore) [IOM045 - 23] |
版本. | 1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Gbm | 123 | |||
|
Game Time (Drums Only) [IOM045 - 24] |
版本. | 1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Em | 123 | |||
|
Hustle Yard [BIB297 - 2] |
2'07 | Audio Aroma, Ari Goldhand | Confident, brash, intense. Bell notes play out with a whimsical | 都市景色 周期性的 社会悲剧 阴险 | Ebm | 142 | ||||
|
Hustle Yard (Underscore) [BIB297 - 12] |
版本. | 2'06 | Audio Aroma, Ari Goldhand | Confident, brash, intense. Bell notes play out with a whimsical | 都市景色 周期性的 社会悲剧 阴险 | Ebm | 142 |