Cinematic Americana. Thoughtful & mysterious intro with acoustic Cinematic Americana. Thoughtful & mysterious intro with acoustic guitar, pedal steel textures & deep cinematic percussion. 2nd part @ 0'59 stubborn, powerful & urgent evolving to an epic finale with trailer FX. Pedal steel, dobro slide guitar, ebow, synth, cinematic percussion & trailer fx. Suggested for American rail road legend, road movie, contemporary western & far west landscape.
Cinematic Americana. Desolate, dusty & introspective intro with dry Cinematic Americana. Desolate, dusty & introspective intro with dry acoustic guitar. FX channel @ 0'44. 2nd part @ 1'03 evolving intensely into an intense, dramatic & serious climax. Back end. Dobro slide guitar, acoustic guitar, cinematic percussion, tambourine & trailer fx. Suggested for modern western, American desert, wild west adventure, far west & modern western.
Cinematic Americana. Solitary intro evolving in an introspective but Cinematic Americana. Solitary intro evolving in an introspective but determined spirit. Cinematic build-up @ 1'20 progressing to an intense & dramatic climax. Acoustic guitar, dobro slide guitar, synth & cinematic percussion. Suggested for road movie, contemporary western & American rail road legend.
Well-known American blues song & jazz standard of uncertain origin. Well-known American blues song & jazz standard of uncertain origin. "Well, I’m going down to the St. James Infirmary, to see my baby there". Sad & disillusioned. Blues/soul singer, snaps, sousaphone, drums & marimba. Instrumental tr-17 & 18.歌词
Verse 1
Well, I’m going down to the St. James Infirmary,
to see my baby there
She was all stretched out,
on a long white table
So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can be You may search this whole world all over
But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoes A Stetson coat, and a Stetson hat
And put a twenty dollar gold piece on my watch chain
So the cats know, that I died fat
Ad Lib
St. James Infirmary, where can my baby be ?
It’s just at St. James Infirmary, yeah
Let my baby go, let my baby go Let my Baby go, go, go
Alternate version of tr-8. Ballad in an Americana spirit. Romantic & Alternate version of tr-8. Ballad in an Americana spirit. Romantic & nostalgic. Introduction with Dobro slide & lap steel. Mandolin, folk guitar & ebow guitar @ 0'42.
Americana country rock trailer. Atmospheric, narrative & desolate Americana country rock trailer. Atmospheric, narrative & desolate intro with lead picking guitar, slide dobro & synth layers. Nervous break @ 0'46 with cinematic percussion & tenacious strumming acoustic guitar. Braam @ 1'30. FX & forceful climax beginning @ 1'30 with obstinate electric guitar. Finale with riser & back end. Suggested for contemporary western & road movie.
Drunken, hot, laidback. Slow 12 bar blues guitar is swept up into Drunken, hot, laidback. Slow 12 bar blues guitar is swept up into subtle bluegrass rhythm. Harmonica gives an impassioned vibe as a slow but steady beat plays through. People drinking in the sun. Slower pace gives the sense of wellworn people. Old cowboy-types relaxing and putting their feet up. Saxophones start @ 1'15 with a droning melody giving a slurred vibe. People drinking beer and whisky.
Drunken, hot, laidback. Slow 12 bar blues guitar is swept up into Drunken, hot, laidback. Slow 12 bar blues guitar is swept up into subtle bluegrass rhythm. People drinking in the sun. Slower pace gives the sense of wellworn people. Old cowboy-types relaxing and putting their feet up. Saxophones start @ 1'15 with a droning melody giving a slurred vibe. People drinking beer and whisky. Stripped back underscore version.
Bright, uplifting, wholesome. Warm guitar chords play out with a Bright, uplifting, wholesome. Warm guitar chords play out with a yearning feelgood vibe. Vocals and echoed percussion give a dramatic edge to wholesome tone. A group of people striving for positivity, building something for the benefit of everyone, or having a great time with friends and loved ones. Clapping and shouted ad libs give a sense of community and goodness. Vocals give a sense of adventure at 01:54, joined by passionate percussion.歌词
Now we know this feeling we won't ever let it go, Now we know this feeling we won't ever let it go, Give me all you've got, Give me all you've got, Give me all you've got, Give me all you've got.
Bright, uplifting, wholesome. Warm guitar chords play out with a Bright, uplifting, wholesome. Warm guitar chords play out with a yearning feelgood vibe. A group of people striving for positivity, building something for the benefit of everyone, or having a great time with friends and loved ones. Wholesome indie instrumentation. Alternate version.
Bright, uplifting, wholesome. Warm guitar chords play out with a Bright, uplifting, wholesome. Warm guitar chords play out with a yearning feelgood vibe. Echoed percussion gives an epic edge. A group of people striving for positivity, building something for the benefit of everyone, or having a great time with friends and loved ones. Clapping give a sense of community and goodness. Wholesome indie instrumentation. Instrumental version.
Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a communal atmosphere, moving into buoyant folk pop style. Lyrics about looking back onto days where things were better, an indifference to the modern world, wishing to go back to good days of the past. Upbeat country style conveys an optimistic vibe, tinged with a feeling of party and fun.歌词
Honey, times have changed, We've both been trying, But it’s time to move on.
The good times, they're not the same, Maybe baby those good times, Have been and gone?
In the good old days when life was easy, We'd be making music all night long, But honey, times have changed.
In the good old days when life was easy, In the good old days when we were young, Waking in the morning, bright ‘n breezy, We'd be making sweet sweet music, All night long.
Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a communal atmosphere, moving into buoyant folk pop style. Upbeat country style conveys an optimistic vibe, tinged with a feeling of party and fun. Instrumental version.
Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a communal atmosphere, moving into buoyant folk pop style. Upbeat country style conveys an optimistic vibe, tinged with a feeling of party and fun. Stripped back underscore version.
Traditional prison, logging, and railroad work song from the late Traditional prison, logging, and railroad work song from the late 19th century also known as Nine Pound Hammer. "Take this hammer and carry it to the captain". Country & western style singer, banjo, harmonica & slide dobro. Sousaphone & drums @ 0'58. Instrumental tr-16.歌词
Chorus
Take this hammer and carry it to the captain
Take this hammer and carry it to the captain
Take this hammer and carry it to the captain
An’ Tell him I’m gone
Tell him I’m gone
Verse 1
If he ask you was I runnin’
If he ask you was I runnin’
If he ask you was I runnin’
Tell him I was flyin’
Tell him I was flyin’
If he ask you was I laughin’
If he ask you was I laughin’
If he ask you was I laughin’
Tell him I was cryin’
Tell him I was cryin’
Chorus
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Verse 2
I don’t want no green back dollar
I don’t want no green back dollar
I don’t want no green back dollar
It hurts my pride
It hurts my pride
Chorus
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Folksong/country & western standard of uncertain origins from the Folksong/country & western standard of uncertain origins from the late 19th century also known as "Cowboy Love Song". "From this valley they say you are going". Melancholy of a lost love. Male country singer, guitare, slide dobro,basse, harmonica & banjo. Instrumental tr-19.歌词
Well-known 19th century minstrel folksong composed by Stephen Foster. Well-known 19th century minstrel folksong composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.歌词
Verse 1
Well I come from Alabama with a banjo on my knee
I'm bound for Louisiana, my own true love for to see
It rained all night the day I left
The weather it was dry
Sun so hot I froze to death
Susanna, don't you cry
Chorus
Oh, Susanna
Don't you cry for me
‘Cause I come from Alabama with the banjo on my knee
Verse 2
I had a dream the other night
When everything was still
I dreamed I saw my girl Susanne
She was coming around the hill
The buckwheat cake was in her mouth
A tear was in her eye
I said I come from Dixie girl
Suzanna, don't you cry
Chorus
Oh, Susanna
Now, don't you cry for me
‘Cause I come from Alabama with the banjo on my knee
Yeah Oh, Susanna
Now, don't you cry for me
‘Cause I come from Alabama with this banjo on my knee
Instrumental version of tr-5 in an Americana spirit. Reflective & Instrumental version of tr-5 in an Americana spirit. Reflective & hopeful. Mandolin, electric guitar, slide dobro & rhythm section. Lead lap steel @ 2'13.
Alternate version of tr-13 in an Americana spirit. Swaying & Alternate version of tr-13 in an Americana spirit. Swaying & carefree. Lead slide Dobro, rhythm section, claps & baritone guitar @ 1'05.
Americana country rock trailer. Dramatic & sparse intro with acoustic Americana country rock trailer. Dramatic & sparse intro with acoustic guitar playing sad & introspective leitmotiv building up with heavy laid back beat & synth. Riser @ 1'43 announcing powerful, epic & percussive climax. Back end with slide guitar. Suggested for road movie & heroic adversity scene.
Americana country rock trailer. Obstinate & walking with acoustic Americana country rock trailer. Obstinate & walking with acoustic guitar, slide dobro & beating snare with huge echo FX. Break @ 1'06 & second part with synth pulse, expressive electric slide guitar & heavy laid back percussion. Final with fx riser. Suggested for Wild West Aventure, wide open space & modern western.
USA/Americana. Country ballad on a medium & laid-back tempo. Warm but USA/Americana. Country ballad on a medium & laid-back tempo. Warm but with a melancholic touch & thoughtful. Acoustic guitar & rhythm. Lead harmonica @ 0'46. Slide Dobro @ 1'34. Suggested for rural way of life.
