Folk rock. Intense & urgent. Piano, electric guitar, male singer & Folk rock. Intense & urgent. Piano, electric guitar, male singer & drums.歌词
Thought i was light years ahead of them But i was blind they were only miles Light years ahead of them, he must be right
I was only pretending to be just another wannabe A love supreme in flip flops There might be peacocks in disguise You’d better practice your passing shots Beware of bishops dealing with their ups and downs
You were born in Christchurch baby Listen to the bells They’re ringing again in your ears They resound in the evening They resound when you’re young They’re sound in the morning They resound when you’re getting old/get things done
Rapid, rude, comedic. Light percussion runs alongside vocal gasps and Rapid, rude, comedic. Light percussion runs alongside vocal gasps and clicks, communicating a strange and sharp close atmosphere completely acapella. Burps and intakes of breath convey a comedic tone, with real rhythm. Layers of vocal melody and bass mix with more guttural noises to create a rough jazz vibe.
Rapid, rude, comedic. Trickling vocal percussion is joined by gasps Rapid, rude, comedic. Trickling vocal percussion is joined by gasps and pops. An acapella atmosphere. Burps and intakes of breath convey a comedic tone, with real rhythm. Vocal version.
Rapid, rude, comedic. Trickling vocal percussion is joined by gasps Rapid, rude, comedic. Trickling vocal percussion is joined by gasps and pops. An acapella atmosphere and fast-moving rhythm. Burps and intakes of breath convey a comedic tone, with real rhythm. Bass and vocal melodies join together in jazzy vibe. No drums bed version.
Rapid, rude, comedic. Trickling vocal percussion is joined by gasps Rapid, rude, comedic. Trickling vocal percussion is joined by gasps and pops. Low and high throat noises offer a grotesque atmosphere, acapella style giving a close-up feeling. Bass adds a jovial jazz atmosphere. Sparse bed version.
Warm, emotive, gentle. Trilling country acoustic guitar breathes a Warm, emotive, gentle. Trilling country acoustic guitar breathes a sense of glowing feelgood melancholy. People close, touching and holding eachother. Male vocals sing about a beautiful connection with a loved one. Being there for each other. Cathartic burst at 00:40 with steady kick and uplifting chords. Tearjerking scene filled with emotive moments.
Warm, emotive, gentle. Trilling country acoustic guitar breathes a Warm, emotive, gentle. Trilling country acoustic guitar breathes a sense of glowing feelgood melancholy. People close, touching and holding eachother. Cathartic burst at 00:40 with steady kick and uplifting chords. Tearjerking scene filled with emotive moments. Instrumental version.
Warm, emotive, gentle. Trilling country acoustic guitar breathes a Warm, emotive, gentle. Trilling country acoustic guitar breathes a sense of glowing feelgood melancholy. People close, touching and holding eachother. Cathartis at 00:40 with uplifting chords. Tearjerking scene filled with emotive moments. Stripped back underscore version.
Cool, chilled, determined. Muffled emotive cloud rap style synth, Cool, chilled, determined. Muffled emotive cloud rap style synth, dropping into deep beat. Charismatic male vocals give a sense of confidence and struggle before rhythmic hook. Autotuned vocals give a sense of sleek modernity. An individual in trendy locations, looking serious but self-assured. Swirling emotional melody gives a sense of vulnerability within the confident persona.歌词
And I know that you see that we moving, And I know that you see all this ice, And I know that you see we going up, But I promise you we gonna keep it, Right here, Right here, Right here, And I promise we gonna keep it, Right here, Right here, Right here, And I promise we gonna keep it, Right here, Right here, Right here, And I promise we gonna keep it, Right here, Right here, Right here, And I promise we gonna keep it, Right there.
I'll never switch on the home team even when they don't hold me down, Deep down still the old me but they act like they don't know me now, Ima bring back the game so we up one, Ima buy out the block we came up from, Aint gotta look at me through the TV, And the city so they up when they see me, I can do it, You can do it, And we can do it right here, I just did it, Had to prove it, Yeah you can make it right here.
And I know that you see that we moving, And I know that you see all this ice, And I know that you see we going up, But I promise you we gonna keep it, Right here, Right here, Right here, And I promise we gonna keep it, Right here, Right here, Right here, And I promise we gonna keep it, Right here, Right here, Right here, And I promise we gonna keep it, Right here, Right here, Right here, And I promise we gonna keep it, Right there.
Cool, chilled, determined. Muffled emotive cloud rap style synth, Cool, chilled, determined. Muffled emotive cloud rap style synth, dropping into deep beat. Twinkling quiet lead gives a sense of wonder and awe. An individual in trendy locations, looking serious but self-assured. Swirling emotional melody gives a sense of vulnerability amid the confidence. Instrumental version.
Cool, chilled, determined. Muffled bass sets out emotive vibe. Light Cool, chilled, determined. Muffled bass sets out emotive vibe. Light pads and swirling percussion in a cloud rap style give a sense of emotion and confidence. Stripped back underscore version.
Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, floating vibe from uplifting chords and steady hip hop beat as male vocals talk over the beat. Lyrics start about being connected with the real world, being on the grind and staying centred. Whistling lead gives a throwback vibe amid conscious rap style.歌词
Yo they ask me, “Cam where you been?”.
I'm fine, I'm protecting my peace, I been staying offline, I been out in these streets, They been online too much, On top they been lying too much, At the club in line too much.
Focus on the mission, Get it how you live it, You don't need permission, I see you standing on ya business, You can do it too, Now I'm the big body, used to ride the coup, They be online tryna tell you what to do, They paying for your internet, phone, or your roof, Aye they need to simmer down, I aint all in the mix but I been around, I forgot to tell y'all I was in your town, And I aint take no pics I was busy getting down, I found peace, I was hanging off of the deep off end, I was staying inside on the weekend, I had grind make sure I could eat, Now when the ask how I'm doing I can tell them.
I'm fine, I'm protecting my peace, I been staying offline, I been out in these streets, They been online too much, On top they been lying too much, At the club in line too much, Focus on the mission, Get it how you live it, You don't need permission, I see you standing on ya business.
Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, floating vibe from uplifting chords and steady hip hop beat. Whistling lead gives a throwback vibe amid conscious rap style. Carefree energy from bright string samples and generally positive instrumentation. Instrumental version.
Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, floating vibe from uplifting chords and steady hip hop beat. Bass gives a sense of buoyancy alongside twinkling modest keys. Carefree energy from bright string samples and generally positive instrumentation. Stripped back underscore version.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy as people chat in a party situation. Launch into fun hip hop vibe with male vocals setting a party pace for people dancing. Lively vibe contrasted with cool relaxed instrumentation. Male vocals flirt with lyrics about two people liking eachother, complimentary to a significant other.歌词
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
You just clocked out your day shift, On the way to the club for your late shift, I mean you dance but you're not kind that take tips, But you should, ‘cause I seen how you shake hips (dang hold on), I want to see you, work, This ya song gon’ hit a little twerk, It’s getting late, hope you ain't gotta work, In the morning, be safe getting home, They patrolling, You said bye fuve times as you going, You ain't really trying to leave we be knowing, Man You know you're about to call in and, Next week you're going to call in again.
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Launch into fun hip hop vibe with monophonic lead melody contrasted cloudy delayed keys. Relaxed vibe gives a warm sultry energy. Instrumental version.
Laidback, party, flirtatious. Glissando reverbed keys give a Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Relaxed vibe gives a warm sultry energy, jazzy chords offer a sense of comfort and coolness. Stripped back underscore version.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into fun beat and charismatic male vocals. A party all over the city with mentions of compass points. Rapping lyrics paint a picture of a cool individual riding through the streets, talking to girls and feeling their own style. Big bass give a confident tone.歌词
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on i don't need you to lie to me) Come on we got that sound don't we, (come on i don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
West side, South side, North side, East side, Uh what side you on, What what side you on, Yeah what side you on, What what side you on.
Look im on the north side tonight we creepin, Its a 4 day weekend so we 4 times turnt we just lit 4 up, So we pulled up geekin she was talking to you till I arrived with a crew now I know that hurt, Went from holdin my stance to doing my dance and shawty got back show me how that work, Im just keeping it real i just need my thrills when they play my song shawty know my verse, Aw man im the star of the function and its causing commotion but its all in conjunction see, Me and mans came with the jams so do your part and shake a lil yams, We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soul-style bass and simple lead give a throwback vibe, 90s style. Big boom bap percussion offers a confident tone. Instrumental version.
Groovy, funky, warm. Deep fluffy synth chords play out with bright Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soft percussion and soul-style bass give a throwback 90s vibe. Stripped back underscore version.
Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ gives a sense of arrogance, teasing men with their irresistible style. Sultry hip hop instrumentation adds to a sense of smooth womanising aura. Male vocals calmly deliver lyrics giving confidence.歌词
We apologize, If your girl left you tonight, We sorry.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo.
Aw damn that that was your girl, Thats your girl, The one that just chose us, Ima smoother operator, Shoes alligator, You a imitator, Ima innovator, She just came to me with an invitation after hittin' you with an ultimatum, After birth, I destroyed the mold in which they made em, You aint freshazimiz dawg aint no debatin, I was holding auditions sorry she kept you waiting, You might get you a lil sumn for participating, You might get you al lil whip nah I was just playing, I mean I got but I aint got a chick is what im saying, I mean you is looking thick but, Somebody come get their chick bruh.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo, don't watch your girl, Go watch your girl, Come watch your girl.
Smooth, charismatic, romantic. Dramatic organs and piano play out Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Instrumental version.
Smooth, charismatic, romantic. Dramatic organs and piano play out Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Stripped back underscore version.
Confident, passionate, demanding. Emotive lofi whistling sample is Confident, passionate, demanding. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy contrasted by lively ad libs. Male vocals give a sense of style and a commanding persona as lyrics talk about taking what you want and being proactive. Male vocals give a sense of arrogance and desire, backed up by gloomy instrumentation.歌词
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
I'm like woop woop, Okay what it do, I'm making big moves, Yea I'm coming through, While you're playing, Negotiating, what is you saying, Nah I ain't with the chit chat, I need a big bag, If she got a big ugh, Well then back it up, I need this that, And the third too, I got options, But I prefer you, I’ve been on the grind, but I ain't pretty Ricky, I need it all, I ain't doing 50/50, I got the pack on me, Iit's that sticky icky, Yea it’s up so, Holla if you with me, And we went from the car to the, (It’s a Lexus) Yea we went to the house to the, (It’s a mansion) Pulled up to the bank just to, (Put some cash in) Now we in the Jeep with the. (Speaker blasting)
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
Confident, passionate, tragic. Emotive lofi whistling sample is taken Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Gloomy instrumentation give a sense of struggle and honour. Instrumental version.
Confident, passionate, tragic. Emotive lofi whistling sample is taken Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Contrasted by heavy beats with commanding sub bass. Stripped back underscore version.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Male vocals rap about being real, rivalries with other guys. Toxic masculine vibe mixed with a cool calm tone.歌词
Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing, Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing you better, Shhhh cut all that noise, Shhhh cut all that noise out, Shhhh cut all that noise, Shhhh cut all that noise out, cut all that noise, cut all that noise out, cut all that noise, cut all that noise out.
Shhh quit the yappin if you aint bout that action, You a internet thug you be cappin, When its really time to move you be bufferin, Like he gon do something but you laggin, You aint saying nothing I just read the captions, And we here too deep came through the backend, Said it wasnt nothing turned it into something, Paty went from jumpin to someone getting jumped in, Better cut all that noise, (BE QUIET) Better cut all that noise out boy, (BE QUIET) Better cut all that noise, (BE QUIET) Before somebody bring the toys out.
Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing, Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing you better, Shhhh cut all that noise, Shhhh cut all that noise out, Shhhh cut all that noise, Shhhh cut all that noise out, cut all that noise, cut all that noise out, cut all that noise, cut all that noise out, BE QUIET, BE QUIET, BE QUIET, BE QUIET.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Cool vibe from icy synths leaking over groovy beat. Instrumental version.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Cool vibe from icy synths leaking over groovy beat. Stripped back underscore version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power, male vocals give a sense of skill and talent atop emotive instrumentation. Lyrics use bounce to give a sense of infectious buoyancy. Fresh and emotive style gives a feeling of realness and passionate performance.歌词
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
I got that bounce indeed, Took the game by surprise, they account for me, I need a her over there and an ounce of, I got that dog me, so come bounce with me, Fresh like I just came out the package, They gon try but nah they can’t match it, I came back outside and they lacking, I came back outside to get active, Said you was rider, Tell me is you sliding.
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Instrumental version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Stripped back underscore version.
Fun, wholesome, friendly. Slow, old blues style give a swaggering Fun, wholesome, friendly. Slow, old blues style give a swaggering style as male vocals sing out theatrically about a bar scene. Jazzy notes give a sultry, drunken vibe. Glasses of fine whiskey and smoke in a cool bar with old wood. Lyrics about enjoying life but loving the simple things. Conclusive aura, an early morning as a fun, cool person plays piano. Old school vibe, a bustling city in the old days.歌词
There I go, Saying no, When I wish I could stay, Why so slow? Guess I know, That it's going that way, With so many boys and girls to keep me company, I may play til break of day, But one thing I still see.
That sweet smile, All the while, Hasn’t faded a touch, And that laugh, Somewhat daft, Is still never too much.
Anyway, I always say, At the end of the day, It’s time to get pretty in pink, Before we put it to bed, Let’s have another drink.
I’ve seen shots and I’ve seen stars, And I’ve seen hurricanes, But despite these dizzy heights, One thing remains the same.
That sweet smile, All the while, Hasn’t faded a touch, And that laugh, Somewhat daft, Is still never too much.
Anyway, I always say, At the end of the day, It’s time to get pretty in pink, Before we put it to bed, Let’s have another, Oh honey - How about another? Put it to bed, Let’s have another drink.
Fun, wholesome, friendly. Slow, old blues style give a swaggering Fun, wholesome, friendly. Slow, old blues style give a swaggering style. Jazzy notes give a sultry, drunken vibe. Glasses of fine whiskey and smoke in a cool bar with old wood. Conclusive aura, an early morning as a fun, cool person plays piano. Old school vibe, a bustling city in the old days. Instrumental version.
Confident, charismatic, funky. Deep kick emerges into funky slap bass Confident, charismatic, funky. Deep kick emerges into funky slap bass beat with cool slick lyrical performance. Male rapper spits using metaphors to communicate his strength and dominance. Hypnotic beat gives an unstoppable vibe, an irresistible energy. A focused energy, someone training hard for a challenge.歌词
I work too hard I been patient give me my validation, Either open the door or I’ma break in, A star in the making my shine’s amazing, I know nothing is given I gotta take it, I carry the weight I'm not gone break, don't get in my lane I got no brakes, You're in the way of a soldier driving a steam roller, Pushing a boulder the whole block gone shake, I'm a runaway train off tracks I'm an avalanche from a thousand snow caps, I'm the bottom line bold written in all caps, You already signed, The desert sun you got nowhere to hide, Give it all you got but you can't block me out, Do everything in your power you can't lock me down, I'm going for the gold got my eyes on the throne, I promise I won't slow up till I got the crown.
Try to stop me now, Bet you don't know how, Try to stop me now, Good luck, Try to stop me now, Bet you don't know how, Try to stop me now, Good luck, Try to stop me now (I won't break I won't bend I won't quit), Bet you don't know how (I won't fail I won't fold I won't slip), Try to stop me now (When I shoot my shot I will not miss), Good luck (Try all you want you can't stop this), Try to stop me now (I won't break I won't bend I won't quit), Bet you don't know how (I won't fail I won't fold I won't slip), Try to stop me now (When I shoot my shot I will not miss), Good luck (Try all you want you can't stop this), Good luck, Good luck, Try to stop me I'm trained for this, I put in work every day for this, A dream of a trophy with my name on it, There’s one number one spot and I came for it, I'm a stampede I'm a semi truck, Coming at full speed, Wish you the best of luck, I got a full head of steam and stopping is not an option, There’s nothing you can do but watch, Give it all got but you can't block me out, Do everything in your power you can't lock me down, I'm going for the gold got my eyes on the throne, I promise I won't slow up til I got the crown.
Try to stop me now, Bet you don't know how, Try to stop me now, Good luck, Try to stop me now, Bet you don't know how, Try to stop me now, Good luck, Try to stop me now, Bet you don't know how, Try to stop me now, Good luck, Try to stop me now (I won't break I won't bend I won't quit), Bet you don't know how (I won't fail I won't fold I won't slip), Try to stop me now (When I shoot my shot I will not miss), Good luck (Try all you want you can't stop this), Good luck.
Confident, charismatic, funky. Deep kick emerges into funky slap bass Confident, charismatic, funky. Deep kick emerges into funky slap bass beat. A fun and hypnotic vibe from percussion with a soulful energy from trumpets launching into hook with uplifting sequence. Instrumental version.
Confident, charismatic, funky. Deep kick emerges into funky slap bass Confident, charismatic, funky. Deep kick emerges into funky slap bass beat. A fun and hypnotic vibe from percussion with a soulful energy from trumpets launching into hook with uplifting sequence. Feelgood vibe from hook at 00:40 with more uplifting chord progression. Stripped back underscore version.
Cool, jazzy, stylish. Sampled tune launches into fun beat with a Cool, jazzy, stylish. Sampled tune launches into fun beat with a progressive, jazzy sequence inspiring visions of pristine rooms and stylish furniture. Ad libbed lyrics inspire a romantic vibe as instrumentation lifts with a floaty energy. Beat drops out at 01:05 giving an effervescent euphoric vibe, clean piano giving an old school kick.歌词
Cool, jazzy, stylish. Sampled tune launches into fun beat with a Cool, jazzy, stylish. Sampled tune launches into fun beat with a progressive, jazzy sequence inspiring visions of pristine rooms and stylish furniture. Beat drops out at 01:05 giving an effervescent euphoric vibe, clean piano giving an old school kick. Instrumental version.
Cool, jazzy, stylish. Sampled tune launches into progressive jazzy Cool, jazzy, stylish. Sampled tune launches into progressive jazzy sequence inspiring visions of pristine rooms and stylish furniture. Ad libbed lyrics inspire a romantic vibe as instrumentation lifts with a floaty energy. Stripped back underscore version.
Confident, upbeat, powerful. Trumpets emerge from an echoing Confident, upbeat, powerful. Trumpets emerge from an echoing landscape, leading into a loud trap instrumentation. Defiant and energetic male rap vocals with lyrics about being assured in victory, ready for success and achievements. Working hard in order to be triumphant. Heavy sub bassline displays an unstoppable energy, an individual with a tremendous amount of power at their disposal.歌词
Put your bets on me bet I win it,
Fist in the air like we did it,
Flow like ain't no body business,
I'm all in their mouth like a dentist.
Bets on me imma win it,
Fits in the air like we did it,
Flow like ain't no body business, I 'm all in their mouth like a dentist.
Put your bets on me, puts your bets on me,
Bet it on me, bets on me, bets on me,
And the rest gon’ see,
they gon’ RIP,
Bets on me.
Bet it on me, bet in on me, bets on me,
And the rest gon’ see, they gon’ RIP.
Came from some humble beginnings,
But never stayed timid,
I worked till they input,
Ain't making no difference.
I sat with a pen,
Left the world with a dent in it,
Slap em again if they question my eloquence,
If I speak it you bet imma channel it,
Manifested my dreams and accomplishments,
But won't change for some change and a dollar bill.
Put your bets on me, puts your bets on me,
Bet it on me, bets on me, bets on me,
And the rest gon’ see, they gon’ RIP,
Bets on me.
Bet it on me, bet in on me, bets on me,
And the rest gon’ see, they gon’ RIP.
Put your bets on me bet I win it,
Fits in the air like we did it,
Flow like ain't no body business,
I'm all in their mouth like a dentist.
Bets on me imma win it,
Fits in the air like we did it,
Flow like ain't no body business,
I'm all in their mouth like a dentist.
Put your bets on me, puts your bets on me,
Bet it on me, bets on me, bets on me,
And the rest gon’ see, they gon’ RIP,
Bets on me, Bet it on me, bet in on me, bets on me,
Confident, upbeat, powerful. Trumpets emerge from an echoing Confident, upbeat, powerful. Trumpets emerge from an echoing landscape, leading into a loud trap instrumentation. Heavy sub bassline displays an unstoppable energy, an individual with a tremendous amount of power at their disposal. Defiant trumpet melody offers a sense of redemption and struggle. Instrumental version.
Confident, upbeat, powerful. Trumpets emerge from an echoing Confident, upbeat, powerful. Trumpets emerge from an echoing landscape, leading into a loud trap instrumentation. Heavy sub bassline displays an unstoppable energy, an individual with a tremendous amount of power at their disposal. Defiant trumpet melody offers a sense of redemption and struggle. Stripped back underscore version.
Important, tenacious, assured. Intimidating bell melodies play out Important, tenacious, assured. Intimidating bell melodies play out with echoes signifying an important moment or event. Male rapper ad libs over the beats, displaying a confidence and skill. Rise into a trappy instrumentation including choral voices communicating a sense of magnitude. A final sports game or last few minutes of a competition. Lyrics convey the ruthless nature, no laws and a need to be aware of enemies.歌词
This is not a drill, This is next level, woah,
Hyped up, showtime, Next level, woah, This is not a drill, This is next level, woah,
Important, tenacious, assured. Intimidating bell melodies play out Important, tenacious, assured. Intimidating bell melodies play out with echoes signifying an important moment or event. Rise into a trappy instrumentation including choral voices communicating a sense of magnitude. A final sports game or last few minutes of a competition. Instrumental version.
Important, tenacious, assured. Intimidating bell melodies plays out Important, tenacious, assured. Intimidating bell melodies plays out with echoes signifying an important moment or event. Rise into a trappy instrumentation. A final sports game or last few minutes of a competition. Stripped back underscore version.
Triumphant, carefree, confident. Claps and trumpets convey a sense of Triumphant, carefree, confident. Claps and trumpets convey a sense of success, a team or an individual with self-belief and energy. Male rapper bounces skillfully on the rhythm as instrumentation launches into uplifting sequence with heavy trap undercurrent. Lyrics about being unstoppable, a person of extraordinary ability who is bold. Chattering hi hats and slick quickness of instrumentation communicates a gifted aura.歌词
Let’s get it, Let’s get it,
that’s right,
Sitting on top I'm winning,
Let’s get it, let’s get it,
Sitting on top I'm winning,
Let’s get it, let’s get it.
Full speed on,
I run it,
Sitting on top, I'm winning,
Can't stop me, get ready,
Sitting on top, I'm winning,
Let’s get it, let’s get it,
Sitting on top, I'm winning,
Let’s get it, let’s get it
Let’s get it, yeah.
The title really got my name on it, Laying it down and I'm paying for it,
You know I'm ready for action,
Look at my face, you know I'm counting’ on it,
Haters only want to take from it.
Money talks so I ain't saying nothing,
Imma go get it, move out of the way,
You know that I gave you a fair warning.
Wait, finding my balance like I do gymnastics,
Don't want see me win, well I bought ‘em a glasses,
Life getting tragic, bussing money out of the plastic,
I'm on beast mode, and nobody can match it,
Way to head so this feel like the past tense,
Winning is all that I practice,
Let’s get it and see what happens.
Full speed on, I run it
Sitting on top, I'm winning,
Can't stop me, get ready,
Sitting on top, I'm winning,
Let’s get it, let’s get it,
Sitting on top, I'm winning,
Let’s get it, let’s get it,
Let’s get it, yeah.
Let’s get it, yeah,
Feeling success in my bones I knock the ball out of the park.
While they was trying to knock me out of zone I had to go hustle and grinding like 24/7,
Did it on my own,
Life tried to knock me down I laugh in its face,
And stand on my own.
Yeah yeah, let’s get it,
I don't need no medic,
I feel like a beast cause I'm moving barbaric,
Stacking up the trophies cause I'm really about to get it,
Asthmatic, couldn't catch my breath,
While I'm running of the bands,
I'm never one to panic,
Got to go and hustle cause I'm really bout to get it,
Stand at attention because I'm the lieutenant.
Full speed on, I run it,
Sitting on top, I'm winning,
Can't stop me, get ready,
Sitting on top, I'm winning,
Let’s get it, let’s get it,
Sitting on top, I'm winning,
Let’s get it, let’s get it,
Let’s get it, yeah.
Full speed on, I run it,
Sitting on top, I'm winning, Can't stop me, get ready,
Triumphant, carefree, confident. Claps and trumpets convey a sense of Triumphant, carefree, confident. Claps and trumpets convey a sense of success, a team or an individual with self-belief and energy. Chattering hi hats and slick quickness of instrumentation communicates a gifted aura. Trumpet melody conveys a sense of unstoppable talent and ability. Instrumental version.
Triumphant, carefree, confident. Positive chords and claps convey a Triumphant, carefree, confident. Positive chords and claps convey a sense of success, a team or an individual with self-belief and energy. Chattering hi hats and slick quickness of instrumentation communicates a gifted aura. Stripped back underscore version.
Mean, raw, explosive. Trappy bass melody blurts out of misty Mean, raw, explosive. Trappy bass melody blurts out of misty dissonance, a sense of a formidable energy rising up ready to do battle or fend off competition. Fiery energy as instrumentation releases at 00:13, deep male vocals chant lyrics about feeling invincible, displaying confidence and tenacity. Snarling bass communicates a modern energy, a sports match or a confident troop of individuals. Lyrics about strength and stature illustrate a huge force, immovable and unapologetic.歌词
Ready set go, Are you ready for more,
I'm unstoppable,
I feel invincible, pedal to the floor,
Ready set go,
Are you ready for more,
I'm unstoppable,
I feel invincible, pedal to the floor,
Ready set go,
Ready set go,
I'm unstoppable, pedal to the floor,
Ready set go,
Ready set.
Ahead and they can't catch me yet,
Dialed in like my numbers are already pressed,
(Go) Live it to the fullest that's with no regrets,
Moving like a maniac,
I'm so obsessed,
This is something bigger than me,
I'm the best and I mean that literally,
(Full speed ahead) Look up perseverance, it's a picture of me,
Sweat dripping from my body I been ready to streak.
Ready set go,
Are you ready for more,
I'm unstoppable,
I feel invincible, pedal to the floor,
Ready set go,
Are you ready for more, I 'm unstoppable,
I feel invincible, pedal to the floor,
Ready set go, Ready set go,
I'm unstoppable, pedal to the floor,
Ready set go.
Unstoppable, no immovable objects,
Taking leaps to legitimise the progress,
Trust the process, this is my test,
I'm all in for the win, push the prospects,
(Go) I can't be the person you mistake me as,
You attend the school and we still in a different class,
Slowing down’s not an option, my projection’s fast,
Mean, raw, explosive. Trappy bass melody blurts out of misty Mean, raw, explosive. Trappy bass melody blurts out of misty dissonance, a sense of a formidable energy rising up ready to do battle or fend off competition. Fiery energy as instrumentation releases at 00:13. Snarling bass/low trumpet sound communicates a modern energy, a sports match or a confident troop of individuals. Instrumental version.
Mean, raw, explosive. Trappy bass melody blurts out of misty Mean, raw, explosive. Trappy bass melody blurts out of misty dissonance, a sense of a formidable energy rising up ready to do battle or fend off competition. Fiery energy as instrumentation releases at 00:13. Snarling bass/low trumpet sound communicates a modern energy, a sports match or a confident troop of individuals. Stripped back underscore version.
Buoyant, slick, accomplished. Soulful chords join with hyping vocal Buoyant, slick, accomplished. Soulful chords join with hyping vocal ad libs to create an uplifting spirit. Rising into incessant bass-driven beat and gospel samples maintaining a sense of spirit and bravery. Boastful male vocals ride on rhythm with talent and lyrics about how a passion and drive make you successful, having tunnel vision to achieve your goals. Bass breakdown at 00:38 with lower tone asserting a powerful, rumbling authority moving into upbeat hook.歌词
Take over the world one city at a time, And I ain’t gonna wait 'cause now’s the only time to shine, Getting better by the year, ageing like a fine wine Wait ’til you get to hear what I got in the pipeline.
And still, I carry on my reign of champion, I’m staying long, they praying, want me gone, Step into the ring like a king, Do my dance, I’m out here doing my thing.
Yeah, I’m loyal to the game, Royal with the fame, Ten years later and I’m in the same lane, And nobody can pass me, If you looking for the king then just ask me.
So who’s gonna stop me now, Better run, better run now, So who’s gonna stop me now, Better run, better run, better run now, Let’s go.
Watch me go like I was born for greatness, Come and get it huh, come and get it huh, Watch me go like I was born for greatness, Come and get it huh, come and get it huh.
And you know I’m always out for the win, The doors are closed, they only letting winners in, Motivated yeah, no better time to begin, And if I take a loss imma take it on the chin.
Get back up and get back to the plan, I got my crown yeah I’m the king I’m the man, Destined for greatness, All this time in the game I’ve been sayin' this.
Yeah, I’m loyal to the game, Royal with the fame, Ten years later and I’m in the same lane, And nobody can pass me, If you looking for the king then just ask me.
So who’s gonna stop me now, Better run, better run now, So who’s gonna stop me now, Better run, better run, better run now, Let’s go.
Watch me go like I was born for greatness, Come and get it huh, come and get it huh, Watch me go like I was born for greatness, Come and get it huh, come and get it huh.
Better run, better run now.
So who’s gonna stop me now, Better run, better run now, So who’s gonna stop me now, Better run, better run, better run now.
Buoyant, slick, accomplished. Soulful chords join with percussion Buoyant, slick, accomplished. Soulful chords join with percussion signalling a gradual rise to action. Incessant bass-driven beat and gospel samples maintaining a sense of spirit and bravery. Bass breakdown at 00:38 with lower tone asserting a powerful, rumbling authority moving into upbeat hook. Instrumental version.
Buoyant, slick, accomplished. Soulful chords join with percussion Buoyant, slick, accomplished. Soulful chords join with percussion signalling a gradual rise to action. Incessant bass-driven beat and chattering percussion maintain a sense of tenacity and effort. Bass breakdown at 00:38 with lower tone asserting a powerful, rumbling authority moving into upbeat hook. Stripped back underscore version.
Raw, angry, futuristic. Patchy guitar part begins with loud male Raw, angry, futuristic. Patchy guitar part begins with loud male vocals shouting lyrics about life being a grim experience and dirty imagery to set out a gritty atmosphere. Acidic rock instrumentation is supercharged by distortion and electronic aspects. Visions of a grimy future where people are hopeless but angry. Rage-filled style inspires a feeling of determination.
Raw, angry, futuristic. Patchy guitar part begins with scratchy Raw, angry, futuristic. Patchy guitar part begins with scratchy percussion. Acidic rock instrumentation is supercharged by distortion and electronic aspects. Visions of a grimy future where people are hopeless but angry. Rage-filled style inspires a feeling of determination. Instrumental version.
Raw, angry, futuristic. Patchy guitar part begins with scratchy Raw, angry, futuristic. Patchy guitar part begins with scratchy percussion. Acidic rock instrumentation is loud and creepy. Visions of a grimy future where people are hopeless but angry. Rage-filled style inspires a feeling of determination. Stripped back underscore version.
