Modern salsa/boogalo with a reggaeton/cubaton touch. Positive, catchy ...Modern salsa/boogalo with a reggaeton/cubaton touch. Positive, catchy & determined. Exotic & danceable. Sung in Spanish. Syncopated piano, male singers, synth, Latin percussion & drum machine. Suggested for Latin party.歌词
ES:
Esa niña está de mi enamora'
Y quiere viajar pa la Habana
Dice que no quiere rumba na ma
Que me busca este fin de semana
Yo la voy a invitar al baile
Cuando llegue ella va a gozar
Esa niña está de mi enamora'
Y conmigo se queda en la Habana
Yo tengo una niña
Es tan hermosa, tan bonita, ella me guiña
Esos ojitos que me hace frappe de piña
Que por momentos yo me quisiera casar
Para jamas dejar...
Y cuando yo la toco
Es como algo que me esta volviendo loco
Asi de exacto, no me equivoco
Es que yo a ella la deseo para mi,
te juro porque yo...
Es que la quiero, la quiero, la quiero, yo
Porque ella tiene todo lo que a mi me gusta
Es que la quiero, la quiero, la quiero, yo
Ella es lo mejor que ahora a mi vida se le ajusta
Me pide q le baile y bailo
Me pide q le cante y canto
Ay yo la quiero tanto, tanto
Cuando llegue a la Habana cantaremos ella y yo
Esa niña está de mi enamora'
Y quiere viajar pa la Habana
Dice que no quiere rumba na ma
Que me busca este fin de semana
Yo la voy a invitar al baile
Cuando llegue ella va a gozar
Esa niña está de mi enamora'
Y conmigo se queda en la Habana
Oh oh oh oh
Ay tu no sabes na
Ay lo que tengo yo
Oh oh oh oh
Lo que hicimos aquella noche le gustó
Oh oh oh oh
Ay tu no sabes na
Que luego me buscó
Oh oh oh oh
Ella se enganchó, y repitió
Esa niña está de mi enamora'
Y quiere viajar pa la Habana
Dice que no quiere rumba na ma
Que me busca este fin de semana
Yo la voy a invitar al baile
Cuando llegue ella va a gozar
Esa niña está de mi enamora'
Y conmigo se queda en la Habana
Y conmigo se queda en la Habana
Y conmigo se queda en la Habana
EN:
That girl is in love with me
And she wants to travel to Havana
She says she doesn't want to only party
She's looking for me this weekend
I'm gonna ask her to the dance
When she arrives she's going to enjoy
That girl is in love with me
And with me she stays in Havana
I have a little girl
She's so beautiful, so pretty, she winks at me
Those little eyes that make me pineapple frappe
That at times I'd like to get married
To never leave...
And when I touch her
It's like something that's driving me crazy
That's exactly right, I'm not wrong
It's that I want her for myself,
I swear because I...
I want her, I want her, I want her, I want her, I do
Cause she's got everything that I like
I want her, I want her, I want her, I want her, I do
She's the best thing that fits my life now
She asks me to dance and I dance
She asks me to sing and I sing
Oh I love her so much, so much
When I get to Havana she and I will sing
That girl is in love with me
And she wants to travel to Havana
She says she doesn't want to only party
She's looking for me this weekend
I'm gonna ask her to the dance
When she arrives she's going to enjoy
That girl is in love with me
And with me she stays in Havana
Oh oh oh oh oh
Oh you don't know nothing
Oh what I've got
Oh oh oh oh oh oh
She liked what we did that night
Oh oh oh oh oh oh
Oh you don't know nothing
That then she looked for me
Oh oh oh oh oh oh
She got hooked, and she came back again
That girl is in love with me
And she wants to travel to Havana
She says she doesn't want to only party
She's looking for me this weekend
I'm gonna ask her to the dance
When she arrives she's going to enjoy
That girl is in love with me
And with me she stays in Havana
And with me she stays in Havana
And with me she stays in Havana
Instrumental. Modern salsa/Boogaloo with a reggaeton/cubaton touch. ...Instrumental. Modern salsa/Boogaloo with a reggaeton/cubaton touch. Positive, catchy & determined. Exotic & danceable. Synth, keyboards, bariton sax & latin percussion.
Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & ...Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Latin percussion.歌词
ES:
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Va a empezar
Así que todo el mundo pa' la fiesta
Que ya llegaron ya
Los que son
Causantes de que tu cuerpo se mueva
Sin que lo puedas controlar
Seguro de que ya tu los conoces
Te gusta tanto que ya no lo puedes negar
La rumba esta planeada pa las doce
Pa' que goces toda la madruga'
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Vamo' a dejar los puntos claros
Cuando llegamos sabes que la discoteca la cerramos
Que ya tu viste como andamo'
Porque a la larga o a la corta con mi combo te agarramos
Prepárate que llegaron los reyes del mambo
Con algo diferente a lo que estas buscando
Yo se lo que tu quiere, te estamo' esperando
Te mando la location y cuando
Mami que paso
Ya viene Stan de Boogaloo
Y mas atrás le caigo yo
Se que te gustan los dos
Agarrate que el team te cogió
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Stan de Boogaloo, la musical
EN:
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
It's about to start
So everybody get ready to party
Cause they' re already here
The ones that are
Causing your body to move
You can't control it
Surely you already know them
You like it so much that you can't deny it
The party's planned for twelve o'clock
So that you can enjoy till the early morning
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Let's make our points clear
When we arrive you know that we close the club
you've seen how we go
Cause in the long or the short run with my combo we'll get you
Get ready the mambo kings have arrived
With something different than what you're looking for
I know what you want, we are waiting for you
I send you the location and the time
Mami what happened
Stan from Boogaloo is coming
And further back it' ll be me
I know you like both of us
Hold on cause the team's got you
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Stan from Boogaloo, the musical
Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, ...Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, festive & catchy. Exotic & danceable. Drum machine, brass & Latin percussion.
Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, ...Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, festive & danceable. Sung in Spanish. Male singers, piano, brass with baritone sax, Latin percussion & drum machine. Rap break & trombone riff @ 1'14. Suggested for Latin party. 歌词
ES:
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Ya se lo que estas buscando
de lejos lo puedo ver
De la forma en que miras
estoy seguro que quieres perderte
en las ganas que yo tengo
de darte lo que tu quieres
no importa cuanto te tardes
se que tu vas a venir y aquí yo te espero
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
No se lo que pueda pasar
but I want it to happen
y tu también
ven que te invito a bailar
with me all night long
boogaloo
sabor
ven acércate un poquito
atrévete y ven
baby déjate querer
atrévete y ven
i know just how you feeel tonight
atrévete y ven
cause baby, i feel the same way
atrévete y ven
se acabaron las escusas
atrévete y ven
and i really wanna see you again
así que no perdamos el tiempo
let me relieve you from all the stress
let me dance with you come on baby
apretaito'
apretaito'
let me dance with you come on baby
apretaito'
apretaito'
oh baby ven
atrévete y ven
atrévete y ven
atrévete y ven
atrévete y ven
EN:
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
I know what you're looking for
From a distance I can see it
The way you look at me
I'm sure you want to lose yourself
In the desire that I have
of giving you what you want
no matter how long it takes
I know you're coming and I'm waiting here for you
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
I don't know what will happen
but I want it to happen
and so do you
come I invite you to dance
with me all night long
boogaloo
flavor
come a little closer
dare and come
baby let yourself be loved
dare and come
I know just how you feel tonight
dare and come
cause baby, i feel the same way
dare and come
no more excuses
dare and come
and i really wanna see you again
so let's not waste time
let me relieve you from all the stress
let me dance with you come on baby
Tightly
Tightly
let me dance with you come on baby
Tightly
Tightly
oh baby come on
dare and come
dare and come
dare and come
dare and come
Instrumental. Salsa pop/modern mambo on a reggaeton rhythm. ...Instrumental. Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, festive & danceable. Piano, brass with baritone sax, Latin percussion & drum machine. Break & trombone riff @ 1'14.
Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in ...Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Suggested for Latin party & telenovella.歌词
ES:
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
esas noches en que te llamé
fueron las veces que te recordé
acariciándome una y otra vez
tu y yo sabemos fue mas de una vez
sigues fingiendo estar feliz con otro
quedaste con el corazón bien roto
y sin nada
eras mi café del medio día
mi cigarrillo al comenzar el día
yo solo tu cuento de fantasias
al que besabas por hipocresía
yo confie en ti pero estabas con otro
quise olvidarte pero el corazón
Ya no me deja
esto me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Ya no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
EN:
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
those nights when I called you
were the times I remembered you
caressing me again and again
you and I know it was more than once
you're still pretending to be happy with someone else
you were left with a broken heart
and with nothing
you were my midday coffee
my cigarette at the beginning of the day
I was just your fantasy story
I trusted you but you were with another one
I wanted to forget you but the heart
Won't let me anymore
This kills me it poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It no longer leaves me It kills me it poisons me
It runs through my veins
It pushes me and slows me down
It frees me and condemns me
towards you
Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & ...Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Piano, brass, Latin percussion with bongo, conga, guiro & cowbell.
Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. ...Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Sung in Spanish. Male singer, brass, Latin percussion with clave, guiro, timbales, conga & bongo. Suggested for Latin party. 歌词
ES:
oye, miren quien volvió por aquí
me gustaría decir que sigo sintiendo lo mismo por ti pero ...
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
tu te fuiste lejos
dejándome solo
no importó
todo lo que yo te di
y ahora viene a decirme
that you were wrong to leave me alone
that you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
ahora yo
me olvidé que un día te quise
atrás se quedaron los días grises
mira como estoy bailando
en vez de sufrir por ti
that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
me dijiste que te fuiste
porque se había acabado
se acabó
todo aquello que sentías por mi
ahora tienes el descaro
se acabó
de venir arrepentida
a decirme que te dé otra oportunidad
se acabó
pero lo siento baby
Im sorry good bye
esto ya ha terminado
EN:
hey, look who's back here
I'd like to say that I still feel the same way about you but...
it's over
it's in the past
don't come asking for forgiveness
it's over now
you went away
leaving me alone
it didn't matter
all that I gave to you
and now you come to tell me
that you were wrong to leave me alone
That you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
now I forgot that one day I loved you
the gray days are behind me
look how I'm dancing instead of suffering for you that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
you told me that you left
because it was over
it's over
everything you felt for me
now you have the nerve
it's over
to come in regret
and tell me to give you another chance
it's over
But I'm sorry baby
Im sorry good bye
it's over now
Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic ...Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Brass, Latin percussion with clave, guiro, timbales, conga & bongo.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & ...Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, ...Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Uplifting french touch track with 80's inspiration. Synth, pitch ...Uplifting french touch track with 80's inspiration. Synth, pitch voices & catchy beat. Break @ 0'41 building-up with an energetic groove. Perfect for dance party, festive content & fashion.歌词
Take me higher Take me higher, Can you make me, make me a believer?Take me higher Can you make me, make me a believer? Take me higher Can you make meTake meTake me higher Take me higher, Can you make me, make me a believer? Take me
Rustic, soulful, spirited. Resonant country acoustic guitar plays ...Rustic, soulful, spirited. Resonant country acoustic guitar plays meaningful notes and trills. Raspy male vocals sing in rough, upbeat style. Lyrics about salvation and beauty. Wholesome, warm energy from stripped back sound.歌词
Amazing grace how sweet the soundThat saved a wretch like meI once was lost but now I’m foundI was blind but now I see
Nobody Knows The Trouble I've ...Nobody Knows The Trouble I've Seen [BIB191 - 3]
0
2'39
Traditionnal
Wholesome, bluesy, spiritual. Sharp, blues acoustic guitar instils a ...Wholesome, bluesy, spiritual. Sharp, blues acoustic guitar instils a rustic, redemptive soulfulness. Male vocals sing lamenting lyrics about sorrow and life experience in a simple and understated manner, fuelling a strong and resilient spirit. Chugging blues style supports triumphant, communal energy.歌词
Nobody knows the trouble I’ve seen Nobody knows my sorrows Nobody knows the trouble I’ve seen Glory hallelujah Sometimes I’m up and sometimes I’m down Oh yes lord Sometimes I’m almost down to the ground Oh yes lord Nobody knows the trouble I’ve seen Nobody knows my sorrows Nobody knows the trouble I’ve seen Glory hallelujah Although you see me and I’m going on so Oh yes lord I got my trials down here below Oh yes lord
Upbeat, rustic, warm. Pacy country guitar style gifts a resolute ...Upbeat, rustic, warm. Pacy country guitar style gifts a resolute vitality as male and female vocals embrace. Lyrics about feelings of peacefulness and joy deep inside. A connection with countryside surroundings through metaphor. Jovial aura supported by acoustic guitar solo at 00:55.歌词
I got peace like a river I got peace like a river I got peace like a river In my soul I got peace like a river I got peace like a river I got peace like a river In my soul I got love like an ocean I got love like an ocean I got love like an ocean In my soul I got love like an ocean
I got love like an ocean I got love like an ocean In my soul I got joy like a fountain I got joy like a fountain I got joy like a fountain In my soul I got joy like a fountain I got joy like a fountain I got joy like a fountain
She'll Be Coming Round The ...She'll Be Coming Round The Mountain [BIB191 - 5]
0
1'59
Traditionnal
Spirited, upbeat, optimistic. Bright acoustic guitar instills a ...Spirited, upbeat, optimistic. Bright acoustic guitar instills a buoyant atmosphere, with combination of male and female vocals providing a balance of power and homeliness. Spoken ad-libs and humming amplify feelings of rough warmth, reminiscent of a group of people happily clapping to a fun tune. A sense of community joyousness with tinges of religious value.歌词
She’ll be coming round the mountain when she comes She’ll be coming round the mountain when she comes She’ll be coming round the mountain when she comes She’ll be coming round the mountain when she comes
She’ll be driving six white horses when she comes She’ll be driving six white horses when she comes She’ll be driving six white horses when she comes She’ll be driving six white horses when she comes
We’ll be shouting hallelujah when she comes We’ll be shouting hallelujah when she comes We’ll be shouting hallelujah when she comes We’ll be shouting hallelujah when she comes
She’ll be coming round the mountain when she comes She’ll be coming round the mountain when she comes She’ll be coming round the mountain when she comes She’ll be coming round the mountain when she comes
Pacy, devoted, happy. Fast acoustic guitars move into rough and ...Pacy, devoted, happy. Fast acoustic guitars move into rough and textured rhythm. Female and male vocals sing lyrics about religious support and feelings of companionship. Soulful female vocal performance conveys a sense of deep power and hopefulness, alongside country male vocals communicating rustic homespun spirit.歌词
Swing low sweet chariot Coming for to carry me home Swing low sweet chariot Coming for to carry me home I looked over Jordan and what did I see Coming for to carry me home A band of angels coming after me Coming for to carry me home Swing low sweet chariot Coming for to carry me home Swing low sweet chariot Coming for to carry me home Now if you get there before I do Coming for to carry me home Tell all my friend that I’m coming too Coming for to carry me home Swing low sweet chariot Coming for to carry me home
Swing low sweet chariot Coming for to carry me home Sometimes I’m up, sometimes I’m down Coming for to carry me home Still my soul feels heavenly bound Coming for to carry me home
There's More Pretty Girls ...There's More Pretty Girls Than One [BIB191 - 7]
0
2'12
Traditionnal
Hopeful, fun, adventurous. Lively guitars set out an upbeat feeling, ...Hopeful, fun, adventurous. Lively guitars set out an upbeat feeling, with male vocals spinning stories about love and romance. Rambling atmosphere from rustic lyrics and country style, an individual making their way through life and making the most of their time. Guitar solo at 01:29 conveys excitement and a jovial spirit. People drinking and enjoying themselves.歌词
There’s more pretty girls than one There’s more pretty girls than one Any old town that I ramble around in There’s more pretty girls than one Mama talked to me last night She gave me some good advice Said that I should quit This rambling all around And marry me a sweet loving wife There’s more pretty girls than one There’s more pretty girls than one Any old town that I ramble around in There’s more pretty girls than one So look down that old lonesome road Hang down your head and cry I’m thinking about all those pretty girls And hoping that I’ll never die There’s more pretty girls than one There’s more pretty girls than one Any old town that I ramble around in There’s more pretty girls than one
Reverent, spirited, positive. Wistful guitar melodies assert a ...Reverent, spirited, positive. Wistful guitar melodies assert a wholesome sense of importance and gratefulness. Male vocals sing about service to God and the church of Christianity. Feelings of redemption, those who have been down on their luck and destitute finding stability in religion. Repetition of chorus conveys sense of working hard and for a good cause.歌词
I’m working on a building, working on a building Working on a building, For my lord, for my lord It’s a holy ghost building, its a holy ghost building A holy ghost building, for my lord, for my lord If I was sinner I’ll tell you what I’d do I’d quit all my sinning and I’d work on a building too I’m working on a building, working on a building Working on a building, For my lord, for my lord If I was drunkard, tell you what I’d do I’d quit all my drinking and I’d work on a building too I’m working on a building, working on a building Working on a building, For my lord, for my lord If I was a preacher I tell you what I’d do I’d keep on preaching and I’d work on a building too I’m working on a building, working on a building Working on a building, For my lord, for my lord It’s a holy ghost building, its a holy ghost building A holy ghost building, for my lord, for my lord
Sometimes I Feel Like A ...Sometimes I Feel Like A Motherless Child [BIB191 - 9]
0
2'48
Traditionnal
Lonely, tragic, downbeat. Simple but touching acoustic guitar melds ...Lonely, tragic, downbeat. Simple but touching acoustic guitar melds with fiery electric guitar creating a feeling of loneliness and sorrow. Downcast male vocals about isolation and a lack of support and love. Female choral voices at 00:46 support feelings of tragedy and lament. Blues energy from fiery guitar riffs with reverb and tremolo. Spirited atmosphere, withstanding feelings of sadness through a hard-shelled approach to life.歌词
Sometimes I feel like a motherless child Sometimes I feel like a motherless child Sometimes I feel like a motherless child A long way from home
Sometimes I feel like freedom is near
Sometimes I feel like freedom is near
Sometimes I feel like freedom is near
And I’m a long way from home
Sometimes I feel like I’m almost home Sometimes I feel like I’m almost home Sometimes I feel like I’m almost home Way up in that heavenly land
Sometimes I feel like a motherless child
Sometimes I feel like a motherless child Sometimes I feel like a motherless child A long way from home
Uplifting intro with triumphant brass pattern building-up with male ...Uplifting intro with triumphant brass pattern building-up with male rapper. Powerful & swagger hip hop build-up @ 0'25 with trailer percussion (riser & braams). Break @ 1'14 with a suspenseful beat. Motivational & pulsing climax @ 1'40. Finale & back end. Perfect for action sport, entertainment, video games & racing movie.歌词
I won’t change this world but I’ll take it over,
Taking no losses cuz it’s never over,
Don’t try to do me wrong,
I Strike you like a cobra,
You better pray you make it home,
They know me as the closer,
Make way this the take over,
I see em looking down,
when we coming closer,
Step up Get a close up, of a pro soldier,
An overdose of work, grind, and composure,
I want big bags,
Live life like rich brat,
Put a price on they head,
We never hit back,
Catch me out on the field than that’s a
Mismatch,
Everyday on a jet, now watch me sit back,
This the take over, Protect, what’s yours,
if not my boy, I’ll be taking all yo soul,
And all yo toys,
It’s Bout to get real obscure, big bad mood,
Yeah I been that dude, huh,
This the take over, Protect, what’s yours,
if not my boy, I’ll be taking all yo soul,
And all yo toys,
It’s Bout to get real obscure, big bad mood,
Yeah I been that dude, huh,
I won’t change this world but I’ll take it over,
Taking no losses cuz it’s never over,
Don’t try to do me wrong,
I Strike you like a cobra,
You better pray you make it home,
They know me as the closer,
Take over,
Ima take it, the world is yours, encore, the world is yours,
Ima take it, the world is yours, it’s never over
And we taking over,
Yeah yeah yeah, taking over,
Whole world watch us taking over,
Whole world watch us taking over,
