| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Amante che mirato [CLA1820 - 4] |
0 | 3'04 | Maurizio Cazzati | Charming, female & careless. Soprano and chamber orchestra. | 迷人 女性 无忧无虑 自信 | D | 118 | |||
|
Occhi belli [CLA1820 - 6] |
0 | 3'05 | Carlo Donato Cossoni | Intimate, charming & mystic. Soprano and chamber orchestra. | 内心活动 迷人 神奇 女性 | Em | 123 | |||
|
Mesto amatore [CLA1820 - 7] |
0 | 2'26 | Carlo Donato Cossoni | Introspective, serious & intimate. Soprano and chamber orchestra. | 反省 内心活动 严谨 忧伤 | Bm | 107 | |||
|
Fino all'ultimo respiro [CLA1820 - 8] |
0 | 1'43 | Carlo Donato Cossoni | Confident & rigorous. Soprano and chamber orchestra. | 自信 严谨 女性 巴罗克音乐(1600-1750) | Em | 137 | |||
|
Crudelis Herodes [CLA1820 - 9] |
0 | 4'58 | Carlo Donato Cossoni | Introspective, peaceful & melancholic. Soprano and chamber orchestra. | 反省 宁静 女性 内心活动 | Dm | 62 | |||
|
Ecce Jesu mi [CLA1820 - 10] |
0 | 6'02 | Carlo Donato Cossoni | Mystic & rigorous. Soprano and chamber orchestra. | 神奇 严谨 反省 巴罗克音乐(1600-1750) | Gm | 104 | |||
|
Peccator penitente [CLA1820 - 11] |
0 | 6'12 | Maurizio Cazzati | Rigorous & sorry. Soprano and chamber orchestra. | 严谨 抱歉 女性 内心活动 | Cm | 111 | |||
|
Amor bugiardo [CLA1820 - 12] |
0 | 4'31 | Maurizio Cazzati | Confident & female. Soprano and chamber orchestra. | 自信 女性 严谨 疑问 | Cm | 84 | |||
|
L'amante musico [CLA1820 - 14] |
0 | 1'51 | Maurizio Cazzati | Confident & determined. Soprano and chamber orchestra. | 自信 果断 女性 骄傲 | G | 107 | |||
|
Lodasi il tacere [CLA1820 - 15] |
0 | 4'23 | Maurizio Cazzati | Confident & charming. Soprano and chamber orchestra. | 自信 迷人 女性 巴罗克音乐(1600-1750) | Gm | 103 | |||
|
Let Us Begin [BIB113 - 12] |
2'32 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Cool, contemporary, energetic. Confident brass melodies build with | 朗朗上口 舞动 果断 喜庆 | Ebm | 110 | ||||
|
Let Us Begin - Instrumental [BIB113 - 26] |
版本. | 2'32 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Cool, contemporary, energetic. Instrumental underscore version. | 朗朗上口 舞动 果断 喜庆 | Ebm | 110 | |||
|
Let Us Begin - 30sec [BIB113 - 27] |
版本. | 0'29 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Cool, contemporary, energetic. Confident brass melodies build with | 朗朗上口 舞动 果断 喜庆 | Ebm | 110 | |||
|
Act. 1, I. Vorspiel [CLA1202 - 1] |
0 | 2'53 | 弗兰克·马丁 | 1st scene. Sad & interrogative. Tenor, soprano and symphony | 伤心 疑问 芭蕾舞曲 严谨 | Em | 84 | |||
|
Act. 1, II. Streittanz der
[CLA1202 - 2] |
0 | 1'41 | 弗兰克·马丁 | 2nd scene. Acceleration @ 1'27. Determined & exalting. Soprano and | 果断 令人激动 骄傲 芭蕾舞曲 | Am | 129 | |||
|
Act. 3, I. Vorspiel [CLA1202 - 18] |
0 | 1'42 | 弗兰克·马丁 | 1st scene. Tragic, pending & indolent. Sopran, tenor and symphony | 悲剧 芭蕾舞曲 严谨 疑问 | Em | 108 | |||
|
Act. 3, VIII. Finale [CLA1202 - 25] |
0 | 3'20 | 弗兰克·马丁 | 8th scene. Proud & confident. Soprano, tenor and symphony orchestra. | 骄傲 自信 芭蕾舞曲 交响乐队 | A | 120 | |||
|
O dolcezze amarissime d'amore [CLA1814 - 6] |
0 | 5'08 | Luca Marenzio | Mystic & solemn. Alto, bass, tenor and harp. | 神奇 严谨 庄重 中音(声乐) | Am | 68 | |||
|
Deh, Tirsi, Tirsi, anima mia,
[CLA1814 - 9] |
0 | 3'23 | Luca Marenzio | Solemn & rigorous. Alto, bass, tenor, lute and harp. | 庄重 文艺复兴时期音乐 神奇 严谨 | Bm | 62 | |||
|
Domine puer meus jacet in domo [CLA1805 - 5] |
0 | 4'59 | Daniel Bollius | Rigorous & solemn. Alto, bass and chamber orchestra. | 严谨 巴罗克音乐(1600-1750) 神奇 庄重 | Am | 60 | |||
|
Jauchzet dem Herren alle Welt
[CLA1805 - 8] |
0 | 6'58 | Paul Schäffer | Confident & rigorous. Alto, bass, tenor and chamber orchestra. | 自信 巴罗克音乐(1600-1750) 宁静 严谨 | C | 117 | |||
|
Der Herr gebe euch vom Tau
[CLA1805 - 9] |
0 | 8'47 | Tobias Zeutschner | Solemn & proud. Alto, bass, tenor and chamber orchestra. | 自信 骄傲 巴罗克音乐(1600-1750) 神奇 | G | 62 |