| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Trip Wire [BIB263 - 12] |
2'39 | Conor O'Brien | Voyaging, spacey, futuristic. Searching synth arpeggiations play out | 周期性的 流行电子音乐 无忧无虑 人物 | Am | 105 | ||||
|
Trip Wire (Underscore) [BIB263 - 35] |
版本. | 2'39 | Conor O'Brien | Voyaging, spacey, futuristic. Searching synth arpeggiations play out | 周期性的 流行电子音乐 无忧无虑 人物 | Am | 105 | |||
|
Mind Games [ISC066 - 5] |
2'09 | Dan Thiessen | Cinematic investigation. Pulsating, foreboding, windy, dark. Build up | 动作片 无情 间谍片 紧急 | Ebm | 111 | ||||
|
Mind Games Alternate [ISC066 - 15] |
版本. | 2'09 | Dan Thiessen | Alternate version without percussion. | 动作片 无情 间谍片 紧急 | Ebm | 110 | |||
|
Breaking Free [TBX187 - 2] |
2'24 | Paul Thorne | Adventurous, spirited, wistful. Spacey synths combine with guitars to | 独立摇滚 青春剧 动人 联盟 | Em | 134 | ||||
|
Breaking Free (Instrumental) [TBX187 - 14] |
版本. | 2'24 | Paul Thorne | Adventurous, spirited, wistful. Spacey synths combine with guitars to | 独立摇滚 青春剧 动人 广告 | Am | 134 | |||
|
Breaking Free (Underscore) [TBX187 - 15] |
版本. | 2'24 | Paul Thorne | Adventurous, spirited, wistful. Spacey synths combine with guitars to | 独立摇滚 青春剧 广告 自信 | Em | 135 | |||
|
Driving Tension [TBX184 - 4] |
2'03 | Jack Pierce | Panoramic, serious, important. Deep bass and strings roll together, | 调查研究 固执 悬念 动荡 | Ebm | 127 | ||||
|
Driving Tension (Underscore) [TBX184 - 18] |
版本. | 2'03 | Jack Pierce | Panoramic, serious, important. Deep bass and strings roll together | 调查研究 固执 悬念 动荡 | Ebm | 127 | |||
|
Driving Tension (Underscore
[TBX184 - 19] |
版本. | 2'03 | Jack Pierce | Panoramic, serious, important. Deep bass and strings roll together | 调查研究 固执 悬念 动荡 | Ebm | 127 | |||
|
Fine Margins [INP066 - 8] |
2'27 | Rupert Gibb | Climactic, heroic, hopeful. Big electronic beat moves forward proudly | 史诗 预告片 令人激动 进步 | Am | 153 | ||||
|
Fine Margins (Underscore) [INP066 - 18] |
版本. | 2'14 | Rupert Gibb | Climactic, heroic, hopeful. Dramatic vocal sequence rides alongside | 史诗 预告片 令人激动 进步 | Am | 76 | |||
|
Downfall [ISC062 - 10] |
4'53 | Idan Kupferberg | Electro synthwave. Long, suspended intro, atmospheric and waiting. | 信息技术 固执 工业噪音 体育电竞 | Am | 178 | ||||
|
Downfall Alternate 1 [ISC062 - 22] |
版本. | 4'53 | Idan Kupferberg | Alternative version without percussion. | 信息技术 固执 工业噪音 体育电竞 | Dm | 178 | |||
|
Downfall Alternate 2 [ISC062 - 23] |
版本. | 4'53 | Idan Kupferberg | Alternative version without vocals. | 信息技术 固执 工业噪音 体育电竞 | Am | 178 | |||
|
End of the Road [CEO2161 - 9] |
0 | 3'24 | Chomsk' | Electronica. Downtempo. Long suspenseful progression with analogue | 电子 原声电子 梦幻 催眠 | A | 60 | |||
|
Restart [ISC058 - 2] |
2'49 | Sandia | Cinematic Emotional Electro in a neo-classical spirit. Urgent, | 新古典电音 感动 固执 气势 | Dm | 135 | ||||
|
Restart Alternate [ISC058 - 16] |
版本. | 2'49 | Noé Zagroun | Alternate version without percussion. | 新古典电音 感动 固执 气势 | Dm | 134 | |||
|
Autonomous [ISC058 - 13] |
2'37 | Sandia | ☆ Nominated "Best Use - Digital / Online Advertising" @Production | 令人激动 画面感 庄严 广告 | Abm | 108 | ||||
|
Autonomous Alternate [ISC058 - 28] |
版本. | 2'37 | Noé Zagroun | Alternate version without percussion. | 令人激动 画面感 庄严 广告 | Abm | 72 | |||
|
Distorted Dreams [INP063 - 2] |
2'27 | Francesco Bondi | Intense, glitchy, anticipatory. Dirty glitched feedback plays out a | 工业噪音 追逐场面 赛车 固执 | Am | 140 | ||||
|
Distorted Dreams (Underscore) [INP063 - 13] |
版本. | 2'07 | Francesco Bondi | Intense, glitchy, anticipatory. Wobbling synth conveys a feeling of | 工业噪音 追逐场面 赛车 固执 | Am | 140 | |||
|
Revitalise [INP063 - 4] |
1'28 | SIMON WEBSTER | Uplifting, strong, futuristic. Deep sci fi beat emerges with slow | 果断 信息技术 令人激动 电子琴 | Em | 105 | ||||
|
Revitalise (Underscore) [INP063 - 15] |
版本. | 1'28 | SIMON WEBSTER | Uplifting, strong, futuristic. Deep sci fi beat emerges with slow | 果断 信息技术 令人激动 电子琴 | Em | 105 | |||
|
Between Two Worlds [ISC057 - 9] |
3'20 | Torsti Spoof | Space Opera. Luminous, cosmic, pulsating & cyclical. Exhilarating & | 预告片 画面感 太空 令人激动 | C | 150 | ||||
|
Between Two Worlds Alternate 1 [ISC057 - 27] |
版本. | 3'20 | Torsti Spoof | Alternate version without percussion. | 画面感 令人激动 太空 联盟 | C | 150 | |||
|
Between Two Worlds Alternate 2 [ISC057 - 28] |
版本. | 3'20 | Torsti Spoof | Alternate version without choir. | 画面感 令人激动 太空 联盟 | C | 150 | |||
|
Nail Biter [TBX173 - 3] |
2'34 | Matt Norman | Tense, panicked, passionate. Bell melody alongside steady percussion | 神秘 悬念 时间(滴答声) 阴险 | Cm | 130 | ||||
|
Nail Biter (Underscore) [TBX173 - 15] |
版本. | 2'34 | Matt Norman | Tense, panicked, passionate. Ticking bell note and long strings give | 神秘 悬念 时间(滴答声) 阴险 | Cm | 130 | |||
|
It Could Have Been Different [TBX170 - 6] |
2'46 | Jay Brewer | Floaty, uplifting, regretful. Tightly wound euphoria breathes life | 忧伤 飞行 电影原声带 疑问 | Gm | 83 | ||||
|
It Could Have Been Different
[TBX170 - 18] |
版本. | 2'46 | Jay Brewer | Floaty, uplifting, regretful. Tightly wound euphoria breathes life | 忧伤 飞行 电影原声带 疑问 | G | 90 | |||
|
Lost Lives [ISC053 - 2] |
0 | 2'15 | Gabriel Saban | Intro with swirling synth sequence & acoustic piano. Narrative, noble | 当代历史 命运 电影原声带 严谨 | Cm | 120 | |||
|
Finality [ISC053 - 7] |
1'52 | Gabriel Saban | Dark, fatal, urgent, psychotic, tragic & hopeless. Rumbling synth, | 画面感 气势 无情 令人不安 | Dm | 112 | ||||
|
Finality Alternate [ISC053 - 15] |
版本. | 1'52 | Gabriel Saban | Alternate version without percussion. | 画面感 气势 无情 令人不安 | D | 112 | |||
|
Silent Fright [INP060 - 4] |
2'29 | Franz Gruber | Sophisticated, funereal, dangerous. Large booming impact creates a | 轰隆声 沉重 夜晚 电子琴 | G | 94 | ||||
|
Silent Fright (Instrumental) [INP060 - 20] |
版本. | 2'29 | Franz Gruber | Sophisticated, funereal, dangerous. Large booming impact creates a | 轰隆声 沉重 夜晚 电子琴 | G | 94 | |||
|
Silent Fright (Underscore) [INP060 - 21] |
版本. | 1'40 | Franz Gruber | Sophisticated, funereal, dangerous. Large booming impact creates a | 轰隆声 沉重 夜晚 电子琴 | G | 94 | |||
|
Lost in Dreams [ISC052 - 1] |
3'33 | Anne-Sophie Versnaeyen | Neoclassical. Airy & restrained. Confident, determined & dynamic @ | 电子乐宣传片 新古典电音 果断 自信 | C | 100 | ||||
|
Lost in Dreams Alternate 1 [ISC052 - 11] |
版本. | 3'33 | Anne-Sophie Versnaeyen | Alternate version without percussion. | 电子乐宣传片 新古典电音 果断 自信 | C | 100 | |||
|
Lost in Dreams Alternate 2 [ISC052 - 12] |
版本. | 3'33 | Anne-Sophie Versnaeyen | Alternate version without vocals. | 电子乐宣传片 新古典电音 果断 自信 | C | 100 | |||
|
Make Your Own Future
[INP058 - 21] |
3'20 | Adrian Mena Arrabal | Inspirational, honourable, intense. Glittery piano notes follow along | 全景 赛事 画面感 高潮 | Eb | 95 | ||||
|
Make Your Own Future [INP058 - 6] |
版本. | 3'20 | Adrian Mena Arrabal | Inspirational, honourable, intense. Glittery piano notes follow along | 令人激动 全景 赛事 画面感 | Cm | 95 | |||
|
Elegant Flow [ISC050 - 10] |
0 | 2'55 | Sandia | French touch electro. Synthwave. Hypnotic, haunting, indolent & | 法式 催眠 周期性的 夜晚 | Em | 155 |