Turkish 60s/70s retro pop/rock with psychedelic rock influences. Turkish 60s/70s retro pop/rock with psychedelic rock influences. Passionate, dramatic & danceable. Turkish singer full of nostalgia & pain, expressing the regret of time passing & the loss of a love that leaves deep scars, bass, drums, electric guitar, MS20 analog synthesizer, ney, saz baglama & darbouka.歌词
Hadi yine söyle
Nerede, bulunur ki
Nerede, bugünüm, yarınım, dünüm
O yıllar, toz olur, bir anda
Acı fani, ama hep yarası durur derinlerde
Sen yine gel de, merhemim ol Dur dönüp gitme
Dursun günler, aylar, yıllar Aksın sular gibi aşklar Bana bir bahar daha ver Zora dayanmaz bu dağlar
Ne seni ne beni bekler Derbeder eder yitişler Geriye kalır yıkıntılar Yazık olmuş yaşantılar
*
Gelir o anda, gör
Gör bu inatları, bu haykırışları Bul, bul beni yollarda Darlarda
Sen yine gel de, merhemim ol Dur dönüp gitme
Of diyip sorma, acıma bana Gözünü kaçırma
Dur dönüp gitme, merhemim ol Sen yine gel de
Dursun günler, aylar, yıllar Aksın sular gibi aşklar Bana bir bahar daha ver Zora dayanmaz bu dağlar
Ne seni ne beni bekler Derbeder eder yitişler
Yıllar
Lyrics Hande Topaloglu / Eliott Hosansky / Romain Roussouliere
Geriye kalır yıkıntılar Yazık olmuş yaşantılar
Turkish 60s/70s retro pop/rock with psychedelic rock influences. Turkish 60s/70s retro pop/rock with psychedelic rock influences. Lively, purposeful, supportive & exhilarating. Turkish singer evokes sentimental wanderings, accompanied by exhilarating female backing vocals. Climax duo @ 2'11. Bass, drums, electric guitar, Vox organ, MS20 analog synthesizer & darbouka.歌词
(Of of)
Bi ileri bi geri ha gayret Yanıyorum eriyorum hayret Derdimi bir anlatsam
Belki duyar nihayet
Kapalı kapılar ne çare Nası düştük bu hale Turnam uç git nazlı yare Haberim ver ellere
Sakız olduk kem dillere Rezil olduk aleme Helva şirin nefis kafir Dönerim aynı yere Helva şirin nefis kafir Dönerim hep aynı yere
(Of of of)
Hep bir sola bir sağa Yola çıktık hayrola Ben benden geçmişim Düze çıksak sonunda
Kapalı kapılar ne çare Nası düştük bu hale Turnam uç git nazlı yare Haberim ver ellere
Sakız olduk kem dillere Rezil olduk aleme Helva şirin nefis kafir Dönerim aynı yere Helva şirin nefis kafir Dönerim hep aynı yere
Sakız olduk kem dillere Rezil olduk aleme
Nefis Kafir
Lyrics Hande Topaloglu / Eliott Hosansky / Romain Roussouliere
Helva şirin nefis kafir Dönerim aynı yere Helva şirin nefis kafir Dönerim aynı yere
Turkish 60s/70s retro pop/rock with psychedelic rock influences. Turkish 60s/70s retro pop/rock with psychedelic rock influences. Lively, urgent, stubborn & exhilarating. Singer evokes melancholy and passion. Bass, drums, electric guitar, Vox organ, MS20 analog synthesizer, darbouka.歌词
Sabahın beşi sen yoksun Cananım gel gönlüm şad olsun
Gittin derman kalmadı Gittin duyan olmadı Gittin dünyam karardı
Gel, kara sevdam, bu gece son olsun, aman
Gönlüm pişman, sözler yaman Pervane oldum, perperişan
Ah serim ol, sözüm ol, el olma Ah yarım ol, zalım olma
Sazendeler sustu, hanende biçare Geceler şer oldu, sevdam biçare
Sevdam yaralı kuş misali
Kanar ellerim yapayalnız
Yanarım, ateşim, kor olur beyhude
Gitme fidan boylum Gitme yazık bize Gitme gül bakışlım Gitme yazık bize
Gitme tatlı dillim Gitme ey sevdiğim Gitme güler yüzlüm Gitme iki gözüm
Ah gözüm ol, sözüm ol, ah el olma Ah yarım ol, zalım olma
Gitme
Gitme
Gitme
Gitme ev sevdiğim Gitme tatlı dillim
Lyrics Hande Topaloglu / Eliott Hosansky / Romain Roussouliere
Gitme iki gözüm Gitme
Turkish 60s/70s retro pop/rock with psychedelic rock influences. Turkish 60s/70s retro pop/rock with psychedelic rock influences. Sentimental, melancholic, swinging & bewitching. Singer evoking disillusionment, resilience & melancholy. Bass, drums, electric guitar, MS20 analog synthesizer, ney & baglama saz.歌词
Kara kara düşünerek geçmez ki Ne kışın, baharın
Atı yola salmak lazım,
Gelince, zamanın
Sana yine hep aşk, lazım Ya da kırılır kolun kanadın Yansın,
Vakitsizce ışıkların
Sen yoksan / Ben yoksam Geceleri yeryüzü daha noksan (o) kandırmış, bu kullanmış Dünya dursa hep sen aksan
Çalsın hep, kara düzen
Bana bi tutam hüzün yeter Hamurum bu, bu beden
Ne yapalım, hamama giren terler
*
Peki o ev kimin kafesiydi Yetmedi, bitmedi
Bilmem derdim hangisiydi Hep tüketti, yitirtti
Ah düşe kalka seneler, Hep bu da geçer derler
Sana yine hep aşk, lazım Ya da kırılır kolun kanadın Aksın,
Vakitsizce ırmakların
Sen yoksan / Ben yoksam Geceleri yeryüzü daha noksan (o) kandırmış, bu kullanmış Dünya dursa sen hep kalsan
Lyrics Hande Topaloglu / Eliott Hosansky / Romain Roussouliere
Çalsın hep, kara düzen
Bana bi tutam hüzün yeter Hamurum bu, bu beden
Ne yapalım, hamama giren terler
Sen yoksan / Ben yoksam Geceleri yeryüzü daha noksan (o) kandırmış, bu kullanmış Dünya dursa hep sen aksan
Rock / British Invasion. 1960. Catchy, motivational & upbeat. Rock Rock / British Invasion. 1960. Catchy, motivational & upbeat. Rock band with distorted guitar, organ & horns. Break @ 1'11 with syncopated drums. Euphoric finale with handclaps. Suggested for B-movies, fun chase & vintage comedy.
1960s Party groove. Carefree, cheerful & upbeat. Full of handclaps & 1960s Party groove. Carefree, cheerful & upbeat. Full of handclaps & backing vocals. Organ, brass & groovy bass. Bridge @ 1'24 with piano. Suggested for home parties, vintage entertainment, daytime TV & comedy.
Classic soul. Warm, soulful & bittersweet song. Fragile male vocals, Classic soul. Warm, soulful & bittersweet song. Fragile male vocals, piano, organ, handclaps & backing vocals. Suggested for romance & family drama.歌词
ENG:
I won't battle it up, I'm just gonna let it spill, yeah. I won't cover it up, I'm just gonna let it be seen.
I won't shut my heart out, I'm just gonna let it feel.
Make room for love, joy and pain, all the emotions under the sun.
You don't have to worry that you don't know how I really feel inside.
Just one look at me and you will see that I'm living in the absence of cool.
The absence of cool.
Ain't nothing cool about me.
I won't sing for the cool, never for the lights, flash or that blue
I'll sing two happy times to follow all those crazy times, but most of all I'll sing too.
I won't bottle it up, I'm just gonna let it spill, yeah.
Just one look at me and you will see that I'm living in the absence of cool.
Absence of cool, oh yeah, do -do -do -do.
I won't bottle it up, no, no.
I'm just gonna let it spill.
Make a room for love, joy and good health so I can live to rip the seeds I saw.
I won't shut my heart's out. I'm just gonna let it feel.
Make room for love, joy and pain, all the emotions under the sun.
I won't bottle it up. I'm just gonna let it spill, yeah.
Just one look at me and you will see that I'm living in the absence of cool, absence of cool.
Ain't nothing cool about me, that don't bother me one bit. No, no, no, no
Ain't nothing cool about me. Ain't nothing cool about me. Ain't nothing cool about me. Ain't nothing cool about me.
FR:
Je ne vais pas le garder pour moi, je vais juste le laisser couler, ouais.
Je ne vais pas le cacher, je vais juste le laisser se voir.
Je ne vais pas fermer mon cœur, je vais juste le laisser ressentir.
Faire de la place pour l’amour, la joie et la douleur, toutes les émotions sous le soleil.
Tu n’as pas à t'inquiéter, tu ne sais peut-être pas vraiment ce que je ressens à l'intérieur.
Un seul regard sur moi et tu verras que je vis dans l'absence de cool.
L'absence de cool.
Il n’y a rien de cool chez moi.
Je ne chanterai pas pour être cool, jamais pour les lumières, les flashs ou ce bleu.
Je chanterai des moments heureux après tous ces moments fous, mais surtout je chanterai aussi.
Je ne vais pas le garder pour moi, je vais juste le laisser couler, ouais.
Un seul regard sur moi et tu verras que je vis dans l'absence de cool.
Absence de cool, oh ouais, do-do-do-do.
Je ne vais pas le garder pour moi, non, non.
Je vais juste le laisser couler.
Faire de la place pour l'amour, la joie et la bonne santé pour que je puisse vivre pour récolter les graines que j’ai semées.
Je ne vais pas fermer mon cœur. Je vais juste le laisser ressentir.
Faire de la place pour l’amour, la joie et la douleur, toutes les émotions sous le soleil.
Je ne vais pas le garder pour moi. Je vais juste le laisser couler, ouais.
Un seul regard sur moi et tu verras que je vis dans l'absence de cool, absence de cool.
Il n’y a rien de cool chez moi, ça ne me dérange même pas un peu. Non, non, non, non.
Il n’y a rien de cool chez moi. Il n’y a rien de cool chez moi. Il n’y a rien de cool chez moi. Il n’y a rien de cool chez moi.
Blues-soul. Heartfelt, humble & soulful song. Touching broken male Blues-soul. Heartfelt, humble & soulful song. Touching broken male voice, backing vocals, slide guitar, repetitive bass pattern, organ. Suggested for films & human documentaries.歌词
ENG:
I gave you this, I gave you that
You turn around, you ask for more
Still I give, I give, I give, you never once, say thank you back.
Thank you very much ain’t that ought to say
Thank you very much ain’t that ought to say.
In your defense, you have the nerves
To say to me, your gratefulness
Don't lie in words, and thank you, a merely word.
You’ll have to know
Thank you very much ain’t that ought to say
Thank you very much ain’t that ought to say
Makes me recall someone once said, yeah
Gratitude not expressed is plain only gratitude
Gratitude not expressed is plain only gratitude, didn’t I say.
Thank you very much ain’t that ought to say
Thank you very much ain’t that ought to say.
Merci beaucoup.
Like you very much and very much.
Thank you. Thank you.
FR:
Je t’ai donné ça, je t’ai donné ceci
Tu te retournes, tu en demandes encore
Je donne toujours, je donne, je donne, et tu ne dis jamais une fois merci en retour.
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Et pour te défendre, tu oses
Me dire que ta gratitude
Ne réside pas dans les mots, et qu'un merci est juste un mot.
Tu dois savoir
Qu’un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Ça me rappelle ce que quelqu’un a dit un jour, oui
La gratitude non exprimée n’est que de la gratitude ordinaire
La gratitude non exprimée n’est que de la gratitude ordinaire, n’est-ce pas ce que j’ai dit ?
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Merci beaucoup.
Je t’aime bien, beaucoup, beaucoup.
Merci. Merci.
Quaint, comedic, silly. Shaker percussion falls into groovy goofy Quaint, comedic, silly. Shaker percussion falls into groovy goofy instrumentation with wandering clarinet melody and jangly organ. Quaint retro vibe provides fun atmosphere, a silly funny scene with a cool groove.
Quaint, comedic, silly. Light percussion falls into groovy goofy Quaint, comedic, silly. Light percussion falls into groovy goofy instrumentation with wandering clarinet melody and jangly organ. Quaint retro vibe provides fun atmosphere, a silly funny scene with a cool groove. Stripped back underscore version.
Childish, lively, energetic. Organs and flutes with bright bells give Childish, lively, energetic. Organs and flutes with bright bells give a fresh, silly-sounding adventure melody. Children looking for trouble or their next fun project. Fun rhythm and carnival beat @ 0'31 gives a farcical edge to atmosphere. Plodding rhythm offers a sense of motion and momentum. Baby's running around a play area.
Childish, lively, energetic. Bass and organ give a frisky fresh Childish, lively, energetic. Bass and organ give a frisky fresh adventure vibe with upbeat pacy sequence. Children looking for trouble or their next fun project. Fun rhythm and carnival beat @ 0'31 gives a farcical edge to atmosphere. Plodding rhythm offers a sense of motion and momentum. Baby's running around a play area. Stripped back underscore version.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Raspy female vocals sing about lies and wrongdoing by greedy members of the society. Low humming give a blues-y painfulness to the instrumentation. Tone shift at 00:50 into a gospel style, chorus lyrics about peace and understanding, a cathartic religious-coded refrain. Percussion becomes more fiery, a sense of upheaval and passion.歌词
Got us hatin', feedin' us their lies, Cash in on division, rake it in that’s right, Shine on, you're tough, what you hating for, Shake down in love until we're all gone, Yeah and if we want it we could have it all.
You gotta lay, lay down your arms, You gotta lay, lay down your arms, And so, it's your call.
Got no ticket to leave it all behind, yeah, Got the spirit in our drunken minds, Shine on, you're tough, what d’you shake ‘em for, Shake down in love until we're all gone, And if we want it we could have it all.
You gotta lay, lay down your arms, You gotta lay, lay down your arms, And so, it's your call.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Low humming give a blues-y painfulness to the instrumentation. Tone shift at 00:50 into a gospel style, choral vocal flood in with a sense of love and warmth. No lead vocal version.
Moody, rebellious, peaceloving. Low drums emerge alongside organ and Moody, rebellious, peaceloving. Low drums emerge alongside organ and guitar in a gloomy tone. Tone shift at 00:50 into a gospel style, organ pushes out with pride into more striding section, major chords giving a feeling of triumph. Instrumental version.
Bright, warm, happy. Wavering organs give a gospel style of Bright, warm, happy. Wavering organs give a gospel style of happiness, female vocals support feeling of positivity, despite lyrics about storms and thunder. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Chorus vocals offer an accepting atmosphere. Drums build to give a burst of cathartic release.歌词
I hear the coming storm, Wait for the rain to wash us clean and for the sun to keep us warm.
I know that I've done wrong, I've done my best and repossessed, And I will rest where I belong.
I've lived a hard life and I've seen a lot, I've lied and cheated I lost the plot, Too many tantrums I was so mean, I'm getting ready, I'm getting ready, I'm getting ready, I'm gettin' ready it's time to have peace, I'm getting ready.
I'm getting ready, I'll be restored, I'm getting ready for my reward, I am so ready, I just can't wait, Hope you are ready, just don't be late.
I can release my soul, I have made peaceset for my flight up to the light, No more control, I'm getting ready.
Bright, warm, happy. Wavering organs give a gospel style of Bright, warm, happy. Wavering organs give a gospel style of happiness, instrumentation slowly unfolds with a bright wonderful aura. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Chorus vocals offer an accepting atmosphere. Drums build to give a burst of cathartic release. No lead vocal version.
Bright, warm, happy. Wavering organs give a gospel style of Bright, warm, happy. Wavering organs give a gospel style of happiness, instrumentation slowly unfolds with a bright wonderful aura. An act of cleansing and rebirth. A person ready to embrace the lord or a sunny positive day. Instrumental version.
Stylish, nostalgic, funky. Clap beat and bass gives a cool energy. Stylish, nostalgic, funky. Clap beat and bass gives a cool energy. High pitched male vocals offer a passionate groovy vibe with lyrics about being hip and trendy, taking dangerous streets to a cool bar. Steady instrumentation with guitar stabs and dynamic brass elements are given a theatrical power. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura.歌词
Said you wanna take the back streets, But I don't think you know what that means, ‘Cause You've never really been on the scene, With the crowd getting loud back in 1993.
You’d, Do right, To learn what life was like, ‘Cause it’s going down in history. . Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before, You should see the way that they move, Across the floor in 1992, Tootsee-Roll, Running Man, Macarena, Cabbage-patch, oh let me show it to you.
New-jack-Groove, Gonna get a hold on you, And it’s gonna make your body move, Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before.
Cadillac, baby got back, They don't make ‘em like they used to used to, Well let me tell you ‘bout it all, How it all was before.
Stylish, nostalgic, funky. Clap beat and bass gives a cool energy, Stylish, nostalgic, funky. Clap beat and bass gives a cool energy, muted guitar communicates a modesty or subtlety. A hip cat who moves with a slow, calculated style. Organ brings a throwback element to instrumentation as guitar stabs and dynamic brass elements are given a theatrical power. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura. Instrumental version.
Stylish, nostalgic, funky. Subtle funk beat and bass give a cool Stylish, nostalgic, funky. Subtle funk beat and bass give a cool energy, muted guitar communicates a modesty or subtlety. A hip cat who moves with a slow, calculated style. A dramatic bar with people dancing in unison, a cool individual strutting through them with an enticing aura. Stripped back underscore version.
