| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cybertrack [CET9066 - 8] |
1'44 | Zoltan Zadori | Somber & heavy impact with signature sounds. Clocklike & trailer FX. | 冲突 画面感 高潮 固执 | Gbm | 93 | ||||
|
Cybertrack Alternate [CET9066 - 16] |
版本. | 1'44 | Zoltan Zadori | Alternate without percussion. | 冲突 画面感 高潮 固执 | Ebm | 94 | |||
|
Lost Signal [CET9066 - 9] |
1'26 | Zoltan Zadori | Confused, spooky & dark intro with impact & trailer FX. Agressive & | 大电影打击乐 冲击 预告片 冲突 | Fm | 89 | ||||
|
Lost Signal Alternate [CET9066 - 17] |
版本. | 1'26 | Zoltan Zadori | Alternate without percussion. | 预告片 冲突 画面感 战士 | Dm | 89 | |||
|
Frantic Search [CET9066 - 10] |
1'40 | Zoltan Zadori | Percussive & strong sound design track with trailer FX & clocklike. | 冲突 画面感 大电影打击乐 冲击 | Em | 110 | ||||
|
Frantic Search Alternate [CET9066 - 18] |
版本. | 1'40 | Zoltan Zadori | Alternate without percussion. | 冲突 画面感 气势 预告片 | E | 110 | |||
|
Possession Games [BIB201 - 2] |
2'04 | Kohshi Kamata | Spirited, pacy, promising. Sharp, nimble string stabs and rushed war | 果断 政治 画面感 动作片 | Am | 90 | ||||
|
Possession Games (Underscore
[BIB201 - 16] |
版本. | 2'04 | Kohshi Kamata | Spirited, pacy, promising. Sharp, nimble string stabs and rushed war | 果断 政治 画面感 动作片 | Am | 90 | |||
|
Possession Games (Underscore
[BIB201 - 17] |
版本. | 2'04 | Kohshi Kamata | Spirited, pacy, promising. Sharp, nimble string stabs convey a | 果断 政治 画面感 动作片 | Am | 90 | |||
|
Welcome to Dreadland [CET9064 - 1] |
2'05 | Philippe Briand, Salvador Casais, Felix Weber | Hybrid & hip hop trailer track with brass stabs, riser & trap beats. | 战士 冲突 画面感 军事冲突 | Fm | 119 | ||||
|
Welcome to Dreadland Alternate [CET9064 - 11] |
版本. | 2'05 | Philippe Briand, Salvador Casais, Felix Weber | Alternate without percussion. | 战士 冲突 画面感 军事冲突 | Fm | 120 | |||
|
Exploit Factory [CET9064 - 2] |
2'01 | Philippe Briand, Salvador Casais, Felix Weber | Anticipating intro with weird signature sounds, clocklike & riser. | 冲突 画面感 大电影打击乐 悬念 | Dm | 130 | ||||
|
Exploit Factory Alternate [CET9064 - 12] |
版本. | 2'01 | Philippe Briand, Salvador Casais, Felix Weber | Alternate without percussion. | 冲突 画面感 悬念 预告片 | D | 130 | |||
|
Violence is Everywhere [CET9064 - 6] |
1'33 | Philippe Briand, Salvador Casais, Felix Weber | Hybrid hip hop trailer track with weapons FX, strong impact & | 冲突 画面感 固执 大电影打击乐 | Ebm | 124 | ||||
|
Violence is Everywhere
[CET9064 - 16] |
版本. | 1'33 | Philippe Briand, Salvador Casais, Felix Weber | Alternate without percussion. | 冲突 画面感 固执 预告片 | Eb | 124 | |||
|
Horror Around the Corner [CET9064 - 10] |
2'04 | Philippe Briand, Salvador Casais, Felix Weber | Weird & foggy trailer track building-up with disturbing synths, | 大电影打击乐 预告片 画面感 进行中 | Fm | 120 | ||||
|
Horror Around the Corner
[CET9064 - 22] |
版本. | 2'04 | Philippe Briand, Salvador Casais, Felix Weber | Alternate without percussion. | 预告片 画面感 进行中 令人不安 | Fm | 120 | |||
|
Into The East [INP042 - 2] |
1'52 | Michael Hyman | Tense, explosive, passionate. Juddering synths convey a feeling of | 动作片 超级英雄 进步 气势 | Dm | 162 | ||||
|
Into The East (Underscore) [INP042 - 12] |
版本. | 1'52 | Michael Hyman | Tense, explosive, passionate. Dissonant rhythmic noise and subtle | 进步 画面感 超级英雄 冒险游戏 | Dm | 120 | |||
|
Daybreak [INP042 - 3] |
2'19 | Michael Hyman | Rousing, spirited, impassioned. Gentle string melodies set out a | 史诗 动作片 超级英雄 气势 | C | 124 | ||||
|
Daybreak (Underscore) [INP042 - 13] |
版本. | 2'19 | Michael Hyman | Rousing, spirited, impassioned. Gentle strings set out a blooming, | 史诗 超级英雄 画面感 动作片 | C | 124 | |||
|
Stargazer [INP042 - 5] |
1'25 | Michael Hyman | Wondrous, epic, stirring. Big kick drum gives rise to swells of | 飞行 画面感 史诗 全景图 | Dm | 103 | ||||
|
Stargazer (Underscore) [INP042 - 15] |
版本. | 1'25 | Michael Hyman | Wondrous, epic, stirring. Big kick drum gives rise to swells of | 飞行 画面感 史诗 全景图 | Dm | 104 | |||
|
Nine Worlds [CEZ4509 - 2] |
0 | 2'37 | Sigurd Jøhnk-Jensen | Dark, menacing & anticipating drone pads intro evolving with strings | 战士 北欧风 画面感 奇怪 | Cm | 100 | |||
|
Old Runes Shine [CEZ4509 - 5] |
0 | 2'18 | Steingrimur Thorhallsson | Obscure, broody & ancestral in a nordic way with nordic percussion, | 北欧风 冒险片 命运 反省 | C | 120 | |||
|
Anxious Minutes [CET9063 - 1] |
2'09 | Philippe Briand | Disturbing & confused intro with distorded impact. Clock like @ 0'28. | (音效)分钟计时 预告片 恐怖片 军事冲突 | E | 112 | ||||
|
Anxious Minutes Alternate [CET9063 - 11] |
版本. | 2'09 | Philippe Briand | Alternate without percussion. | 预告片 恐怖片 军事冲突 心理剧 | E | 111 | |||
|
Anxious Minutes Alternate 2 [CET9063 - 12] |
版本. | 2'09 | Philippe Briand | Alternate without choir. | (音效)分钟计时 预告片 恐怖片 军事冲突 | E | 112 | |||
|
Death by Sunrise [CET9063 - 5] |
2'05 | Philippe Briand | Dark & ominous intro evolving with strange FX & creepy textures. 1st | 恐怖 令人不安 冲突 恐怖片 | C | 123 | ||||
|
Death by Sunrise Alternate [CET9063 - 19] |
版本. | 2'05 | Philippe Briand | Alternate without percussion. | 恐怖 令人不安 冲突 恐怖片 | C | 123 | |||
|
The Avenger [CEZ4506 - 10] |
1'56 | Sebastijan Duh | Trailer, cinematic. Urgent, tense & dramatic. Percussive. Constant | 气势 史诗 电影乐团 凯旋 | Am | 120 | ||||
|
The Avenger Alternate [CEZ4506 - 23] |
版本. | 1'53 | Sebastijan Duh | Alternate version without fx and percussion. | 气势 预告片 画面感 史诗 | Am | 120 | |||
|
Insurgency [CET9062 - 2] |
2'02 | Giorgos Lorantakis | Menacing & troubling kick beat building-up with weapon FX & | 军事冲突 战士 令人不安 气势 | Bm | 120 | ||||
|
Insurgency Alternate [CET9062 - 11] |
版本. | 2'02 | Giorgos Lorantakis | Alternate percussion only. | 军事冲突 战士 令人不安 气势 | Fm | 120 | |||
|
Night Terrors [INP040 - 6] |
1'52 | Killian Magee | Heavy, raw, intense. Sharp, resonant bass thunders, creating an | 冲突 强调突出 画面感 轰隆声 | Dbm | 162 | ||||
|
Night Terrors (Underscore) [INP040 - 20] |
版本. | 1'26 | Killian Magee | Heavy, raw, intense. Deep kick drum pounds set out steady consistent | 强调突出 画面感 无情 动作游戏 | Dbm | 107 | |||
|
Time Is The Enemy [INP040 - 7] |
2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 动作片 令人不安 冲突 | Am | 120 | ||||
|
Time Is The Enemy (Underscore
[INP040 - 21] |
版本. | 2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 动作片 令人不安 冲突 | Am | 120 | |||
|
Time Is The Enemy (Underscore
[INP040 - 22] |
版本. | 2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 阴险 悬念 动作片 | A | 120 | |||
|
Through The Fire [BIB189 - 4] |
2'56 | Pete Wilson | Spirited, wistful, powerful. Muffled arpeggiating synth gives way to | 冒险片 鸟 全景图 气势 | D | 128 | ||||
|
Through The Fire (Underscore
[BIB189 - 16] |
版本. | 2'56 | Pete Wilson | Spirited, wistful, powerful. Muffled arpeggiating synth gives way to | 冒险片 鸟 全景图 气势 | D | 129 | |||
|
Through The Fire (Underscore
[BIB189 - 17] |
版本. | 2'40 | Pete Wilson | Spirited, wistful, powerful. Muffled arpeggiating synth gives way to | 中音单簧管 催眠 固执 鸟 | Em | 85 |