| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Make Money & Split [BIB287 - 1] |
2'34 | Daniel Lobel, Devin Moses | Poppy, flashy, fresh. Hip hop pop instrumentation hits hard and fast 歌词 | 态度 舞蹈流行音乐 青春剧 果断 | Db | 114 | ||||
|
Make Money & Split No Lead
[BIB287 - 11] |
版本. | 2'34 | Daniel Lobel, Devin Moses | Poppy, flashy, fresh. Hip hop pop instrumentation hits hard and fast | 态度 舞蹈流行音乐 青春剧 果断 | Db | 114 | |||
|
Make Money & Split
[BIB287 - 12] |
版本. | 2'34 | Daniel Lobel, Devin Moses | Poppy, flashy, fresh. Hip hop pop instrumentation hits hard and fast | 态度 舞蹈流行音乐 青春剧 果断 | Db | 114 | |||
|
Make Money & Split Underscore [BIB287 - 13] |
版本. | 2'32 | Daniel Lobel, Devin Moses | Poppy, flashy, fresh. Hip hop pop instrumentation hits hard and fast | 态度 舞蹈流行音乐 青春剧 果断 | Db | 114 | |||
|
World Is Yours [BIB287 - 2] |
2'12 | Iain Harper, Madeline St John | Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp 歌词 | 态度 女性 舞蹈流行音乐 青春剧 | Am | 85 | ||||
|
World Is Yours Instrumental [BIB287 - 14] |
版本. | 2'12 | Iain Harper, Madeline St John | Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp | 态度 女性 舞蹈流行音乐 青春剧 | Em | 85 | |||
|
World Is Yours Underscore [BIB287 - 15] |
版本. | 2'12 | Iain Harper, Madeline St John | Glitzy, glamorous, bubblegum. Bright bells hit out with a sharp | 态度 女性 舞蹈流行音乐 青春剧 | Em | 85 | |||
|
Whispers In The Wheat [TBX223 - 1] |
2'31 | Lee Franklin, Ethan Maltby | Rustic, suspicious, dark. Bending guitar notes and rough detuned | 电影原声带 社会悲剧 阴险 疑问 | Dm | 128 | ||||
|
Whispers In The Wheat
[TBX223 - 11] |
版本. | 2'31 | Lee Franklin, Ethan Maltby | Rustic, suspicious, dark. Rough jangling acoustic picking gives a | 电影原声带 社会悲剧 阴险 疑问 | D | 128 | |||
|
Angels of the Night [CEZ4668 - 2] |
2'35 | Laetitia Frenod | Electronic score. Disturbing, theatrical & heavenly. Chanted | 画面感 神奇 预告片 强调突出 | Am | 94 | ||||
|
Angels of the Night Alternate
[CEZ4668 - 15] |
版本. | 2'34 | Laetitia Frenod | Version without drums | 画面感 神奇 预告片 强调突出 | Am | 94 | |||
|
Angels of the Night Alternate
[CEZ4668 - 16] |
版本. | 1'04 | Laetitia Frenod | A cappella version. | 神奇 慢镜头 抒情 宗教仪式 | Dm | 94 | |||
|
Angels of the Night Edit 60sec [CEZ4668 - 17] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 画面感 神奇 预告片 强调突出 | C | 94 | |||
|
Angels of the Night Edit 30
[CEZ4668 - 18] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 画面感 神奇 预告片 强调突出 | Am | 94 | |||
|
Angels of the Night Edit 20
[CEZ4668 - 19] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 画面感 神奇 预告片 强调突出 | Am | 94 | |||
|
Angels of the Night Sting [CEZ4668 - 20] |
版本. | 0'16 | Laetitia Frenod | Sting | 画面感 神奇 预告片 强调突出 | C | 94 | |||
|
Angels of the Night a capella
[CEZ4668 - 21] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 画面感 神奇 预告片 强调突出 | Dm | 94 | |||
|
Angels of the Night a capella
[CEZ4668 - 22] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 画面感 神奇 预告片 强调突出 | Dm | 94 | |||
|
Angels of the Night a capella
[CEZ4668 - 23] |
版本. | 0'10 | Laetitia Frenod | Sting | 画面感 神奇 预告片 强调突出 | Am | 93 | |||
|
Race Against the Machine [CEZ4668 - 4] |
3'12 | Laetitia Frenod | Electronic score. Pulsating, dark, synthetic & relentless. 1980s | 追逐场面 进步 合成波 琶音器 | Fm | 116 | ||||
|
Race Against the Machine Edit
[CEZ4668 - 28] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 追逐场面 进步 琶音器 画面感 | Fm | 116 | |||
|
Race Against the Machine Edit
[CEZ4668 - 29] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 追逐场面 进步 琶音器 画面感 | Fm | 116 | |||
|
Race Against the Machine Edit
[CEZ4668 - 30] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 追逐场面 进步 琶音器 画面感 | Fm | 116 | |||
|
Race Against the Machine Sting [CEZ4668 - 31] |
版本. | 0'15 | Laetitia Frenod | Sting | 追逐场面 进步 琶音器 画面感 | Fm | 116 | |||
|
The Thrill - Closing Theme [CEZ4668 - 9] |
1'03 | Laetitia Frenod | Electronic score. Hypnotic, repetitive & futuristic. Bass, 1980s | 令人不安 科幻片 进行中 恐怖片 | Ebm | 154 | ||||
|
The Thrill - Closing Theme
[CEZ4668 - 50] |
版本. | 1'03 | Laetitia Frenod | Version without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 51] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 52] |
版本. | 0'30 | Laetitia Frenod | 30 second cut without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 154 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 53] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 令人不安 科幻片 进行中 调查研究 | Ebm | 153 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 54] |
版本. | 0'20 | Laetitia Frenod | 20 second cut without drums | 令人不安 科幻片 进行中 调查研究 | Ebm | 154 | |||
|
The Thrill - Closing Theme
[CEZ4668 - 55] |
版本. | 0'09 | Laetitia Frenod | Sting | 令人不安 科幻片 进行中 调查研究 | B | 153 | |||
|
All I Know [CEZ4670 - 1] |
2'13 | Rajaah | Hip hop. Heavy, bouncy, proud, provocative & nocturnal. Sample of | 态度 节奏感 陷阱音乐 骄傲 | Ebm | 119 | ||||
|
All I Know Alternate [CEZ4670 - 9] |
版本. | 2'13 | Rajaah | Instrumental version. | 态度 陷阱音乐 骄傲 都市景色 | Ebm | 119 | |||
|
All I Know Edit 60 sec [CEZ4670 - 10] |
版本. | 1'00 | Rajaah | 60 second cut. | 态度 陷阱音乐 骄傲 都市景色 | Bbm | 118 | |||
|
All I Know Edit 30 sec [CEZ4670 - 11] |
版本. | 0'30 | Rajaah | 30 second cut. | 态度 陷阱音乐 骄傲 都市景色 | Ebm | 119 | |||
|
All I Know Edit 20 sec [CEZ4670 - 12] |
版本. | 0'20 | Rajaah | 20 second cut. | 态度 陷阱音乐 骄傲 都市景色 | Ebm | 119 | |||
|
All I Know Edit Sting [CEZ4670 - 13] |
版本. | 0'11 | Rajaah | Sting. | 态度 陷阱音乐 骄傲 都市景色 | Bb | 149 | |||
|
Redline [CEZ4670 - 7] |
1'40 | Rajaah | Big beat. Dynamic, nervous, catchy & urgent. TB-303 bass, analog | 大节奏 动人 固执 追逐场面 | Em | 162 | ||||
|
Redline Edit 60 sec [CEZ4670 - 37] |
版本. | 1'00 | Rajaah | 60 second cut. | 大节奏 动人 固执 追逐场面 | Em | 162 | |||
|
Redline Edit 30 sec [CEZ4670 - 38] |
版本. | 0'29 | Rajaah | 30 second cut. | 大节奏 动人 固执 追逐场面 | Em | 162 | |||
|
Redline Edit 20 sec [CEZ4670 - 39] |
版本. | 0'20 | Rajaah | 20 second cut. | 大节奏 动人 固执 追逐场面 | Em | 162 | |||
|
Redline Edit Sting [CEZ4670 - 40] |
版本. | 0'12 | Rajaah | Sting. | 大节奏 动人 固执 追逐场面 | Em | 162 | |||
|
Hey Hey Listen Up [AUD047 - 1] |
1'59 | Alexandre Koneski | Hyperpop song. Bouncy, catchy & dynamic. Male vocals with autotune, 歌词 | 怪异 hyperpop 动人 时尚 | Dm | 145 | ||||
|
Hey Hey Listen Up (Short
[AUD047 - 6] |
版本. | 0'24 | Alexandre Koneski | Short instrumental cut | 怪异 hyperpop 动人 时尚 | Dm | 144 | |||
|
Hey Hey Listen Up
[AUD047 - 11] |
版本. | 1'59 | Alexandre Koneski | Instrumental version | 动人 俱乐部 怪异 hyperpop | Dm | 145 | |||
|
Machine Learning [AMS5053 - 5] |
2'05 | Thomas Langan | Trailer. Anticipating intro. Dark, urgent, percussive & aggressive. | (音效)滴答声 冲击 恐怖 沉重 | Cm | 129 | ||||
|
Machine Learning Alternate 1 [AMS5053 - 29] |
版本. | 2'05 | Thomas Langan | Version without percussion. | 恐怖 沉重 预告片 画面感 | C | 97 | |||
|
Machine Learning Alternate 2 [AMS5053 - 30] |
版本. | 2'05 | Thomas Langan | Version with percussion only. | 冲击 恐怖 沉重 预告片 | Gbm | 129 | |||
|
Machine Learning Alternate 3 [AMS5053 - 31] |
版本. | 2'05 | Thomas Langan | Bed version. | 冲击 恐怖 沉重 预告片 | Cm | 129 | |||
|
Machine Learning Edit 1 30 sec [AMS5053 - 32] |
版本. | 0'32 | Thomas Langan | 30 second cut. | 冲击 恐怖 沉重 预告片 | C | 129 | |||
|
Machine Learning Edit 2 15 sec [AMS5053 - 33] |
版本. | 0'17 | Thomas Langan | 15 second cut. | 冲击 恐怖 沉重 预告片 | Cm | 129 | |||
|
Rise Up [AMS5053 - 6] |
2'07 | Thomas Langan | Trailer. Sustained intro with bass synth pulse. Waiting, violent & | 冲突 画面感 紧急 爆炸 | Fm | 102 | ||||
|
Rise Up Alternate 1 [AMS5053 - 34] |
版本. | 2'07 | Thomas Langan | Version without percussion. | 画面感 紧急 战争 令人不安 | Fm | 102 | |||
|
Rise Up Alternate 2 [AMS5053 - 35] |
版本. | 2'07 | Thomas Langan | Version with percussion only. | 冲突 画面感 紧急 爆炸 | Gm | 102 | |||
|
Rise Up Alternate 3 [AMS5053 - 36] |
版本. | 2'07 | Thomas Langan | Bed version. | 画面感 紧急 战争 令人不安 | Fm | 102 | |||
|
Rise Up Edit 1 30 sec [AMS5053 - 37] |
版本. | 0'30 | Thomas Langan | 30 second cut. | 冲突 画面感 紧急 爆炸 | Fm | 102 | |||
|
Rise Up Edit 2 15 sec [AMS5053 - 38] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 冲突 画面感 紧急 爆炸 | Gbm | 102 | |||
|
Moral Coding [BIB285 - 2] |
3'46 | James Cameron | Investigative, squelchy, optimistic. Wavy guitar chord echoes out | 信息技术 周期性的 疑问 电子琴 | Dm | 118 | ||||
|
Moral Coding (Underscore A) [BIB285 - 14] |
版本. | 3'17 | James Cameron | Investigative, squelchy, optimistic. Big sub bass plays out a hopeful | 周期性的 疑问 伴音 果断 | Dm | 118 | |||
|
Moral Coding (Underscore B) [BIB285 - 15] |
版本. | 3'46 | James Cameron | Investigative, squelchy, optimistic. Bright bells play out a hopeful | 信息技术 周期性的 疑问 伴音 | Dm | 118 | |||
|
Out Of Sync [BIB285 - 6] |
2'49 | James Cameron | Mysterious, glum, bouncy. Muffled bassline offers a downbeat tone, | 社会悲剧 疑问 周期性的 反省 | C | 70 | ||||
|
Out Of Sync (Underscore) [BIB285 - 21] |
版本. | 2'49 | James Cameron | Mysterious, glum, bouncy. Strange glassy rumblings offer an uncertain | 社会悲剧 疑问 周期性的 反省 | Am | 70 | |||
|
Sun Rising [INP078 - 5] |
2'30 | Sergey Kolosov | Beautiful, driven, glorious. Vibrating synth samples hum out with a | 画面感 社会悲剧 感动 冒险片 | Dm | 91 | ||||
|
Sun Rising (Underscore A) [INP078 - 17] |
版本. | 1'40 | Sergey Kolosov | Beautiful, driven, glorious. Spacey electronic drum hits out into a | 画面感 社会悲剧 冒险片 命运 | Dm | 91 | |||
|
Sun Rising (Underscore B) [INP078 - 18] |
版本. | 2'19 | Sergey Kolosov | Beautiful, driven, glorious. Dour piano notes push out into a driven | 电影原声带 社会悲剧 感动 命运 | Dm | 91 | |||
|
What's Next [TBX218 - 2] |
2'23 | Paul Thorne, Amanda Ventrice | Energetic, confident, stylish. Fast-paced hand drums with cheeky 歌词 | 态度 舞蹈流行音乐 青春剧 不平稳 | Abm | 134 | ||||
|
What's Next (Instrumental) [TBX218 - 14] |
版本. | 2'23 | Paul Thorne, Amanda Ventrice | Energetic, confident, stylish. Fast-paced hand drums feed into | 态度 舞蹈流行音乐 青春剧 不平稳 | Abm | 134 | |||
|
What's Next (Underscore) [TBX218 - 15] |
版本. | 2'23 | Paul Thorne, Amanda Ventrice | Energetic, confident, stylish. Fast-paced hand drums feed into | 态度 舞蹈流行音乐 青春剧 不平稳 | Abm | 134 | |||
|
Veins of the Earth [ISC099 - 8] |
3'38 | Loic Ghanem | Ambient. Cinematic soundscape. Panoramic, grandiose, atmospheric, | 太空 全景图 全景 气氛 | Gm | 61 | ||||
|
Veins of the Earth Alternate [ISC099 - 16] |
版本. | 3'38 | Loic Ghanem | Version without bass. | 太空 全景图 全景 气氛 | Gm | 77 | |||
|
Cryptanalysis [CEG5056 - 4] |
1'47 | SHIFUMI | Electro Jazz. Investigative, stealthy & alert. Synth layers, rhythm, | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | ||||
|
Cryptanalysis Alternate 1 [CEG5056 - 31] |
版本. | 1'46 | SHIFUMI | Underscore 1. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | |||
|
Cryptanalysis Alternate 2 [CEG5056 - 32] |
版本. | 1'46 | SHIFUMI | Underscore 2. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | |||
|
Cryptanalysis Edit 1 (20 sec) [CEG5056 - 33] |
版本. | 0'20 | SHIFUMI | 20 second cut. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 78 | |||
|
Cryptanalysis Edit 2 (30 sec) [CEG5056 - 34] |
版本. | 0'30 | SHIFUMI | 30 second cut. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | |||
|
Cryptanalysis Edit 3 (60 sec) [CEG5056 - 35] |
版本. | 1'00 | SHIFUMI | 60 second cut. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 155 | |||
|
Cryptanalysis Edit 4 (sting) [CEG5056 - 36] |
版本. | 0'14 | SHIFUMI | Sting. | 间谍片 调查研究 神秘 电子爵士 | Ebm | 77 | |||
|
Secret Lab Alternate 2 [CEG5055 - 14] |
2'13 | Louis Edlinger | Version with less synth and no rythm. | 原声电子 工业 间谍片 稳定的 | C | 110 | ||||
|
Secret Lab [CEG5055 - 2] |
版本. | 2'16 | Louis Edlinger | Organic electro. Obstinate, scientific & attentive with an aquatic | 原声电子 工业 极简电子音乐 间谍片 | Cm | 110 | |||
|
Nice Disruption [AMS5052 - 1] |
1'56 | Thomas Lucas | Electro clash. Fiery, energetic, violent & glitchy. Drum machine, | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | ||||
|
Nice Disruption Alternate 1 [AMS5052 - 9] |
版本. | 1'56 | Thomas Lucas | Percussion only version. | 俱乐部 态度 撞击电子乐 动作游戏 | Em | 128 | |||
|
Nice Disruption Alternate 2 [AMS5052 - 10] |
版本. | 1'56 | Thomas Lucas | Underscore version. | 俱乐部 态度 撞击电子乐 动作游戏 | Em | 128 | |||
|
Nice Disruption Edit 1 30 sec [AMS5052 - 11] |
版本. | 0'30 | Thomas Lucas | 30 second cut. | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | |||
|
Nice Disruption Edit 2 15 sec [AMS5052 - 12] |
版本. | 0'15 | Thomas Lucas | 15 second cut. | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | |||
|
Cyber Doom [AMS5052 - 2] |
2'31 | Thomas Lucas | Electro clash. Determined, marching, robotic, insidious & aggressive. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | ||||
|
Cyber Doom Alternate 1 [AMS5052 - 13] |
版本. | 2'31 | Thomas Lucas | Percussion only version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Alternate 2 [AMS5052 - 14] |
版本. | 2'31 | Thomas Lucas | Underscore version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Edit 1 30 sec [AMS5052 - 15] |
版本. | 0'37 | Thomas Lucas | 30 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Cyber Doom Edit 2 15 sec [AMS5052 - 16] |
版本. | 0'18 | Thomas Lucas | 15 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 |