| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Synthetic Shadows [AMS5052 - 4] |
2'05 | Thomas Lucas | Electro clash. Ghostly intro with synths, arpeggiator, FX riser, | 撞击电子乐 动作片 固执 态度 | Dm | 116 | ||||
|
Synthetic Shadows Alternate 1 [AMS5052 - 21] |
版本. | 2'05 | Thomas Lucas | Percussion only version. | 撞击电子乐 动作片 固执 态度 | Abm | 115 | |||
|
Synthetic Shadows Alternate 2 [AMS5052 - 22] |
版本. | 2'05 | Thomas Lucas | Underscore version. | 撞击电子乐 动作片 固执 态度 | Gm | 116 | |||
|
Synthetic Shadows Edit 1 30
[AMS5052 - 23] |
版本. | 0'33 | Thomas Lucas | 30 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Synthetic Shadows Edit 2 15
[AMS5052 - 24] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Steel, Sand and Sound [MAG6099 - 8] |
2'28 | Clément Bazin | Electro. Happy, danceable & bright. Break @ 0'48 with radiant synth. | 日间节目 流行电子音乐 无忧无虑 海滨 | Gm | 120 | ||||
|
Steel, Sand and Sound Edit 60
[MAG6099 - 46] |
版本. | 1'00 | Clément Bazin | 60 second cut. | 日间节目 流行电子音乐 无忧无虑 海滨 | Gm | 120 | |||
|
Steel, Sand and Sound Edit 30
[MAG6099 - 47] |
版本. | 0'30 | Clément Bazin | 30 second cut. | 日间节目 流行电子音乐 无忧无虑 海滨 | Gm | 120 | |||
|
Steel, Sand and Sound Edit 15
[MAG6099 - 48] |
版本. | 0'15 | Clément Bazin | 15 second cut. | 日间节目 流行电子音乐 无忧无虑 海滨 | Gm | 120 | |||
|
Steel, Sand and Sound Edit
[MAG6099 - 49] |
版本. | 0'10 | Clément Bazin | Sting. | 日间节目 流行电子音乐 无忧无虑 海滨 | Gm | 120 | |||
|
Heading Our Way [CEZ4664 - 4] |
4'05 | The Quantum | Corporate electro. Moving, cyclic & resolute. Constant progression. | 果断 令人激动 广告 联盟 | Fm | 120 | ||||
|
Heading Our Way Alternate [CEZ4664 - 28] |
版本. | 4'05 | The Quantum | Alternate no rhythm. | 果断 令人激动 广告 联盟 | Fm | 178 | |||
|
Heading Our Way Edit 60 sec [CEZ4664 - 29] |
版本. | 1'00 | The Quantum | 60 second cut. | 果断 令人激动 广告 联盟 | Fm | 120 | |||
|
Heading Our Way Edit 30 sec [CEZ4664 - 30] |
版本. | 0'29 | The Quantum | 30 second cut. | 果断 令人激动 广告 联盟 | Fm | 120 | |||
|
Heading Our Way Edit 15 sec [CEZ4664 - 31] |
版本. | 0'15 | The Quantum | 15 second cut. | 果断 令人激动 广告 联盟 | Fm | 120 | |||
|
Heading Our Way Edit Sting [CEZ4664 - 32] |
版本. | 0'09 | The Quantum | Sting. | 果断 令人激动 广告 联盟 | Fm | 119 | |||
|
Shaping the Future [CEZ4664 - 7] |
3'28 | The Quantum | Electro future-beat, corporate electro. Happy, confident & bright. | 自信 令人激动 时尚 广告 | Ebm | 144 | ||||
|
Shaping the Future Alternate [CEZ4664 - 43] |
版本. | 2'50 | The Quantum | Alternate no rhythm. | 自信 令人激动 时尚 广告 | Abm | 144 | |||
|
Shaping the Future Edit 60 sec [CEZ4664 - 44] |
版本. | 1'00 | The Quantum | 60 second cut. | 自信 令人激动 时尚 广告 | Abm | 144 | |||
|
Shaping the Future Edit 30 sec [CEZ4664 - 45] |
版本. | 0'30 | The Quantum | 30 second cut. | 自信 令人激动 时尚 广告 | Abm | 145 | |||
|
Shaping the Future Edit 15 sec [CEZ4664 - 46] |
版本. | 0'15 | The Quantum | 15 second cut. | 自信 令人激动 时尚 广告 | Ebm | 145 | |||
|
Shaping the Future Edit Sting [CEZ4664 - 47] |
版本. | 0'09 | The Quantum | Sting. | 自信 令人激动 时尚 广告 | Abm | 144 | |||
|
Scavenger [BIB284 - 6] |
1'41 | Omer Agca, Alexandre Méaux | Brooding, cool, eerie. Echoing voices and gritty bass feeds into | 体育中的戏剧性 态度 社会悲剧 固执 | Am | 99 | ||||
|
Scavenger (Instrumental) [BIB284 - 18] |
版本. | 1'41 | Omer Agca, Alexandre Méaux | Brooding, cool, eerie. Echoing voices and gritty bass feeds into | 体育中的戏剧性 态度 社会悲剧 固执 | Am | 99 | |||
|
Scavenger (Underscore) [BIB284 - 19] |
版本. | 1'41 | Omer Agca, Alexandre Méaux | Brooding, cool, eerie. Gritty bass thuds before a fast-paced | 体育中的戏剧性 态度 社会悲剧 固执 | Am | 99 | |||
|
The Race Is On [IOM035 - 4] |
1'37 | David Birnie | Heavy, confident, powerful. Fuzzy rock bass gives a sense of badass | 极限运动 画面感 动作片 气势 | Am | 172 | ||||
|
The Race Is On (Underscore) [IOM035 - 34] |
版本. | 1'37 | David Birnie | Heavy, confident, powerful. Eerie string euphoria is nailed down by | 极限运动 画面感 动作片 气势 | A | 87 | |||
|
The Race Is On (Percussion
[IOM035 - 35] |
版本. | 1'37 | David Birnie | Heavy, confident, exciting. Tick tock percussion is met with heavy | 极限运动 画面感 动作片 气势 | A | 87 | |||
|
The Race Is On (60 sec) [IOM035 - 36] |
版本. | 1'03 | David Birnie | Heavy, confident, exciting. Excited instrumentation with muted | 极限运动 画面感 动作片 气势 | Am | 172 | |||
|
The Race Is On (30 sec) [IOM035 - 37] |
版本. | 0'30 | David Birnie | Heavy, confident, exciting. Excited instrumentation with muted | 极限运动 画面感 动作片 气势 | Am | 172 | |||
|
The Race Is On (15 sec) [IOM035 - 38] |
版本. | 0'16 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Am | 87 | |||
|
The Race Is On (10 sec) [IOM035 - 39] |
版本. | 0'12 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Am | 86 | |||
|
The Race Is On (5 sec) [IOM035 - 40] |
版本. | 0'04 | David Birnie | Heavy, confident, exciting. Excited rock instrumentation with | 极限运动 画面感 动作片 气势 | Gbm | 172 | |||
|
The Race Is On (Sting) [IOM035 - 41] |
版本. | 0'02 | David Birnie | Heavy, confident, exciting. Thud for rock action cue. Sting version. | 极限运动 画面感 动作片 气势 | A | 172 | |||
|
Time To Act [CET9103 - 6] |
2'03 | Salvador Casais | Jazzy spy movie trailer. Tense & urgent introduction with | 预告片 紧急 爆炸 黑色电影 | Cm | 112 | ||||
|
Time To Act Alternate 1 [CET9103 - 38] |
版本. | 2'03 | Salvador Casais | Version without percussion. | 预告片 紧急 黑色电影 火热 | Cm | 112 | |||
|
Time To Act Alternate 2 [CET9103 - 39] |
版本. | 2'03 | Salvador Casais | Version with percussion only. | 预告片 紧急 爆炸 黑色电影 | Abm | 112 | |||
|
Time To Act Alternate 3 [CET9103 - 40] |
版本. | 2'03 | Salvador Casais | Bed version. | 预告片 紧急 爆炸 黑色电影 | Cm | 112 | |||
|
Time To Act Alternate 4 [CET9103 - 41] |
版本. | 2'03 | Salvador Casais | Underscore version. | 预告片 紧急 爆炸 黑色电影 | Cm | 112 | |||
|
Time To Act Edit 1 30 sec [CET9103 - 42] |
版本. | 0'30 | Salvador Casais | 30 second cut. | 预告片 紧急 爆炸 黑色电影 | Cm | 112 | |||
|
Time To Act Edit 2 15 sec [CET9103 - 43] |
版本. | 0'15 | Salvador Casais | 15 second cut. | 预告片 紧急 爆炸 黑色电影 | Eb | 112 | |||
|
Electro Musette [AUD045 - 2] |
1'41 | Frederic Langlais, Matthieu Rabaté | Electro Musette (accordion music). Retro, perky & light-hearted. | 键钮手风琴 媚俗 & 艳俗 日常生活 摇摆 | C | 95 | ||||
|
Electro Musette (Short Edit) [AUD045 - 7] |
版本. | 0'14 | Frederic Langlais, Matthieu Rabaté | Short edit version | 键钮手风琴 媚俗 & 艳俗 日常生活 摇摆 | C | 126 | |||
|
Electro Musette (No Drums) [AUD045 - 12] |
版本. | 1'41 | Frederic Langlais, Matthieu Rabaté | No beat version | 键钮手风琴 开心 风笛华尔兹 日常生活 | C | 95 | |||
|
Electro Java [AUD045 - 3] |
1'55 | Frederic Langlais, Matthieu Rabaté | Electro Musette (accordion music). Java. Elegant, tender & romantic. | 键钮手风琴 喜剧 恶搞 节奏乐器组 | Gm | 86 | ||||
|
Electro Java (Short Edit) [AUD045 - 8] |
版本. | 0'35 | Frederic Langlais, Matthieu Rabaté | Short edit version | 键钮手风琴 喜剧 恶搞 节奏乐器组 | Gm | 86 | |||
|
Electro Java (No Drums) [AUD045 - 13] |
版本. | 1'55 | Frederic Langlais, Matthieu Rabaté | No beat version | 键钮手风琴 喜剧 风笛舞曲 动人 | Gm | 86 | |||
|
Make It Right [AMS5049 - 3] |
2'09 | Jon Du | Latin pop song. Lively, passionate & syncopated. English female 歌词 | 舞动 拉丁舞 青春剧 喜庆 | Dm | 130 | ||||
|
Make It Right Alternate 1 [AMS5049 - 20] |
版本. | 2'09 | Jon Du | Version with percussion only | 青春剧 舞动 喜庆 海滨 | Dm | 130 | |||
|
Make It Right Alternate 2 [AMS5049 - 21] |
版本. | 2'09 | Jon Du | Instrumental version | 舞动 拉丁舞 青春剧 喜庆 | Dm | 130 | |||
|
Make It Right Alternate 3 [AMS5049 - 22] |
版本. | 2'09 | Jon Du | Bed version | 舞动 拉丁舞 青春剧 喜庆 | Dm | 130 | |||
|
Make It Right Edit 1 30 sec [AMS5049 - 23] |
版本. | 0'30 | Jon Du | 30 second cut | 舞动 拉丁舞 青春剧 喜庆 | Dm | 130 | |||
|
Make It Right Edit 2 15 sec [AMS5049 - 24] |
版本. | 0'15 | Jon Du | 15 second cut | 舞动 拉丁舞 青春剧 喜庆 | Am | 130 | |||
|
Una Mas [AMS5049 - 4] |
2'32 | Jon Du | ☆ Nominated "Best Latin" @Mark Awards US 2025 ☆ Latin pop song. 歌词 | 令人激动 海滨 人物 女歌手 | Gm | 120 | ||||
|
Una Mas Alternate 1 [AMS5049 - 25] |
版本. | 2'32 | Jon Du | Version with percussion only | 令人激动 海滨 人物 舞动 | Em | 120 | |||
|
Una Mas Alternate 2 [AMS5049 - 26] |
版本. | 2'32 | Jon Du | Instrumental version | 令人激动 海滨 人物 舞动 | Gm | 120 | |||
|
Una Mas Alternate 3 [AMS5049 - 27] |
版本. | 2'32 | Jon Du | Bed version | 令人激动 海滨 人物 舞动 | Gm | 120 | |||
|
Una Mas Edit 1 30 sec [AMS5049 - 28] |
版本. | 0'30 | Jon Du | 30 second cut | 令人激动 海滨 人物 舞动 | Gm | 120 | |||
|
Una Mas Edit 2 15 sec [AMS5049 - 29] |
版本. | 0'15 | Jon Du | 15 second cut | 令人激动 海滨 人物 舞动 | Gm | 120 | |||
|
Hard Game [CEZ4660 - 4] |
2'14 | Jon Du | Dark Synthwave. Frenzied, aggressive & epic. Arpeggiator, analog | 火热 冲突 黑暗的合成器 紧急 | Dm | 140 | ||||
|
Hard Game Alternate [CEZ4660 - 26] |
版本. | 2'14 | Jon Du | Underscore version. | 黑暗的合成器 火热 紧急 冲突 | Dm | 140 | |||
|
Hard Game Edit 1 (15s) [CEZ4660 - 27] |
版本. | 0'15 | Jon Du | 15 second cut. | 火热 冲突 黑暗的合成器 紧急 | Dm | 140 | |||
|
Hard Game Edit 2 (30s) [CEZ4660 - 28] |
版本. | 0'30 | Jon Du | 30 second cut. | 火热 冲突 黑暗的合成器 紧急 | Dm | 140 | |||
|
Hard Game Edit 3 (60s) [CEZ4660 - 29] |
版本. | 1'00 | Jon Du | 60 second cut. | 火热 冲突 黑暗的合成器 紧急 | Dm | 140 | |||
|
Hard Game Edit 4 (sting) [CEZ4660 - 30] |
版本. | 0'09 | Jon Du | Sting. | 火热 冲突 黑暗的合成器 紧急 | Gm | 136 | |||
|
Corn Flake Chaos [CEZ4653 - 7] |
2'17 | SHIFUMI | Big Beat. 1990s. Driving, determined & going forward. Mc with vocal | 大节奏 动作片 火热 追逐场面 | Bm | 130 | ||||
|
Corn Flake Chaos Alternate [CEZ4653 - 104] |
版本. | 2'17 | SHIFUMI | Instrumental version | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 1 (60
[CEZ4653 - 105] |
版本. | 1'00 | SHIFUMI | 60 second cut | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 2 (60
[CEZ4653 - 106] |
版本. | 1'00 | SHIFUMI | 60 second instrumental cut | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 3 (60
[CEZ4653 - 107] |
版本. | 1'00 | SHIFUMI | 60 second cut 2 | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 4 (60
[CEZ4653 - 108] |
版本. | 1'00 | SHIFUMI | 60 second instrumental cut 2 | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 5 (30
[CEZ4653 - 109] |
版本. | 0'30 | SHIFUMI | 30 second cut | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 6 (30
[CEZ4653 - 110] |
版本. | 0'30 | SHIFUMI | 30 second instrumental cut | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 7 (15
[CEZ4653 - 111] |
版本. | 0'15 | SHIFUMI | 15 second cut | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 8 (15
[CEZ4653 - 112] |
版本. | 0'15 | SHIFUMI | 15 second instrumental cut | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 9 (15
[CEZ4653 - 113] |
版本. | 0'15 | SHIFUMI | 15 second cut 2 | 大节奏 动作片 火热 追逐场面 | B | 129 | |||
|
Corn Flake Chaos Edit 10 (15
[CEZ4653 - 114] |
版本. | 0'15 | SHIFUMI | 15 second instrumental cut 2 | 大节奏 动作片 火热 追逐场面 | B | 129 | |||
|
Corn Flake Chaos Edit 11
[CEZ4653 - 115] |
版本. | 0'08 | SHIFUMI | Sting 1 | 大节奏 动作片 火热 追逐场面 | Bm | 129 | |||
|
Corn Flake Chaos Edit 12
[CEZ4653 - 116] |
版本. | 0'08 | SHIFUMI | Sting instrumental 1 | 大节奏 动作片 火热 追逐场面 | Bm | 130 | |||
|
Corn Flake Chaos Edit 13
[CEZ4653 - 117] |
版本. | 0'07 | SHIFUMI | Sting 2 | 大节奏 动作片 火热 追逐场面 | B | 130 | |||
|
Corn Flake Chaos Edit 14
[CEZ4653 - 118] |
版本. | 0'07 | SHIFUMI | Sting instrumental 2 | 大节奏 动作片 火热 追逐场面 | B | 129 | |||
|
Electronic Resonances [AUD044 - 3] |
2'24 | Frederic Sicart | Retro Electro. Repetitive, odd & off-beat. Analog synths & rhythm | 稳定的 摇摆 阴险 醉酒 | Dm | 69 | ||||
|
Electronic Resonances (Short
[AUD044 - 8] |
版本. | 0'26 | Frederic Sicart | Short edit | 稳定的 摇摆 阴险 醉酒 | Dm | 138 | |||
|
Electronic Resonances (No
[AUD044 - 13] |
版本. | 2'24 | Frederic Sicart | No beat version | 稳定的 摇摆 阴险 醉酒 | Dm | 138 | |||
|
Vertex [CEZ4648 - 1] |
2'06 | Bleu Foncé Music | ☆ Nominated "Best Electronic Dance" @Production Music Awards UK | 都市景色 节奏感 英伦车库 英格兰 | Fm | 132 | ||||
|
Vertex Alternate [CEZ4648 - 12] |
版本. | 2'05 | Bleu Foncé Music | Instrumental version | 都市景色 节奏感 英伦车库 英格兰 | Am | 132 | |||
|
Vertex Edit 1 (15s Instru) [CEZ4648 - 13] |
版本. | 0'15 | Bleu Foncé Music | 15 seconds instrumental cut | 都市景色 节奏感 英伦车库 英格兰 | Fm | 130 | |||
|
Vertex Edit 2 (15s) [CEZ4648 - 14] |
版本. | 0'15 | Bleu Foncé Music | 15 seconds cut | 都市景色 节奏感 英伦车库 英格兰 | Fm | 132 | |||
|
Vertex Edit 3 (30s Instru) [CEZ4648 - 15] |
版本. | 0'30 | Bleu Foncé Music | 30 seconds instrumental cut | 都市景色 节奏感 英伦车库 英格兰 | Gm | 132 | |||
|
Vertex Edit 4 (30s) [CEZ4648 - 16] |
版本. | 0'30 | Bleu Foncé Music | 30 seconds cut | 都市景色 节奏感 英伦车库 英格兰 | Gm | 132 | |||
|
Vertex Edit 5 (60s Instru) [CEZ4648 - 17] |
版本. | 1'00 | Bleu Foncé Music | 60 seconds instrumental cut | 都市景色 节奏感 英伦车库 英格兰 | Am | 132 | |||
|
Vertex Edit 6 (60s) [CEZ4648 - 18] |
版本. | 1'00 | Bleu Foncé Music | 60 seconds cut | 都市景色 节奏感 英伦车库 英格兰 | Fm | 132 | |||
|
Vertex Edit 7 (sting) [CEZ4648 - 19] |
版本. | 0'06 | Bleu Foncé Music | Sting | 都市景色 节奏感 英伦车库 英格兰 | Ab | 123 | |||
|
Sunflare [CEZ4648 - 8] |
2'51 | Thomas Lucas | UK Garage. Catchy, upbeat & shimmering. Female vocals, groovy bass & | 时尚 俱乐部 动人 人物 | Bbm | 137 | ||||
|
Sunflare Alternate [CEZ4648 - 68] |
版本. | 2'51 | Thomas Lucas | Instrumental version | 时尚 俱乐部 动人 人物 | Bbm | 137 | |||
|
Sunflare Edit 1 (15s Instru) [CEZ4648 - 69] |
版本. | 0'15 | Thomas Lucas | 15 seconds instrumental cut | 时尚 俱乐部 动人 人物 | Bbm | 137 | |||
|
Sunflare Edit 2 (15s) [CEZ4648 - 70] |
版本. | 0'15 | Thomas Lucas | 15 seconds cut | 时尚 俱乐部 动人 人物 | Bbm | 137 | |||
|
Sunflare Edit 3 (30s Instru) [CEZ4648 - 71] |
版本. | 0'30 | Thomas Lucas | 30 seconds instrumental cut | 时尚 俱乐部 动人 人物 | Bbm | 137 | |||
|
Sunflare Edit 4 (30s) [CEZ4648 - 72] |
版本. | 0'30 | Thomas Lucas | 30 seconds cut | 时尚 俱乐部 动人 人物 | Bbm | 137 | |||
|
Sunflare Edit 5 (60s Instru) [CEZ4648 - 73] |
版本. | 1'00 | Thomas Lucas | 60 seconds instrumental cut | 时尚 俱乐部 动人 人物 | Bbm | 137 | |||
|
Sunflare Edit 6 (60s) [CEZ4648 - 74] |
版本. | 1'00 | Thomas Lucas | 60 seconds cut | 时尚 俱乐部 动人 人物 | Bbm | 137 | |||
|
Sunflare Edit 7 (sting) [CEZ4648 - 75] |
版本. | 0'09 | Thomas Lucas | Sting | 时尚 俱乐部 动人 人物 | Bbm | 137 | |||
|
Shadow of the Law [ISC088 - 8] |
2'33 | Lionel Fabert | Hip-Hop investigation. Pulsating, serious & increase intensity. | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 138 | ||||
|
Shadow of the Law Alternate 1 [ISC088 - 24] |
版本. | 2'33 | Lionel Fabert | Version without beat | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 137 | |||
|
Shadow of the Law Alternate 2 [ISC088 - 25] |
版本. | 2'33 | Lionel Fabert | Underscore | 警匪片 调查研究 陷阱音乐 电影节奏 | Em | 138 | |||
|
Street Evidence [ISC088 - 10] |
2'35 | Lionel Fabert | Hip-Hop investigation. Confident, proud & positive. Voice fx, snaps, | 团队运动 电影节奏 动作片 固执 | Em | 122 | ||||
|
Street Evidence Alternate 1 [ISC088 - 28] |
版本. | 2'35 | Lionel Fabert | Version without beat | 团队运动 电影节奏 动作片 固执 | Em | 122 | |||
|
Street Evidence Alternate 2 [ISC088 - 29] |
版本. | 2'26 | Lionel Fabert | Underscore | 团队运动 电影节奏 动作片 固执 | Em | 122 | |||
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Chase in the Jungle [CEG5051 - 2] |
3'11 | Bruno Alexiu | Aggressive, wild, hypnotic & insidious with a warrior touch. | 动作片 低沉 阴险 沉重 | Cm | 117 | ||||
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Rumble in the Jungle Alternate [CEG5051 - 14] |
版本. | 3'11 | Bruno Alexiu | Version with percussion only. | 冲击 节奏乐器组 电子鼓 节奏感 | Cm | 117 | |||
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Rumble in the Jungle Edit 1
[CEG5051 - 15] |
版本. | 1'00 | Bruno Alexiu | 60 second cut | 动作片 低沉 阴险 沉重 | Cm | 117 | |||
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Rumble in the Jungle Edit 2
[CEG5051 - 16] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 动作片 低沉 阴险 沉重 | Cm | 117 | |||
|
Rumble in the Jungle Edit 3
[CEG5051 - 17] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 动作片 低沉 阴险 沉重 | Cm | 117 | |||
|
Chasing the Fog [CEG5051 - 7] |
3'03 | Bruno Alexiu | Strange, jerky, constant, hypnotic & nightmarish. Electronic | 低沉 工业 机械的 电子鼓 | Fm | 120 | ||||
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Chasing the Fog Alternate [CEG5051 - 37] |
版本. | 3'03 | Bruno Alexiu | Version with percussion only. | 追逐场面 进行中 低沉 工业 | Dm | 120 | |||
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Chasing the Fog Edit 1 (60s) [CEG5051 - 38] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 2 (60s) [CEG5051 - 39] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 3 (30s) [CEG5051 - 40] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Fm | 120 | |||
|
Chasing the Fog Edit 4 (30s) [CEG5051 - 41] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 低沉 工业 机械的 电子鼓 | Am | 118 | |||
|
Chasing the Fog Edit 5 (15s) [CEG5051 - 42] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | F | 120 | |||
|
Chasing the Fog Edit 6 (15s) [CEG5051 - 43] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 低沉 工业 机械的 电子鼓 | Am | 120 |