| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Chatterbox [TBX228 - 10] |
2'05 | Luke Appleton | Buoyant, modern, glitzy. Glassy bells revolve in a hypnotic rhythm, | electro chill out 忧伤 都市景色 电子琴 | Cm | 92 | ||||
|
Chatterbox (Underscore) [TBX228 - 26] |
版本. | 2'05 | Luke Appleton | Buoyant, modern, glitzy. Glassy bells revolve in a hypnotic rhythm, | electro chill out 忧伤 都市景色 电子琴 | Cm | 92 | |||
|
Chatterbox (Underscore No
[TBX228 - 27] |
版本. | 2'05 | Luke Appleton | Buoyant, modern, glitzy. Glassy bells revolve in a hypnotic rhythm, | electro chill out 忧伤 都市景色 电子琴 | Cm | 92 | |||
|
Humanity [ISC111 - 1] |
6'57 | Sacha Meyer | Progressive. Melodic techno. Punchy, heavy, rough & danceable. Drop @ 歌词 | 俱乐部 动人 朗朗上口 沉重 | Gm | 122 | ||||
|
Humanity Alternate 1 [ISC111 - 9] |
版本. | 6'57 | Sacha Meyer | Instrumental version. | 俱乐部 动人 朗朗上口 沉重 | Gm | 122 | |||
|
Humanity Alternate 2 [ISC111 - 10] |
版本. | 6'57 | Sacha Meyer | Version without percussion. | 俱乐部 沉重 极限运动 赛车 | Gm | 122 | |||
|
Cyber Riot [CET9108 - 9] |
2'37 | Giorgos Lorantakis | Electro trailer. Dark atmospheric intro. Determined build-up @ 0'20 | 固执 冲击 科幻片 态度 | Em | 95 | ||||
|
Cyber Riot Alternate [CET9108 - 19] |
版本. | 2'37 | Giorgos Lorantakis | Version without beat. | 固执 科幻片 态度 画面感 | E | 95 | |||
|
This Is The Word [BIB291 - 2] |
2'53 | Catch Harrington | Hypnotic, sharp, modern. Fast-paced bell synths push out as vocal | 态度 俱乐部 世界电子音乐 固执 | Bbm | 80 | ||||
|
This Is The Word Instrumental [BIB291 - 15] |
版本. | 2'53 | Catch Harrington | Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal | 态度 俱乐部 世界电子音乐 固执 | Bbm | 80 | |||
|
This Is The Word Underscore A [BIB291 - 16] |
版本. | 2'53 | Catch Harrington | Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal | 态度 俱乐部 世界电子音乐 固执 | Bbm | 80 | |||
|
This Is The Word Underscore B [BIB291 - 17] |
版本. | 2'53 | Catch Harrington | Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal | 态度 俱乐部 世界电子音乐 固执 | Bbm | 80 | |||
|
Yalla [BIB291 - 11] |
2'46 | Daniel Illetschek Laguna | Stoic, monumental, dancey. Echoing string instruments sets out a | 态度 多变的 舞动 动人 | Dbm | 128 | ||||
|
Yalla Instrumental [BIB291 - 35] |
版本. | 2'46 | Daniel Illetschek Laguna | Stoic, monumental, dancey. Echoing string instruments sets out a | 态度 多变的 舞动 动人 | Dbm | 128 | |||
|
Yalla Underscore A [BIB291 - 36] |
版本. | 2'46 | Daniel Illetschek Laguna | Stoic, monumental, dancey. Echoing string instruments sets out a | 态度 多变的 舞动 动人 | Abm | 128 | |||
|
Yalla Underscore B [BIB291 - 37] |
版本. | 2'46 | Daniel Illetschek Laguna | Stoic, monumental, dancey. Echoing string instruments sets out a | 态度 多变的 舞动 动人 | Dbm | 128 | |||
|
Burning Desire [BIB291 - 12] |
2'28 | Omer Agca | Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as | 世界电子音乐 动人 都市景色 态度 | Fm | 120 | ||||
|
Burning Desire Instrumental [BIB291 - 38] |
版本. | 2'28 | Omer Agca | Fun, bustling, dreamy. Big heavy kick drum sets out a sturdy beat, as | 世界电子音乐 动人 都市景色 态度 | Fm | 120 | |||
|
Burning Desire Underscore [BIB291 - 39] |
版本. | 2'28 | Omer Agca | Fun, bustling, dreamy. Big bass sets out a sturdy instrumentation | 动人 都市景色 态度 画面感 | Fm | 120 | |||
|
Possession [INP080 - 3] |
1'45 | Bradley White | Panicked, scary, terrifying. Tense dissonance and screeching sounds | 画面感 恐怖片 令人不安 紧急 | Dm | 140 | ||||
|
Possession Underscore [INP080 - 13] |
版本. | 1'45 | Bradley White | Panicked, scary, terrifying. Quiet tension from strings as screeching | 画面感 恐怖片 令人不安 冲突 | Dm | 140 | |||
|
Incantation [INP080 - 4] |
2'05 | Bradley White | Dreadful, anticipatory, apocalyptic. Low humming atmosphere drifts in | 画面感 恐怖片 令人不安 沉重 | Dm | 120 | ||||
|
Incantation Underscore [INP080 - 14] |
版本. | 2'05 | Bradley White | Dreadful, anticipatory, apocalyptic. Low humming atmosphere drifts in | 画面感 恐怖片 令人不安 沉重 | Dm | 120 | |||
|
Imaginary Road [CEZ4673 - 5] |
2'18 | Balthazar Dao | Electro ambient, synthwave. Shiny, dreamy but determined. Synth & | 明朗 梦幻 催眠 合成波 | Am | 96 | ||||
|
Imaginary Road Alternate [CEZ4673 - 32] |
版本. | 1'57 | Balthazar Dao | Alternate no bass. | 明朗 梦幻 催眠 合成波 | C | 96 | |||
|
Imaginary Road Edit 60 sec [CEZ4673 - 33] |
版本. | 1'00 | Balthazar Dao | 60 second cut. | 明朗 梦幻 催眠 合成波 | Am | 96 | |||
|
Imaginary Road Edit 30 sec [CEZ4673 - 34] |
版本. | 0'30 | Balthazar Dao | 30 second cut. | 明朗 梦幻 催眠 合成波 | Am | 96 | |||
|
Imaginary Road Edit 20 sec [CEZ4673 - 35] |
版本. | 0'20 | Balthazar Dao | 20 second cut. | 明朗 梦幻 催眠 合成波 | Am | 96 | |||
|
Imaginary Road Edit Sting [CEZ4673 - 36] |
版本. | 0'12 | Balthazar Dao | Sting. | 明朗 梦幻 催眠 合成波 | C | 96 | |||
|
Halftime Hustle [BIB288 - 2] |
2'52 | Iain Harper | Fun, entertaining, cool. Male vocals build up with light percussion 歌词 | 青春剧 电影节奏 动人 团队运动 | Gm | 145 | ||||
|
Halftime Hustle Instrumental [BIB288 - 13] |
版本. | 2'52 | Iain Harper | Fun, entertaining, cool. Light percussion rising into big bass drop | 青春剧 电影节奏 动人 团队运动 | Gm | 145 | |||
|
Halftime Hustle Underscore [BIB288 - 14] |
版本. | 2'52 | Iain Harper | Fun, entertaining, cool. Light percussion rising into big bass drop | 青春剧 电影节奏 动人 团队运动 | Gm | 145 | |||
|
We The Clique [BIB288 - 9] |
2'20 | Omer Agca | Triumphant, explosive, intense. Trumpets play out with jubilant 歌词 | 广告 团队运动 极限运动 态度 | Gm | 144 | ||||
|
We The Clique Instrumental [BIB288 - 29] |
版本. | 2'20 | Omer Agca | Triumphant, explosive, intense. Trumpets play out with jubilant | 广告 态度 果断 令人激动 | Gm | 144 | |||
|
We The Clique Underscore [BIB288 - 30] |
版本. | 2'20 | Omer Agca | Triumphant, explosive, intense. Echoed percussion guides in big hip | 广告 态度 果断 令人激动 | Gm | 144 | |||
|
A Flash of Awarness [CEZ4668 - 7] |
2'53 | Laetitia Frenod | Electronic score. Supernatural, hypnotic, bewitching & surreal. Dark | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | ||||
|
A Flash of Awarness Edit 60sec [CEZ4668 - 41] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Edit 30
[CEZ4668 - 42] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Edit 20
[CEZ4668 - 43] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Sting [CEZ4668 - 44] |
版本. | 0'22 | Laetitia Frenod | Sting | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
Circular Minded Tension [CEZ4668 - 8] |
2'46 | Laetitia Frenod | Electronic score. Nostalgic, hypnotic & paranormal. Break @ 1'01. | 合成波 进行中 恐怖片 警匪片 | F | 79 | ||||
|
Circular Minded Tension
[CEZ4668 - 45] |
版本. | 2'46 | Laetitia Frenod | Version without drums | 气氛 画面感 周期性的 神秘 | F | 79 | |||
|
Circular Minded Tension Edit
[CEZ4668 - 46] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 气氛 画面感 周期性的 神秘 | F | 118 | |||
|
Circular Minded Tension Edit
[CEZ4668 - 47] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 气氛 画面感 周期性的 神秘 | Am | 118 | |||
|
Circular Minded Tension Edit
[CEZ4668 - 48] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 气氛 画面感 周期性的 神秘 | Am | 79 | |||
|
Circular Minded Tension Sting [CEZ4668 - 49] |
版本. | 0'20 | Laetitia Frenod | Sting | 气氛 画面感 周期性的 神秘 | F | 118 | |||
|
Glitch Pop [AUD047 - 2] |
1'57 | Alexandre Koneski | Hyperpop song. Glitchy, shiny & carefree. Male vocals with autotune, 歌词 | 态度 hyperpop 青春剧 动人 | Dbm | 81 | ||||
|
Glitch Pop (Short
[AUD047 - 7] |
版本. | 0'28 | Alexandre Koneski | Short instrumental cut | 态度 hyperpop 青春剧 动人 | E | 81 | |||
|
Glitch Pop (Instrumental
[AUD047 - 12] |
版本. | 1'57 | Alexandre Koneski | Instrumental version | 态度 hyperpop 青春剧 动人 | Dbm | 81 | |||
|
Judgement Day [AMS5053 - 1] |
2'00 | Thomas Langan | Trailer. Toxic intro with layers of synths & cinematic percussion. | 预告片 冲突 画面感 战争 | B | 147 | ||||
|
Judgement Day Alternate 1 [AMS5053 - 9] |
版本. | 2'00 | Thomas Langan | Version without percussion. | 画面感 预告片 科幻片 战争 | B | 98 | |||
|
Judgement Day Alternate 2 [AMS5053 - 10] |
版本. | 2'00 | Thomas Langan | Version with percussion only. | 画面感 预告片 冲突 沉重 | Ebm | 147 | |||
|
Judgement Day Alternate 3 [AMS5053 - 11] |
版本. | 2'00 | Thomas Langan | Bed version. | 画面感 预告片 沉重 科幻片 | B | 98 | |||
|
Judgement Day Edit 1 30 sec [AMS5053 - 12] |
版本. | 0'33 | Thomas Langan | 30 second cut. | 画面感 预告片 冲突 沉重 | B | 147 | |||
|
Judgement Day Edit 2 15 sec [AMS5053 - 13] |
版本. | 0'16 | Thomas Langan | 15 second cut. | 画面感 预告片 冲突 沉重 | B | 98 | |||
|
Machine Made Plastic People [BIB285 - 4] |
2'54 | James Cameron | Clean, explorative, modern. Bright positive sounding keys play out a | 严谨 电子琴 伴音 自信 | Dm | 136 | ||||
|
Machine Made Plastic People
[BIB285 - 18] |
版本. | 2'54 | James Cameron | Clean, explorative, modern. Bright positive sounding keys play out a | 严谨 电子琴 伴音 自信 | Dm | 136 | |||
|
Machines We Lost Along The Way [BIB285 - 10] |
3'39 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 电子琴 | Am | 162 | ||||
|
Machines We Lost Along The
[BIB285 - 26] |
版本. | 3'20 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 伴音 | Am | 161 | |||
|
Machines We Lost Along The
[BIB285 - 27] |
版本. | 3'39 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 电子琴 | Am | 80 | |||
|
Neon Nights [AMS5052 - 3] |
2'02 | Thomas Lucas | Electro clash. Short intro with atmospheric synth strings. Eccentric, | 动作游戏 俱乐部 撞击电子乐 火热 | Em | 129 | ||||
|
Neon Nights Alternate 1 [AMS5052 - 17] |
版本. | 2'02 | Thomas Lucas | Percussion only version. | 动作游戏 俱乐部 撞击电子乐 火热 | Abm | 129 | |||
|
Neon Nights Alternate 2 [AMS5052 - 18] |
版本. | 2'02 | Thomas Lucas | Underscore version. | 动作游戏 俱乐部 撞击电子乐 火热 | Am | 129 | |||
|
Neon Nights Edit 1 30 sec [AMS5052 - 19] |
版本. | 0'29 | Thomas Lucas | 30 second cut. | 动作游戏 俱乐部 撞击电子乐 火热 | Em | 129 | |||
|
Neon Nights Edit 2 15 sec [AMS5052 - 20] |
版本. | 0'14 | Thomas Lucas | 15 second cut. | 动作游戏 俱乐部 撞击电子乐 火热 | Em | 129 | |||
|
Dark and Rust [AMS5052 - 6] |
2'03 | Thomas Lucas | Electro clash. Heavy, jerky, glitchy & metallic. Dubstep synths, drum | 垃圾音效 沉重 故障 机器人 | Em | 117 | ||||
|
Dark and Rust Alternate 1 [AMS5052 - 29] |
版本. | 2'03 | Thomas Lucas | Percussion only version. | 沉重 极限运动 态度 俱乐部 | Gm | 117 | |||
|
Dark and Rust Alternate 2 [AMS5052 - 30] |
版本. | 2'03 | Thomas Lucas | Underscore version. | 沉重 机器人 极限运动 态度 | Em | 117 | |||
|
Dark and Rust Edit 1 30 sec [AMS5052 - 31] |
版本. | 0'32 | Thomas Lucas | 30 second cut. | 垃圾音效 沉重 故障 机器人 | Em | 117 | |||
|
Dark and Rust Edit 2 15 sec [AMS5052 - 32] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 垃圾音效 沉重 故障 机器人 | Em | 117 | |||
|
Overdrive Resistance [AMS5052 - 8] |
2'00 | Thomas Lucas | Electro clash / Dubstep. Glitchy, mechanical, fiery & heavy. | 态度 回响贝斯 动人 沉重 | Bm | 120 | ||||
|
Overdrive Resistance
[AMS5052 - 37] |
版本. | 2'00 | Thomas Lucas | Percussion only version. | 态度 回响贝斯 动人 沉重 | Gbm | 120 | |||
|
Overdrive Resistance
[AMS5052 - 38] |
版本. | 2'00 | Thomas Lucas | Underscore version. | 态度 回响贝斯 动人 沉重 | Gbm | 120 | |||
|
Overdrive Resistance Edit 1
[AMS5052 - 39] |
版本. | 0'32 | Thomas Lucas | 30 second cut. | 态度 回响贝斯 动人 沉重 | Bm | 120 | |||
|
Overdrive Resistance Edit 2
[AMS5052 - 40] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 态度 回响贝斯 动人 沉重 | Bm | 120 |