Mischievous, devilish, excitable. Rapid rhythm on piano, garnished by ...Mischievous, devilish, excitable. Rapid rhythm on piano, garnished by bells and accordions with other trills, a person with many tricks up their sleeve. Fast-paced guitar riffing over bouncy rhythm gives the sense of a lovable rogue. A person who is fun and carefree, getting away with naughty activities.
Mischievous, devilish, excitable. Rapid rhythm on piano, garnished by ...Mischievous, devilish, excitable. Rapid rhythm on piano, garnished by bells and other trilling instruments, a person with many tricks up their sleeve. Fast-paced guitar riffing over bouncy rhythm gives the sense of a lovable rogue. A person who is fun and carefree, getting away with naughty activities. Stripped back underscore version.
Malicious, scheming, nautical. Drunken rhythm plays through droning ...Malicious, scheming, nautical. Drunken rhythm plays through droning accordion and sticky sharp guitar riffs. Visions of a dark night near a dock or in a port town, a secretive character stumbling down cobbled streets, running from police or planning a robbery with light-hearted comedy vibes. Accordion riffs offer a nostalgic vibe, a period piece set in Paris, France. A clumsy protagonist stumbling onto a crime scene or on the run from enemies.
Malicious, scheming, nautical. Drunken rhythm plays through droning ...Malicious, scheming, nautical. Drunken rhythm plays through droning accordion, joined by shuffling waves of guitar. Visions of a dark night near a dock or in a port town, a secretive character stumbling down cobbled streets, running from police or planning a robbery with light-hearted comedy vibes. Accordion riffs offer a nostalgic vibe, a period piece set in Paris, France. A clumsy protagonist stumbling onto a crime scene or on the run from enemies. Stripped back underscore version.
أنا عييت ما نسامح، نرد لراسي اللوم
Ana 'iyyit ma nsameh, nrad lrasi llom
داكشي لي كان البارح، مابقاش اليوم
Dakshi li kan lbarih, mabqash alyoum
أنا عييت ما نسامح، نرد لراسي اللوم
Ana 'iyyit ma nsameh, nrad lrasi llom
داكشي لي كان البارح، مابقاش اليوم
Dakshi li kan lbarih, mabqash alyoum
وا وا وا وا
Wa wa wa wa
كونتي ديما فبالي
Konti dima f bali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
دابا كولشي غا يسالي
Daba kolshi gha ysali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
كونتي ديما فبالي
Konti dima f bali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
دابا كولشي غا يسالي
Daba kolshi gha ysali
بدينا زوينين و فضلنا الحلال و النية، و ما زال عندنا أحلام
Bdina zwinin w fadalna lhalal w nniya, w ma zal 3andna ahlam
وانايا داير اللي فجهدي باش تكوني ليا، فالتالي بقاو غي الأوهام
W ana ya dayr lli fjhdi bash tkouni liya, f ttali bqaw ghi l'awham
أنا عييت ما نسامح، نرد لراسي اللوم
Ana 'iyyit ma nsameh, nrad lrasi llom
داكشي لي كان البارح، مابقاش اليوم
Dakshi li kan lbarih, mabqash alyoum
وا وا وا وا
Wa wa wa wa
كونتي ديما فبالي
Konti dima f bali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
دابا كولشي غا يسالي
Daba kolshi gha ysali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
كونتي ديما فبالي
Konti dima f bali
وا وا وا وا
Wa wa wa wa
وا وا وا وا
Wa wa wa wa
دابا كولشي غا يسالي
Daba kolshi gha ysali
وا وا وا وا
Wa wa wa wa
EN:
The ancients said: never trust people
Always stay on your guard
I'm tired of forgiving, I blame myself
What was yesterday is no longer today
I'm tired of forgiving, I blame myself
What was yesterday is no longer today
Wa wa wa wa
You were always in my thoughts
Wa wa wa wa
Wa wa wa wa
Now it will all end
Wa wa wa wa
Wa wa wa wa
You were always in my thoughts
Wa wa wa wa
Wa wa wa wa
Now it will all end
We started well, preferring honesty and good intentions, and we still have dreams
And I do everything to make you mine, but in the end, all that remains are illusions
I'm tired of forgiving, I blame myself
What was yesterday is no longer today
Wa wa wa wa
You were always in my thoughts
Wa wa wa wa
Wa wa wa wa
Now it will all end
Wa wa wa wa
Wa wa wa wa
You were always in my thoughts
Wa wa wa wa
Wa wa wa wa
Now it will all end
Wa wa wa wa
FR:
Les anciens ont dit : ne fais jamais confiance aux gens
Reste toujours sur tes gardes
Je suis fatigué de pardonner, je me blâme
Ce qui était hier, n'est plus aujourd'hui
Je suis fatigué de pardonner, je me blâme
Ce qui était hier, n'est plus aujourd'hui
Wa wa wa wa
Tu étais toujours dans mes pensées
Wa wa wa wa
Wa wa wa wa
Maintenant tout va finir
Wa wa wa wa
Wa wa wa wa
Tu étais toujours dans mes pensées
Wa wa wa wa
Wa wa wa wa
Maintenant tout va finir
Nous avons commencé bien, préférant l'honnêteté et les bonnes intentions, et nous avons encore des rêves
Et moi, je fais tout ce que je peux pour que tu sois à moi, mais finalement, il ne reste que des illusions
Je suis fatigué de pardonner, je me blâme
Ce qui était hier, n'est plus aujourd'hui
Wa wa wa wa
Tu étais toujours dans mes pensées
Wa wa wa wa
Wa wa wa wa
Maintenant tout va finir
Wa wa wa wa
Wa wa wa wa
Tu étais toujours dans mes pensées
Wa wa wa wa
Wa wa wa wa
Maintenant tout va finir
Wa wa wa wa
Buoyant, dramatic, quaint. Fun oompah rhythm with bass brass elements ...Buoyant, dramatic, quaint. Fun oompah rhythm with bass brass elements giving a strong bouncy. Organic instrumentation with light guitar/mandolin and quaint flute. Antiquated vibe, a historic adventure through cobbled streets. A happy, excitable tone. A room of traditional people dancing happily.
Buoyant, dramatic, quaint. Fun oompah rhythm with bass brass elements ...Buoyant, dramatic, quaint. Fun oompah rhythm with bass brass elements giving a strong bouncy. Swaying fast strings move along with plodding rhythm. Antiquated vibe, a historic adventure through cobbled streets. A happy, excitable tone. A room of traditional people dancing happily. Stripped back underscore version.
Dramatic, wondrous, suspicious. Breathy strings lead into lower tones ...Dramatic, wondrous, suspicious. Breathy strings lead into lower tones conveying curiosity and intrigue. A menacing mood, a stranger skulking about a location. Twinkling bells at 00:40 give a whimsical tinge to sinister tone. Trip hop drums at 00:57 offer a modern twist to classical sensibility. A glorious mansion or castle with secrets hidden round every corner.
Dramatic, wondrous, suspicious. Breathy strings lead into lower tones ...Dramatic, wondrous, suspicious. Breathy strings lead into lower tones conveying curiosity and intrigue. A menacing mood, a stranger skulking about a location. Twinkling bells give a whimsical tinge to sinister tone. Stripped back underscore version.
Safe, wistful, deep. Descending acoustic guitar sequence unfurls like ...Safe, wistful, deep. Descending acoustic guitar sequence unfurls like a stream trickling down into a beautiful lake. Bright piano imbues tone with a gentle bounce as percussion offers light momentum. A feeling of optimism and delicate nature. Shift into yearning @ 0'56 with bending electric guitar notes with folk-rock vibe.
Safe, wistful, deep. Descending acoustic guitar sequence unfurls like ...Safe, wistful, deep. Descending acoustic guitar sequence unfurls like a stream trickling down into a beautiful lake. Bright piano imbues tone with a gentle bounce as percussion offers light momentum. A feeling of optimism and delicate nature. Touching slow strumming @ 1'59 giving a sense of emotion. Stripped back underscore version.
Safe, wistful, deep. Descending acoustic guitar sequence unfurls like ...Safe, wistful, deep. Descending acoustic guitar sequence unfurls like a stream trickling down into a beautiful lake. Bright piano imbues tone with a gentle bounce. A feeling of optimism and delicate nature. Tone shift into yearning @ 0'56 with bending electric guitar notes with folk-rock vibe. Stripped back underscore version.
Creeping, wholesome, sleuthy. Skulking piano rhythm creates a ...Creeping, wholesome, sleuthy. Skulking piano rhythm creates a suspicious but emotional atmosphere, an individual walking down an empty street looking about them and exploring a new area. Exotic Spanish-style guitar from 00:28 offers an impassioned aspect, embracing with piano and guitar. Emotive fragile moment at 00:55 with fragile piano and romantic accordion, with soft subtle style. Pick back up into plodding rhythm. Stripped back underscore version.
Creeping, wholesome, sleuthy. Skulking piano rhythm joins with ...Creeping, wholesome, sleuthy. Skulking piano rhythm joins with whistling to create a suspicious but fun atmosphere, an individual walking down an empty street looking about them and exploring a new area. Exotic Spanish-style guitar from 00:28 offers an impassioned aspect, embracing with piano and guitar. Emotive fragile moment at 00:55 with fragile piano and romantic accordion, with soft subtle style. Pick back up into plodding rhythm with high pitched accordion lead melody.
Fun, uplifting, energetic. A bouncy drum track, piano, tuba, ...Fun, uplifting, energetic. A bouncy drum track, piano, tuba, accordion and handclaps interspersed with soul and blues vocal samples give this track a quirky, fun feel. A soulful, pop, party track with an uplifting headnod factor.歌词
i refuse to let you goyou gonna leavehey you gonna leavehey i refuse to let you go hey i refuse to let you goyou gonna leavehey you gonna leavehey ahhh ahhhh ahhh ahhh aeyah ah ah ah aey let you goaey aeyahhh ahhhh ahhh ahhh aey let you goaey aey let you goaey aey i refuse to let you gohey i refuse to let you go hey you gonna leave my body i said my babyleavehey i refuse to let you goyou gonna leave
you gonna leave ahhh ahhhh ahhh ahhh aey let you goaey aey ahhh ahhhh ahhh ahhh aey let you goaey aey ahhh ahhhh ahhh ahhh aey
LES ANGESÉtaient-ce les humeurs de l’automne Mélancolie des feuilles sous les ormes Était-ce la couleur de l’air, la douceur de l’eau Tout ce qui fait encore danser les roseauxÉtait-ce la béance de ton cœur La triste précision des longues heures Ou était-ce le fond du temps, le fond des gens, Profondément, les vivants...?Il est trop tôt ce soir Au bord des battants noirs La lune n’a pas eu le temps De dissuader le vent.Était-ce la hauteur des étoiles Qui ont soudain hissé leurs grandes voiles Emmenant avec elle, les fées Dérobant la brillance de l’étéLes angesÉtait-ce l’insouciance du hasard Que l’on a vu sortir trop en retard Et qui sous ta fenêtre a oublié L’appel du temps, l’éternité.Il est trop tôt ce soir Au bord des battants noirs La lune n’a pas eu le temps De dissuader le ventÉtait-ce la figure du triste monde Colère de la mer qui monte Était-ce le fond des villes, les ports trop loin L’indifférence de chaque matin.Était-ce l’impuissance de tes peurs Les mains vides de sens, dans l’ampleur Adieu le sort, adieu l’exil Adieu l’existence tranquille.
Country & western waltz. Sentimental love story & an homage to the ...Country & western waltz. Sentimental love story & an homage to the state of South Carolina (the Palmetto state). Male singer, pedal steel, fiddle & rhythm.歌词
SOUTH CAROLINA WALTZ VERSEIt was early spring Cherry blossoms were bloomin’ And the sun settin’ low in the palmetto sky
Sally Ann took the hand
Of Sir William Lewis And fell in love as they danced to The South Carolina Waltz
VERSE He was a sailor Who came from South Hampton From a ship building family, though we never pried Sally Ann had her man, Sir William Lewis And they danced and they swayed to the South Carolina Waltz
CHORUS We always knew
That it was forever Like the dawn of the rest of their lives From that night on, they were always together Side By Side
VERSE It was late in the fall When winter came callin’ And the sun sinkin’ low in the palmetto sky Sally Ann took the hand of sir William Lewis And they sailed off together for a late sunset ride But the autumn winds can be unforgiving And from out of nowhere their boat capsized And Sally Ann grabbed the hand of Sir William Lewis And we found them together on the shore where they died
Short Instrumental break
Now it’s early spring Cherry blossoms are bloomin’ And the sun settin’ low in the palmetto sky