Nocturnal, sentimental & attitude hip-hop sung in Spanish. Tired of ...Nocturnal, sentimental & attitude hip-hop sung in Spanish. Tired of an undecided lover. Female rap singer, voice & guitar sampling, electronic percussion. Vocal climax @ 2'42.歌词
ES:
tengo las horas contadas con esta nena
y la tortura del recuerdo ya se inclina en mi cabeza
y es que no veas
las cartas que juega
se las guarda detrás de la oreja
bailando en la plaza con la niña
van par de litronas pero ella va tan fina
con sus pantalones rotos justo en la rodilla
con su cigarrillo y sus pestañas postizas
yo es que voy sin prisa
yo es que voy sin prisa
pero reconozco que contigo nunca he sido mu tranquila
me pierdo con los nombres que han pasao' después de ti
con todos esos verdes en Pinar de Chamartín
me acuerdo de ti nena me acuerdo de ti
me acuerdo de ti nena me acuerdo de ti
llevo preocupada desde que te conocí
estoy anestesiada con tu saliva de anís
y siempre que salgo por las noches de Madrid
te acabo escribiendo algún mensaje
para ti para ti siempre hay uno para ti
para el fuego de tus labios disfrazados de carmin
tu pelo rapado y tus ojos medio green
para las noches tocando la guitarra junto a mi
para ti para ti siempre hay uno para ti
te dedico mis versitos favoritos del Joaquín
te dedico todas las fotos en las que me haces reír
te dedico hasta el romero de las rosas del jardin
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz
y no te des por aludida
que no va por ti, te lo juro por mi vida
tengo la saudade aquí en la tripa metidita
será la pastilla que mordimos aquel dia
tu mirada es ácida como los pica pica
tu piel es el paper del tabaco que te lias
eres el sabor amargo de una mora fría
se te acaba el tiempo y ahora el mío desperdicias
me arde la retina de ver tanta tontería
tengo toas' las medias rotas de todas tus chinas
también me has quemado el corazón con tanta chispa
bonita, tienes que ser más decidida
aunque la tonta sea yo porque te lo permita
aunque lo máximo que hago es marcarme unas rimas
aunque cuando esté delante tuya me derrita
nena, se mas comprensiva
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz
dime si me vas a llamar
dímelo ma
dímelo
EN:
my hours are nearly due with this girl
and the torture of the memory is leaning in my head
and you can't see
the cards she plays
she keeps them behind her ear
dancing in the square with the girl
they go with a couple of litronas but she goes so refined
with her pants torn right above the knee
with her cigarette and her false eyelashes
I'm in no hurry
I'm in no hurry
but I recognise that with you I've never been very calm
I get lost with the names that have passed after you
with all those greens in Pinar de Chamartin
I remember you baby I remember you
I remember you baby I remember you
I've been worried since I met you
I'm numb with your aniseed saliva
and whenever I go out at night in Madrid
I end up writing you a message
for you for you there is always one for you
for the fire of your lips disguised as carmine
your shaved hair and your half green eyes
for the nights playing the guitar next to me
for you for you there's always one for you
I dedicate to you my favorite verses of Joaquin
I dedicate to you all the pictures in which you make me laugh
I dedicate to you even the rosemary of the roses in the garden
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
leave the torture for Alejandro Sanz
and don't take it personal
It' s not about you I swear it on my life
I've got the saudade here in my gut
Maybe it's the pill that we bit that day
your gaze is acidic like the pica pica
your skin is the paper of the tobacco that you roll
you're the bitter taste of a cold blackberry
you're running out of time and now you're wasting mine
my retina burns from seeing so much nonsense
I've got all the socks torn from all your stones
you've also burnt my heart with so much sparkle
beautiful, you have to be more determined
even though I'm the fool because I let you do it
even though the most I do is to score me some rhymes
even though when I'm in front of you I melt
baby, be more understanding
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
leave the torture for Alejandro Sanz
Percussive intro setting a hybrid & irregular rhythm in a trailer ...Percussive intro setting a hybrid & irregular rhythm in a trailer spirit. Dangerous & agitated. Dramatic build-up @ 0'52 until climax. Suggested for action, sci-fi, disaster & video games.
Cold & mysterious loop with a medieval nordic touch. Piano & drone ...Cold & mysterious loop with a medieval nordic touch. Piano & drone pads. Ethereal choir @ 0'48 almost ghostly. Suggested for investigation, crime, police, thriller & scandinavia.
Intriguing, epic, meaningful. Resonant tube instruments provide an ...Intriguing, epic, meaningful. Resonant tube instruments provide an earthy energy, juxtaposed by rich, dulcet bells and synth sounds. Sparkly melodies give a sense of scale and importance. Light percussion and bass at 01:26 provide a sense of progression, an embrace between an old, mythical power and modern technology.
Intriguing, epic, meaningful. Resonant tube instruments provide an ...Intriguing, epic, meaningful. Resonant tube instruments provide an earthy energy, juxtaposed by rich, dulcet piano and synth sounds. Light percussion and bass at 01:21 provide a sense of progression, an embrace between an old, mythical power and modern technology. Stripped back underscore version.
Upbeat, joyful & pumped-up afro-Caribbean beat sung in Spanish. ...Upbeat, joyful & pumped-up afro-Caribbean beat sung in Spanish. Hoping for a rainy season after a drought. Female singer, synth, sampling, electric guitar, auto-tune, fx delay, Latin & electronic percussion. Lead traditional Colombian gaita @ 1'33.歌词
ES:
Aguarere
Tanto luche pa' sembrar
Mi cultivo e' caña
Pa' sacar panela
Vende' la mas buena
de la carretera
Del cielo no cae agua
Nada puedo hace'
Tremenda sequía
Pido to' los días
Que vuelva a llove'
Aguarere
Aguarere
Aguarere
Aguarere
Cuando llega el tiempo malo
Se empieza a desconfiar
Pero este va pasando
Aunque sigas preguntando
Cuando se va acabar
Todo pasa con el tiempo
La risa y el lamento
Sabía que esta sequía
Eterna no sería
Ya veo gotas caer
Ya va a llover
Ya va a llover
Ya va a llover
Ya va a llover
Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & ...Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & exotic. Filtered introduction. Trumpets, tres, Latin percussion with conga, guiro & cowbell. Suggested for Latin party.
Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. ...Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Sung in Spanish. Male singer, brass, Latin percussion with clave, guiro, timbales, conga & bongo. Suggested for Latin party. 歌词
ES:
oye, miren quien volvió por aquí
me gustaría decir que sigo sintiendo lo mismo por ti pero ...
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
tu te fuiste lejos
dejándome solo
no importó
todo lo que yo te di
y ahora viene a decirme
that you were wrong to leave me alone
that you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
ahora yo
me olvidé que un día te quise
atrás se quedaron los días grises
mira como estoy bailando
en vez de sufrir por ti
that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
me dijiste que te fuiste
porque se había acabado
se acabó
todo aquello que sentías por mi
ahora tienes el descaro
se acabó
de venir arrepentida
a decirme que te dé otra oportunidad
se acabó
pero lo siento baby
Im sorry good bye
esto ya ha terminado
EN:
hey, look who's back here
I'd like to say that I still feel the same way about you but...
it's over
it's in the past
don't come asking for forgiveness
it's over now
you went away
leaving me alone
it didn't matter
all that I gave to you
and now you come to tell me
that you were wrong to leave me alone
That you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
now I forgot that one day I loved you
the gray days are behind me
look how I'm dancing instead of suffering for you that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
you told me that you left
because it was over
it's over
everything you felt for me
now you have the nerve
it's over
to come in regret
and tell me to give you another chance
it's over
But I'm sorry baby
Im sorry good bye
it's over now
Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic ...Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Brass, Latin percussion with clave, guiro, timbales, conga & bongo.
Electro beat. Dark, sad & fatal. Suggested for social drama, ...Electro beat. Dark, sad & fatal. Suggested for social drama, nightlife, investigation. Acoustic guitar, synth & rhythm.
Heavy, uplifting, passionate. Heavy R&B beat meets with impassioned ...Heavy, uplifting, passionate. Heavy R&B beat meets with impassioned whispered vocals that set out a mysterious scene, reminiscent of introspection, an individual exploring the darkness of their heart. Cathartic release at 00:41 as vocalist delivers emotive elongated notes, singing of a love or connection breaking down. Ambience in the verse communicated by panning vocal samples and relaxed instrumentation helps to embolden explosion of the chorus.歌词
Feeling Something Moving Closer All the reasons I can find
Finding Holding Secrets
Together You’re all the reasons I can find
Stop breaking down We hit the ground Stop pushing
Running Faster Dreaming Closer All the reasons I can find
Heavy, uplifting, passionate. Heavy R&B beat sets out a mysterious ...Heavy, uplifting, passionate. Heavy R&B beat sets out a mysterious energy. Cathartic release at 00:41 as heavy synths and basslines rattle in an uplifting sequence. Ambience in the verse communicated by more relaxed instrumentation helps to embolden explosion of the chorus. Instrumental version.
Energetic, poppy, bouncy. Dissonant sound makes way for female vocals ...Energetic, poppy, bouncy. Dissonant sound makes way for female vocals singing about how to catch the attention of and empower a female love interest. Skeletal electronic beat and bouncy bass produce a stripped back, direct energy. Vocals sing of a diamond in the rough, reminiscent of someone searching out and empowering a lover or partner.歌词
Make her so she’s smooth Make she so she’s calm Make her seem aloof Make her love your charm Make your sacrifice Make her impolite Make her up with your imagination Hold her in your room Get her in your sights And then re-animate her with your chat up lines And if you shower me with diamonds Plug me in and I’ll respond And if you’re sending daily flowers Plug me in and I’ll respond
You’re like a diamond in the rough
Tell her she’s no fool Make her love mankind Check that she’s online Webcammed all the time Forward to your friends URLs for men She makes them beg for their emancipation
Network her in Cannes Newsgroups for her fans A phenomenon you built in your lunchtime
And if you shower me with diamonds Plug me in and I’ll respond And if you’re sending daily flowers Plug me in and I’ll respond
And if cover me with perfume Plug me in and I’ll respond And if you tell me I’m your girlfriend Plug me in and I’ll respond
You’re like a diamond in the rough Cover me, cover me…
Energetic, poppy, bouncy. Dissonant sound makes way for skeletal ...Energetic, poppy, bouncy. Dissonant sound makes way for skeletal electronic beat and bouncy bass, producing a stripped back, direct energy. More melodious elements emerge, floating bells create a more airy feeling. Instrumental version.
Energetic, poppy, bouncy. Dissonant sound makes way for skeletal ...Energetic, poppy, bouncy. Dissonant sound makes way for skeletal electronic beat and bouncy bass, producing a stripped back, direct energy. Melodious arpeggiating synths appear, creating a more tuneful, passionate feeling. Stripped back underscore version.
Organic Electro. Luminous, dreamlike & regular with a touch of hope. ...Organic Electro. Luminous, dreamlike & regular with a touch of hope. Drum machine, analog synth & layers. Suggested for contemporary series.
Traditional popular samba in the spirit of the Rio Carnival of the ...Traditional popular samba in the spirit of the Rio Carnival of the 30's. Festive, lively & joyful. Cavaquinho, guitar, accordion & Brazilian percussion.
Jazzy samba in the spirit of the Brazilian 60's & 70's. Carefree, ...Jazzy samba in the spirit of the Brazilian 60's & 70's. Carefree, festive, exotic, optimistic & classy. Jazz sextet with flugelhorn & flute lead @1'35.
Brazilian dance/clubbing music based on a traditional rhythm. ...Brazilian dance/clubbing music based on a traditional rhythm. Brazilian & electronic percussion, cuica, agogo, pandeiro & synth.
Fantastical, waltzing, whimsical. Slow-moving bells introduce an ...Fantastical, waltzing, whimsical. Slow-moving bells introduce an inquisitive atmosphere, blooming gradually into meaningful sequence with organic strings. 3/4 rhythm and lofi texture bring a swaying energy, a midnight cruise on a grand ship, sailing into the starry horizon. Triumphant push at 01:50 with added organic instrumentation, overdriven guitars supporting as melodies push onward.
Fantastical, waltzing, whimsical. Slow moving bells introduce an ...Fantastical, waltzing, whimsical. Slow moving bells introduce an inquisitive atmosphere, blooming gradually into meaningful sequence with organic strings. 3/4 rhythm and lofi texture bring a swaying energy, a midnight cruise on a grand ship, sailing into the starry horizon. Triumphant push at 01:50 with added organic instrumentation, guitars supporting as melodies push onward. Stripped back underscore version.
Fantastical, waltzing, whimsical. Light, slow moving bells introduce ...Fantastical, waltzing, whimsical. Light, slow moving bells introduce an inquisitive atmosphere, blooming gradually into meaningful sequence with euphoric ambience. 3/4 rhythm and accordions bring a swaying energy, a midnight cruise on a grand ship, sailing into the starry horizon. Vibrato strings convey emotion. Slightly eerie glassy ascending piano into overdriven guitar lead melody. Stripped back underscore version.
Fantastical, waltzing, whimsical. Slow moving piano and pizzicato ...Fantastical, waltzing, whimsical. Slow moving piano and pizzicato strings introduce a slowly blooming atmosphere gradually turning into meaningful melodic sequence. 3/4 rhythm and scratchy lofi texture bring a classy energy, a midnight cruise on a grand ship, sailing into the starry horizon. Choral voices both angelic and ghostly into guitar lead melody. Stripped back underscore version.
