Mournful piano intro with desolate strings textures building-up constantly to a brighter atmosphere with percussion to climax. Epic & solemn @ 1'11 Mournful piano intro with desolate strings textures building-up constantly to a brighter atmosphere with percussion to climax. Epic & solemn @ 1'11 with dramatic orchestral ensemble & glorious choir. Suggested for role-playing games, dark fantasy & sci-fi trailer.
Fatalistic, mournful & depressing. Piano & drone pads. Cryptic choir @ 1'13 with discrete orchestra ensemble. A linear & sad atmosphere evoking Fatalistic, mournful & depressing. Piano & drone pads. Cryptic choir @ 1'13 with discrete orchestra ensemble. A linear & sad atmosphere evoking burial / funeral. Suggested for thriller, modern noir series & scandinavia.
Contemplative & mystical with dark drone textures, ethereal female voice & piano. Noble cello @ 0'53 in a nordic tradition. Suggested for Contemplative & mystical with dark drone textures, ethereal female voice & piano. Noble cello @ 0'53 in a nordic tradition. Suggested for scandinavia, thriller, legends & ancient civilization.
Delicate, euphoric, weighty. Organic instrumentation provides a humanistic feeling of concern, with bells and synth joining to support. Euphoric Delicate, euphoric, weighty. Organic instrumentation provides a humanistic feeling of concern, with bells and synth joining to support. Euphoric instrumentation providing a feeling of ambience, visions of a wintry scene or large city panorama. Electronic drumbeat at 01:11 provides a definitive sense of progression, weaving in and out alongside bass synth. Lead guitar solo further gifts a human-centric energy, a tense situation involving mankind or a community of people.
Delicate, euphoric, weighty. Organic instrumentation provides a humanistic feeling of concern, with bells and synth joining to support. Euphoric Delicate, euphoric, weighty. Organic instrumentation provides a humanistic feeling of concern, with bells and synth joining to support. Euphoric instrumentation providing a feeling of ambience, visions of a wintry scene or large city panorama. Electronic drumbeat at 01:05 provides a definitive sense of progression, weaving in and out alongside bass synth. Stripped back underscore version.
Comical, anxious, suspicious. Patient pizzicato string melody and horns assert a lighthearted, curious atmosphere, with silly bell sound conveying Comical, anxious, suspicious. Patient pizzicato string melody and horns assert a lighthearted, curious atmosphere, with silly bell sound conveying farcical, comedic energy. Transition at 00:40 into more meaningful section with austere horn lead. Reminiscent of a funny adventure or story taking place in an old house or estate. Sweeping shots of a beautiful location inhabited by funny, caricatured people getting up to mischief.
Comical, anxious, suspicious. Patient pizzicato strings and horns assert a lighthearted, curious atmosphere, with silly bell sound conveying Comical, anxious, suspicious. Patient pizzicato strings and horns assert a lighthearted, curious atmosphere, with silly bell sound conveying farcical, comedic energy. Transition at 00:40 into more meaningful section with austere horn lead. Reminiscent of a funny adventure or story taking place in an old house or estate. Sweeping shots of a beautiful location inhabited by funny, caricatured people getting up to mischief. Stripped back underscore version.
Fun, sultry, sneaky. Sharp piano and string melodies combine with flamenco percussion to create a hot atmosphere, reminiscent of Hispanic or Fun, sultry, sneaky. Sharp piano and string melodies combine with flamenco percussion to create a hot atmosphere, reminiscent of Hispanic or Mediterranean locations. Striding, pacy rhythm offers a curt and austere feeling. Melody reminiscent of salsa music communicates tinges of passion and intrigue.
Fun, sultry, sneaky. Sharp double bass and string melodies combine with flamenco percussion to create a hot atmosphere, reminiscent of Hispanic or Fun, sultry, sneaky. Sharp double bass and string melodies combine with flamenco percussion to create a hot atmosphere, reminiscent of Hispanic or Mediterranean locations. Striding, pacy rhythm offers a curt and austere feeling. Melody reminiscent of salsa music communicates tinges of passion and intrigue. Stripped back underscore version.
Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Latin percussion.歌词
ES:
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Va a empezar
Así que todo el mundo pa' la fiesta
Que ya llegaron ya
Los que son
Causantes de que tu cuerpo se mueva
Sin que lo puedas controlar
Seguro de que ya tu los conoces
Te gusta tanto que ya no lo puedes negar
La rumba esta planeada pa las doce
Pa' que goces toda la madruga'
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Vamo' a dejar los puntos claros
Cuando llegamos sabes que la discoteca la cerramos
Que ya tu viste como andamo'
Porque a la larga o a la corta con mi combo te agarramos
Prepárate que llegaron los reyes del mambo
Con algo diferente a lo que estas buscando
Yo se lo que tu quiere, te estamo' esperando
Te mando la location y cuando
Mami que paso
Ya viene Stan de Boogaloo
Y mas atrás le caigo yo
Se que te gustan los dos
Agarrate que el team te cogió
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Stan de Boogaloo, la musical
EN:
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
It's about to start
So everybody get ready to party
Cause they' re already here
The ones that are
Causing your body to move
You can't control it
Surely you already know them
You like it so much that you can't deny it
The party's planned for twelve o'clock
So that you can enjoy till the early morning
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Let's make our points clear
When we arrive you know that we close the club
you've seen how we go
Cause in the long or the short run with my combo we'll get you
Get ready the mambo kings have arrived
With something different than what you're looking for
I know what you want, we are waiting for you
I send you the location and the time
Mami what happened
Stan from Boogaloo is coming
And further back it' ll be me
I know you like both of us
Hold on cause the team's got you
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Stan from Boogaloo, the musical
Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & exotic. Filtered introduction. Trumpets, tres, Latin percussion with conga, Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & exotic. Filtered introduction. Trumpets, tres, Latin percussion with conga, guiro & cowbell. Suggested for Latin party.
Mix of salsa & trap. Obstinate, haunting, nocturnal, both urban & exotic. Latin percussion with timbales & bongo, drum machine, brass & piano. Mix of salsa & trap. Obstinate, haunting, nocturnal, both urban & exotic. Latin percussion with timbales & bongo, drum machine, brass & piano. Suggested for Latin party.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Modern salsa/boogalo with a reggaeton/cubaton touch. Positive, catchy & determined. Exotic & danceable. Sung in Spanish. Syncopated piano, male Modern salsa/boogalo with a reggaeton/cubaton touch. Positive, catchy & determined. Exotic & danceable. Sung in Spanish. Syncopated piano, male singers, synth, Latin percussion & drum machine. Suggested for Latin party.歌词
ES:
Esa niña está de mi enamora'
Y quiere viajar pa la Habana
Dice que no quiere rumba na ma
Que me busca este fin de semana
Yo la voy a invitar al baile
Cuando llegue ella va a gozar
Esa niña está de mi enamora'
Y conmigo se queda en la Habana
Yo tengo una niña
Es tan hermosa, tan bonita, ella me guiña
Esos ojitos que me hace frappe de piña
Que por momentos yo me quisiera casar
Para jamas dejar...
Y cuando yo la toco
Es como algo que me esta volviendo loco
Asi de exacto, no me equivoco
Es que yo a ella la deseo para mi,
te juro porque yo...
Es que la quiero, la quiero, la quiero, yo
Porque ella tiene todo lo que a mi me gusta
Es que la quiero, la quiero, la quiero, yo
Ella es lo mejor que ahora a mi vida se le ajusta
Me pide q le baile y bailo
Me pide q le cante y canto
Ay yo la quiero tanto, tanto
Cuando llegue a la Habana cantaremos ella y yo
Esa niña está de mi enamora'
Y quiere viajar pa la Habana
Dice que no quiere rumba na ma
Que me busca este fin de semana
Yo la voy a invitar al baile
Cuando llegue ella va a gozar
Esa niña está de mi enamora'
Y conmigo se queda en la Habana
Oh oh oh oh
Ay tu no sabes na
Ay lo que tengo yo
Oh oh oh oh
Lo que hicimos aquella noche le gustó
Oh oh oh oh
Ay tu no sabes na
Que luego me buscó
Oh oh oh oh
Ella se enganchó, y repitió
Esa niña está de mi enamora'
Y quiere viajar pa la Habana
Dice que no quiere rumba na ma
Que me busca este fin de semana
Yo la voy a invitar al baile
Cuando llegue ella va a gozar
Esa niña está de mi enamora'
Y conmigo se queda en la Habana
Y conmigo se queda en la Habana
Y conmigo se queda en la Habana
EN:
That girl is in love with me
And she wants to travel to Havana
She says she doesn't want to only party
She's looking for me this weekend
I'm gonna ask her to the dance
When she arrives she's going to enjoy
That girl is in love with me
And with me she stays in Havana
I have a little girl
She's so beautiful, so pretty, she winks at me
Those little eyes that make me pineapple frappe
That at times I'd like to get married
To never leave...
And when I touch her
It's like something that's driving me crazy
That's exactly right, I'm not wrong
It's that I want her for myself,
I swear because I...
I want her, I want her, I want her, I want her, I do
Cause she's got everything that I like
I want her, I want her, I want her, I want her, I do
She's the best thing that fits my life now
She asks me to dance and I dance
She asks me to sing and I sing
Oh I love her so much, so much
When I get to Havana she and I will sing
That girl is in love with me
And she wants to travel to Havana
She says she doesn't want to only party
She's looking for me this weekend
I'm gonna ask her to the dance
When she arrives she's going to enjoy
That girl is in love with me
And with me she stays in Havana
Oh oh oh oh oh
Oh you don't know nothing
Oh what I've got
Oh oh oh oh oh oh
She liked what we did that night
Oh oh oh oh oh oh
Oh you don't know nothing
That then she looked for me
Oh oh oh oh oh oh
She got hooked, and she came back again
That girl is in love with me
And she wants to travel to Havana
She says she doesn't want to only party
She's looking for me this weekend
I'm gonna ask her to the dance
When she arrives she's going to enjoy
That girl is in love with me
And with me she stays in Havana
And with me she stays in Havana
And with me she stays in Havana
Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Suggested for Latin party & telenovella.歌词
ES:
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
esas noches en que te llamé
fueron las veces que te recordé
acariciándome una y otra vez
tu y yo sabemos fue mas de una vez
sigues fingiendo estar feliz con otro
quedaste con el corazón bien roto
y sin nada
eras mi café del medio día
mi cigarrillo al comenzar el día
yo solo tu cuento de fantasias
al que besabas por hipocresía
yo confie en ti pero estabas con otro
quise olvidarte pero el corazón
Ya no me deja
esto me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Ya no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
EN:
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
those nights when I called you
were the times I remembered you
caressing me again and again
you and I know it was more than once
you're still pretending to be happy with someone else
you were left with a broken heart
and with nothing
you were my midday coffee
my cigarette at the beginning of the day
I was just your fantasy story
I trusted you but you were with another one
I wanted to forget you but the heart
Won't let me anymore
This kills me it poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It no longer leaves me It kills me it poisons me
It runs through my veins
It pushes me and slows me down
It frees me and condemns me
towards you
