Joyful & dancing. Song. Sung in Italian. Festive & traditional. Joyful & dancing. Song. Sung in Italian. Festive & traditional. Country dance. Female voice, accordion, mandolin, claps & rhythm.歌词
Italiano
Parenti, amici, sono tutti qua,
Venuti da tanti Paesi d'Italia,
Famiglie di Francia, e anche dall’Australia,
Rosetta si sposa: gran festa si farà!
Bi-tum, Bi-tum, Bi-tum,
Batti piedi, batti le mani, Tum, bi-tum, bi-tum,
alza le braccia, gira, gira,
Tum, bi-tum, bi-tum,
Organetto e tamburello
Tum, bi-tum, bi-tum, si balla la tarantella.
Si celebran le nozze come in Sicilia,
con tutte le comari a “mucatori” ??, i maschi quasi tutti, portano la coppola,
C'è vino, salam, prosciutto e ricotta
La mamma di Rosa si commuove e piange,
perché a sua bambina lontana sarà,
il padre un po brillo canta troppo forte
presto un nipotino in casa arriverà Français
Les parents, les amis sont tous là, Venus de tant de villages d’Italie Des familles de France, et aussi d’Australie Rosetta se marie : une grande fête se prépare !
Bi-tum, Bi-tum, Bi-tum,
On tape des mains, on bat des mains Tum, bi-tum, bi-tum,
On lève les bras, on tourne, on tourne
Tum, bi-tum, bi-tum,
Accordéon et tambourin Tum, bi-tum, bi-tum, on danse la tarentelle
On célèbre la noce comme en Sicile Avec toutes les commères qui portent foulard Presque tous les hommes ont une casquette Il y a du vin, du salami, du jambon et de la ricotta
La maman de Rosa est émue et pleure Parce que sa fille partira loin Le père un peu éméché chante trop fort Bientôt un neveu arrivera
English
Family and friends are all here Come from village all over Italy Families from France, Australia too Rosetta is getting married:
A big party is getting underway
Bi-tum, Bi-tum, Bi-tum,
we clap our hands, we clap our hands Tum, bi-tum, bi-tum,
we lift our arms, we spin we spin Tum, bi-tum, bi-tum,
Accordion and tambourine Tum, bi-tum, bi-tum, we dance the tarentelle
We celebrate the wedding like in Sicily With all the old girls in headscarves Almost all the men wear caps There’s wine, salami, ham and ricotta.
Rosa’s mama is moved to tears Because her daughter will move far away Father is a little tipsy and sings too loud Soon a nephew will arrive
Impassioned, forlorn, bluesy. Saxophone plays into brush drums and Impassioned, forlorn, bluesy. Saxophone plays into brush drums and double bass. A heartfelt melody, full of longing and melancholy. Acoustic guitar supports with fragile fingerstyle playing. A emotive band at the corner of a bar or street corner under dim lamplight, a feeling of collective hardship. A community in hard times and struggling to get by. Acoustic guitar solo @ 1'41 inspiring more feelings of pain and longing.
Impassioned, forlorn, bluesy. Brush drums and double bass play out Impassioned, forlorn, bluesy. Brush drums and double bass play out steadily, an atmosphere of dormant emotion slowly emerging. Acoustic guitar supports with fragile fingerstyle playing, a feeling of melancholy. Stripped back underscore version.
Stirring, joyful, tough. Large classic rock guitar vibe as claps lead Stirring, joyful, tough. Large classic rock guitar vibe as claps lead a feeling of momentum, guitar plays out a swirling violin line reminiscent of folky music. Gravelly male voice sings about being a strong man, leaving home and fighting for your identity. Unrestrained energy from explosive vocals and chants, meshing with folk energy.歌词
There comes a time in a young man’s life when he has to make a choice, To stay at home and be afraid or leave the nest and fight, To shut himself away for good or live a life of pride, With a courage that will never fray, through storms and swelling tide, So from craggy shore to broken sky and to all that came before, We raise a glass to those that choose to fight for something more!
With your fists held tight, That they just might break, Like the dawn that comes, It’s not too late.
Just grit your teeth and stand your ground, (Wooahhhhhoooaahhh) Don't ever let them hold you down, (Wooahhhhhoooaahhh) From far and wide they'll hear us yell, (Wooahhhhhoooaahhh) ‘We'll stand together and give ‘em hell’. (Wooahhhhhoooaahhh)
It’s never quite enough you see to work until your old, To live a life of sacrifice with nothing good to show, For when it’s time to meet your end and look back on your life, Did you stay within dotted lines or rise against and fight? From the craggy shores to broken skies and to all that came before, We raise a glass to those that choose to fight for something more!
Hold your fists up tight, You know It’s not too late.
Just grit your teeth and stand your ground, (Wooahhhhhoooaahhh) Don't ever let them hold you down, (Wooahhhhhoooaahhh) From far and wide they'll hear us yell, (Wooahhhhhoooaahhh) ‘We'll stand, together, and give, them, hell’.
Stirring, joyful, tough. Large classic rock guitar vibe as claps lead Stirring, joyful, tough. Large classic rock guitar vibe as claps lead a feeling of momentum, guitar plays out a swirling violin line reminiscent of folky music. Unrestrained energy from intense instrumentation and distorted guitar communicating power and rebelliousness. Instrumental version.
Stirring, joyful, tough. Instruments strum out with a celtic Stirring, joyful, tough. Instruments strum out with a celtic buoyancy, flute playing out a floating, yearning tune. Positive vibe from major chords and light percussion driving things forward. A sense of power and rebelliousness. Stripped back underscore version.
Energetic, loud, powerful. Zestful instrumentation pushes out, Energetic, loud, powerful. Zestful instrumentation pushes out, falling into fast-paced shuffling rock style. Deep, rugged vocal shouts give a masculine power. Rough male vocals sing out lyrics about standing tall, valuing family and fighting against adversity. A theatrical energy from dynamic rock vibe and spirited vocals.歌词
We won’t go quietly! No we won’t go quietly!
On this day, we’ll find our worth, The beaten and broken, the salt of the earth, For all that we are, for all that we’re not, We’ll fight to the end, with all that we’ve got!
With a fistful of dirt, we’ll rise from the ground, To stand with our family, steadfast and proud, For all that we are, for all that we’ve lost, We’ll never back down, no matter the cost!
We’ll keep on fighting ‘til we win, We’ll raise our fists, we’ll chant we’ll sing, It’s all for one and one for all, To stand fast where our fathers stood tall.
(We won’t go quietly!)
Never bow down, no! With a fistful of dirt, we’ll rise from the ground, Forever bow down, no! To stand with our family, steadfast and proud.
We’ll keep on fighting ‘til we win, We’ll raise our fists, we’ll chant and sing, It’s all for one and one for all, To stand fast where our fathers stood tall.
A tip of the hat, a punch in the face, (We won’t go quietly!) We’re battered and bruised, we’ll give them a taste, Of all that we are, for those that we’ve lost, (We won’t go quietly!) We’ll honour those that came before, Sons and Daughters, those that fought for more, We’ll raise our fists, we’ll chant and sing, We’ll keep on fighting ‘til we win!
(We won’t go quietly) (We won’t go quietly) (We won’t go quietly) (We won’t go quietly)
We’ll never back down and we won’t be beaten, We’ll never back down and we won’t be beat, We’ll never back down and we won’t be beaten, We’ll never back down, we’ll never back down.
We’ll never back down and we won’t be beaten, We’ll never back down and we won’t be beat, We’ll never back down and we won’t be beaten, We’ll never back down, we’ll never back down.
Energetic, loud, powerful. Zestful instrumentation pushes out, Energetic, loud, powerful. Zestful instrumentation pushes out, falling into fast-paced shuffling rock style. A theatrical energy from dynamic rock vibe with impassioned chord sequences. Bagpipes at 01:49 give a rustic energy. Instrumental version.
Energetic, loud, powerful. Zestful instrumentation pushes out, Energetic, loud, powerful. Zestful instrumentation pushes out, falling into fast-paced shuffling folk rock style. Flutes give an airy, buoyant energy. A theatrical energy from dynamic folk vibe with impassioned chord sequences. Stripped back underscore version.
Work song in a gospel/blues spirit. Inspired & meditative. Humming Work song in a gospel/blues spirit. Inspired & meditative. Humming blues vocal, percussion, banjo @ 0'25, choir & drums @ 0'48. Mandolin @ 1'12. Instrumental tr-23.
Famous 19th century folksong also known as The Great Rock Island Famous 19th century folksong also known as The Great Rock Island Route and became a country music standard. "From the great Atlantic Ocean to the wide Pacific shore...". Male country singer, rhythm section, banjo, mandolin with a bluegrass touch. Harmonica solo @ 1'25 & electric guitar. Instrumental tr-26.歌词
Verse 1
From the great Atlantic ocean to the wide Pacific shore
From the queen of flowing mountains to the south side by the shore
She's mighty tall and handsome and known quite well by all
She's the combination on the Wabash Cannonball
Verse 2
Now She came down from Birmingham one cold December day
As she rolled into the station you could hear all the people say
There's that gal from Tennessee she's long and she's tall
She came down from Birmingham on the Wabash Cannonball
Verse 3
Yeah Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball
Verse 4
Our Eastern states are dandy so the people always say
From New York to St. Louis and Chicago by the way
From the hills of Minnesota where the rippling waters fall
No chances can be taken on the Wabash Cannonball
Verse 5
So Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball
Instrumental version of tr-3 in a 1920s blues spirit. Sad & Instrumental version of tr-3 in a 1920s blues spirit. Sad & wandering. Lead fiddle, banjo, mandolin,, marimba, sousaphone & drums @ 0'43.
Alternate version of tr-11. Meditative & narrative. 1st part : Lead Alternate version of tr-11. Meditative & narrative. 1st part : Lead slide Dobro, mandolin & guitar. 2nd part : Cymbals & ebow guitar @ 1'26.
Mysterious, menacing, mean-spirited. Low drum roll gives way to Mysterious, menacing, mean-spirited. Low drum roll gives way to light, pizzicato strings and organic bass. Sinister atmosphere maintained by gentle percussion. Thrum of low percussion, sparse instrumentation conveying a spooky feeling. Crescendo at 01:25, moving into more confidently cunning section, supported by fuller percussion. Stripped back underscore version.
Mysterious, menacing, mean-spirited. Low drum roll gives way to Mysterious, menacing, mean-spirited. Low drum roll gives way to light, pizzicato strings. Sinister atmosphere maintained by minor chords and gentle performance. Playful but conniving accordion melody with thrum of low percussion. Crescendo at 01:25, moving into more confidently cunning section, supported by percussion. Labyrinthine melody ending in forte conclusive notes.
USA. Easy-going, simple & confident. Mid-tempo country track with a USA. Easy-going, simple & confident. Mid-tempo country track with a bluegrass/old-time music touch. Flat-picking guitar, banjo & mandolin trio. Suggested for American pastoral & road trip.
USA. Fast & driving country-rock. Optimistic, confident & cheerful. USA. Fast & driving country-rock. Optimistic, confident & cheerful. Lead electric guitar, acoustic guitar, mandolin & rhythm. Pedal steel @ 1'03. Suggested for road trip & Americana way of life.
