Raw, confident, commanding. Heavy hip hop percussion leads into ...Raw, confident, commanding. Heavy hip hop percussion leads into female rapping about garnering everyone's attention in the club, dressing in her best clothes and acting cool. Individualist energy, watching people copy you and steal your style. Subtle melodies creating a beat-driven dance style. A confident lifestyle with wealth and popularity. A braggadocious atmosphere, repetitive instrumentation to pull focus on the rapper boasting about herself.歌词
Call me boss now
Me so sick Im about to throw up Lights so bright cant miss my glow up When I walk in they done the talking Heels so high but dogs aint barking AC on better turn that higher clothes on the floor, what the boys desire Make em fall in love with the way that I move Follow me and theres no that you will lose No amount of disrespect can check me I step on necks, then next, like check please Dont need a gang to be the ring leader If a bitch act up then put her in the theatre I put in work to be where Im at To see where Im at you gone need a map If I wasnt me then I would just die The girls all try but i just reply
Watch me how I boss up boss out Yeah Im bossy, Im a boss now
Watch me do the work work work Watch me do the work work work Watch me how I boss up boss out Yeah Im bossy, call me boss now
Watch me do the work work work Watch me do the work work work Watch me do the work work work work work work work
I put in the work work work work work work work Ask me how it works, works, works, works, works, works, works Bitch I put in work, work, work, work, work, work, work Boss Up boss out Flow so hot hot no global warming
The hive gone mad the bees are swarming And me? Im somewhere in the pocono's rocking polkadot shorts if you know you know Im my third drink, aint paid for one yet I land on the yacht fresh off the jet Rip the runway, always double meaning My style and finesse always double teaming Hot like potato when I rock my wedges lay a bitch out like i lay my edges I spit that fire, give me that smoke My outfits gags, but my hands still choke And nope, she aint got no ghost pen She writes mad raps, wraps round all of them No matter where from Kingston to Brixton Make sure youre fixed in, just watch and listen
Watch me how I boss up boss out Yeah Im bossy, Im a boss now
Watch me do the work work work Watch me do the work work work Watch me how I boss up boss out Yeah Im bossy, call me boss now
Watch me do the work work work Watch me do the work work work Watch me do the work work work work work work work
I put in the work work work work work work work Ask me how it works, works, works, works, works, works, works Bitch I put in work, work, work, work, work, work, work Boss Up boss out
Raw, confident, commanding. Heavy hip hop percussion leads into ...Raw, confident, commanding. Heavy hip hop percussion leads into female rapping about garnering everyone's attention in the club, dressing in her best clothes and acting cool. Individualist energy, watching people copy you and steal your style. Subtle melodies creating a beat-driven dance style. A confident lifestyle with wealth and popularity. A braggadocious atmosphere, repetitive instrumentation to pull focus on the rapper boasting about herself.
Raw, commanding. Heavy hip hop percussion with melodic samples. ...Raw, commanding. Heavy hip hop percussion with melodic samples. Subtle melodies create a beat-driven dance style. Single piano and guitar notes play out a catchy tune as beat builds up into heavy club energy. Instrumental version.
Raw, commanding. Heavy hip hop percussion with overdriven bass ...Raw, commanding. Heavy hip hop percussion with overdriven bass drones. Subtle melodies create a beat-driven dance style. Single piano and guitar notes play out a catchy tune as beat builds up into heavy club energy. Stripped back underscore version.
Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a ...Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a folktronica spirit. Female singer with pitched voice, treated double vocal fx & crystalline synth.歌词
Bath yourself in this riverEau Claire Soon to meet my brother Eau Claire I know what you’ll say Don’t you dare giving up
Longest nights Held in fearSmoke in the cold I remember why i’m here Smallest of hopes Held in your hands
Fallen August of our love You mention my name in your sleep This my love is where you carry on without me
Watching snow fall on the lakeHow could I ever want to leaveThis my darling’s where it endsFor me
I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more Coldest autumn on my ownI hope you’ll remember For this my love is where i’m goneAnd you’re free I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more
Avant-garde pop/electronica ballad with a touch of R&B. Edgy, ...Avant-garde pop/electronica ballad with a touch of R&B. Edgy, inspiring & passionate. Female singer, vocal sound design, delay fx, electric bass, synth & percussions.歌词
Now that we’re parting Now that we’re parting I see you Now that we parted Now we’re parting I see you
I get it now you’re part of me we’re cut in half I get it now you’re a part of me we’re cut in half (Well there’s nothing back home) I see it now but too late
Now that we’re parting I see it now bu too late Now that we’re parting Now that we parted I see it now but too late
You’re a part of me (And I get that there’s nothing back home) Now that we’re parting I see you Now that we’re parting I see you Now that we parted You’re all I need I see you
I see you I get it now you’re part of me we’re cut in half (Now that we’re parting) I get it now you’re a part of me we’re cut in half Too late
Alternate without lead vocal. Avant-garde pop/electronica with a ...Alternate without lead vocal. Avant-garde pop/electronica with a touch of R&B. Edgy, inspiring, atmospheric & sparse. Vocal sound-design, electric bass & percussion.
You keep calling She hears you Fell no shame I want you
And I love how it feels And I love how it feels And I love
(You keep calling my name) You keep calling Do you see me (Ride in the name of love in the name of love in the name of love ouch) Picture me naked In your dreams (In my dreams)
And I love how it feels (How it feels) And I love how it feels And I love
You keep calling my name
Is she jealous of me like i’m jealous of her? Does she think about me like I thing about her?
Bossa Nova typical of Brazil in the early 60's. Tender, warm & ...Bossa Nova typical of Brazil in the early 60's. Tender, warm & charming with a touch of melancholy. Female singer, Brazilian guitar, shaker & flugelhorn @1'12.歌词
Como não recordar de nós dois, quanta saudade
Tantas lembranças tão antigas tão presentes
Que não posso esquecer, como poderia
Nao tem jeito não
Mesmo se eu quisesse renegar, anos depois
Cada passo lado a lado
Cada laço assim atado
Eu não poderia deslembrar jamais
Tem jeito não
Tempo passou pra nós dois
Mas ficou um gosto bom
Tempos depois pra nós dois
Tempo bom que passou
Que passou que ficou
Typical Bossa Nova from the 60's. tender, warm & charming with a ...Typical Bossa Nova from the 60's. tender, warm & charming with a touch of melancholy. Lead fuglehorn, guitar & light Brazilian percussion.
Nu folk song. Confident, driving but melancholic. Female singer, ...Nu folk song. Confident, driving but melancholic. Female singer, backing vocals, acoustic guitar & rhythm. Suggested for upset love & inspirational fate. 歌词
While you wander the streets
Thinking who you gonna meet?
Looking left
And looking right
Thinking you rather not be alone tonight
You keep on living your life
While I keep thinking of you
You keep feeling alright
When I keep on feeling blue
Yea
Always thinking of you
Always, always, always thinking of you
Now thinking only makes me feel blue
Keep on looking left & looking right
Thinking you rather not be alone tonight
While you wander the streets
Thinking who are you gonna meet?
Looking left & looking right
Thinking you rather not be alone tonight
Heartfelt, sombre, angsty. Echoing kick drum sets out steady rhythm ...Heartfelt, sombre, angsty. Echoing kick drum sets out steady rhythm joined by downbeat guitar sequence with precious piano and bell melodies. Slightly artificial female vocals contrast with organic instrumentation, a meshing of modern and old-fashioned sounds. Lyrics about loneliness, a desire for purpose, feeling lost in the world. An anxious and melancholy energy, an individual going through emotional distress or a traumatic situation.歌词
Can you tell me where to go Been a long time down this road So far from home Haven’t seen a face I know So I’ll follow the unknown not knowing where it goes
OohCome and find me Find me
OohCome and find me Find me I don’t feel right in this place All you see is a smile upon my face Yes I wear these pretty clothes So they cover up the things that you will never know
OohLet me fly OohCome and find me Find me Fly so highOohCome and find me Find me Let me fly Ooh
Heartfelt, sombre, angsty. Echoing kick drum sets out steady rhythm ...Heartfelt, sombre, angsty. Echoing kick drum sets out steady rhythm joined by downbeat guitar sequence with precious piano and bell melodies. An anxious and melancholy energy, an individual going through emotional distress or a traumatic situation. Instrumental version.
Heartfelt, sombre, angsty. Echoing kick drum sets out steady rhythm ...Heartfelt, sombre, angsty. Echoing kick drum sets out steady rhythm joined by downbeat guitar sequence with precious piano and bell melodies. Feeling of fragile innocence communicated through quaint and sad aura. Weary and forlorn female vocals. An anxious and melancholy energy, an individual going through emotional distress or a traumatic situation. Alternative version.
Heartfelt, sombre, angsty. Downbeat guitar sequence alongside ...Heartfelt, sombre, angsty. Downbeat guitar sequence alongside precious piano and bell melodies. Feeling of fragile innocence communicated through quaint and sad aura. An anxious and melancholy energy, an individual going through emotional distress or a traumatic situation. Stripped back underscore version.
Energetic, explosive, cool. Scratchy guitar gives rise to lively ...Energetic, explosive, cool. Scratchy guitar gives rise to lively drumbeat and female vocals singing about valuing actions over words. Launches into chorus section with harmonising female vocals cooing over crash cymbals and lead guitar riff. A youthful energy permeates, with female vocalist delivering confident lyrics over eruptive instrumentation. Chaotic atmosphere with heavily echoing vocals and glittering ambience.歌词
Let’s bring the world to a sudden stopShake the room make your jaw dropEvery day you have to fight for youIt’s not what you say it’s what you do So call me dangerous it’s nothing newThat kind of talkin’ is all that you doNow more than ever listen to us allHere our voices up against the wall So pay attention now if I were youNo moving on until we are throughYour silence stands for no oneDo You hear? Only you can stand up for yourselfTell your story like no one else‘Cause we won’t be the last onesDo you hear? There are voices coming from the pastThey’re coming nearerEver fighting now and everCan you hear?
Energetic, explosive, cool. Scratchy guitar gives rise to lively ...Energetic, explosive, cool. Scratchy guitar gives rise to lively drumbeat. Launches into chorus section with crashing cymbals and lead guitar riff. A youthful energy permeates, with glittering ambience and overdriven guitar parts. Eruptive instrumentation with driving drumbeat. Instrumental version.
Energetic, explosive, cool. Scratchy guitar gives rise to lively ...Energetic, explosive, cool. Scratchy guitar gives rise to lively drumbeat. Launches into chorus section with crashing cymbals and positive melodic narrative. A youthful energy permeates, with eruptive instrumentation, glittering ambience and a driving drumbeat. Stripped back underscore version.
Upbeat, playful, lively. Overdriven power chords lead to marching ...Upbeat, playful, lively. Overdriven power chords lead to marching drumbeat with rolling toms. Clean female vocals sing about living for the now, being confident and happy. Positive atmosphere reminiscent of the beginning of a fun movie or TV show. Repetition of ‘let go’ conveys a carefree and inspiring energy, supported by heavy but fun instrumentation.歌词
Take a moment just to let this scene inReserve a moment just to let things flyIt’s no wonder that you’re staring at your feet soLet it sail over ruby skies Take it all and leave it all behind youYou know your time it made up by your mindDream of a future where you can just stand stillAnd take in everything that makes you smile Let Go!
Upbeat, playful, lively. Overdriven power chords lead to marching ...Upbeat, playful, lively. Overdriven power chords lead to marching drumbeat with rolling toms. Positive atmosphere reminiscent of the beginning of a fun movie or TV show, supported by heavy but fun instrumentation. Instrumental version.
Upbeat, playful, lively. Overdriven power chords lead to marching ...Upbeat, playful, lively. Overdriven power chords lead to marching drumbeat with rolling toms. Positive atmosphere reminiscent of the beginning of a fun movie or TV show, supported by heavy but fun instrumentation. Stripped back underscore version.
Spiritual, meaningful, celebratory. R&B piano accompanies light ...Spiritual, meaningful, celebratory. R&B piano accompanies light percussion and gospel vocals singing angelically about heaven and love. Staccato piano joins light percussion to create light, uplifting energy, piano chords conveying catharsis and happiness. Living joyously and in service of God. Wah-wah and acoustic guitar gifts a fuller formed instrumentation, cushioning crooned female vocals. Reprise of staccato section with deep bass galvanising a feelgood aura.歌词
The sweet sweet touch of heavenThe sweet sweet touch of love Love is the reason for every seasonYeah yeah
Spiritual, meaningful, celebratory. R&B piano accompanies light ...Spiritual, meaningful, celebratory. R&B piano accompanies light percussion and gospel vocals singing angelically about heaven and love. Staccato piano creates light, uplifting energy, fuller piano chords conveying catharsis and happiness. Living joyously and in service of God. Acoustic version.
Spiritual, meaningful, celebratory. R&B piano accompanies light ...Spiritual, meaningful, celebratory. R&B piano accompanies light percussion conveying an emotive but laidback atmosphere. Staccato piano joins growing percussion to create light, uplifting energy, piano chords conveying catharsis and happiness. Wah-wah and acoustic guitar gifts a fuller formed instrumentation. Reprise of staccato section with deep bass galvanising the feelgood aura. Instrumental version.
Unifying, emotive, proud. Steady piano melody joins with rhythmic ...Unifying, emotive, proud. Steady piano melody joins with rhythmic clapping as choral vocals sing about unity and togetherness. Euphoric vocals accompany guitars in an ascending chord sequence, gospel choir sings about beauty, instilling an atmosphere of empowerment and self-love. Cathartic moment as percussion rejoins alongside celebratory trumpets and brass starting at 01:04.歌词
Come togetherYou and meCome together right nowFor all the world to seeCome togetherYou and meCome together right nowThere’s joy in unity Oh oh ohYou’re beautiful Come togetherYou and meCome togetherCome togetherYou and meCome together right nowThere’s joy in unity
Unifying, emotive, proud. Steady piano melody joins choral vocals ...Unifying, emotive, proud. Steady piano melody joins choral vocals singing about unity and togetherness. Euphoric vocals accompany guitars in an ascending chord sequence, gospel choir sings about beauty, instilling an atmosphere of empowerment and self-love. Acoustic version.
Emotive, proud, spirited. Steady piano melody joins with rhythmic ...Emotive, proud, spirited. Steady piano melody joins with rhythmic clapping, organ lead trills imbuing a soulfulness to the instrumentation. Piano and guitar both reach upwards in an ascending sequence. Cathartic moment as percussion rejoins alongside celebratory trumpets and brass starting at 01:04. Instrumental version.
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Echoing female vocal sings of praying in the woods and the sun, dramatic imagery. Cathartic breakthrough at 02:14 as melodies build and instruments swirl together. Whispered vocals convey a meaningful energy. A feeling of time running out, a powerful natural force reclaiming its dominance.歌词
Ooo… For me… For meOoo… For me… For me Looking for a prayer in the woods tonightEmber of the sun and it’s coming aliveFor me… For me Looking for a prayer in the woods tonight (in the woods tonight)Ember of the sun and it’s coming alive (it’s coming alive, it’s coming alive, it’s coming alive, in the woods tonight)For me… For me Burn… Burn… The wallsBurn… Burn… The wallsFor me… For me Down to the wire, the only blade has spunFor me… For me (Looking for a prayer in the woods tonight) x (Ooo… For me… For me)(Looking for a prayer in the woods tonight) x (Ooo… For me… For me) Burn… Burn… The wallsBurn… Burn… The wallsFor me… To me Mmm, you’re such a let downMmm, the shameMmm, the gossip eye blinksAnd the embers engulf the flame
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Cathartic breakthrough at 02:14 as melodies build and instruments swirl together. A feeling of time running out, a powerful natural force reclaiming its dominance. Instrumental version.
Tense, austere, determined, dramatic. Acoustic guitar sets out a ...Tense, austere, determined, dramatic. Acoustic guitar sets out a steady, almost panicked tempo. Echoing female vocal sings of praying in the woods and the sun, dramatic imagery. Cathartic breakthrough at 02:08 as vocals and guitar rise in intensity together. Whispered vocals convey a meaningful energy. A feeling of time running out, a powerful natural force reclaiming its dominance. Stripped back underscore version.
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Additional guitars circle, moving into a rousing sequence at 00:53 and again at 02:04. Dramatic string melodies rising with purpose. A feeling of time running out, a powerful natural force reclaiming its dominance. Stripped back underscore version.
Austere, brooding, explosive. Deep, echoing kick drum sets out a dark ...Austere, brooding, explosive. Deep, echoing kick drum sets out a dark feeling, followed by grave acoustic guitar and contemplative female vocals. Explosive catharsis at 00:53, with powerful drums and overdriven guitar back into more calm, austere atmosphere. Lyrics about guns, running out of luck and poison instil a renegade, cowboy energy. Screeching guitars deliver a rock euphoria.歌词
Deep breath, he’s watching your chestYou’re counting down from the blue One, two, three get to the green Red touch like a lover’s ruse
Why did you choose to waste your poison? Why did you choose to waste your poison?
(No way) Say it ain’t so, the blood runs cold like a sinner man (No way)Venom exposed, the blood runs cold like a sinner man
Well did you want it? You want it, you don’t get it Did you get it? You don’t get it at all
Well did you want it? You want it, you don’t get it Did you get it? You don’t get it at all Bird has sung, got to lower the gun The gun is gonna count to three, two, one You gon’ gonna run but the luck has run on Gasping for the air you breathe Why did you choose to waste your poison?
So Cold... So Cold...
(No way) Say it ain’t so, the blood runs cold like a sinner man (No way) Bullet in my lungs, the blood runs cold like a sinner man (No way) (No way) (No way)
Austere, brooding, explosive. Deep echoing kick drum sets out a dark ...Austere, brooding, explosive. Deep echoing kick drum sets out a dark feeling, followed by grave acoustic guitar setting out a renegade, cowboy energy. Explosive catharsis at 00:53, with powerful drums and overdriven guitar back into more calm, austere atmosphere. Screeching guitars deliver a rock euphoria. Instrumental version.
Austere, brooding. Contemplative female vocals join with grave, minor ...Austere, brooding. Contemplative female vocals join with grave, minor acoustic guitar. Powerful strummed guitar giving rise to more dramatic, choral vocals. Lyrics about guns, running out of luck and poison instil a renegade, cowboy energy. Stripped back underscore version.
Austere, brooding. Grave, minor acoustic guitar followed by deep, ...Austere, brooding. Grave, minor acoustic guitar followed by deep, echoing kick drum. Explosive catharsis at 00:53, with powerful drums and aggressively strummed acoustic guitar back into more calm, austere atmosphere. Overdriven electric guitar with minor riff instils a renegade, cowboy energy. Stripped back underscore version.
Determined, cool, driving. Jangling, low guitar melody provides ...Determined, cool, driving. Jangling, low guitar melody provides foundation for call and response between main vocals and heavily reverbed backing vocals. Pacy hi-hat part transitions into heavy drum sequence with booming tom drums. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Lyrics convey a steadfast momentum and will to move on, conveying progress and freedom. Build up at 02:06 with heavy booming drums and repeated guitar notes.歌词
You Won’t Be The End Of MeI Won’t Be a 1 in 3 You Won’t Be The End Of MeI Won’t Be a 1 in 3 You Won’t Be The End Of MeI Won’t Be a 1 in 3 On and on and on and onOn and on and on and on Girls like the girls who dance like the boysBoys give the look but just want the toysScream from your heart, turn up this noiseLive it for the now, living for the now Girls like the girls who dance like the boysBoys give the look but just want the toysScream from your heart, turn up this noiseLive it for the now, living for the now
Keep Moving, Keep Moving OnKeep Dancing, Keep Shining OnKeep Moving, Keep Moving OnKeep Dancing, Keep Shining On Don’t you know it’s time to be freeYou just bring the best out in me Keep Moving, Keep Moving OnKeep Dancing, Keep Shining On Woah woah, woah woah. Girls like the girls who dance like the boysBoys give the look but just want the toysScream from your heart, turn up this noiseLive it for the now, living for the now On and on and on and we go
Determined, cool, driving. Jangling, low guitar melody provides a ...Determined, cool, driving. Jangling, low guitar melody provides a pacy but sturdy foundation for screeching, overdriven guitar notes. Pacy hi-hat part transitions into drum sequence with booming tom drums. Heavy, overdriven instrumentation convey resolute determination and power. Build up at 02:06 with heavy booming drums and repeated guitar notes. Instrumental version.
Determined, cool, driving. Jangling, low guitar melody provides ...Determined, cool, driving. Jangling, low guitar melody provides foundation for call and response between main vocals and heavily reverbed backing vocals. Bass notes and screeching guitar leads build determined momentum. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Lyrics convey a steadfast momentum and will to move on, conveying progress and freedom. Build up at 02:06 with heavy bass guitar and repeated guitar notes. Stripped back underscore version.
Determined, cool, driving. Fuzzy bass plays along with screeching ...Determined, cool, driving. Fuzzy bass plays along with screeching guitar, providing a foundation for call and response between main vocals and heavily reverbed backing vocals. Heavy drum sequence with booming tom drums. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Build up at 02:06 with heavy booming drums and repeated guitar notes. Stripped back underscore version.
Mysterious, haunting, dreamy. Ethereal, woozy intro with lively ...Mysterious, haunting, dreamy. Ethereal, woozy intro with lively percussion and female scat vocal. Building with free jazz drums and an eerie sense of mysticism. Mild tension.
Mysterious, haunting, dreamy. Ethereal, woozy intro with keys and ...Mysterious, haunting, dreamy. Ethereal, woozy intro with keys and lively percussion. Building with free jazz drums and a eerie sense of mysticism. Mild tension.
Mysterious, haunting, dreamy. Ethereal, woozy intro with lively ...Mysterious, haunting, dreamy. Ethereal, woozy intro with lively percussion and female scat vocal. The addition of jazz drums sets an eerie scene with a sense of mysticism. Mild tension.
Mysterious, haunting, dreamy. Ethereal, woozy intro with a developing ...Mysterious, haunting, dreamy. Ethereal, woozy intro with a developing female scat vocal. Sets an eerie scene with a sense of mysticism. Mild tension.
Mysterious, haunting, dreamy. Ethereal, woozy intro with a developing ...Mysterious, haunting, dreamy. Ethereal, woozy intro with a developing female scat vocal. Joined by free jazz drums and percussion. Sets an eerie scene with a sense of mysticism. Mild tension.
Mysterious, haunting, dreamy sting. Ethereal, woozy, free jazz drums ...Mysterious, haunting, dreamy sting. Ethereal, woozy, free jazz drums and percussion. Sets an eerie scene with a sense of mysticism. Mild tension.
Dreamy sounds of a post-breakup healing feeling. Deceptively naive ...Dreamy sounds of a post-breakup healing feeling. Deceptively naive folk-pop sung in Spanish. Female voice, folk guitar, synths, female backing vocals, cymbals @0'28, buildup & climax @2'08.歌词
ES:
Ya no quiero seguir con miedo
En tus manos estoy perdida
Me matas
Vete aqui?
Tus palabras me dejan sorda
Tu mirada cego? mi credo
Por favor
No quiero verte aqui?
Ahhhh
Vete de aqui?
Ahhhh
Vete de aqui?
Estar contigo
La peor condena
Prefiero salir a la carretera
Para enfrentar la vida sola
Son?ar por mi cuenta
Y si la muerte me encuentra
Morir Feliz
Ahhhh
Lejos de ti
Ahhhhh
Morir Feliz
Ahhhh
Lejos de ti
Morir Feliz
Ahhhh
Lejos de ti
Ahhhhh
Morir Feliz
(Morire, morire, morire)
EN:
I don't want to be afraid anymore
In your hands I am lost
You kill me
Go away here
Your words leave me deaf
Your gaze blinded my creed
Please
I don't want to see you here
Ahhhh
Get out of here
Ahhhh
Go away from here
To be with you
Is the worst sentence
I'd rather hit the road
To face life alone
To dream on my own
And if death finds me
Die happy
Ahhhh
Away from you
Ahhhhhh
Die happy
Ahhhh
Away from you
Dying Happy
Ahhhh
Away from you
Ahhhhh
Happy Dying
Carefree, confident & uplifting folk-pop sung in Spanish. Female ...Carefree, confident & uplifting folk-pop sung in Spanish. Female voice, folk guitar, electronic percussion, synths. Full band @1'11.歌词
ES:
En la oscuridad
La esencia se pierde
La poca luz que queda
Se aleja y no vuelve
Cuando el dolor
Toma de tu boca
El miedo controla
Cada cosa que tocas
Sin saber de donde vengo
Yoooo
Yo no se el destino de
Mi corazo?n
Me voy, me voy
A donde pueda huir
Me voy me voy
No quiero mas sufrir
Me voy me voy
Uhhh
A encontrarme
Otro camino tiene que existir
Donde el sufrimiento se va
Y el amor vuelve a mi
Para hacerme feliz
Reencontrando la vida
Todo lo bueno
Desde mi rai?z
Me voy, me voy
A donde pueda huir
Me voy me voy
No quiero mas sufrir
Me voy me voy
Uhhh
A encontrarme a reencontrarme
El amor vuelve a mi
Vuelve a mi
Vuelve a mi
Me voy, me voy
A donde pueda huir
Me voy me voy
No quiero mas sufrir
Me voy me voy
Uhhh
A encontrarme a reencontrarme
EN:
In the dark
The essence is lost
The little light that remains
Wanders away and does not return
When pain
Takes from your mouth
Fear controls
Every thing you touch
Not knowing where I come from
I,
I don't know the fate of
My heart
I'm leaving, I'm leaving
Where I can run away
I'm leaving, I'm leaving
I don't want to suffer anymore
I'm going I'm going
Uhhh
To find me
Another way must exist
Where suffering goes away
And love comes back to me
To make me happy
Finding life again
All that is good
From my root
I'm leaving, I'm leaving
Where I can run away
I'm leaving, I'm leaving
I don't want to suffer anymore
I'm going I'm going
Uhhh
To find me to find me again
Love comes back to me
Come back to me
Come back to me
I'm leaving, I'm leaving
Where I can run away
I'm leaving, I'm leaving
I don't want to suffer anymore
I'm going I'm going
Uhhh
To find me to find me again
Catchy, uplifting but disillusioned. Electro-pop sung in Spanish. ...Catchy, uplifting but disillusioned. Electro-pop sung in Spanish. Female singer, synths, electronic percussion. Suggested for telenovelas & teenagers TV drama. 歌词
ES:
La primera vez que te conocí debí haberlo presentido Muy encantador y seductor El bonito Don Jua?n ha venido La segunda vez que nos encontramos Trajiste un ramo de cien rosas Una flor por cada error Cada herida, cada palabra y cada tusa
Cuando me miras, no te miro Aún me siento incomoda No estoy interesada en tus jugadas No quiero verte nunca mas
*Te digo* (pitched down)
Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete ya No quiero verte acá porfa vete ya (2x)
La tercera vez, que te vi Llegaste completamente convencido De tu estrategia de conquista Para tenerme en tu bolsillo
La cuarta vez que estuviste aquí Lamentablemente lo recordamos Ahí fue donde descubrí Tus verdaderas intenciones
Cuando me miras, no te miro Todavía me siento incomoda No estoy interesada en tus jugadas No quiero verte más
*Te digo* (pitched down) Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete yaNo quiero verte acá porfa vete ya (2x)
*Te digo* (pitched down)
Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete ya No quiero verte acá porfa vete ya (4x)
EN:
The first time I met you I should have sensed it Very charming and seductive The beautiful Don Juan has come The second time we met You brought a bouquet of a hundred roses A flower for every mistake Every wound, every word, and every Tusa
When you look at me, I don't look at you I still feel uncomfortable I'm not interested in your moves I don't want to see you anymore
* I'm telling you * (pitched down)
Go away now please go away now I don't want to see you here please go now Go away now please go away now I don't want to see you here please go now (2x)
The third time, I saw you You arrived completely convinced Of your strategy of conquest To have me in your pocket
The fourth time you were here Sadly we remember That's where I discovered Your true intentions
When you look at me, I don't look at you I still feel uncomfortable I'm not interested in your moves I don't want to see you anymore
* I'm telling you * (pitched down) Go away now please go away now I don't want to see you here please go now Go away now please go away now I don't want to see you here please go now (2x)
* I'm telling you * (pitched down)
Go away now please go away now I don't want to see you here please go now I don't want to see you here please go now I don't want to see you here please go now (4x)
