Cinematic trailer. Suspenseful and mysterious intro with female voice Cinematic trailer. Suspenseful and mysterious intro with female voice and sound design. Insidious build-up @ 0'38 with ticking FX and cinematic percussion. Imposing and fateful climax @ 1'18 with synthesizer and brass peaks. Final @ 1'54.
Cinematic trailer. Urgent and ghostly intro with sound design Cinematic trailer. Urgent and ghostly intro with sound design featuring a woman's voice, followed by cinematic percussion and FX riser. Heavy build-up @ 0'54 with string ostinato and ticking FX. Imperious climax @ 1'39.
Cinematic trailer. Secret & on hold intro with female voice samples, Cinematic trailer. Secret & on hold intro with female voice samples, sound design, then cinematic impact @ 0'30. Pressing build-up @ 0'52 with synthesizer & arpeggiator. Climax @ 1'30 with interrogative string section, then powerful brass hits. Short but triumphant finale @ 2'20. Back end @ 2'31
Panicked, terrifying, unnatural. Large bass sweeps in with vocals. Panicked, terrifying, unnatural. Large bass sweeps in with vocals. Breath conveys alarm and urgency, with alien monotone voices offering a sense of horror and dread. Gasping rhythm illustrates an atmosphere made of horror and disquiet which explodes at 01:26. Running away from a strange evil alien force.
Panicked, terrifying, unnatural. Laboured breathing conveys alarm and Panicked, terrifying, unnatural. Laboured breathing conveys alarm and urgency, with as bass tone sets a threshold of panic and worry. Gasping rhythm illustrates an atmosphere made of horror and disquiet which explodes at 01:26. Running away from a strange evil alien force. Vocal version.
Panicked, terrifying, unnatural. Large bass sweeps in with strange Panicked, terrifying, unnatural. Large bass sweeps in with strange vocals. Breath conveys alarm and urgency, with alien monotone voices offering a sense of horror and dread. Gasping rhythm illustrates an atmosphere made of horror and disquiet which explodes at 01:26. Running away from a strange evil alien force. Sparse bed version.
Fractured, ghostly, otherworldly. Rushed burping vocals lead into Fractured, ghostly, otherworldly. Rushed burping vocals lead into echoed female vocals in a ghostly plane with echoing reverb and unpredictable melodies. An unknown place as large impacts hit at 00:48 offering danger and dread. Disaster as electronic screeching bursts out at 01:28, a rough and dreadful moment.
Fractured, ghostly, otherworldly. Rushed burping vocals lead into Fractured, ghostly, otherworldly. Rushed burping vocals lead into echoed female vocals in a ghostly plane with echoing reverb and unpredictable melodies. An unknown place as large impacts hit at 00:48 offering danger and dread. Disaster as electronic screeching bursts out at 01:28, a rough and dreadful moment. No percussion bed version.
Fractured, ghostly, otherworldly. Rushed burping vocals lead into Fractured, ghostly, otherworldly. Rushed burping vocals lead into echoed female vocals in a ghostly plane with echoing reverb and unpredictable melodies. An unknown place filled with mystery and life-threatening peril. Delayed voices and strange throat noises meet with electronic impacts. Sparse bed version.
Hypnotic, sharp, modern. Fast-paced bell synths push out as vocal Hypnotic, sharp, modern. Fast-paced bell synths push out as vocal samples rise up behind, joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Instrumental version.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Stripped back underscore version.
Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal Hypnotic, sharp, modern. Fast-paced bell synths are joined by cymbal percussion. A sense of fun and high-energy dancing as middle-eastern flute plays out melody in phrygian scale. Dubstep-style bass @ 0'35 offers a slick modern vibe. Nice cars driving through a city in Turkey, Dubai or Egypt. Stripped back underscore version.
Classic soul song with modern production. Sensual, provocative, jazzy Classic soul song with modern production. Sensual, provocative, jazzy & mischievous. Female vocals & backing vocals, piano & big band brass. Suggested for striptease, cabaret & suggestive commercials.歌词
Foolin’ around:
Someday, I’ll be as rich as you babe And I won’t have to fool myself, Sleeping right next to you Someday, I’ll leave my blues behind, Get into the groove and ride, I won’t be messing around with you
Ain’t no rain, no rain gonna drown my flame I’ll be finally be free from you babe No more fooling around with you No more losing myself to you No more fooling around with you
Someday I'll be as strong as you, babe And shake off every shade Hiding my face from you
Someday, I'll learn to love my own skin, Break free from the pain within, Of this broken-hearted girl you knew
Ain’t no rain, no rain gonna drown my flame I’ll be finally be free from you babe No more fooling around with you No more losing myself to you No more fooling around with you No more losing myself to you No more fooling around with you No more losing myself for you No more fooling around, no more Fooling myself to you
Classic soul song with modern groovy beat & production. Regains the Classic soul song with modern groovy beat & production. Regains the upper hand and confidence. Hoarse lead female vocals, backing vocals, piano & brass. Suggested for romantic comedies & soulful commercials.歌词
’Til the end Time to feel the breeze Time to live it up Setting myself free I call you out of your bluff
I was down on my knees But now I’m standing tall Surprised I’m still on my feet, child Thank God I didn’t fall
Na-na-na-now that I met you, my sweet friend Now that you’re holding my hand I was just lost in the sand, my sweet man Now I’ll be singing your love till the end ’Til, ’til the end
Time to feel the breeze Time to live it up Setting myself free I call you out of your bluff
I was gone with the wind, But now I’m safe and sound Feel the groove under my skin, Like I’m the queen of time
Na-na-na-now that I met you, my sweet friend Now that you’re holding my hand I was just lost in the sand, my sweet man Now I’ll be singing your love till the end ’Til, ’til the end
Time to feel the breeze Time to live it up Setting myself free I call you out of your bluff (X2)
Classic soul song with modern production. Feeling stronger after Classic soul song with modern production. Feeling stronger after being hurt. Charismatic. Strong soulful female vocals duetting with backing vocals, organ, bass & brass. Suggested for breakup, romance & romantic comedies.歌词
Watch Me Glow
When I gazed into the mirror, I saw A woman who could weather Every storm and strain, When I gazed into my own eyes, I found the fire, Now nothing’s gonna break my reign.
Baby, When the heart got shattered, I learned to fly, I picked up all the pieces, now I’m cruising high, And if you ever wonder how I touched the sky, I’ll spread my wings in silence, I’ll stand tall with pride
Just watch me glow, (Just watch) Just watch me glow, You’ll never know, (You’ll never know, no)
When I rose up from the shadows I found a world of illusions and power, and grace Once you're guided by your own light There’s a future for us, we’ll find millions of ways
They watch me glow up, I know better Wake up and stand tall with pride They watch me glow up, I know better Wake up and stand tall with pride
60s classic soul song with modern production. Light-hearted, 60s classic soul song with modern production. Light-hearted, easy-going & romantic. Female vocals & backing vocals, piano, brass & claps. Suggested for romance, romantic comedies & commercials.歌词
No Shame:
No shame in trying Like a hopeless fool No silver lining Cause I’ve heard it’s you Just feel the winds of change Now my heart belongs to you
One in a thousand My love’s on the lose How lucky’s that hand, What could be the move? Just feel the winds of change Now my heart belongs to you
Feels like a dream When I look into your eyes Your light is blinding And my heart belongs to you
No shame in shining Like a silver moon No gold no diamond All I treasure is you Just feel the winds of change Now my heart belongs to you
No need for riches When I know you’re there You’re making me feel Like a billionaire Just feel the winds of change Now my heart belongs to you
Feels like a dream When I look into your eyes Your light is blinding And my heart belongs to you (X2)
60s classic soul song with modern production. Sentimental, heartfelt 60s classic soul song with modern production. Sentimental, heartfelt & nostalgic. Female vocals & backing vocals, strings, ritornello guitar & organ. Suggested for slow dance, romance & romantic comedies.歌词
Star :
Since you came my way Love is here to stay, am I dreaming Cause you are everything I need Though sometimes I pray We live in a play and there’s nothing Stronger than truth in your eyes
Don’t you ever dare to change for them Cause all I’ve ever cared for is you
Cause you’re a star Yeah you’re a star That’s who you are
Hope it ain’t a joke Cause you set the stroke of my breathing Never felt so good inside,
Is it in your smell ? Cause you put a spell on me, darling Nothing’s worth more than your eyes
It’s like we’ve known each other Since time began Cause all I’ve ever cared for is you
Cause you’re a star Yeah you’re a star That’s who you are (x2)
Nu Soul/R&B. A song about a symbiotic relationship: “There are two Nu Soul/R&B. A song about a symbiotic relationship: “There are two of us and nothing else matters.” Male and female singers, beatmaking, electric guitar, trumpet, synths & Fx. Talkbox @ 2'17.歌词
IT:
Siamo in due e il resto conta zero
Zero
Zero
Oh noi due
Per davvero
Vero
Davvero
Oh noi due
Questa malinconia mi stufa
Ma tu non sei una scusa
Se il mondo mi consuma
La tua calma mi aiuta
E mi tiene qui
Ci sono cose che non dico
Ti trascinerei ma non sono il tipo
Non cerco risposte ma so che
Siamo in due e il resto conta zero
Zero
Zero
Oh noi due
Per davvero
Vero
Davvero
Oh noi due
La mia testa sembra un cinema
Quando inquadra i tuoi occhi
Mando in replay
Lasciarmi cadere che male farà?
Ma la serata è scenica
Esco solo se mi va
E mi va
Ci sono cose che non dico
Ti trascinerei ma non sono il tipo
Non cerco risposte ma so che
Siamo in due e il resto conta zero
Zero
Zero
Oh noi due
Per davvero
Vero
Davvero
Oh noi due
Scelgo dove stare ogni giorno e lo sai
Io resto sempre con te
Mi chiedo chi sono ogni giorno e lo sai
Tu lo sai meglio di me
Siamo in due e il resto conta zero
Zero
Zero
Oh noi due
Per davvero
Vero
Davvero
Oh noi due
ENG:
We’re two and the rest means zero
Zero
Zero
Oh, just us
For real
Real
Real
Oh, just us
This melancholy is wearing me out
But you’re not an excuse
If the world wears me down
Your calm helps me
And keeps me here
There are things I don’t say
I’d pull you in, but I’m not that kind of person
I’m not looking for answers, but I know that
We’re two and the rest means zero
Zero
Zero
Oh, just us
For real
Real
Real
Oh, just us
My head feels like a movie
When I frame your eyes
I hit replay
Let myself fall, how much could it hurt?
But the night feels cinematic
I only go out if I feel like it
And I do
There are things I don’t say
I’d pull you in, but I’m not that kind of person
I’m not looking for answers, but I know that
We’re two and the rest means zero
Zero
Zero
Oh, just us
For real
Real
Real
Oh, just us
I choose where I stand every day, and you know it
I always stay with you
I ask myself who I am every day, and you know
You know it better than I do
We’re two and the rest means zero
Zero
Zero
Oh, just us
For real
Real
Real
Oh, just us
Turkish 60s/70s retro pop/rock with psychedelic rock influences. Turkish 60s/70s retro pop/rock with psychedelic rock influences. Sentimental, melancholic, swinging & bewitching. Singer evoking disillusionment, resilience & melancholy. Bass, drums, electric guitar, MS20 analog synthesizer, ney & baglama saz.歌词
Kara kara düşünerek geçmez ki Ne kışın, baharın
Atı yola salmak lazım,
Gelince, zamanın
Sana yine hep aşk, lazım Ya da kırılır kolun kanadın Yansın,
Vakitsizce ışıkların
Sen yoksan / Ben yoksam Geceleri yeryüzü daha noksan (o) kandırmış, bu kullanmış Dünya dursa hep sen aksan
Çalsın hep, kara düzen
Bana bi tutam hüzün yeter Hamurum bu, bu beden
Ne yapalım, hamama giren terler
*
Peki o ev kimin kafesiydi Yetmedi, bitmedi
Bilmem derdim hangisiydi Hep tüketti, yitirtti
Ah düşe kalka seneler, Hep bu da geçer derler
Sana yine hep aşk, lazım Ya da kırılır kolun kanadın Aksın,
Vakitsizce ırmakların
Sen yoksan / Ben yoksam Geceleri yeryüzü daha noksan (o) kandırmış, bu kullanmış Dünya dursa sen hep kalsan
Lyrics Hande Topaloglu / Eliott Hosansky / Romain Roussouliere
Çalsın hep, kara düzen
Bana bi tutam hüzün yeter Hamurum bu, bu beden
Ne yapalım, hamama giren terler
Sen yoksan / Ben yoksam Geceleri yeryüzü daha noksan (o) kandırmış, bu kullanmış Dünya dursa hep sen aksan
R'n'B. Afropop. Sunny, exotic, sentimental & bright. Sung in French. R'n'B. Afropop. Sunny, exotic, sentimental & bright. Sung in French. Female vocalist, synth, bass & rhythm. Suggested for french TV reality, sentimental teen series, littoral & teen lifestyle.歌词
COUPLET 1 On arrête les combats, j’suis d’humeur tropicale J’sors de ma spirale, j’suis en mode festival J’vise un mood optimal, j’mets de côté ma rage, oh yeah Je n’veux plus de rival, juste tourner la page, hmmm
Que des galères, que des galères, stop Manque de repères, donc je me perds, stop Fini les retours en arrière, stop Ouuuuh ouh ouh
REFRAIN Allez bye-bye, fini les traumas Je n’veux plus de ça Nouvel élan, oui, nouvelle balade Je suis plus dans ça
Ta ta ta, ça fait Ta ta, rata tata ta Ta ta ta, ça fait Ta ta, rata tata ta
COUPLET 2 Oui c’est la vie, c’est la vie, c’est la vie J’privilégie mes envies, c’est la vie Trop à l’aise dans mes baskets Kiffer la vibe, c’est ma recette
Je vais de l’avant, comme auparavant Dorénavant, j’avance sûrement
Que des galères, que des galères, stop Manque de repères, donc je me perds, stop Fini les retours en arrière, stop Ouuuuh ouh ouh
REFRAIN Allez bye-bye, fini les traumas Je n’veux plus de ça Nouvel élan, oui, nouvelle balade Je suis plus dans ça
Ta ta ta, ça fait Ta ta, rata tata ta Ta ta ta, ça fait Ta ta, rata tata ta
PONT Ta ta tata ta taaaa (x2)
REFRAIN FINAL Et je n’veux plus de ça
Allez bye-bye, fini les traumas Je n’veux plus de ça Nouvel élan, oui, nouvelle balade Je suis plus dans ça
Ta ta ta, ça fait Ta ta, rata tata ta Ta ta ta, ça fait Ta ta, rata tata ta
R'n'B. Zouk. Afropop. Attitude, sentimental & rhythmic. Sung in R'n'B. Zouk. Afropop. Attitude, sentimental & rhythmic. Sung in French. Singer, electric guitar, bass & rhythm. Suggested for teen romance, sentimental French teen series, lifestyle & French TV reality.歌词
COUPLET 1 Ton regard me fait décoller Ton visage, t’as tout pour me faire planer Entre nous, ça a tout de suite collé, hmmm Pour nous deux t’étais prêt à tout donner
Sans regret, le passé j’ai laissé Pas de vice, nous deux c’est copié collé, eh eh Pas d'buzz, non pas d’artifice Baby, c’est que du love J’suis prête à tout sacrifier Nous deux c’est pour de bon
REFRAIN Pour toi, pour moi, l’avenir sans forcer T’es mon crush à vie Partir, m’enfuir, j’te suis les yeux fermés T’es mon crush à vie
Personne peut nous diviser, eh eh Pas de moi sans toi, eh eh eh eh Personne peut nous diviser, eh eh Pas de toi sans moi, eh eh eh eh
COUPLET 2 Quand on s’aime, ils veulent nous séparer Promets-moi que tu sauras résister Promets-moi que tu ne vas pas lâcher, oooh Prêt à tout, ils veulent nous voir à bout
Mon amour, dis-leur que j’suis ton épouse Tous ces jaloux, faut les mettre à genoux (À genoux, à genoux, à genoux)
Pas d'buzz, non pas d’artifice Baby, c’est que du love J’suis prête à tout sacrifier Nous deux c’est pour de bon
REFRAIN Pour toi, pour moi, l’avenir sans forcer T’es mon crush à vie Partir, m’enfuir, j’te suis les yeux fermés T’es mon crush à vie
Personne peut nous diviser, eh eh Pas de moi sans toi, eh eh eh eh Personne peut nous diviser, eh eh Pas de toi sans moi, eh eh eh eh
PONT Ouuuh Eh eh eh hey Ouuuh Eh eh eh hey
REFRAIN FINAL Pour toi, pour moi, l’avenir sans forcer T’es mon crush à vie Partir, m’enfuir, j’te suis les yeux fermés T’es mon crush à vie
Personne peut nous diviser, eh eh Pas de moi sans toi, eh eh eh eh Personne peut nous diviser, eh eh Pas de toi sans moi, eh eh eh eh
Rustic, ghostly, tired. Organic plucked strings settle next to Rustic, ghostly, tired. Organic plucked strings settle next to haunting echoed vocals, flute winding into emotive melody conveys an elegance. Sadness in a royal court or a place of zen understanding. Momentum grows as instruments build confidence. Plucked motifs sport open-ended conclusions, offering a wistful and wise aura. An older individual contemplating life and tragedy.
Rustic, ghostly, tired. Organic plucked strings settle as soft Rustic, ghostly, tired. Organic plucked strings settle as soft percussive sounds convey a sorrowful momentum. Sadness in a royal court or a place of zen understanding. Plucked motifs sport open-ended conclusions, offering a wistful and wise aura. An older individual contemplating life and tragedy. Stripped back underscore version.
Rustic, ghostly, tired. Organic plucked strings settle next to Rustic, ghostly, tired. Organic plucked strings settle next to haunting echoed vocals. Sadness in a royal court or a place of zen understanding. Plucked motifs sport open-ended conclusions, offering a wistful and wise aura. An older individual contemplating life and tragedy. First alternate version.
Rustic, ghostly, tired. Haunting echoed vocals spread in a cavernous Rustic, ghostly, tired. Haunting echoed vocals spread in a cavernous soundscape. Sadness in a royal court or a place of zen understanding. A wistful and wise aura. An older individual contemplating life and tragedy. Second alternate version.
Indie rock song. Romantic, earnest & bittersweet yet uplifting with Indie rock song. Romantic, earnest & bittersweet yet uplifting with an anthemic chorus & a light 1970s feel. Female vocals, rock band with electric guitar, piano & backing vocals. Suggested for romantic comedy, tv series & romance.歌词
I thought you’d be good for me
How did I get it so wrong?
I thought you’d be there for me
But you were always singing your own song
Sometimes love can be so sweet
Like heaven floating on two feet
Sometimes love is running blind
Sometimes love can change your mind
Sometimes Love is unkind
Love is unkind
Love is unkind
I was always good to you
I never did you wrong
I thought you were a calling
But you were busy stringing me along
Sometimes love can be so sweet
A heart so warm but two cold feet
Sometimes love is so unfair
Sometimes it leaves you gasping for air
Love is unkind
Love is unkind
Love is unkind
Indie rock song. Delightful, cosy & seamless. Mellow female vocals, Indie rock song. Delightful, cosy & seamless. Mellow female vocals, rock band with guitars & synths. Suggested for road trips, romantic comedies, TV shows & classy commercials.歌词
Forget my number
The movie is over
Nothing lasts forever
You’re better off with out me
Keep me at arms reach
Leave me out of it
Nothing comes for free
You’re better off with out me
You’re better off with out me
I can’t hold your hand anymore
You’ve gotta pick yourself up off the floor
Sometimes things hurt but it doesn’t show
Sometimes it feels good letting go
Walk away from it
The sun has set on it
Nothing comes out of it
You’re better off with out me
You’re better off with out me
I can’t hold your hand anymore
You’re gonna pick yourself up off the floor
Sometimes things hurt but it doesn’t show
Sometimes it feels good letting go
Sometimes it feels good letting go
