Majestic, intimidating, sharp. Slow sequence fringed by reverse Majestic, intimidating, sharp. Slow sequence fringed by reverse attack guitars gives a sense of danger and intrigue. Chord sequence offers a enigmatic energy. A strange spaceship on the horizon, mysterious lights in the sky. Thudding impact at 00:47 leads into marching gritty percussion and guitar. A soulful sense of space and magnitude. Sci-fi percussion builds strength. Into explosive moment at 01:26, slow lethargic bending notes gives a sense of otherworldly power.
Majestic, intimidating, sharp. Slow sequence with clear guitar gives Majestic, intimidating, sharp. Slow sequence with clear guitar gives a strange atmosphere. Chord sequence offers a enigmatic energy. A strange spaceship on the horizon, mysterious lights in the sky. Thudding impact at 00:47 leads into marching gritty percussion and guitar. A soulful sense of space and magnitude. Stripped back underscore version.
Majestic, intimidating, sharp. Slow sequence fringed by reverse Majestic, intimidating, sharp. Slow sequence fringed by reverse attack guitars gives a sense of danger and intrigue. Chord sequence offers a enigmatic energy. A strange spaceship on the horizon, mysterious lights in the sky. Thudding impact brings a sense of purpose as strings rise up with grand style. Dirty guitar playing out disquieting sequence gives a coarse and alien vibe. Stripped back underscore version.
Smooth, chilled, meaningful. Rolling afrobeat starts out light, cooed Smooth, chilled, meaningful. Rolling afrobeat starts out light, cooed forward by male vocals. A feeling of tranquility but liveliness, people dancing skilfully in a holiday destination. Beat drops out @ 1'28 with high-pitched vocal samples giving a fresh modern sound. Beat builds back up for cathartic release with noodling guitar and steady bass.歌词
I get many many things wey dey kulu (cool) my heart I swear, You see my omo Tena omo Tena (my girl), na she dey whine am well (In context: You see, my woman is the one who whines it well), This life go easy I know you too can tell, As e dey I roborobo shi shi before pepper go rest (In context: “As it’s moves in circle before money comes”).
Move with the flow, Feeling like a glow, Eye on the ball Like oyoyoyo, Move with the flow, Feeling like a glow like ahh ahhhhh.
Move with the flow, Feeling like a glow, Eye on the ball Like oyoyoyo, Move with the flow, Feeling like a glow like ahh ahhhhh.
Smooth, chilled, meaningful. Rolling afrobeat starts out light. A Smooth, chilled, meaningful. Rolling afrobeat starts out light. A feeling of tranquility but liveliness, people dancing skilfully in a holiday destination. Beat drops out @ 1'28 giving a fresh modern sound. Beat builds back up for cathartic release with noodling guitar and steady bass. Instrumental version.
Smooth, chilled, meaningful. Rich chords search out on back of a Smooth, chilled, meaningful. Rich chords search out on back of a light afrobeat. Into percussion with rumbling bass giving a positive vibe. A feeling of tranquility but liveliness, people dancing skilfully in a holiday destination. Beat builds back up for cathartic release with noodling guitar and steady bass. Stripped back underscore version.
Smooth, chilled, meaningful. Rolling afrobeat starts out light, cooed Smooth, chilled, meaningful. Rolling afrobeat starts out light, cooed by emerging sweet guitar. A feeling of tranquility but liveliness with vocal chants and samples, people dancing skilfully in a holiday destination. Beat drops out @ 1'28 with high-pitched vocal samples giving a fresh modern sound. Alternate version.
Lively, poppy, party. Bright xylophones unfold in a positive melody, Lively, poppy, party. Bright xylophones unfold in a positive melody, luring out guitar into a bouncy afrobeat rhythm. Chanting vocals give a communal feeling of joy and togetherness. Syncopated rhythm and melodic impacts give a buoyant dance vibe. Trumpets break out after cathartic release at 01:27.
Lively, poppy, party. Bright xylophones unfold in a positive melody, Lively, poppy, party. Bright xylophones unfold in a positive melody, luring out guitar into a bouncy afrobeat rhythm. Syncopated rhythm and melodic impacts give a buoyant dance vibe.Trumpets break out after cathartic release @ 1'27. Instrumental version.
Lively, poppy, party. Bright xylophones unfold in a positive melody Lively, poppy, party. Bright xylophones unfold in a positive melody launching into a bouncy afrobeat rhythm. Buoyant dance vibe from upfront bass and shaker percussion. Trumpet impacts @ 1'27 give a fun cheeky energy. Stripped back underscore version.
Lively, poppy, party. Bright xylophones unfold in a positive melody, Lively, poppy, party. Bright xylophones unfold in a positive melody, luring out guitar into a bouncy afrobeat rhythm. Chanting vocals give a communal feeling of joy and togetherness. Syncopated rhythm and melodic impacts give a buoyant dance vibe. Trumpets break out after cathartic release @ 1'27. Alternate version.
Cool, heavy, eerie. High-pitched whistle gives way to light keys, Cool, heavy, eerie. High-pitched whistle gives way to light keys, contrasted by rolling trap bass and chattering hi-hats. Dynamic sound palette gives a unique vibe, before veering off into eerie territory at 00:35 with shrieking subtle strings. Glittery keys struggle under the weight of the beat, giving a sense of fragility amid the determined aura of the bass and drums. Spooky chords @ 1:45 sweep in and out, joined by buzzy guitar.
Cool, heavy, eerie. High-pitched whistle gives way to light keys, Cool, heavy, eerie. High-pitched whistle gives way to light keys, contrasted by rolling trap bass. Dynamic sound palette gives a unique vibe, before veering off into eerie territory at 00:35 with shrieking subtle strings. Glittery keys struggle under the weight of the beat, giving a sense of fragility amid the determined aura of the bass and drums. Spooky chords sweep in and out, joined by buzzy guitar at 01:45. Stripped back underscore version.
Upbeat, stylish, meaningful. Fast-moving bass moves with wah-wah Upbeat, stylish, meaningful. Fast-moving bass moves with wah-wah synth keys as brisk drumbeat picks up the positive tempo. A laidback but energetic vibe, fringed with sunny guitar and plucked strings at 0'28. Indie vibe with organic goodness from real strings and low brass at 1'00. A sunny day and a relaxed vitality.
Upbeat, stylish, meaningful. Fast-moving bass moves with pacy indie Upbeat, stylish, meaningful. Fast-moving bass moves with pacy indie rock drumbeat at a positive tempo. A feeling of organic goodness from real strings and low brass at 01:00. A sunny day and a relaxed vitality. Stripped back underscore version.
Stylish, urgent, tense. Theatrical impacts with strings and piano Stylish, urgent, tense. Theatrical impacts with strings and piano offer a feeling of a climax. A large event getting underway or a chase scene, trickling bass travels in ascending and descending scales offering a dramatic vibe as percussion builds, wah-wah guitars and tight snarework gives a retro 70s vibe.
Stylish, urgent, tense. Theatrical impacts with tight snarework Stylish, urgent, tense. Theatrical impacts with tight snarework offers the feeling of a climax in progress. Trickling bass travels in ascending and descending scales offering a dramatic vibe as percussion builds, sharp synth chords give a retro 70s vibe. Stripped back underscore version.
Caustic and driving jazzy rock with a southwestern influence. Caustic and driving jazzy rock with a southwestern influence. Frenetic dobro and piano. Electric guitar @ 0'43. Quirky finale. Loony in the desert.
Caustic and driving jazzy rock with a southwestern influence. Caustic and driving jazzy rock with a southwestern influence. Frenetic dobro and piano. Quirky finale. Loony in the desert.
Caustic and driving jazzy rock with a southwestern influence. Caustic and driving jazzy rock with a southwestern influence. Frenetic dobro and piano. Quirky finale. Loony in the desert.
Alt-Pop. Upbeat, ironic, dynamic, free & encouraging. Chorus @ 0'37. Alt-Pop. Upbeat, ironic, dynamic, free & encouraging. Chorus @ 0'37. Male vocals, English lyrics, with filtered/saturated effect & pop band (drums, synth, bass & guitar). Music for urban exploration videos, fashion ads & high-energy content.歌词
I step into life of waste,
Becoming waste of the minimum taste.
I'm tunel rider, slick copywriter, sip stiller and a fading glider.
Start scrummage into do-do for fee,
Come on get-up it's time to get free.
But I'm text writer, and timer igniter,
Cause of a party, because i'm Friday exciter
Chorus:
Come on get-up it's time to get free
No longer bound by society
Come on get-up it's time to get free
No longer bound by society
Bridge (multiple times):
Come and get it, come on and get it
Chorus (x2):
Come on get-up it's time to get free
No longer bound by society
Come on get-up it's time to get free
No longer bound by society
I step into life of waste, Becoming waste of the minimum taste. I'm tunel rider, slick copywriter, sip stiller and a fading glider.
Start scrummage into do-do for fee, Come on get-up it's time to get free. But I'm text writer, and timer igniter, Cause of a party, because i'm Friday exciter
Chorus: Come on get-up it's time to get free No longer bound by society Come on get-up it's time to get free No longer bound by society
Bridge (multiple times): Come and get it, come on and get it
Chorus (x2): Come on get-up it's time to get free No longer bound by society Come on get-up it's time to get free No longer bound by society
I step into life of waste, Becoming waste of the minimum taste. I'm tunel rider, slick copywriter, sip stiller and a fading glider.
Start scrummage into do-do for fee, Come on get-up it's time to get free. But I'm text writer, and timer igniter, Cause of a party, because i'm Friday exciter
Chorus: Come on get-up it's time to get free No longer bound by society Come on get-up it's time to get free No longer bound by society
Bridge (multiple times): Come and get it, come on and get it
Chorus (x2): Come on get-up it's time to get free No longer bound by society Come on get-up it's time to get free No longer bound by society
I step into life of waste, Becoming waste of the minimum taste. I'm tunel rider, slick copywriter, sip stiller and a fading glider.
Start scrummage into do-do for fee, Come on get-up it's time to get free. But I'm text writer, and timer igniter, Cause of a party, because i'm Friday exciter
Chorus: Come on get-up it's time to get free No longer bound by society Come on get-up it's time to get free No longer bound by society
Bridge (multiple times): Come and get it, come on and get it
Chorus (x2): Come on get-up it's time to get free No longer bound by society Come on get-up it's time to get free No longer bound by society
Rough, sharp, dangerous. Muffled ominous bassline plays out at an Rough, sharp, dangerous. Muffled ominous bassline plays out at an energetic pace as scratchy vocals repeat lyrics about a dangerous individual. Rude synth and guitar parts give a post-punk sharpness. Eerie pads fringe instrumentation softly, contrasting chattering stabs of synth, conveying a sense of industrial power. A group of people rising up politically.歌词
You got a weaponised mind, You got a weaponised mind, You got a weaponised mind, You got a weaponised mind.
You forget, What happens, Rhetoric, Hands clapping, Moves slowly, Step by step, Controlling, Lies you're fed.
So what, Got you getting riled up again, Blood clot, Vein pops, As you start to vent, Pre-programmed, Can't escape the dispatch, Broadcast back-track, Didn't mean it like that.
You got a weaponised mind, You got a weaponised mind, You got a weaponised mind, You got a weaponised mind.
Cold regret, Splits atoms, Better stick, To your weapons, Fear growing, Keep your head, Bank rolling, Lies your fed.
Good shot, Get the guns loaded up again, Neighbours watch, Vein pops, As you start to vent, Pre-programmed, Can't escape the dispatch, Broadcast back-track, Didn't mean it like that.
You got a weaponised mind, You do what you have to, You got a weaponised mind, Just do what you came to, You got a weaponised mind, You do what you have to, You got a weaponised mind, Just do what you came to.
You got a weaponised mind, You got a weaponised mind, You got a weaponised mind, You got a weaponised mind.
You got a weaponised mind, You do what you have to, You got a weaponised mind, Just do what you came to, You got a weaponised mind, You do what you have to, You got a weaponised mind, Just do what you came to.
Rough, sharp, dangerous. Muffled ominous bassline plays out at an Rough, sharp, dangerous. Muffled ominous bassline plays out at an energetic pace with shallow drumwork. Rude synth and guitar parts give a post-punk sharpness. Eerie pads fringe instrumentation softly, contrasting chattering stabs of synth, conveying a sense of industrial power. A group of people rising up politically. Instrumental version.
Rough, sharp, dangerous. Muffled ominous bassline plays out at an Rough, sharp, dangerous. Muffled ominous bassline plays out at an energetic pace with shallow drumwork. Heavier drums burst in with force, giving a powerful atmosphere. A group of people rising up politically. Stripped back underscore version.
Melancholy, wistful, dystopian. Rough simple key melody lands on top Melancholy, wistful, dystopian. Rough simple key melody lands on top of a muffled bassline. Restrained bass meets with slow methodical drums as sultry male vocals with lyrics about a pained society built on suffering. A sense of monotony from trip-hop style. Impassioned guitar solo @ 2'05 gives a sense of uncontrollable sombre energy. Ode to a metropolis.歌词
Take what you get, heart pumping, You take what you learnt for free, You fake what you can together, Now lay down, look up, what do you see.
Something blue, You gotta feel like suffering through, Monday, make do, Yeah some day, you're gonna break through.
Take what you get, heart pumping, You take what you learnt for free, So pick your battles, Still got your head up in the clouds, Cages you rattle, Ring true, familiar sounds.
Something blue, You gotta feel like suffering through, Monday, make do, Yeah some day, you're gonna break through.
Something blue, You gotta feel like suffering through, Monday, make do, Yeah some day, you're gonna break through.
Melancholy, wistful, dystopian. Rough simple key melody lands on top Melancholy, wistful, dystopian. Rough simple key melody lands on top of a muffled bassline. Restrained bass meets with slow methodical drums. Sludgy bassline gives a sense of a struggle, matched by the monotony of trip-hop style. Impassioned guitar solo at 02:05 gives a sense of uncontrollable sombre energy. Ode to a metropolis. Instrumental version.
Melancholy, wistful, dystopian. Muffled bassline meets with simply Melancholy, wistful, dystopian. Muffled bassline meets with simply dirty drumline conveying a monotonous trip-hop style. Piano and sombre euphoric elements give a sense of struggle and melancholic force. Stripped back underscore version.
Rough, anticipatory, spooky. Low bass thuds along with kick drum as Rough, anticipatory, spooky. Low bass thuds along with kick drum as heavy drumming launches forward with a sadistic rock energy. Synths begin to layer futuristic beeping melodies as bass lifts at 00:34 to convey an emotive moment. Dirty guitar enters, offering more rock power. A sense of exploration but danger. Wobbling guitar tone gives a sense of eerie terror.
Rough, anticipatory, spooky. Low bass thuds along with kick drum as Rough, anticipatory, spooky. Low bass thuds along with kick drum as heavy drumming launches forward with a sadistic rock energy. Dirty guitar enters, offering a rock energy. A sense of exploration but danger. Wobbling guitar tone gives a sense of eerie terror. Stripped back underscore version.
Dirty, determined, sadistic. Rock bass pushes out with a rough rhythm Dirty, determined, sadistic. Rock bass pushes out with a rough rhythm as male vocals whisper with a charismatic enigmatic vibe. Sturdy drums burst through giving a strong backbone to a determined driven spirit. Synth arpeggiations offer a sense of dystopian. Neon green materials and industrial backdrop, supported by phased vocals.歌词
Hmm I'm well, What did you want me to say, I got the same new reasons, Why I don't pray, I know there's no way in, That I’ve not ignored, I’ve tallied up the sins, I think Im winning Lord.
Yeah I got, Two halves of a lot some would say, Im on the winning machine, My lucks not going away, You call a straight line crooked, It’s in what you say, Just a sign you're looking, For a way not pay.
To get out of yourself, Become somebody else, It’s a good dream, Like morphine, Like your on screen, Can't wake up, It's a good dream, Like morphine, Like your on screen, Can't wake up.
I'm ok, What you expect me to say, Thought I was the hero, Everything was going my way, Now I got no way out, Can't find an exit here, I scream and I shout, But the words don't come out clear.
To get out of yourself, Become somebody else, It’s a good dream, Like morphine, Like your on screen, Can't wake up, It's a good dream, Like morphine, Like your on screen, Can't wake up.
To get out of yourself, Become somebody else, It’s a good dream, Like morphine, Like your on screen, Can't wake up, It's a good dream, Like morphine, Like your on screen, Can't wake up.
Dirty, determined, sadistic. Rock bass pushes out with a rough Dirty, determined, sadistic. Rock bass pushes out with a rough rhythm. Sturdy drums burst through giving a strong backbone to a determined driven spirit. Synth arpeggiations offer a sense of dystopian. Neon green materials and industrial backdrop. Instrumental version.
Dirty, determined, sadistic. Rock bass pushes out with a rough Dirty, determined, sadistic. Rock bass pushes out with a rough rhythm. Sturdy drums burst through giving a strong backbone to a determined driven spirit. Neon green materials and industrial backdrop. Stripped back underscore version.
Strong, sleazy, loose. Chunky overdriven bassline gives a chaotic Strong, sleazy, loose. Chunky overdriven bassline gives a chaotic texture as male vocals communicate a rebellious, provocative message, teasing about conforming to society. Heavy sharp guitar @ 0'33 gives a thudding energy. A careless coarse atmosphere, contrasted glitchy synths at 00:57. Indie sleaze style.歌词
Hey, Get through the day, If that's what it takes, To fill the space between your ears, Just holding place, Not losing face in all this fear, Familiar taste, Sharp and bitter, All too clear.
Taking a backseat, One with the concrete, Bittersweet heartbeat, You take it for granted, Can't eat, don't sleep, Wasting on the scrap heap, Bittersweet heartbeat, You take it for granted.
No, I'm not alone, Made this a home, Dragged with the undertow, Rest in the deep below, Take what you're owed, Make no mistakes, In the weakness you show.
Taking a backseat, One with the concrete, Bittersweet heartbeat, You take it for granted, Can't eat, don't sleep, Wasting on the scrap heap, Bittersweet heartbeat, You take it for granted.
Never been so low, Never been so low, Never been so low.
Taking a backseat, One with the concrete, Bittersweet heartbeat, You take it for granted, Can't eat, don't sleep, Wasting on the scrap heap, Bittersweet heartbeat, You take it for granted.
Dystopian, dirty, explosive. Coarse texture with scratchy guitar and Dystopian, dirty, explosive. Coarse texture with scratchy guitar and synth support whispered vocals lamenting a futuristic soulless society. Overdriven guitar and bass give a pressurised power, exploding at 00:39. A determination to break out of conforming society. Synth interlude at 01:44 gives a sense of emotion and meaningfulness before another explosion.歌词
Your humanity has become a museum piece, Brutality resurfaces when It's warranted the least, Turns out It's predetermined no evolutionary leap, You suffer but you're earning that proverbial kick in the teeth.
There ain't a lot to me, There ain't a lot to me, What I need to be, No curiosity.
I'm ok, no future, plug me in computer, Have your say, No offence, Enjoy your day, anonymous user.
You view yourself through the lens of all your hopes and dreams, So far from reality it drowns out the screams, From the eminent creeping approach of the thinking machine, Doesn't matter what you feel or say or what you choose to believe.
There ain't a lot to me, There ain't a lot to me, What I need to be, No curiosity.
I'm ok, no future, plug me in computer, Have your say, No offence, Enjoy your day, anonymous user.
Who are you, Who are you.
Anonymous user, There ain't a lot to me, Anonymous user, There ain't a lot to me, Anonymous, Anonymous, User.
Dystopian, dirty, explosive. Coarse texture with scratchy guitar and Dystopian, dirty, explosive. Coarse texture with scratchy guitar and synth give a mean-sounding energy. Overdriven guitar and bass give a pressurised power, exploding at 00:39. A determination to break out of conforming society. Synth interlude at 01:44 gives a sense of emotion and meaningfulness before another explosion. Instrumental version.
Dystopian, dirty, explosive. Coarse texture with synths give a Dystopian, dirty, explosive. Coarse texture with synths give a mean-sounding energy. Overdriven guitar and bass give a pressurised power, exploding at 00:39 with alarm sounding guitar riff. A determination to break out of conforming society. Synth interlude @ 1'44 gives a sense of emotion and meaningfulness before another explosion. Stripped back underscore version.
Bouncy, austere, euphoric. Bubbly synth plays out a downbeat Bouncy, austere, euphoric. Bubbly synth plays out a downbeat sequence, tinged with longing and positivity. Launch into electro beat with wavering pads and heavy 808 kick. Indie guitar picking brings an organic emotion, someone wading through a crowd of people desperate to get to a location or a person.
Bouncy, austere, euphoric. Bubbly synth plays out a downbeat Bouncy, austere, euphoric. Bubbly synth plays out a downbeat sequence, tinged with longing and positivity. Launch into electro beat with wavering pads and heavy 808 kick. Melancholic melody and muted indie guitar bring an organic emotion, someone wading through a crowd of people desperate to get to a location or a person. Stripped back underscore version.
Solemn, emotive, honest. Sorrowful acoustic guitar is joined by Solemn, emotive, honest. Sorrowful acoustic guitar is joined by passionate male choral voices. Lyrics present an individual in deep sadness, expressing feelings of isolation and mental anguish. Shaking voice and impassioned tone illustrate a deeply tear-jerking energy, lending itself to feelings of forgiveness and redemption. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone.歌词
I am a soul for sale, Walking inside a maze, I am a hidden trail, Lost in myself for days, It’s not the life I choose, This is the straw I drew, It’s not the game I play, This is the price I pay.
I'm sorry I'm sorry, For what I've done, I'm sorry I'm sorry, For what I've done.
Plans I had all fall through, The moment that I saw you, Here we go round again, Swept up in your whirlwind, This is the final stand, Beating me down again, All my defences fail, Everything fades away.
I'm sorry I'm sorry, For what I've done, I'm sorry I'm sorry, For what I've done.
Solemn, emotive, honest. Sorrowful acoustic guitar presents an Solemn, emotive, honest. Sorrowful acoustic guitar presents an atmosphere of austere sadness. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone. Instrumental version.
Solemn, emotive, honest. Sorrowful acoustic guitar presents an Solemn, emotive, honest. Sorrowful acoustic guitar presents an atmosphere of austere sadness. Epic electric guitar offers a grandiose feeling, large panoramic landscapes. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone. Stripped back underscore version.
Personal, sombre, vulnerable. Gentle, high-pitched piano offers a Personal, sombre, vulnerable. Gentle, high-pitched piano offers a gentle feeling of melancholic love. Emotive male vocals illustrate a picture of a place in the rain, an individual opening their heart to one person, letting themselves be vulnerable and themselves. Bells and euphoric instrumentation build gently behind singing, a bustling city a sense of loneliness saved by a loved one.歌词
Summer rain hits different when you're in it, But I was inside, waiting for the clouds to move, Doing my thing, I blinked and nearly missed it, There outside in the rain all I saw was you.
All my life, I’d never let nobody see inside.
Only you, Only you.
People use love as a fix here in the city, But time moves fast when you're floating here this high, Fears of a boy fall silent when you with me, I can't wait for the day I call you wife.
Personal, sombre, vulnerable. Gentle, high-pitched piano offers a Personal, sombre, vulnerable. Gentle, high-pitched piano offers a gentle feeling of melancholic love. An individual opening their heart to one person, letting themselves be vulnerable and themselves. Bells and euphoric instrumentation builds, acoustic workings of the piano as notes play gives a sense of closeness and a personal feeling of love and affection. Instrumental version.
Personal, sombre, vulnerable. Gentle, high-pitched piano offers a Personal, sombre, vulnerable. Gentle, high-pitched piano offers a gentle feeling of melancholic love. An individual opening their heart to one person, letting themselves be vulnerable and themselves. Bells and euphoric instrumentation builds, acoustic workings of the piano as notes play gives a sense of closeness and a personal feeling of love and affection. Stripped back underscore version.
