| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Fading Lights [TBX008 - 11] |
0 | 2'08 | Sergey Kolosov | A picked guitar riff starts, building into a driving pop rock track | 体育中的戏剧性 果断 追逐场面 连复段 | Gm | 132 | |||
|
Punk Banzai [TBX008 - 17] |
0 | 1'38 | Sergey Kolosov | Gritty, angular indie punk. Frenetic verses, with straighter more | 团队运动 朗朗上口 连复段 滑行运动 | Am | 148 | |||
|
The Death of Henry [CEO2046 - 2] |
0 | 3'10 | Mark Alberts | Obstinate, heavy & tragic. Electric guitar, male back up vocalist & | 全景图 电吉他效果器 沉重 鼓 | B | 85 | |||
|
Take me to the Mad House [CEO2046 - 7] |
0 | 3'52 | Mark Alberts | Waiting. Underscore. Disturbing & panoramic. Electric guitar, synth & | 气氛 抱歉 全景图 全景 | Dbm | 74 | |||
|
Skull of Hate [CEZ4313 - 1] |
0 | 3'20 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Fatal, martial & obstinate. Intro & changing. Metal band. | 击金属 恐怖片 电吉他效果器 极限运动 | E | 142 | |||
|
Electric Chair [CEZ4313 - 4] |
0 | 4'14 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Inevitable, nervous & urgent. Metal band. | 击金属 电吉他效果器 冲突 双脚低音鼓踏板 | Em | 166 | |||
|
Slasher [CEZ4313 - 10] |
0 | 3'22 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Heavy intro then furious. Rhythm changes. Metal band. | 击金属 恐怖片 节奏改变 电吉他效果器 | Em | 172 | |||
|
Step Back [BIB049 - 12] |
3'26 | Omer Agca, Riah Knight | Low-slung funky rhythm, complete with horn sections, accompanied by a 歌词 | 流行歌曲 态度 女歌手 室外 | Gm | 98 | ||||
|
Step Back Instrumental [BIB049 - 25] |
版本. | 3'24 | Omer Agca, Riah Knight | Low-slung funky rhythm, complete with horn sections. | 态度 室外 节奏布鲁斯 现代 | Gm | 98 | |||
|
Mods and Rockers [CEZ4310 - 2] |
0 | 2'01 | Mark Alberts | British rock of the mid 60's. Solid catchy & positive guitar riff | 连复段 英格兰 朗朗上口 摇滚乐 | Am | 135 | |||
|
Carnaby Street [CEZ4310 - 5] |
0 | 2'18 | Mark Alberts | Uptempo positive guitar riff. Beatlesque. Rock band. | 六十年代 英格兰 电吉他 mersey beat | A | 172 | |||
|
Echo of Liverpool [CEZ4310 - 6] |
2'20 | Mark Alberts | Mersey Beats. Catchy & positive. Rock band with choir. | 六十年代迷幻乐 英格兰 电吉他 六十年代 | A | 124 | ||||
|
Echo of Liverpool Alternate [CEZ4310 - 18] |
版本. | 2'20 | Mark Alberts | Alternate with no choir. Mersey Beats. Catchy & positive. Rock band. | 六十年代迷幻乐 英格兰 电吉他 团队运动 | A | 124 | |||
|
From Memphis to London [CEZ4310 - 7] |
0 | 2'29 | Mark Alberts | British blues. Determined & driving. Rock band with harmonica. | 英国蓝调 动人 电吉他 六十年代 | Bm | 105 | |||
|
How Britain Got the Blues [CEZ4310 - 8] |
0 | 2'35 | Mark Alberts | British blues. Solid standard guitar riff. Rock band with harmonica. | 英国蓝调 果断 连复段 电吉他 | Em | 125 | |||
|
One Night in Soho [CEZ4310 - 9] |
2'38 | Mark Alberts | Romantic soul ballad. in the style of the British bands of the mid | 浪漫喜剧 厨房 电吉他 广告 | A | 108 | ||||
|
One Night in Soho Alternate [CEZ4310 - 19] |
版本. | 2'38 | Mark Alberts | Alternate with no choir. Romantic soul ballad. in the style of the | 浪漫喜剧 电吉他 六十年代 厨房 | A | 108 | |||
|
Groovy Baby [CEZ4310 - 11] |
0 | 2'51 | Mark Alberts | British blues. Positif & lively. Rock band. | 六十年代 电吉他 团队运动 英格兰 | A | 105 | |||
|
Yesterday's Gone [CEZ4310 - 15] |
0 | 1'59 | Mark Alberts | Bristih pop-rock of the mid 60's. Positive & lively. Rock band. | 六十年代 动人 电吉他 mersey beat | A | 94 | |||
|
Burn [BIB055 - 12] |
0 | 1'42 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A sense of impending tension with brooding low looping electric | 企业宣传 抱歉 周期性的 热沙漠 | Am | 60 | |||
|
It's Good to be Bad [CEZ4305 - 3] |
0 | 2'20 | Eric Lohrer | Progressive rock. Wild, urgent & obstinate. Electric guitar, synth & | 果断 车库摇滚 电视连续剧 电吉他 | Am | 156 | |||
|
Ghost Riders [CEZ4305 - 6] |
0 | 1'54 | Franck Fossey | Surf music. Efficient, lively & percussive. Twangy guitar, organ & | 冲浪摇滚 果断 twangy吉他 公路电影 | Am | 155 | |||
|
Gravity [INP004 - 6] |
3'12 | Sergey Kolosov | Desolate and sparse SFX and motifs. Determined war-like drums build | 影院摇滚 气势 动作片 大电影打击乐 | Dm | 78 | ||||
|
Gravity (a) [INP004 - 56] |
版本. | 1'00 | Sergey Kolosov | (60 sec) Desolate and sparse SFX and motifs. Determined war-like | 影院摇滚 气势 动作片 大电影打击乐 | Dm | 78 | |||
|
Gravity (b) [INP004 - 57] |
版本. | 0'30 | Sergey Kolosov | (30 sec) Desolate and sparse SFX and motifs. Determined war-like | 影院摇滚 气势 动作片 大电影打击乐 | Dm | 156 | |||
|
Gravity (c) [INP004 - 58] |
版本. | 0'15 | Sergey Kolosov | (15 sec) Desolate and sparse SFX and motifs. Determined war-like | 影院摇滚 气势 动作片 大电影打击乐 | Dm | 156 | |||
|
Gravity (d) [INP004 - 59] |
版本. | 0'28 | Sergey Kolosov | (Sting) Drums - war-like, determined drums patterns. | 影院摇滚 气势 动作片 大电影打击乐 | Am | 156 | |||
|
Gravity (e) [INP004 - 60] |
版本. | 0'17 | Sergey Kolosov | (Riser) Determined war-like drums build with western-style guitars | 影院摇滚 气势 动作片 大电影打击乐 | Dm | 156 | |||
|
Gravity (f) [INP004 - 61] |
版本. | 0'16 | Sergey Kolosov | (Riser 1) War like Drums and unhinged SFX riser. | 影院摇滚 气势 动作片 大电影打击乐 | Em | 155 | |||
|
Gravity (g) [INP004 - 62] |
版本. | 0'07 | Sergey Kolosov | (Bed) Strings motif. Desolation. Western. | 影院摇滚 气势 动作片 大电影打击乐 | Em | 86 | |||
|
Gravity (h) [INP004 - 63] |
版本. | 0'17 | Sergey Kolosov | (Riser 2) Synth and SFX. | 影院摇滚 气势 动作片 大电影打击乐 | D | 96 |