Expansive, uplifting, positive. Panoramic electric and innocent ...Expansive, uplifting, positive. Panoramic electric and innocent acoustic guitars with upbeat handclaps and playful bass. Builds with euphoric and celebratory wordless vocals, dramatic drums and motivating and happy piano melodies. Exciting and energetic, inspiring indie.
Confident, simple & easy but with a touch of nostalgia. Piano, ...Confident, simple & easy but with a touch of nostalgia. Piano, acoustic guitar & cimbalo. Suggested for family life & cocooning.
USA. Country-rock ballad on a medium tempo. Determined, insistant & ...USA. Country-rock ballad on a medium tempo. Determined, insistant & punctuated. Fuzz pedal steel guitar, banjo, mandolin & rhythm. Suggested for road trip & travelling.
Positive, inspiring, rousing. Delicate, reflective piano drifts with ...Positive, inspiring, rousing. Delicate, reflective piano drifts with dreamy synth atmospheres and string textures. Bright, hopeful synths and pulsing beats join and build a sense of determination and wonder. A light pause brings in a dramatic, epic B section from 01:15, with powerful drums, angelic wordless female vocals, electric guitars and orchestra. Cinematic and climactic trailer cue.
Positive, inspiring, rousing. Delicate, reflective piano drifts with ...Positive, inspiring, rousing. Delicate, reflective piano drifts with dreamy synth atmospheres and string textures. Bright, hopeful synths and pulsing beats join and build a sense of determination and wonder. A light pause brings in a dramatic, epic B section from 01:15, with powerful drums, electric guitars and orchestra. Cinematic and climactic trailer cue.
Positive, inspiring, rousing. Bright, hopeful synths and pulsing ...Positive, inspiring, rousing. Bright, hopeful synths and pulsing beats create a rousing energy with powerful drums, angelic wordless female vocals, electric guitars and orchestra. Cinematic and climactic trailer cue.
Hopeful, light, organic. Positive, innocent hang drum melodies are ...Hopeful, light, organic. Positive, innocent hang drum melodies are joined by atmospheric strings in emotive, happy melodies. Bridge of strings and delicate piano from 00:57 builds again to bright, happy sections. Springlike, uplifting contemporary classical cue full of heart.
Hopeful, light, organic. Positive, innocent hang drum melodies are ...Hopeful, light, organic. Positive, innocent hang drum melodies are joined by atmospheric strings in emotive, happy melodies. Springlike, uplifting contemporary classical cue full of heart.
Happy, uplifting, positive. Bright, propulsive mallets with playful ...Happy, uplifting, positive. Bright, propulsive mallets with playful hang drum textures. Friendly melodies weave with emotive, reflective long strings, bringing a sense of inspiring hope. Organic bed with an expansive finale with chimes, and motivating short string chugs bringing an investigative, news / newsbed feel.
Happy, uplifting, positive. Bright, propulsive mallets with playful ...Happy, uplifting, positive. Bright, propulsive mallets with playful hang drum textures. Friendly melodies weave with emotive, reflective long strings, bringing a sense of inspiring hope. Organic bed with an expansive finale with chimes, and motivating short string chugs bringing an investigative, news / newsbed feel.
Mysterious, dreamy, suspenseful. Bright, investigative synths with ...Mysterious, dreamy, suspenseful. Bright, investigative synths with strummed mandolin are joined by brooding piano and hypnotic atmospheres. Ticking percussion joins at 00:41, becoming more propulsive and positive, with bright chiming mallets. Eerie bridge from 01:21 builds again to a determined and warm finale.
Mysterious, dreamy, suspenseful. Brooding piano is joined by bright, ...Mysterious, dreamy, suspenseful. Brooding piano is joined by bright, investigative synths, strummed mandolin, hypnotic atmospheres and ticking percussion. Becomes more propulsive and positive with bright chiming mallets as it builds to a determined and warm finale.
Song. 1880. Sung in Napolitan. Dancing & joyful. Male voice, piano, ...Song. 1880. Sung in Napolitan. Dancing & joyful. Male voice, piano, mandolin, acoustic guitar, flutes & tambourin.歌词
Napoletano:Aieressera, oì nanninè, me ne sagliette, tu saie addò tu saie addò Addò 'stu core 'ngrato cchiù dispietto farme nun pò! Addò lo fuoco coce, ma si fuie Te lassa sta! E nun te corre appriesso, nun te struie, 'ncielo a guardà!... Jammo, jammo 'ncoppa, jammo jà, Funiculì, funiculà! Né... jammo da la terra a la montagna! no passo nc'è! Se vede Francia, Proceta e la Spagna... Io veco a tte! Tirato co la fune, ditto 'nfatto, 'ncielo se va.. Se va comm' 'à lu viento a l'intrasatto, guè, saglie sà! Jammo, jammo 'ncoppa, jammo jà, Funiculì, funiculà! Se n' 'è sagliuta, oì né, se n' 'è sagliuta la capa già! È gghiuta, pò è turnata, pò è venuta... Sta sempe ccà! La capa vota, vota, attuorno, attuorno, Attuorno a tte! Sto core canta sempe Nu taluorno Sposammo, oì né! Jammo, jammo 'ncoppa, jammo jà, Funiculì, funiculà!
Français:Hier soir, Annette, je suis monté Devine où ? Où ce cœur ingrat ne peut plus m'embêter! Là où le feu brûle, mais si tu te sauves Il te laisse tranquille Et ne te poursuit pas, ni ne se lasse de contempler le ciel! Allons, allons, au sommet allons-y ! Allons, allons, au sommet allons-y ! Funiculi, funiculè, funiculi, funiculaire ! Allons au sommet, funiculì, funiculaire ! Allons de la terre à la montagne, il n'y a qu'un pas. On voit la France, Procida et l'Espagne, moi je te vois toi! Avec le funiculaire, aussitôt dit aussitôt fait, nous sommes montés au ciel... Allons comme le vent, montons, montons! Allons, allons, au sommet allons-y ! Allons, allons, au sommet allons-y ! Funiculi, funiculè, funiculi, funiculaire! Allons au sommet, funiculì, funiculaire! Si on ne l'a pas perdue, Annette, si on n'a pas encore perdu la tête, Elle y est allée, a tourné, en est revenue, et elle est toujours là! La tête tourne, tourne autour, autour de toi ! Et mon cœur chante toujours: un jour Annette épouse-moi! Allons, allons, au sommet allons-y ! Allons, allons, au sommet allons-y ! Funiculi, funiculè, funiculi, funiculaire! Allons au sommet, funiculì, funiculaire !
English: I climbed up high this evening, oh, Nanetta,Do you know where? Do you know where?Where this ungrateful heartNo longer pains me! No longer pains me!Where fire burns, but if you run away,It lets you be, it lets you be!It doesn't follow after or torment youJust with a look, just with a look. Let's go, let's go! To the top we'll go!Let's go, let's go! To the top we'll go!Funiculi, funicula, funiculi, funicula!To the top we'll go, funiculi, funicula!Let's go from here below up to the mountain,A step away! A step away!You can see France, Procida, and Spain,And I see you! And I see you!You rise, pulled by a cable, quick as a wink,Into the sky! Into the sky!We'll rise up like a whirlwind all of a suddenKnows how to do! Knows how to do! Let's go, let's go! To the top we'll go!Let's go, let's go! To the top we'll go!Funiculi, funicula, funiculi, funicula!To the top we'll go, funiculi, funicula!The car has climbed up high, see, climbed up high now,Right to the top! Right to the top!It went, and turned around, and came back down,And now it's stopped! And now it's stopped!The top is turning round, and round, and round,Around yourself! Around yourself!My heart is singing the same refrain:We should be wed! We should be wed!Let's go, let's go! To the top we'll go!Let's go, let's go! To the top we'll go!Funiculi, funicula, funiculi, funicula!To the top we'll go, funiculi, funicula! p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Arial; color: #000000} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #000000; min-height: 14.0px} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #000000} span.s1 {font-kerning: none} span.s2 {font: 12.0px Arial; font-kerning: none}
Upbeat country & western love song about love betrayed. Male singer, ...Upbeat country & western love song about love betrayed. Male singer, rhythm section, pedal steel & electric guitar lead @ 1'20.歌词
FOOL # 1
CHORUS Am I fool number 1 Or am I fool number 2 Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number 1 fool?
VERSE I spent so much time gettin’ hurt in this race I don’t want to end up in second place
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool?
Instrumental break
VERSE Set ‘em up Joe, and we’ll knock ‘em on down To the potential number one fool in town
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool? If you’re the queen of heartaches, Am I the number one fool?
Underscore. Upbeat country & western typical cue..Rhythm section, ...Underscore. Upbeat country & western typical cue..Rhythm section, pedal steel & electric guitar lead @ 1'20.
Country & western waltz. Sentimental love story & an homage to the ...Country & western waltz. Sentimental love story & an homage to the state of South Carolina (the Palmetto state). Male singer, pedal steel, fiddle & rhythm.歌词
SOUTH CAROLINA WALTZ VERSEIt was early spring Cherry blossoms were bloomin’ And the sun settin’ low in the palmetto sky
Sally Ann took the hand
Of Sir William Lewis And fell in love as they danced to The South Carolina Waltz
VERSE He was a sailor Who came from South Hampton From a ship building family, though we never pried Sally Ann had her man, Sir William Lewis And they danced and they swayed to the South Carolina Waltz
CHORUS We always knew
That it was forever Like the dawn of the rest of their lives From that night on, they were always together Side By Side
VERSE It was late in the fall When winter came callin’ And the sun sinkin’ low in the palmetto sky Sally Ann took the hand of sir William Lewis And they sailed off together for a late sunset ride But the autumn winds can be unforgiving And from out of nowhere their boat capsized And Sally Ann grabbed the hand of Sir William Lewis And we found them together on the shore where they died
Short Instrumental break
Now it’s early spring Cherry blossoms are bloomin’ And the sun settin’ low in the palmetto sky
Upbeat, positive, playful. Propulsive rock cue with happy electric ...Upbeat, positive, playful. Propulsive rock cue with happy electric guitar riffs and atmospheric synth pulses. New wave fun which builds from hopeful, motivating verses to carefree choruses and a rousing finale.
Upbeat, positive, playful. Propulsive rock cue with happy electric ...Upbeat, positive, playful. Propulsive rock cue with happy electric guitar riffs and atmospheric synth pulses. New wave fun which builds from a hopeful, motivating verse to a carefree and rousing finale.