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原声吉他| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Charango Fiel Companero [OCR582037 - 11] |
0 | 3'31 | Julio Benavente Diaz | Wayno. Traditional male singer, acoustic guitar & charango | 小型八弦 民族 秘鲁 传统男声独唱 | Bm | 89 | |||
|
|
Puna Vizcachita [OCR582037 - 17] |
0 | 2'58 | Julio Benavente Diaz from P.D. | Wayno. Acoustic guitar & charango (Latin-American small guitar). | 小型八弦 民族 秘鲁 古典吉他 | Am | 93 | |||
|
|
Chumbivilcano Kani [OCR582037 - 21] |
0 | 2'12 | Julio Benavente Diaz from P.D. | Wayno. Acoustic guitar & charango (Latin-American small guitar). | 小型八弦 民族 秘鲁 古典吉他 | C | 99 | |||
|
U liutaiu du Pigna [OCR560234 - 12] |
0 | 3'27 | Ange Lanzalavi, Traditional | Declaration of love from a musician to his instrument. Acoustic | cetera 民族 科西嘉岛 曼陀林（全部） | Gm | 126 | |||
|
|
Quadrigliu [OCR560234 - 21] |
0 | 1'45 | Traditionnal | Quadrille. Acoustic guitar & mandolin duet. | 民族 科西嘉岛 古典吉他 曼陀林（全部） | D | 123 | |||
|
Polska d'Eda [OCR560225 - 11] |
0 | 1'55 | Traditionnal | Polska. Solo acoustic guitar. | 民族 波兰音乐 瑞典 民族吉他 | C | 151 | |||
|
Divertimento [OCR560208 - 1] |
0 | 2'00 | Los Lamas Trio | Study for lute. Cuban lute, tres & acoustic guitar trio. | 民族 古巴琵琶 古巴 tres | Bm | 112 | |||
|
Tchani Pamôdi [OCR560132 - 1] |
0 | 12'13 | Traditionnal | "Tchani, why?". About Tchani, an appaling crook who takes advantage | cimboa 民族 佛得角 巴突克舞 | Gm | 81 | |||
|
|
Baxu Cama [OCR560132 - 2] |
0 | 9'42 | Traditionnal | "Under the bed". This euphoric song pays homage to the unmatched | cimboa 民族 佛得角 女声民族合唱团 | Gm | 83 | |||
|
|
Santa Catarina [OCR560132 - 3] |
0 | 11'53 | Traditionnal | This song reflects a strong concern about the short-term future of | cimboa 民族 佛得角 女声民族合唱团 | Abm | 82 | |||
|
|
Dotor Ki Flâ [OCR560132 - 4] |
0 | 8'25 | Traditionnal | "It's the doctor speaking". Song in praise of virility. Acoustic | cimboa 民族 佛得角 女声民族合唱团 | Gm | 81 | |||
|
|
Sambuna E Finacon [OCR560132 - 5] |
0 | 16'13 | Traditionnal | About events which have affected the community. Acoustic guitar, | cimboa 民族 佛得角 女声民族合唱团 | Bb | 80 | |||
|
|
Reforma Agrária [OCR560132 - 6] |
0 | 7'01 | Traditionnal | "Agrarian reform". This song pays homage to the memory of Amilcar | cimboa 民族 佛得角 女声民族合唱团 | Eb | 82 | |||
|
|
Brinca Sima Minino [OCR560132 - 7] |
0 | 9'05 | Traditionnal | "I'm playing like a child". Acoustic guitar, cimboa (Cape Verdean | cimboa 民族 佛得角 女声民族合唱团 | Gm | 83 | |||
|
Llevando a Santiago [CEO2003 - 9] |
0 | 2'08 | Selma Mutal | Intimate & dark. Piano, acoustic guitar & strings. | 内心活动 耐心 精致 社会悲剧 | Em | 89 | |||
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|
La Despedida [CEO2003 - 12] |
0 | 1'04 | Selma Mutal | Moving & nostalgic. Charango, acoustic guitar & piano. | 爱情 社会悲剧 内心活动 忧伤 | Gm | 93 | |||
|
U [OCR560189 - 1] |
0 | 2'23 | Josepa Blasco from P.D. | Catalan song. Female voice, acoustic guitar, guitarro & small wind 歌词 | cant d'estil 华伦西亚语歌唱 人声 民族 | Fm | 99 | |||
|
|
U I Dos [OCR560189 - 2] |
0 | 2'43 | Pilar Garcia from P.D. | Catalan song. Female voice, acoustic guitar, guitarro & small wind 歌词 | cant d'estil 华伦西亚语歌唱 人声 民族 | C | 102 | |||
|
|
Riberenca [OCR560189 - 3] |
0 | 1'29 | José Estellés Fabregues (Xiquet del Carme) from P.D. | Catalan song. Male voice, acoustic guitar, guitarro & small wind 歌词 | cant d'estil 华伦西亚语歌唱 人声 民族 | Am | 102 | |||
|
|
U I Dotze [OCR560189 - 4] |
0 | 2'23 | Josepa Blasco from P.D. | Catalan song. Female voice, acoustic guitar, guitarro & small wind 歌词 | cant d'estil 华伦西亚语歌唱 人声 民族 | G | 106 |
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