Spirited, bouncy, soulful. Rapid-fire drums play out welcoming in Spirited, bouncy, soulful. Rapid-fire drums play out welcoming in brass and guitar, sharp chords give a feeling of fast momentum. An individual rushing to work in the big city, trying to make ends meet. A rushed and frantic energy from tempo. Droning saxophone at 01:20 conveys a half-broken spirit thrashing against the world, the big city. Conversational instrumentalists offer communal help and spirit.
Spirited, bouncy, soulful. Rapid-fire drums play out welcoming in Spirited, bouncy, soulful. Rapid-fire drums play out welcoming in guitar and quick, pacy bass. Sharp brass interjections give fast momentum. An individual rushing to work in the big city, trying to make ends meet. A rushed and frantic energy from tempo. Conversational instrumentalists offer communal help and spirit. Stripped back underscore version.
Big Beat song. 1990s. Cheerful, childlike & catchy. Male vocals, Big Beat song. 1990s. Cheerful, childlike & catchy. Male vocals, female & kids backing vocals, electric guitar & bouncy bass. Break @ 1'26 with playful keyboard. Kid’s dancefloor. Suggested for kids & daytime TV, family comedy & entertainment.歌词
Get Into You
Everything will be alright Don't want to hurt too bad Love is not all over
Oh yeah let me know Everything will be alright You seem so down below.
Don't want to hurt you so bad You need time to be better Love is not all over Call me when you'll feel the passion get into you Get into you
Oh yeah make it slow No you don't need to rush Take time to clear your mind You still will be my crush I know all about the troubles you've been through Call me when you'll feel the passion get into you Get into you / Get into you
Oh yeah let me know Everything will be alright You seem so down below.
Don't want to hurt you so bad You need time to be better Love is not all over Call me when you'll feel the passion get into you Get into you
Oh yeah make it slow No you don't need to rush Take time to clear your mind You still will be my crush I know all about the troubles you've been through Call me when you'll feel the passion get into you Get into you / Get into you
Quaint, natural, hip. Rusty piano offers lo-fi relaxing sequence with Quaint, natural, hip. Rusty piano offers lo-fi relaxing sequence with coarse plucked strings of an old harp. Hip hop beat powers ornate sequence with a sense of momentum, supported by fuzzy bass. Melancholic trumpets @ 0'40 offer a wistful energy. Someone watching clouds roll by, a sense of solemn happiness. Bittersweet goodbyes or the end of something magical.
Quaint, natural, hip. Rusty piano offers lo-fi relaxing sequence with Quaint, natural, hip. Rusty piano offers lo-fi relaxing sequence with coarse plucked strings of an old harp. Melancholic trumpets at @ 0'40 offer a wistful energy. Someone watching clouds roll by, a sense of solemn happiness. Bittersweet goodbyes or the end of something magical. Stripped back underscore version.
1960s Watusi / Twist groove. Playful, colorful & brassy. Lead organ, 1960s Watusi / Twist groove. Playful, colorful & brassy. Lead organ, brass, handclaps, onomatopoeia in a deep male voice & strum guitar. Suggested for home parties, fun promos & retro comedy.
☆ Nominated "Best Soul / R&B" @Production Music Awards UK 2025 ☆ ☆ Nominated "Best Soul / R&B" @Production Music Awards UK 2025 ☆ Nu Soul/R&B. Punchy, groovy & determined. A song that explores the search for peace and stability: "Why would I want to run away? I wouldn’t want to be anywhere else". Beatmaking, singer, electric guitar, FX & electronics.歌词
- Italiano:
Ho scordato la testa nella stanza accanto
Non mi sento calmo se non ci sei tu
Chiuso la mia porta con la chiave dentro
Io mi sono perso e l’hai chiusa tu
Non ho più parole per le mie idee
Vorrei una di quelle sere
Devo riaccendere un lume che non ho
Ho ancora una cosa da fare
Capire cosa ti fa male
Torniamo tra un po’
Mezz’ora, ancora
Ma sono le sei, fuori l’alba ci scalda, vuoi guidare tu?
Sto andando a casa con me
Sei tornato bambino
Non ho più parole per le mie idee
Vorrei una di quelle sere
Tu sai riaccendere un lume
Perché vorrei mai scappare?
Non vorrei essere altrove
- English:
I forgot my head in the next room
I don't feel calm if you're not here
Closed my door with the key inside
I got lost and you closed it
And you closed it
I no longer have words for my ideas
I'd like one of those evenings
I need to relight a lamp that I don't have
I still have one thing to do
To understand what hurts you
We'll be back soon
Half an hour, again
But it's six o'clock, outside the dawn warms us, do you want to drive?
I'm going home with myself
You've become a child again
I no longer have words for my ideas
I'd like one of those evenings
You know how to relight a lamp
Why would I ever want to escape?
I wouldn't want to be anywhere else
-Français:
J'ai oublié ma tête dans la pièce à côté
Je ne me sens pas calme si tu n’es pas là
J’ai fermé ma porte avec la clé à l'intérieur
Je me suis perdu, et c’est toi qui l’as fermée
Je n’ai plus de mots pour mes idées
J’aimerais une de ces soirées
Je dois rallumer une lumière que je n’ai pas
J’ai encore une chose à faire
Comprendre ce qui te fait mal
On revient dans un moment
Une demi-heure, encore
Mais il est six heures, dehors l’aube nous réchauffe, tu veux conduire ?
Je rentre chez moi avec moi-même
Tu es redevenue un enfant
Je n’ai plus de mots pour mes idées
J’aimerais une de ces soirées
Tu sais rallumer une lumière
Pourquoi voudrais-je m’enfuir ?
Je ne voudrais être nulle part ailleurs
Classic soul. Funky, sexy & cool song. Saucy male vocals, groovy Classic soul. Funky, sexy & cool song. Saucy male vocals, groovy bass, claps & light brass in the background. Break @ 1’54 with backing vocals. Suggested for sensual scenes & romantic comedies.歌词
ENG:
Who’s that?
Who’s that funky lady on the dancefloor?
Who's that funky lady bustin moves?
Who’s that funky lady on the dancefloor?
Who's that funky lady bustin moves?
Did she come with you?
Did she come with you?
If she’s all alone, then I gotta make a move.
Which is role play
Gotta get a name and a number.
Perhaps she shares my dirty nasty thoughts.
I've got to see what's underneath the mattress.
I've got to get those sexy long legs in the air.
Chorus:
Who’s that funky lady on the dancefloor?
Who's that funky lady bustin moves?
I gotta make a move
X4
Did she come with you?
Did she come with you?
If she's all alone, yeah, I gotta make a move.
I've got to see her playing without her makeup.
I've got to have her in my bed tonight.
That's my lady, we just role playin’
That's my wife, we just role playin’
That's my lady, we just role playin’.
That's my wife.
Who’s that funky lady on the dancefloor? Who's that funky lady bustin moves?
If she's all alone, yeah, I gotta make a move. If she's all alone, yeah, I gotta make a move. I gotta make a move.
(Chorus).
Yeah, dance dance dance dance for me girl, do that dance.
(Chorus).
I gotta make a move. I gotta make a move. I gotta make a move.
Did she come with you?
That's my lady, we just role playin’.
That's my wife, we just role playin’.
That's my lady, we just role playin’.
That's my wife.
FR:
Qui est-ce?
Qui est cette femme funky sur la piste de danse ?
Qui est cette femme funky qui fait des mouvements ?
Qui est cette femme funky sur la piste de danse ?
Qui est cette femme funky qui fait des mouvements ?
Est-elle venue avec toi ?
Est-elle venue avec toi ?
Si elle est toute seule, alors je dois faire un pas.
C’est un jeu de rôle
Je dois obtenir un nom et un numéro.
Peut-être partage-t-elle mes pensées sales et perverses.
Je dois voir ce qui se cache sous le matelas.
Je dois voir ces longues jambes sexy en l’air.
(Refrain) :
Qui est cette femme funky sur la piste de danse ?
Qui est cette femme funky qui fait des mouvements ?
Je dois faire un pas
X4
Est-elle venue avec toi ?
Est-elle venue avec toi ?
Si elle est toute seule, ouais, je dois faire un pas.
Je dois la voir sans son maquillage.
Je dois l’avoir dans mon lit ce soir.
C’est ma femme, nous jouons juste un rôle.
C’est ma femme, nous jouons juste un rôle.
C’est ma femme, nous jouons juste un rôle.
C’est ma femme.
Qui est cette femme funky sur la piste de danse ? Qui est cette femme funky qui fait des mouvements ?
Si elle est toute seule, ouais, je dois faire un pas. Si elle est toute seule, ouais, je dois faire un pas. Je dois faire un pas.
(Refrain)
Ouais, danse, danse, danse, danse pour moi, fille, fais cette danse.
(Refrain)
Je dois faire un pas. Je dois faire un pas. Je dois faire un pas.
Est-elle venue avec toi ?
C’est ma femme, nous jouons juste un rôle.
C’est ma femme, nous jouons juste un rôle.
C’est ma femme, nous jouons juste un rôle.
C’est ma femme.
Classic soul. Inspirational & spiritual protest song about slavery & Classic soul. Inspirational & spiritual protest song about slavery & religion. Soul band, male singer, soft backing vocals & wah-wah guitar. Suggested for films & human documentaries.歌词
ENG:
I don't need no congregation what if scriptures were a symbol
I don't need to face to his to pray to my God, a year a Sunday morning sermon.
The truth surpasses what any faith can teach. I have the claims that way with the only way to peace.
Is the name of God if guilt unconsciously, mass insanity I don't want none of this. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa.
Why should I care if she called Jehovah? Go to a mosque and pray to Buddha.
Every path needs toleration.
For every man and woman need to find a way to heaven
What do you really know about the book you swear by?
They brought it along with guns and shackles.
But after the greatest lie that's been told to mankind
As the passed down true religion.
The truth surpasses what any faith can teach.
Again the claims that were is the only way to peace.
Is the name of God if guilt unconsciously, mass insanity I don't want none of this. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa.
My people had their Orishas. My people had Ọbàtálá, my people had Òrúnmìlà, my people had Ọ̀ṣun. The truth surpasses what any faith can teach. And yet they claim there is only one way to peace.
Is the name of God if guilt unconsciously, mass insanity I don't want none of this. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa. The people that you got before they knew the Western world, now the truth’s buried forgotten across the shores of Africa.
Chorus
So please, my brother, don't force your ways on me. So please, my sister, don't force your ways on me…
Tell the culprit that I have seen the light, so don't even try it. Don't fuss your ways on me. Let me be. I find my own way to heaven.
FR:
Je n’ai pas besoin de congrégation, et si les écritures étaient un symbole
Je n’ai pas besoin de faire face à lui pour prier mon Dieu, un sermon du dimanche matin chaque année.
La vérité dépasse ce que n'importe quelle foi peut enseigner. J’ai les affirmations que c’est la seule voie vers la paix.
Est-ce au nom de Dieu que la culpabilité se cache inconsciemment, une folie collective dont je ne veux pas.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Pourquoi devrais-je me soucier si elle appelle Jéhovah ? Va à la mosquée et prie Bouddha.
Chaque chemin a besoin de tolérance.
Chaque homme et femme doivent trouver leur propre chemin vers le paradis.
Que sais-tu vraiment du livre sur lequel tu jures ?
Ils l'ont apporté avec des fusils et des chaînes.
Mais après le plus grand mensonge jamais raconté à l’humanité
Comme la véritable religion transmise.
La vérité dépasse ce que n'importe quelle foi peut enseigner.
Encore une fois, les affirmations que c’est la seule voie vers la paix.
Est-ce au nom de Dieu que la culpabilité se cache inconsciemment, une folie collective dont je ne veux pas.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Mon peuple avait ses Orishas. Mon peuple avait Ọbàtálá, mon peuple avait Òrúnmìlà, mon peuple avait Ọ̀ṣun.
La vérité dépasse ce que n'importe quelle foi peut enseigner.
Et pourtant, ils prétendent qu'il n’y a qu'une seule voie vers la paix.
Est-ce au nom de Dieu que la culpabilité se cache inconsciemment, une folie collective dont je ne veux pas.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
Les gens que tu as guidés avant qu’ils ne connaissent le monde occidental, maintenant la vérité est enterrée et oubliée sur les rivages de l'Afrique.
(Refrain)
Alors s'il te plaît, mon frère, ne force pas tes façons sur moi. Alors s'il te plaît, ma sœur, ne force pas tes façons sur moi…
Dis au coupable que j'ai vu la lumière, alors n'essaie même pas. Ne m’impose pas tes façons. Laisse-moi être. Je trouve mon propre chemin vers le paradis.
Classic soul. Confident, catchy & feelgood song. Soul band, elegant Classic soul. Confident, catchy & feelgood song. Soul band, elegant male singer, bright keyboard & backing vocals. Trumpet solo @ 1’20. Suggested for romantic comedies, tv & advertising.歌词
ENG:
We’re heading for a crash, baby
I think it's best we jump out
We might end up on different sides of the road
At least we'll live to see another day, a second chance
Maybe in time we'll heal from this pain
Don't say goodbye, though it's implied
Let time decide the next turn we take
I'm gonna miss our rights, baby
Collisions and the smooth drives
I'm gonna miss the million plans that we made
So long to what could have been
Another day, a second chance
Maybe in time we will repair
Don't say bye -bye, let time decide
The next turn we take.
I'm kissing you the last time, girl, feels as good as the first time.
If everything was as good as the love that we made
I'm sure we would have loved forever.
We'll heal from this pain, then say goodbye, though it's implied.
Let time decide the next turn we take.
Another day, a second chance, maybe when time will heal from this pain.
Don't say goodbye, though it's implied. Let time decide the next turn we take.
We will repair
The next turn we take.
FR:
Nous fonçons vers un crash, bébé
Je pense qu'il vaut mieux que nous sautions.
Nous pourrions finir de différents côtés de la route
Au moins nous vivrons pour voir un autre jour, une seconde chance.
Peut-être qu'avec le temps, nous guérirons de cette douleur.
Ne dis pas au revoir, même si c'est implicite.
Laissons le temps décider du prochain virage que nous prendrons.
Nos moments de bonheur vont me manquer, bébé,
Les collisions et les trajets tranquilles.
Nos millions de projets vont me manquer.
Adieu à ce qui aurait pu être.
Un autre jour, une seconde chance.
Peut-être qu'avec le temps, nous nous réparerons.
Ne dis pas au revoir, laisse le temps décider.
Du prochain virage que nous prendrons.
Je t’embrasse une dernière fois, fille, c'est aussi bon que la première fois.
Si tout était aussi bon que l'amour que nous avons fait,
Je suis sûr que nous nous serions aimés pour toujours.
Nous guérirons de cette douleur, puis dirons au revoir, même si c'est implicite.
Laissons le temps décider du prochain virage que nous prendrons.
Un autre jour, une seconde chance, peut-être que le temps guérira cette douleur.
Ne dis pas au revoir, même si c'est implicite.
Laissons le temps décider du prochain virage que nous prendrons.
Nous nous réparerons.
Le prochain virage que nous prendrons.
Blues-soul. Heartfelt, humble & soulful song. Touching broken male Blues-soul. Heartfelt, humble & soulful song. Touching broken male voice, backing vocals, slide guitar, repetitive bass pattern, organ. Suggested for films & human documentaries.歌词
ENG:
I gave you this, I gave you that
You turn around, you ask for more
Still I give, I give, I give, you never once, say thank you back.
Thank you very much ain’t that ought to say
Thank you very much ain’t that ought to say.
In your defense, you have the nerves
To say to me, your gratefulness
Don't lie in words, and thank you, a merely word.
You’ll have to know
Thank you very much ain’t that ought to say
Thank you very much ain’t that ought to say
Makes me recall someone once said, yeah
Gratitude not expressed is plain only gratitude
Gratitude not expressed is plain only gratitude, didn’t I say.
Thank you very much ain’t that ought to say
Thank you very much ain’t that ought to say.
Merci beaucoup.
Like you very much and very much.
Thank you. Thank you.
FR:
Je t’ai donné ça, je t’ai donné ceci
Tu te retournes, tu en demandes encore
Je donne toujours, je donne, je donne, et tu ne dis jamais une fois merci en retour.
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Et pour te défendre, tu oses
Me dire que ta gratitude
Ne réside pas dans les mots, et qu'un merci est juste un mot.
Tu dois savoir
Qu’un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Ça me rappelle ce que quelqu’un a dit un jour, oui
La gratitude non exprimée n’est que de la gratitude ordinaire
La gratitude non exprimée n’est que de la gratitude ordinaire, n’est-ce pas ce que j’ai dit ?
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Un simple merci, n'est-ce pas ce qu'il faudrait dire ?
Merci beaucoup.
Je t’aime bien, beaucoup, beaucoup.
Merci. Merci.
Positive, hopeful, conclusive. Flighty optimistic instrumentation Positive, hopeful, conclusive. Flighty optimistic instrumentation starts with ornate violin sequence with a swaying positivity. Soaring strings begin to emerge, an excited vibe. An undeniable happiness and hope radiates from determined tone. A bird soaring through the air, or people running into the sunshine. Alternate version.
Positive, hopeful, conclusive. Flighty optimistic instrumentation Positive, hopeful, conclusive. Flighty optimistic instrumentation starts with ornate violin sequence with a swaying positivity, charged with a heavy-set trappy rhythm. Soaring strings begin to emerge, an excited vibe. An undeniable happiness and hope radiates from determined tone. A bird soaring through the air, or people running into the sunshine.
Fun, groovy, slick. Deep bass brass notes play out in a sturdy groove Fun, groovy, slick. Deep bass brass notes play out in a sturdy groove with clapping, joined by lighter sax and trumpets firing out bright and buoyant melodies. Quick-moving drumbeat further accentuates pace. A fast-paced scene, someone rushing through a city, airport or train station, desperate to get somewhere on time. An intro vibe from lively energy. Hand drums give character, a cool city or group of individuals.
Fun, groovy, slick. Deep bass brass notes play out in a sturdy groove Fun, groovy, slick. Deep bass brass notes play out in a sturdy groove with clapping. Fast-paced jazzy drumbeat adds a sense of liveliness and energy. A fast-paced scene, someone rushing through a city, airport or train station, desperate to get somewhere on time. An intro vibe from lively energy. Hand drums give character, a cool city or group of individuals. Stripped back underscore version.
Fun, groovy, slick. Fast-paced drumbeat conjures visions of a busy Fun, groovy, slick. Fast-paced drumbeat conjures visions of a busy city. An intro vibe from lively energy. Hand drums give character, a cool city or group of individuals. Drums only version.
Groovy, laidback, rough. Swirling organ keys give a calm and cool Groovy, laidback, rough. Swirling organ keys give a calm and cool vibe, a hip individual sitting minding their business but keeping watch. A secretive detective or criminal, tone shift @ 0'19 as heavy-handed beat stomps with purpose and weight. Coarse bass and guitar stabs give a dark and dirty energy. A heist or crime in progress.
Groovy, laidback, rough. Swirling organ keys give a calm and cool Groovy, laidback, rough. Swirling organ keys give a calm and cool vibe, a hip individual sitting minding their business but keeping watch. A secretive detective or criminal, tone shift at 00:19 as heavy-handed bass stomps with purpose and weight. A dark and dirty energy, heist or crime in progress. Stripped back underscore version.
Chaotic, ominous and percussive Electro Metal. Punchy drums. Creepy Chaotic, ominous and percussive Electro Metal. Punchy drums. Creepy break at 01:17. From hell to eternity.
