| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Moderato [SIG11042 - 2] |
0 | 4'03 | Pierre Bastien | Lively & bizarre. Muted trumpet, sanza & electronics. | 电子音乐 杂音音乐 催眠 弱音小号 | Gm | 87 | |||
|
Largo [SIG11042 - 5] |
0 | 5'27 | Pierre Bastien | Melancholic & mechanical. Electronics & trumpet. | 电子音乐 反省 忧伤 杂音音乐 | Gm | 114 | |||
|
Andante [SIG11042 - 10] |
0 | 4'51 | Pierre Bastien | Obstinate & mechanichal. Sanza, electronics, muted trumpet & violin @ | 弱音小号 恐怖 杂音音乐 神秘 | Gm | 85 | |||
|
Largo [SIG11042 - 11] |
0 | 4'53 | Pierre Bastien | Dreamy & mechanical. Sanza, prepared trumpet, piano & electronics. | 反省 散扎 弱音小号 小提琴 | D | 85 | |||
|
The African Tale [CEZ4086 - 31] |
0 | 2'20 | Scott Taylor | Childish & poetic. Kalimba, muted trumpet, trombone & bass. | 马戏团 魔术师 动画 童年 | D | 90 | |||
|
Cornered [CEZ4040 - 2] |
0 | 1'59 | Elisabeth Skornik, Guy Skornik | Gritty & tense. Cyclic riff with eerie stabs. | 政治 调查研究 不平稳 紧急 | Ab | 102 | |||
|
After Hours [IOM045 - 5] |
2'27 | David Birnie, Luke Hinchliffe | Fancy, glamorous, fun. Hi hats trickle into bass and drums giving an | 动人 间谍片 舞动 喜庆 | Fm | 118 | ||||
|
After Hours (Underscore) [IOM045 - 19] |
版本. | 2'27 | David Birnie, Luke Hinchliffe | Fancy, glamorous, fun. Hi hats trickle into bass and drums giving an | 动人 间谍片 舞动 喜庆 | Fm | 118 | |||
|
After Hours (Drums Only) [IOM045 - 20] |
版本. | 2'27 | David Birnie, Luke Hinchliffe | Fancy, glamorous, fun. Hi hats trickle into bass and drums giving an | 动人 间谍片 舞动 喜庆 | Cm | 118 | |||
|
Unknown Enemies [CEG5056 - 10] |
2'48 | Airsouth, Tiago Ribeiro | Trip Hop-inspired Electro Jazz. Slow, nocturnal & menacing. | 神秘 夜晚 间谍片 令人不安 | Em | 119 | ||||
|
Unknown Enemies Alternate [CEG5056 - 63] |
版本. | 2'49 | Airsouth, Tiago Ribeiro | Underscore version. | 神秘 夜晚 间谍片 令人不安 | Em | 119 | |||
|
Unknown Enemies Edit 1 (20
[CEG5056 - 64] |
版本. | 0'20 | Airsouth, Tiago Ribeiro | 20 second cut. | 神秘 夜晚 间谍片 令人不安 | Em | 118 | |||
|
Unknown Enemies Edit 2 (30
[CEG5056 - 65] |
版本. | 0'30 | Airsouth, Tiago Ribeiro | 30 second cut. | 神秘 夜晚 间谍片 令人不安 | Em | 118 | |||
|
Unknown Enemies Edit 3 (60
[CEG5056 - 66] |
版本. | 1'00 | Airsouth, Tiago Ribeiro | 60 second cut. | 神秘 夜晚 间谍片 令人不安 | Em | 119 | |||
|
Unknown Enemies Edit 4 (sting) [CEG5056 - 67] |
版本. | 0'18 | Airsouth, Tiago Ribeiro | Sting. | 神秘 夜晚 间谍片 令人不安 | Em | 119 | |||
|
Midnight Shadows [ISC033 - 10] |
0 | 2'48 | Garrett Weyenberg | Cinematic jazz. Floating, panoramic & windy with a touch of | 黑色电影 梦幻 气氛 稳定的 | Gbm | 148 | |||
|
I Just Don't Care [CEZ4511 - 3] |
2'18 |
Sebastijan Duh John Greaves |
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, 歌词 | 夜晚 浪漫喜剧 爵士歌曲 多愁善感 | Am | 67 | ||||
|
I Just Don't Care Version 2 [CEZ4511 - 4] |
版本. | 2'19 |
Sebastijan Duh John Greaves |
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, 歌词 | 多愁善感 内心活动 爵士歌曲 音乐厅 | Am | 133 | |||
|
Film Noir [CEG5030 - 9] |
0 | 0'44 | Paul Martin Pritchard | Puzzling, sensual & sophisticated. Tenor sax trio, double bass & | 间谍片 黑色电影 夜晚 次中音萨克斯风 | Gm | 108 | |||
|
Je m'en Vais [CEO2114 - 20] |
00'59 | Pierre-André Athané, Pablo Pico, Yan Volsy | Childhood. Children. Boastful, wonky & heavy. Brass ensemble & snare | 好玩 滑稽 童年 马戏团动物 | E | 118 | ||||
|
Je m'en Vais Alternate [CEO2114 - 36] |
版本. | 01'03 | Pierre-André Athané, Pablo Pico, Yan Volsy | Childhood. Children. Anticipating. tragi-comic & dreamy. Keyboard, | 悲喜剧 动画 中音单簧管 进行中 | Am | 60 | |||
|
Sharing A Joke [CEZ4401 - 8] |
0 | 2'33 | André Charlier, Benoît Sourisse | 70's - 80's. TV series. Relaxed & carefree. Jazzy. Flute, trumpet, | 美式复古电视剧 七十年代 无忧无虑 动人 | Bb | 120 | |||
|
A Lovely Witch [CEZ4401 - 12] |
0 | 1'35 | André Charlier, Benoît Sourisse | 60's. TV series. Comedy. Jazzy. Joyful & carefree. Big band, bell | 无忧无虑 美式复古电视剧 六十年代 复古电影 | Am | 165 | |||
|
Strolling Down Madison [CEZ4401 - 13] |
2'09 | André Charlier, Benoît Sourisse | 70's - 80's. TV series. Jazzy. Interrogative & relaxed. Alto flûte, | 美式复古电视剧 侦探喜剧 七十年代 美国 | Gm | 109 | ||||
|
Strolling Down Madison
[CEZ4401 - 27] |
版本. | 0'13 | André Charlier, Benoît Sourisse | 50's Final. Mischievous. Vibraphone & brass. | 讽刺 & 恶意 七十年代 美国 疑问 | Eb | 108 | |||
|
The Suspect is Still at Large [CEG5021 - 5] |
2'06 | Abaji | Fast chase, tense, galloping & urgent. Electronics, muted trumpet & | 追逐场面 间谍片 调查研究 固执 | G | 120 | ||||
|
The Suspect is Still at Large
[CEG5021 - 25] |
版本. | 2'04 | Abaji | Alternate without percussion. Tense, narrative & dark. Electronics & | 间谍片 抱歉 悬念 悬念 | G | 117 | |||
|
Sans Témoin [CEZ4400 - 15] |
0 | 2'10 | Julien Vega | 70's French TV detective movie. Sad & desolate. Electric guitar, | 七十年代 警匪片 疑问 电视连续剧 | Fm | 90 | |||
|
Sunset on the Beach [EOS37 - 6] |
0 | 1'53 | Johane Myran | Unclassifiable. Wandering, suspended & melancholic. Acoustic guitar, | 漂泊 不可归类 抱歉 自然灾害 | Bm | 76 | |||
|
King Klang [CCB1026 - 6] |
0 | 1'58 | Ray Bartok | Experimental rock. Carefree, unstable & complex. Rock band. | 试验摇滚 乐队 不稳定 当代艺术 | Gm | 130 | |||
|
Order in Disorder [CEZ4288 - 16] |
2'00 | Eric Daniel | Urgent & disturbing. Rhythm, piano, trumpet & electronics. | 警匪片 调查研究 社会悲剧 节奏乐器组 | Gm | 128 | ||||
|
Order in Disorder Alternate
[CEZ4288 - 40] |
版本. | 1'45 | Eric Daniel | Disturbing & nocturnal. Synth pad, trumpet, piano & electronics. | 伴音 sequencing 漂泊 抱歉 | Bb | 72 |