| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The World of Tomorrow [CEZ4679 - 1] |
2'12 | Pegazi | Electro beat, corporate electro. Bright, confident & federative. | 自信 联盟 电子乐宣传片 令人激动 | D | 114 | ||||
|
The World of Tomorrow Edit 60
[CEZ4679 - 13] |
版本. | 1'00 | Pegazi | 60 second cut. | 自信 联盟 电子乐宣传片 令人激动 | Gbm | 114 | |||
|
The World of Tomorrow Edit 30
[CEZ4679 - 14] |
版本. | 0'30 | Pegazi | 30 second cut. | 自信 联盟 电子乐宣传片 令人激动 | D | 114 | |||
|
The World of Tomorrow Edit 20
[CEZ4679 - 15] |
版本. | 0'20 | Pegazi | 20 second cut. | 自信 联盟 电子乐宣传片 令人激动 | D | 114 | |||
|
The World of Tomorrow Edit
[CEZ4679 - 16] |
版本. | 0'09 | Pegazi | Sting. | 自信 联盟 电子乐宣传片 令人激动 | Bm | 115 | |||
|
Reinventing the Wheel [CEZ4679 - 11] |
4'33 | Joaquim Plossu | Electro beat, corporate electro. Cyclic, uplifting & determined. | 催眠 果断 工业 追逐场面 | Dm | 134 | ||||
|
Reinventing the Wheel
[CEZ4679 - 64] |
版本. | 3'44 | Joaquim Plossu | Extended intro version. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel
[CEZ4679 - 65] |
版本. | 4'13 | Joaquim Plossu | Underscore version. | 催眠 果断 工业 追逐场面 | Gm | 134 | |||
|
Reinventing the Wheel
[CEZ4679 - 66] |
版本. | 3'30 | Joaquim Plossu | Underscore version 2. | 催眠 果断 工业 追逐场面 | Gm | 134 | |||
|
Reinventing the Wheel Edit 60
[CEZ4679 - 67] |
版本. | 1'00 | Joaquim Plossu | 60 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit 30
[CEZ4679 - 68] |
版本. | 0'30 | Joaquim Plossu | 30 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit 20
[CEZ4679 - 69] |
版本. | 0'20 | Joaquim Plossu | 20 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit
[CEZ4679 - 70] |
版本. | 0'10 | Joaquim Plossu | Sting. | 催眠 果断 工业 追逐场面 | Em | 127 | |||
|
Tech Obsession [CEZ4679 - 12] |
2'28 | Veens | Electro beat, corporate electro. Triumphant, modern & rousing. Synth | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | ||||
|
Tech Obsession Edit 60 sec [CEZ4679 - 71] |
版本. | 0'59 | Veens | 60 second cut. | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | |||
|
Tech Obsession Edit 30 sec [CEZ4679 - 72] |
版本. | 0'30 | Veens | 30 second cut. | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | |||
|
Tech Obsession Edit 20 sec [CEZ4679 - 73] |
版本. | 0'20 | Veens | 20 second cut. | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | |||
|
Tech Obsession Edit Sting [CEZ4679 - 74] |
版本. | 0'10 | Veens | Sting. | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | |||
|
The Illusionist [CEZ4673 - 4] |
4'40 | Antoine Berquet | Electro ambient. Introspective, delicate & subtile. Synth & piano. | 通透 精致 背景电子乐 催眠 | Fm | 120 | ||||
|
The Illusionist Edit 60 sec [CEZ4673 - 28] |
版本. | 1'00 | Antoine Berquet | 60 second cut. | 通透 精致 背景电子乐 催眠 | Fm | 121 | |||
|
The Illusionist Edit 30 sec [CEZ4673 - 29] |
版本. | 0'30 | Antoine Berquet | 30 second cut. | 通透 精致 背景电子乐 催眠 | Fm | 122 | |||
|
The Illusionist Edit 20 sec [CEZ4673 - 30] |
版本. | 0'20 | Antoine Berquet | 20 second cut. | 通透 精致 背景电子乐 催眠 | Fm | 118 | |||
|
The Illusionist Edit Sting [CEZ4673 - 31] |
版本. | 0'11 | Antoine Berquet | Sting. | 通透 精致 背景电子乐 催眠 | Db | 123 | |||
|
From The Depths [IOM037 - 3] |
2'07 | David Birnie | Epic, large, cinematic. Quiet atmospheric sound begins to emerge, | 画面感 高潮 史诗 预告片 | Fm | 130 | ||||
|
From The Depths Alt Version [IOM037 - 15] |
版本. | 2'07 | David Birnie | Epic, large, cinematic. Quiet atmospheric sound begins to emerge. A | 画面感 高潮 史诗 预告片 | Fm | 130 | |||
|
From The Depths Underscore [IOM037 - 16] |
版本. | 1'53 | David Birnie | Epic, large, cinematic. Quiet atmospheric sound begins to emerge, | 高潮 史诗 预告片 令人激动 | Fm | 130 | |||
|
From The Depths Percussion
[IOM037 - 17] |
版本. | 1'59 | David Birnie | Epic, large, cinematic. Quiet atmospheric impacts land. A sci fi aura | 画面感 高潮 史诗 预告片 | Gbm | 130 | |||
|
Overdriven [IOM037 - 8] |
2'04 | David Birnie | Cool, exciting, rough. Big exciting beats and metallic FX lead into | 冲突 画面感 影院摇滚 沉重 | Dm | 156 | ||||
|
Overdriven Alt Version [IOM037 - 29] |
版本. | 2'04 | David Birnie | Cool, exciting, rough. Big exciting beats and metallic FX lead into | 冲突 画面感 影院摇滚 冲击 | Dm | 162 | |||
|
Overdriven Underscore [IOM037 - 30] |
版本. | 2'04 | David Birnie | Cool, tense, rough. Echoing metallic FX lead into ticking | 画面感 预告片 高潮 动人 | D | 79 | |||
|
Overdriven Percussion Only [IOM037 - 31] |
版本. | 2'04 | David Birnie | Cool, exciting, rough. Big exciting beats and epic FX lead into heavy | 冲突 画面感 影院摇滚 冲击 | Em | 156 | |||
|
I'm Stronger Now [INP079 - 3] |
2'16 | Sidney Kennedy, Mike Newport | Leader, strong, epic. Big electronic percussive hit leading into slow 歌词 | cinematic pop 史诗 预告片 男歌手 | Am | 100 | ||||
|
I'm Stronger Now Instrumental [INP079 - 18] |
版本. | 2'16 | Sidney Kennedy, Mike Newport | Leader, strong, epic. Big electronic percussive hit leading into slow | cinematic pop 史诗 预告片 命运 | Am | 100 | |||
|
I'm Stronger Now Underscore [INP079 - 19] |
版本. | 2'16 | Sidney Kennedy, Mike Newport | Leader, strong, epic. Slow electronic instrumentation, dripping | cinematic pop 史诗 预告片 命运 | Am | 100 | |||
|
Midnight In The Heartland [TBX223 - 4] |
2'52 | Lee Franklin, Ethan Maltby | Starlit, curious, worried. Echoing percussion and concerned string | 果断 全景 电影原声带 令人激动 | Cm | 120 | ||||
|
Midnight In The Heartland
[TBX223 - 14] |
版本. | 2'52 | Lee Franklin, Ethan Maltby | Starlit, curious, worried. Echoing percussion and concerned string | 果断 全景 电影原声带 令人激动 | Cm | 120 | |||
|
Take Me Back [TBX222 - 4] |
2'45 | Negative One, Ameen Rahman | Reminiscent, wistful, wise. Old school hip hop instrumental rattles 歌词 | boom bap 青春剧 态度 男歌手 | Abm | 100 | ||||
|
Take Me Back Instrumental [TBX222 - 18] |
版本. | 2'45 | Negative One, Ameen Rahman | Reminiscent, wistful, wise. Old school hip hop instrumental rattles | 青春剧 态度 boom bap 动人 | Abm | 100 | |||
|
Take Me Back Underscore [TBX222 - 19] |
版本. | 2'45 | Negative One, Ameen Rahman | Reminiscent, wistful, wise. Old school hip hop instrumental rattles | 青春剧 态度 boom bap 动人 | Abm | 100 | |||
|
Arctic Dawn [TBX221 - 1] |
2'18 | Lizzie Neal | Icy, epic, beautiful. Cold wind and choral pads spread out over a | 画面感 冷沙漠 明朗 全景 | Am | 80 | ||||
|
Arctic Dawn Underscore [TBX221 - 11] |
版本. | 2'16 | Lizzie Neal | Icy, epic, beautiful. Cold wind and choral pads spread out over a | 画面感 冷沙漠 明朗 全景 | C | 118 | |||
|
Race Against the Machine [CEZ4668 - 4] |
3'12 | Laetitia Frenod | Electronic score. Pulsating, dark, synthetic & relentless. 1980s | 追逐场面 进步 合成波 琶音器 | Fm | 116 | ||||
|
Race Against the Machine Edit
[CEZ4668 - 28] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 追逐场面 进步 琶音器 画面感 | Fm | 116 | |||
|
Race Against the Machine Edit
[CEZ4668 - 29] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 追逐场面 进步 琶音器 画面感 | Fm | 116 | |||
|
Race Against the Machine Edit
[CEZ4668 - 30] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 追逐场面 进步 琶音器 画面感 | Fm | 116 | |||
|
Race Against the Machine Sting [CEZ4668 - 31] |
版本. | 0'15 | Laetitia Frenod | Sting | 追逐场面 进步 琶音器 画面感 | Fm | 116 | |||
|
A Flash of Awarness [CEZ4668 - 7] |
2'53 | Laetitia Frenod | Electronic score. Supernatural, hypnotic, bewitching & surreal. Dark | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | ||||
|
A Flash of Awarness Edit 60sec [CEZ4668 - 41] |
版本. | 1'00 | Laetitia Frenod | 60 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Edit 30
[CEZ4668 - 42] |
版本. | 0'30 | Laetitia Frenod | 30 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Edit 20
[CEZ4668 - 43] |
版本. | 0'20 | Laetitia Frenod | 20 second cut | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
A Flash of Awarness Sting [CEZ4668 - 44] |
版本. | 0'22 | Laetitia Frenod | Sting | 周期性的 恐怖片 奇怪 警匪片 | Gm | 112 | |||
|
Unreal Love [ISC102 - 9] |
0 | 1'54 | Gregory Cotti | Emotional soundscape. Romantic, intimate & delicate piano over dreamy | 科学 宁静 悬念 稀疏 | Cm | 74 | |||
|
The Duke [AMS5054 - 4] |
2'01 | Willie Eaglin, Shawn Horton | Boom Bap. Stubborn, eccentric, danceable & quirky. Drums, scratching | 态度 boom bap 周期性的 都市景色 | Dbm | 101 | ||||
|
The Duke Alternate 1 [AMS5054 - 29] |
版本. | 2'01 | Willie Eaglin, Shawn Horton | Drums only version. | 态度 boom bap 周期性的 都市景色 | Abm | 101 | |||
|
The Duke Alternate 2 [AMS5054 - 30] |
版本. | 2'01 | Willie Eaglin, Shawn Horton | Version without drums. | 态度 boom bap 周期性的 都市景色 | Dbm | 101 | |||
|
The Duke Alternate 3 [AMS5054 - 31] |
版本. | 2'01 | Willie Eaglin, Shawn Horton | Instrumental version. | 态度 boom bap 周期性的 都市景色 | Dbm | 101 | |||
|
The Duke Alternate 4 [AMS5054 - 32] |
版本. | 2'01 | Willie Eaglin, Shawn Horton | Underscore version. | 态度 boom bap 周期性的 都市景色 | Dbm | 101 | |||
|
The Duke Edit 1 30 seconds [AMS5054 - 33] |
版本. | 0'30 | Willie Eaglin, Shawn Horton | 30 second cut. | 态度 boom bap 周期性的 都市景色 | Abm | 101 | |||
|
The Duke Edit 2 15 seconds [AMS5054 - 34] |
版本. | 0'16 | Willie Eaglin, Shawn Horton | 15 second cut. | 态度 boom bap 周期性的 都市景色 | Abm | 101 | |||
|
Life Within Comets [CCB1068 - 4] |
2'15 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Bright, mysterious | 神秘 悬念 旋律重复的音乐 耐心 | E | 120 | ||||
|
Life Within Comets Edit 20 sec [CCB1068 - 19] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | 神秘 悬念 旋律重复的音乐 耐心 | E | 89 | |||
|
Life Within Comets Edit 30 sec [CCB1068 - 20] |
版本. | 0'29 | Louis-Ronan Choisy | 30 second cut. | 神秘 悬念 旋律重复的音乐 耐心 | E | 93 | |||
|
Life Within Comets Sting [CCB1068 - 21] |
版本. | 0'20 | Louis-Ronan Choisy | Sting | 神秘 悬念 旋律重复的音乐 耐心 | Abm | 89 | |||
|
Operating System Life Cycle [BIB285 - 5] |
3'57 | James Cameron | Bright, elegant, poppy. Glossy dulcet chords play out with simplistic | 自信 原声电子 伴音 社会悲剧 | Gm | 130 | ||||
|
Operating System Life Cycle
[BIB285 - 19] |
版本. | 3'55 | James Cameron | Bright, elegant, poppy. Glossy dulcet chords play out with simplistic | 自信 伴音 社会悲剧 火热 | Gm | 129 | |||
|
Operating System Life Cycle
[BIB285 - 20] |
版本. | 3'57 | James Cameron | Bright, elegant, poppy. Glossy dulcet chords play out with simplistic | 自信 伴音 社会悲剧 周期性的 | F | 130 | |||
|
Machines We Lost Along The Way [BIB285 - 10] |
3'39 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 电子琴 | Am | 162 | ||||
|
Machines We Lost Along The
[BIB285 - 26] |
版本. | 3'20 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 伴音 | Am | 161 | |||
|
Machines We Lost Along The
[BIB285 - 27] |
版本. | 3'39 | James Cameron | Emotional, striving, determined. Loamy bass bell sets out a forlorn | 周期性的 社会悲剧 夜晚 电子琴 | Am | 80 | |||
|
Chasing The Infinite [INP078 - 2] |
2'39 | Adrien Sabathier, Lucas Safaru | Cool, determined, thoughtful. Sci-fi bassline and strings slink past | 调查研究 画面感 间谍片 阴险 | Am | 146 | ||||
|
Chasing The Infinite
[INP078 - 13] |
版本. | 2'39 | Adrien Sabathier, Lucas Safaru | Cool, determined, thoughtful. Sci-fi bassline and strings slink past | 调查研究 画面感 间谍片 阴险 | Am | 97 | |||
|
Buzz Out [TBX219 - 2] |
2'48 | Sidney Kennedy, Mike Newport | Gritty, fun, thrilling. Squelchy bass hits out with a rapid-fire | 动人 广告 滑行运动 舞动 | Am | 123 | ||||
|
Buzz Out (Underscore) [TBX219 - 16] |
版本. | 2'44 | Sidney Kennedy, Mike Newport | Gritty, fun, thrilling. Squelchy bass hits out with a rapid-fire | 动人 广告 舞动 果断 | Am | 123 | |||
|
Lost Biome [ISC099 - 4] |
4'58 | Loic Ghanem | Cinematic soundscape. Alternating between rhythmic and non-rhythmic | 令人不安 神秘 改变 固执 | Gm | 90 | ||||
|
Lost Biome Alternate [ISC099 - 13] |
版本. | 4'58 | Loic Ghanem | Version without percussion. | 令人不安 神秘 改变 固执 | Gm | 136 |