| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Black Chrome [BIB296 - 8] |
2'29 | Omer Agca | Decadent, cool, deep. Muffled pads open up a stern but unfurling | 冲击 电子琴 沉重 进行曲 | Gm | 94 | ||||
|
Black Chrome (Instrumental) [BIB296 - 29] |
版本. | 2'29 | Omer Agca | Decadent, cool, deep. Muffled pads open up a stern but unfurling | 冲击 电子琴 沉重 进行曲 | Gm | 94 | |||
|
Black Chrome (Bed) [BIB296 - 30] |
版本. | 2'22 | Omer Agca | Decadent, cool, deep. Muffled pads open up a stern but unfurling | 冲击 电子琴 沉重 进行曲 | Gm | 94 | |||
|
In Dub We Trust [ISC114 - 4] |
3'15 | Loïc Ghanem | Down tempo drum & bass. Dub. Cyclic, staggering, hypnotic & rhythmic. | 催眠 固执 周期性的 严谨 | Gm | 124 | ||||
|
In Dub We Trust Alternate [ISC114 - 14] |
版本. | 3'15 | Loïc Ghanem | Version without lead. | 催眠 固执 周期性的 严谨 | Gm | 124 | |||
|
Cloud 9 [ISC114 - 10] |
3'39 | Loïc Ghanem | Liquid Drum & Bass. Uptempo, atmospheric, exhilarating & bright. | 滑行运动 俱乐部 鼓和贝司 令人激动 | Gb | 86 | ||||
|
Cloud 9 Alternate [ISC114 - 18] |
版本. | 3'39 | Loïc Ghanem | Version without lead. | 滑行运动 俱乐部 鼓和贝司 令人激动 | Gb | 85 | |||
|
Cut the Red Wire [CEG5058 - 2] |
0 | 1'08 | Les Cosmonotes | Suspenseful Clockwork. Waiting, undecided, minimal & dark. Metallic | 进行中 悬念 令人不安 时间(滴答声) | Cm | 90 | |||
|
The Doomsday Clock [CEG5058 - 4] |
0 | 1'18 | Les Cosmonotes | Dark Clockwork. Impactful, oppressive, menacing & rushed. Deep | (音效)滴答声 动作游戏 沉重 气势 | Fm | 120 | |||
|
Lost In The Seconds [CEG5058 - 14] |
1'00 | Les Cosmonotes | Creepy Clockwork. Punctuated, suspenseful & insidious. Clocklike & | 灾难 进行中 恐怖片 (音效)滴答声 | Bm | 85 | ||||
|
Lost In The Seconds Alternate [CEG5058 - 18] |
版本. | 1'01 | Les Cosmonotes | Alternate without FX. | 灾难 进行中 恐怖片 (音效)滴答声 | B | 86 | |||
|
Talk Box Dance Beat [CEZ4681 - 2] |
2'42 | Patrice Carrié, Rémi Saboul | Funk talk box. Catchy, uplifting with a booty-shaking vibe. Guitar | 健身 动人 强调突出 电子鼓 | Dm | 115 | ||||
|
Talk Box Dance Beat Alternate [CEZ4681 - 18] |
版本. | 2'40 | Patrice Carrié, Rémi Saboul | Instrumental Version (without talkbox) | 喜庆 舞动 果断 动人 | Dm | 115 | |||
|
Talk Box Dance Beat Edit 1
[CEZ4681 - 19] |
版本. | 1'00 | Patrice Carrié, Rémi Saboul | 60 second cut | 喜庆 舞动 果断 动人 | Dm | 115 | |||
|
Talk Box Dance Beat Edit 2
[CEZ4681 - 20] |
版本. | 0'30 | Patrice Carrié, Rémi Saboul | 30 second cut | 喜庆 舞动 果断 动人 | Dm | 115 | |||
|
Talk Box Dance Beat Edit 3
[CEZ4681 - 21] |
版本. | 0'20 | Patrice Carrié, Rémi Saboul | 20 second cut | 喜庆 舞动 果断 动人 | Dm | 115 | |||
|
Talk Box Dance Beat Edit 4
[CEZ4681 - 22] |
版本. | 0'09 | Patrice Carrié, Rémi Saboul | Sting | 喜庆 舞动 果断 动人 | Dm | 115 | |||
|
Funky Shake it up [CEZ4681 - 9] |
1'51 | Buddy Sativa | Funk talkbox. Stylish, glossy, laid-back & slick. Talkbox vocals, 歌词 | 合成贝斯 明朗 时髦 电子鼓 | Abm | 102 | ||||
|
Funky Shake it up Alternate [CEZ4681 - 54] |
版本. | 1'49 | Buddy Sativa | Version instrumentale (sans talkbox) | 态度 时髦 人物 电声低音 | Abm | 102 | |||
|
Funky Shake it up Edit 1 (60
[CEZ4681 - 55] |
版本. | 1'00 | Buddy Sativa | 60 second cut | 态度 时髦 人物 电声低音 | Abm | 102 | |||
|
Funky Shake it up Edit 2 (30
[CEZ4681 - 56] |
版本. | 0'30 | Buddy Sativa | 30 second cut | 态度 时髦 人物 电声低音 | Ebm | 102 | |||
|
Funky Shake it up Edit 3 (20
[CEZ4681 - 57] |
版本. | 0'20 | Buddy Sativa | 20 second cut | 态度 时髦 人物 电声低音 | Ebm | 102 | |||
|
Funky Shake it up Edit 4
[CEZ4681 - 58] |
版本. | 0'13 | Buddy Sativa | Sting | 态度 时髦 人物 电声低音 | Abm | 102 | |||
|
Half A Lie [AMS5062 - 2] |
2'47 | Anthony Damario, Guillaume Boisseau | Cinematic trailer. Strange & on hold intro with female voice, | 画面感 高潮 令人不安 预告片 | Dm | 125 | ||||
|
Half A Lie Alternate 1 [AMS5062 - 17] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without percussion. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Alternate 2 [AMS5062 - 18] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate with percussion only. | 画面感 高潮 令人不安 预告片 | Ebm | 124 | |||
|
Half A Lie Alternate 3 [AMS5062 - 19] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without string section | 画面感 高潮 令人不安 预告片 | D | 124 | |||
|
Half A Lie Alternate 4 [AMS5062 - 20] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate without choir. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Alternate 5 [AMS5062 - 21] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate bed version. | 画面感 高潮 令人不安 预告片 | D | 125 | |||
|
Half A Lie Alternate 6 [AMS5062 - 22] |
版本. | 2'47 | Anthony Damario, Guillaume Boisseau | Alternate underscore. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Half A Lie Edit 1 30 sec [AMS5062 - 23] |
版本. | 0'34 | Anthony Damario, Guillaume Boisseau | 30 second cut. | 画面感 令人不安 预告片 史诗 | Dm | 125 | |||
|
Half A Lie Edit 2 15 sec [AMS5062 - 24] |
版本. | 0'19 | Anthony Damario, Guillaume Boisseau | 15 second cut. | 画面感 高潮 令人不安 预告片 | Dm | 125 | |||
|
Dark Influence [BIB294 - 4] |
2'26 | Olivier Bibeau | Scared, evil, scheming. Snarling notes rise up into a tick-tock | 画面感 阴险 悬念 军事冲突 | Ebm | 118 | ||||
|
Dark Influence (Underscore) [BIB294 - 17] |
版本. | 2'26 | Olivier Bibeau | Scared, evil, scheming. Snarling notes rise up into a tick-tock | 画面感 阴险 悬念 军事冲突 | Ebm | 118 | |||
|
Dark Influence (Underscore
[BIB294 - 18] |
版本. | 2'26 | Olivier Bibeau | Scared, evil, scheming. Snarling notes rise up into a tick-tock | 画面感 阴险 悬念 军事冲突 | Eb | 118 | |||
|
International Crisis [BIB294 - 8] |
2'20 | Olivier Bibeau | Disastrous, focused, concerned. Serious air emerges immediately from | 阴险 画面感 疑问 调查研究 | A | 86 | ||||
|
International Crisis
[BIB294 - 25] |
版本. | 2'20 | Olivier Bibeau | Disastrous, focused, concerned. Serious air emerges immediately from | 阴险 画面感 疑问 调查研究 | A | 86 | |||
|
International Crisis
[BIB294 - 26] |
版本. | 2'20 | Olivier Bibeau | Disastrous, focused, concerned. Serious air emerges from floating | 阴险 画面感 疑问 调查研究 | A | 86 | |||
|
Warpath [INP082 - 6] |
2'24 | Bradley White | Focused, driven, spiky. Bubbling electronic dissonance lands in | 动作游戏 沉重 固执 垃圾音效 | Bb | 94 | ||||
|
Warpath (Underscore) [INP082 - 16] |
版本. | 2'24 | Bradley White | Focused, driven, spiky. Bubbling electronic dissonance lands in | 电吉他效果器 动作游戏 沉重 固执 | Bbm | 94 | |||
|
Phantom [ISC111 - 5] |
5'58 | Sacha Meyer | Progressive. Melodic techno with an ethnic touch. Steady progression. | 固执 俱乐部 夜晚 气势 | Dbm | 122 | ||||
|
Phantom Alternate [ISC111 - 14] |
版本. | 5'58 | Sacha Meyer | Version without percussion. | 固执 俱乐部 夜晚 气势 | Dbm | 122 | |||
|
Broken Nation [CET9108 - 4] |
2'47 | Giorgos Lorantakis | Electro trailer. Eerie intro. Glitchy build-up @ 0'27 with determined | 沉重 画面感 阴险 动作游戏 | Em | 81 | ||||
|
Broken Nation Alternate [CET9108 - 14] |
版本. | 2'47 | Giorgos Lorantakis | Version without beat. | 沉重 阴险 动作游戏 固执 | Em | 81 | |||
|
Exomental [CET9108 - 6] |
2'37 | Giorgos Lorantakis | Electro trailer. Intro with sounds like the click of a gun & ticking | 科幻片 冲突 画面感 动作游戏 | F | 87 | ||||
|
Exomental Alternate [CET9108 - 16] |
版本. | 2'37 | Giorgos Lorantakis | Version without beat. | 科幻片 冲突 画面感 动作游戏 | F | 117 | |||
|
Ghosts of Tomorrow [CET9108 - 8] |
2'30 | Giorgos Lorantakis | Electro trailer. Ghostly intro with acid-like fx. Fierce build-up @ | 冲突 态度 动作游戏 动人 | Bbm | 98 | ||||
|
Ghosts of Tomorrow Alternate [CET9108 - 18] |
版本. | 2'30 | Giorgos Lorantakis | Version without beat. | 态度 动作游戏 科幻片 预告片 | Bbm | 98 | |||
|
Cryogenic [CET9108 - 10] |
2'25 | Giorgos Lorantakis | Electro trailer. Dark, haunting intro. Heavy build-up @ 0'23 with | 固执 态度 画面感 动人 | Ebm | 84 | ||||
|
Cryogenic Alternate [CET9108 - 20] |
版本. | 2'25 | Giorgos Lorantakis | Version without beat. | 固执 态度 画面感 动作片 | Eb | 83 | |||
|
Still Waters [EOS144 - 4] |
0 | 2'21 | Simon Gruwé | Humid, calm & meditative. Piano, synth, voice & marimba. | 伴音 气氛 安静 悬念 | Bbm | 100 | |||
|
Circles [EOS144 - 7] |
0 | 2'14 | Simon Gruwé | Tense, mysterious & investigative. Electric guitar, synth, marimba, | 伴音 画面感 进行中 神秘 | D | 166 | |||
|
Invasion [EOS144 - 8] |
0 | 2'11 | Simon Gruwé | Ominous, robotic & post-apocalyptic. Piano, synth, percussion. | 伴音 令人不安 神秘 固执 | A | 95 |