| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Structural Waves Part 3 [AUD033 - 3] |
1'20 | Bruno Letort | Conceptual and dissonant mysterious ambient atmosphere. Ondes | 阴险 马特诺音波琴 悬念 无情 | Am | 120 | ||||
|
Structural Waves Part 3 Edit [AUD033 - 8] |
版本. | 0'28 | Bruno Letort | 30 second cut. | 阴险 马特诺音波琴 悬念 无情 | Am | 120 | |||
|
French Party [AUD032 - 3] |
1'55 | Jeremy Louwerse | Medium-fast - Funky, catchy and groovy French Nu Disco. Synth bass | 喜庆 法式 人物 舞动 | Dm | 112 | ||||
|
French Party Edit [AUD032 - 8] |
版本. | 0'20 | Jeremy Louwerse | 15 second cut. | 喜庆 法式 人物 舞动 | Dm | 111 | |||
|
French Party Alternate [AUD032 - 13] |
版本. | 1'55 | Jeremy Louwerse | Alternate version without drums. | 人物 时尚 朗朗上口 舞动 | Dm | 147 | |||
|
Discotronik [AUD032 - 4] |
1'58 | Jeremy Louwerse | Fast - Complex, slightly disjointed yet lively and bright Nu Disco. | 动人 室内乐 时尚 人物 | Bm | 121 | ||||
|
Discotronik Edit [AUD032 - 9] |
版本. | 0'27 | Jeremy Louwerse | 20 second cut. | 动人 室内乐 时尚 人物 | Em | 121 | |||
|
Discotronik Alternate [AUD032 - 14] |
版本. | 1'58 | Jeremy Louwerse | Alternate version without drums. | 室内乐 时尚 人物 沉重 | Em | 122 | |||
|
I Wasn't Looking for War [ISC072 - 3] |
3'28 | Gabriel Saban, IDALIA, Sandia | Epic trailer pop song. Cyclical, discontinuous & supported intro with 歌词 | cinematic pop 令人激动 预告片 史诗 | Gm | 125 | ||||
|
I Wasn't Looking for War
[ISC072 - 13] |
版本. | 3'28 | Gabriel Saban, IDALIA, Sandia | Instrumental version. | cinematic pop 令人激动 预告片 史诗 | Gm | 125 | |||
|
I Wasn't Looking for War
[ISC072 - 14] |
版本. | 3'28 | Gabriel Saban, IDALIA, Sandia | Version without percussion. | cinematic pop 令人激动 预告片 史诗 | Gm | 124 | |||
|
Give It To Me [BIB268 - 7] |
2'03 | Cameron Cloman, Chris Highsmith | Confident, passionate, demanding. Emotive lofi whistling sample is 歌词 | 态度 男歌手 时尚 说唱 | Cm | 96 | ||||
|
Give It To Me (Instrumental) [BIB268 - 23] |
版本. | 2'03 | Cameron Cloman, Chris Highsmith | Confident, passionate, tragic. Emotive lofi whistling sample is taken | 时尚 动人 人物 电子鼓 | Cm | 96 | |||
|
Give It To Me (Underscore) [BIB268 - 24] |
版本. | 2'03 | Cameron Cloman, Chris Highsmith | Confident, passionate, tragic. Emotive lofi whistling sample is taken | 时尚 动人 人物 电子鼓 | Fm | 96 | |||
|
Transmitting Wire [TBX198 - 6] |
2'31 | Sergey Kolosov | Technological, nostalgic, chilled. Rough vintage synth sound plays | 背景电子乐 梦幻 跟踪摄影 气氛 | Gbm | 146 | ||||
|
Transmitting Wire (Underscore) [TBX198 - 17] |
版本. | 2'30 | Sergey Kolosov | Technological, nostalgic, chilled. Rough vintage synth sound plays | 背景电子乐 梦幻 周期性的 反省 | Gbm | 146 | |||
|
Tick Tick Boom [INP071 - 2] |
2'22 | Benjamin Woodbridge | Panicked, theatrical, tense. Ticking FX give an immediate sense of | 画面感 间谍片 无情 时间(滴答声) | Dm | 140 | ||||
|
Tick Tick Boom (Underscore) [INP071 - 13] |
版本. | 2'22 | Benjamin Woodbridge | Panicked, theatrical, tense. Ticking FX give an immediate sense of | 画面感 间谍片 无情 时间(滴答声) | D | 140 | |||
|
Le Monde est à Eux
[CEO2166 - 1] |
0 | 2'07 | Vincent Leibovitz | Electronica/trip-hop, electronical score. Anticipating, thoughtful & | 社会悲剧 electronic score 反省 悬念 | Em | 101 | |||
|
Prise de Conscience [CEO2166 - 3] |
0 | 1'21 | Vincent Leibovitz | Electronica, cinematic. Crescendo intro. Majestic, earnest, dramatic | 庄严 画面感 进步 预告片 | Bm | 117 | |||
|
Nostalgia [EOS118 - 3] |
0 | 3'00 | Astronotes | Strange, tense & melancholic. Waiting with silence. Keyboard & synth. | 气氛 悬念 反省 忧伤 | Cm | 60 | |||
|
Sonder [EOS118 - 4] |
0 | 3'14 | Astronotes | Distant, suspended & reflective. Keyboard, synth & electronic | 电子琴 气氛 悬念 疑问 | Dbm | 60 | |||
|
Loving in Silence [EOS118 - 7] |
0 | 2'40 | Astronotes | Floating, tender & melancholic. Synth, electric guitar, layers. | 气氛 悬念 全景 伴音 | E | 60 | |||
|
We've Been [EOS118 - 8] |
0 | 2'35 | Astronotes | Panoramic, plain & confident. Electric guitar, synth layers. | 悬念 神秘 气氛 令人不安 | Gm | 62 | |||
|
Bloom [EOS118 - 12] |
0 | 3'00 | Astronotes | Restrained, calm & introspective. With silences. Piano & synth. | 气氛 悬念 神秘 抱歉 | Ebm | 118 | |||
|
Future Dream [CET9096 - 3] |
2'46 | Frédéric Texier | Synthwave. 80's Trailer. Dramatic & disorienting intro with | 合成波 画面感 动人 令人激动 | Cm | 118 | ||||
|
Future Dream Alternate 1 [CET9096 - 23] |
版本. | 2'46 | Frédéric Texier | Alternate without percussion. | 合成波 画面感 动人 令人激动 | Cm | 120 | |||
|
Future Dream Alternate 2 [CET9096 - 24] |
版本. | 2'46 | Frédéric Texier | Alternate with percussion only. | 合成波 画面感 动人 令人激动 | Abm | 120 | |||
|
Future Dream Alternate 3 [CET9096 - 25] |
版本. | 2'46 | Frédéric Texier | Alternate "bed". | 合成波 画面感 动人 令人激动 | Cm | 119 | |||
|
Future Dream Alternate 4 [CET9096 - 26] |
版本. | 2'46 | Frédéric Texier | Alternate underscore. | 合成波 画面感 动人 令人激动 | Cm | 120 | |||
|
Future Dream Alternate 5 [CET9096 - 27] |
版本. | 0'29 | Frédéric Texier | 30 second cut. | 合成波 画面感 动人 令人激动 | Cm | 120 | |||
|
Future Dream Alternate 6 [CET9096 - 28] |
版本. | 0'17 | Frédéric Texier | 15 second cut. | 合成波 画面感 动人 令人激动 | Cm | 120 | |||
|
The Call [CET9096 - 5] |
2'38 | Frédéric Texier | Synthwave. 80's Trailer. Dreamy & desolate intro with synthesizer, | 固执 科幻片 模拟合成器 合成波 | Am | 120 | ||||
|
The Call Alternate 1 [CET9096 - 35] |
版本. | 2'38 | Frédéric Texier | Alternate without percussion. | 固执 科幻片 模拟合成器 合成波 | Am | 120 | |||
|
The Call Alternate 2 [CET9096 - 36] |
版本. | 2'38 | Frédéric Texier | Alternate with percussion only. | 固执 科幻片 合成波 预告片 | Gm | 120 | |||
|
The Call Alternate 3 [CET9096 - 37] |
版本. | 2'38 | Frédéric Texier | Alternate "bed". | 固执 科幻片 模拟合成器 合成波 | Am | 120 | |||
|
The Call Alternate 4 [CET9096 - 38] |
版本. | 2'38 | Frédéric Texier | Alternate underscore. | 固执 科幻片 模拟合成器 合成波 | Am | 120 | |||
|
The Call Alternate 5 [CET9096 - 39] |
版本. | 0'33 | Frédéric Texier | 30 second cut. | 固执 科幻片 模拟合成器 合成波 | Am | 120 | |||
|
The Call Alternate 6 [CET9096 - 40] |
版本. | 0'18 | Frédéric Texier | 15 second cut. | 固执 科幻片 模拟合成器 合成波 | Am | 120 | |||
|
Island Resort Dub [CEZ4627 - 4] |
3'11 | Patrice Carrié | Dub electro pop. Positive, sunny, sensual & groovy. Synth, bass, | DUB 节奏感 性感 阳光 | Fm | 104 | ||||
|
Island Resort Dub Edit 1 (30
[CEZ4627 - 44] |
版本. | 0'30 | Patrice Carrié | 30 second cut with children's choir. | DUB 节奏感 性感 阳光 | Fm | 104 | |||
|
Island Resort Dub Edit 2 (15
[CEZ4627 - 45] |
版本. | 0'15 | Patrice Carrié | 15 second cut with children's choir. | DUB 节奏感 性感 阳光 | Fm | 104 | |||
|
Island Resort Dub Edit 3 (15
[CEZ4627 - 46] |
版本. | 0'15 | Patrice Carrié | 15 second cut instrumental. | DUB 节奏感 性感 阳光 | Fm | 104 | |||
|
Desert Drones Part 5 [AUD025 - 5] |
1'58 | Bruno Letort | Medium - Linear and experimental drone. Electronics fx like sandpaper | 背景音 早期艺术 稳定的 稀疏 | Em | 112 | ||||
|
Desert Drones Part 5 Alternate [AUD025 - 10] |
版本. | 0'34 | Bruno Letort | Alternate short version. | 背景音 早期艺术 稳定的 稀疏 | Em | 114 | |||
|
Undertow [AUD024 - 5] |
2'16 | Lee Volfoni | Mid-tempo. Dark and weird synthwave. Repetitive, surreal and ominous | 科幻片 信息技术 恐怖片 阴险 | C | 124 | ||||
|
Undertow Alternate [AUD024 - 10] |
版本. | 0'22 | Lee Volfoni | Alternate short version. | 科幻片 信息技术 恐怖片 阴险 | Cm | 124 | |||
|
Dawn Of A New Age [TBX196 - 8] |
2'50 | Robert Sword, Giles Thomas | Exhilarating, dramatic, graceful. Gentle piano pushes out, emerging | 新古典电音 果断 令人激动 政治 | Gm | 134 | ||||
|
Dawn Of A New Age (Underscore) [TBX196 - 18] |
版本. | 2'50 | Robert Sword, Giles Thomas | Exhilarating, dramatic, graceful. Gentle piano pushes out, emerging | 新古典电音 果断 令人激动 政治 | Gm | 134 |