| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Desert Slowly Wakes [CCB1032 - 18] |
0 | 2'48 | Eric Daniel | Landscape. Mysterious & anticipation. Percussion, e-bow guitar, & | 热沙漠 地理政治 全景图 叙述 | Am | 93 | |||
|
Quantuom Leap [CEZ4329 - 12] |
0 | 3'55 | Tuomas | Electro cinematic / trailer music. Explosive, powerful & grandiose. | 令人激动 豪言壮语 合成合唱 史诗 | Fm | 90 | |||
|
Du Sol se Lever [CEO2060 - 2] |
5'05 | Alice Guerlot Kourouklis | Dreamy, minimalist, delicate & aery. Electronics, electric guitar & | 精致 背景电子乐 天气预告 放松 | Dbm | 90 | ||||
|
Du Sol se Lever Alternate [CEO2060 - 12] |
版本. | 5'05 | Alice Guerlot Kourouklis | Minimalist, suspended, peaceful & delicate. Electronics, Fender | 飞行 极简电子音乐 天气预告 梦幻 | Gbm | 90 | |||
|
Waterobics [CEZ4324 - 13] |
0 | 1'59 | Romain Magnan | Upbeat electro. Rigorous but dreamy & mechanical. Synth & rhythm. | 现代 自信 机械的 时尚 | Am | 120 | |||
|
Machine Drums [INP006 - 6] |
0 | 2'50 | Jeremy Levy | 80's synth infused, dramatic sci-fi trailer score. Driving electronic | 八十年代 气氛 全景 都市景色 | Em | 123 | |||
|
Santa Cruz [CEO2058 - 5] |
0 | 1'48 | Gregory Cotti | Powerful & exhilarating. Constant progression, percussion & cinematic | 小说纪录片 地理政治 大电影打击乐 自信 | C | 127 | |||
|
Manic Episode [CEZ4321 - 1] |
0 | 3'59 | Vincent Leibovitz | Obsessive, mysterious & interrogative. Electronics & organ. | 科幻片 美国独立制片电影 旋律重复的音乐 催眠 | Dm | 133 | |||
|
Here Comes the Fall [CEZ4321 - 6] |
0 | 3'53 | Vincent Leibovitz | Obstinate, frantic & frightening. Electronics, satanic voice & sound | 下降 恐怖 太空 科幻片 | C | 101 | |||
|
Winter Adventure [TBX012 - 2] |
0 | 0'59 | Ethan Maltby | Magical Christmas excitement builds with many useful edit points. | 圣诞节 魔幻电影 仙境 迷人 | C | 149 | |||
|
It's Nearly Christmas [TBX012 - 6] |
0 | 2'43 | Hamish Barnes | Child-like and cute Christmas piece. Fun, gentle and calm. Relaxed | 魔幻电影 媚俗 & 艳俗 圣诞节 电子琴 | Gb | 71 | |||
|
Fading Lights [TBX008 - 11] |
0 | 2'08 | Sergey Kolosov | A picked guitar riff starts, building into a driving pop rock track | 体育中的戏剧性 果断 追逐场面 连复段 | Gm | 132 | |||
|
Punk Banzai [TBX008 - 17] |
0 | 1'38 | Sergey Kolosov | Gritty, angular indie punk. Frenetic verses, with straighter more | 团队运动 朗朗上口 连复段 滑行运动 | Am | 148 | |||
|
Take me to the Mad House [CEO2046 - 7] |
0 | 3'52 | Mark Alberts | Waiting. Underscore. Disturbing & panoramic. Electric guitar, synth & | 气氛 抱歉 全景图 全景 | Dbm | 74 | |||
|
Woodpecker [MAG6025 - 2] |
0 | 1'49 | Yann Kesz | Real hip hop / beatmaking. Sensual, solar & true. Male sampled voice, | BEAT MAKING 自信 时尚 电子鼓 | Abm | 163 | |||
|
Conditioned Reflex [CCB1027 - 9] |
0 | 2'24 | Eric Lohrer, David Taieb | Electro beat. Interrogative but obstinate & jerky. Synth & rhythm. | 固执 严谨 不平稳 循环 | Am | 86 | |||
|
Now We are United [BIB054 - 8] |
0 | 3'22 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Pulsing synths and distorted piano & strings create an atmospheric | 琶音器 神秘 电子 调查研究 | Am | 120 | |||
|
Narcotic Overdose [EOS22 - 6] |
0 | 2'35 | Eric Volpatti | Sound design. Interrogative, cyclic & constant. Piano & electronics. | 严谨 fx backwards 疑问 调查研究 | A | 144 | |||
|
Cell Membranes [EOS22 - 8] |
0 | 2'07 | Eric Volpatti | Sound design. Disturbing, serious & atmospheric. Piano & electronics. | 调查研究 严谨 社会悲剧 fx backwards | Dbm | 162 | |||
|
Critically Ill Patient [EOS22 - 9] |
0 | 1'58 | Eric Volpatti | Sound design. Inexorable, tense & dramatic. Piano & electronics. | 无情 fx backwards 调查研究 神秘 | B | 162 | |||
|
Personal Bond [TBX001 - 8] |
0 | 1'00 | Sergey Kolosov | High energy full band track with a surf guitar feel and epic string | 侦探喜剧 果断 态度 冒险片 | Em | 138 |