| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Drive 'til Infinity [MAG6105 - 10] |
2'49 | Mad Rey | Acid house. Cyclic, regular & obsessive. Synth & rhythm. Ideal for | 动人 夜晚 都市景色 俱乐部 | Gbm | 122 | ||||
|
Drive 'til Infinity Edit 60
[MAG6105 - 49] |
版本. | 1'00 | Mad Rey | 60 second cut. | 动人 夜晚 都市景色 俱乐部 | Gbm | 122 | |||
|
Drive 'til Infinity Edit 30
[MAG6105 - 50] |
版本. | 0'30 | Mad Rey | 30 second cut. | 动人 夜晚 都市景色 俱乐部 | Gbm | 122 | |||
|
Drive 'til Infinity Edit 20
[MAG6105 - 51] |
版本. | 0'20 | Mad Rey | 20 second cut. | 动人 夜晚 都市景色 俱乐部 | Gbm | 122 | |||
|
Drive 'til Infinity Edit Sting [MAG6105 - 52] |
版本. | 0'10 | Mad Rey | Sting. | 动人 夜晚 都市景色 俱乐部 | Gbm | 121 | |||
|
Big Lit Energy [BIB298 - 2] |
1'56 | Olivier Bibeau | Charismatic, bad, pumped. Simple piano tune leads a cool trappy hip 歌词 | 态度 都市景色 青春剧 陷阱音乐 | Bm | 155 | ||||
|
Big Lit Energy (Instrumental) [BIB298 - 13] |
版本. | 1'56 | Olivier Bibeau | Charismatic, bad, pumped. Simple piano tune leads a cool trappy hip | 态度 都市景色 南部脏口 沉重 | Bm | 155 | |||
|
Big Lit Energy (Bed) [BIB298 - 14] |
版本. | 1'56 | Olivier Bibeau | Charismatic, bad, pumped. Simple piano tune leads a cool trappy hip | 态度 都市景色 南部脏口 沉重 | Bm | 155 | |||
|
Make It Rain [BIB298 - 3] |
2'02 | Olivier Bibeau | Invigorating, dirty, empowering. Quiet claps build up with squelchy 歌词 | 现代 态度 广告 时尚 | Cm | 136 | ||||
|
Make It Rain (Instrumental) [BIB298 - 15] |
版本. | 2'02 | Olivier Bibeau | Invigorating, dirty, empowering. Quiet claps build up with squelchy | 现代 态度 广告 时尚 | Ab | 136 | |||
|
Make It Rain (Bed) [BIB298 - 16] |
版本. | 2'02 | Olivier Bibeau | Invigorating, dirty, empowering. Quiet claps build up with squelchy | 现代 态度 广告 时尚 | Ab | 136 | |||
|
Half Time [BIB297 - 10] |
2'10 | Audio Aroma, Ari Goldhand | Powerful, theatrical, strong. Glassy euphoria is sucked up into | 固执 都市景色 态度 阴险 | Db | 142 | ||||
|
Half Time (Instrumental) [BIB297 - 21] |
版本. | 2'10 | Audio Aroma, Ari Goldhand | Powerful, theatrical, strong. Glassy euphoria is sucked up into | 固执 都市景色 态度 阴险 | Db | 142 | |||
|
Half Time (Underscore) [BIB297 - 22] |
版本. | 2'10 | Audio Aroma, Ari Goldhand | Powerful, theatrical, strong. Glassy euphoria meets gritty bassline | 固执 都市景色 态度 阴险 | Dbm | 142 | |||
|
Fury Rising [ISC116 - 4] |
2'03 | Francesco Bondi | Electro. Jerky & discontinuous, constantly progressing. Psychotic, | 神经病 冲突 electro beat 动作片 | D | 90 | ||||
|
Fury Rising Alternate [ISC116 - 17] |
版本. | 2'03 | Francesco Bondi | Version without percussion. | 神经病 冲突 electro beat 动作片 | A | 90 | |||
|
Dark Intentions [ISC116 - 9] |
2'59 | Francesco Bondi | Electro. Long intro that builds up, suspenseful, urgent & unsettling. | 信息技术 令人不安 调查研究 冲突 | Fm | 120 | ||||
|
Dark Intentions Alternate [ISC116 - 26] |
版本. | 2'59 | Francesco Bondi | Version without percussion. | 信息技术 令人不安 调查研究 冲突 | Fm | 120 | |||
|
Behind the Mask [ISC116 - 10] |
2'44 | Francesco Bondi | Electro clash. Techno. Heavy, punchy, bouncy & hazy. Break @ 1'14. | 固执 气氛 沉重 夜晚 | Gm | 110 | ||||
|
Behind the Mask Alternate 1 [ISC116 - 27] |
版本. | 2'44 | Francesco Bondi | Version without lead. | 固执 气氛 沉重 夜晚 | G | 110 | |||
|
Behind the Mask Alternate 2 [ISC116 - 28] |
版本. | 2'44 | Francesco Bondi | Version without percussion. | 固执 气氛 沉重 夜晚 | Gm | 110 | |||
|
Invocation of Dread [ISC115 - 7] |
3'54 | Christophe Le Guen | Horror trailer. Mysterious intro with piano, floating soundscape & | 进步 画面感 高潮 史诗 | Fm | 140 | ||||
|
Invocation of Dread Alternate
[ISC115 - 23] |
版本. | 3'54 | Christophe Le Guen | Version without percussion. | 进步 画面感 高潮 史诗 | Fm | 140 | |||
|
Invocation of Dread Alternate
[ISC115 - 24] |
版本. | 3'54 | Christophe Le Guen | Light version. | 进步 画面感 高潮 史诗 | Fm | 140 | |||
|
Analog Anarchy [AUD051 - 1] |
2'10 | Lee Volfoni | Synth Punk. Hectic, urgent & energetic. Synths, drums, fx & | 撞击电子乐 动人 复古游戏 多变的 | C | 161 | ||||
|
Analog Anarchy (Short Edit) [AUD051 - 6] |
版本. | 0'40 | Lee Volfoni | Short edit version | 撞击电子乐 动人 复古游戏 多变的 | C | 161 | |||
|
Analog Anarchy (No Drums) [AUD051 - 11] |
版本. | 2'10 | Lee Volfoni | Version without drums | 撞击电子乐 动人 复古游戏 稳定的 | C | 162 | |||
|
Analog Anarchy (Build) [AUD051 - 16] |
版本. | 2'52 | Lee Volfoni | Build version | 撞击电子乐 动人 复古游戏 多变的 | C | 161 | |||
|
Lost Innocence [CEG5059 - 9] |
1'56 | Felix Halbe | Deceptively childish, tinkling, quirky & strange. Marimba, celesta & | 疑问 调查研究 伴音 反省 | Cm | 70 | ||||
|
Lost Innocence Alternate [CEG5059 - 18] |
版本. | 1'57 | Felix Halbe | Reduced version. | 疑问 调查研究 伴音 反省 | Cm | 142 | |||
|
Regret or Remorse [CEG5059 - 11] |
1'55 | Felix Halbe | Introspective, lonely, sad & quite desperate. Haunting piano | 反省 漂泊 抱歉 警匪片 | Em | 111 | ||||
|
Regret or Remorse Alternate [CEG5059 - 20] |
版本. | 1'55 | Felix Halbe | Minimalist version without synth. | 反省 漂泊 抱歉 警匪片 | Em | 111 | |||
|
When Times Go Slow [CEZ4682 - 7] |
2'18 | SHIFUMI | Trip hop, downtempo chill out. Ethereal, dreamy & peaceful. Slow | 都市 高雅 夜晚 气氛 | Bbm | 80 | ||||
|
When Times Go Slow Edit 1 60
[CEZ4682 - 43] |
版本. | 1'00 | SHIFUMI | 60 second cut | 都市 高雅 夜晚 气氛 | Bbm | 80 | |||
|
When Times Go Slow Edit 2 30
[CEZ4682 - 44] |
版本. | 0'30 | SHIFUMI | 30 second cut | 都市 高雅 夜晚 气氛 | Bbm | 80 | |||
|
When Times Go Slow Edit 3 20
[CEZ4682 - 45] |
版本. | 0'20 | SHIFUMI | 20 second cut | 都市 高雅 夜晚 气氛 | Bbm | 80 | |||
|
When Times Go Slow Sting [CEZ4682 - 46] |
版本. | 0'14 | SHIFUMI | Sting | 都市 高雅 夜晚 气氛 | Bbm | 162 | |||
|
Closer Look [CEZ4682 - 9] |
2'43 | Colo Colo | Trip hop. Laid-back, cosy & lush. Piano, strings, keyboards, light | 夜晚 气氛 BEAT MAKING 时尚 | Bm | 80 | ||||
|
Closer Look Alternate [CEZ4682 - 52] |
版本. | 2'42 | Colo Colo | Underscore version | 夜晚 气氛 BEAT MAKING 时尚 | Bm | 80 | |||
|
Closer Look Edit 1 60 sec [CEZ4682 - 53] |
版本. | 1'00 | Colo Colo | 60 second cut | 夜晚 气氛 BEAT MAKING 时尚 | Bm | 80 | |||
|
Closer Look Edit 2 30 sec [CEZ4682 - 54] |
版本. | 0'30 | Colo Colo | 30 second cut | 夜晚 气氛 BEAT MAKING 时尚 | Bm | 162 | |||
|
Closer Look Edit 3 20 sec [CEZ4682 - 55] |
版本. | 0'20 | Colo Colo | 20 second cut | 夜晚 气氛 BEAT MAKING 时尚 | Bm | 80 | |||
|
Closer Look Sting [CEZ4682 - 56] |
版本. | 0'13 | Colo Colo | Sting | 夜晚 气氛 BEAT MAKING 时尚 | Gbm | 79 | |||
|
Elevate Frequency [AMS5063 - 3] |
2'08 | Zoltan Zadori | Investigation underscore. Intro with pulse that comes & goes. | 画面感 稳定的 进行中 间谍片 | E | 128 | ||||
|
Elevate Frequency Alternate 1 [AMS5063 - 15] |
版本. | 2'08 | Zoltan Zadori | Version without percussion | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Elevate Frequency Alternate 2 [AMS5063 - 16] |
版本. | 2'08 | Zoltan Zadori | Bed version | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Elevate Frequency Alternate 3 [AMS5063 - 17] |
版本. | 2'08 | Zoltan Zadori | Underscore version | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Pulse Root [AMS5063 - 8] |
2'06 | Zoltan Zadori | Investigation underscore. Suspended yet relentless. Dark pulses, | 进行中 悬念 画面感 间谍片 | C | 130 | ||||
|
Pulse Root Alternate 1 [AMS5063 - 31] |
版本. | 2'06 | Zoltan Zadori | Version without percussion | 悬念 画面感 间谍片 令人不安 | C | 132 | |||
|
Pulse Root Alternate 2 [AMS5063 - 32] |
版本. | 2'06 | Zoltan Zadori | Bed version | 悬念 画面感 间谍片 令人不安 | C | 131 | |||
|
Pulse Root Alternate 3 [AMS5063 - 33] |
版本. | 2'06 | Zoltan Zadori | Underscore version | 悬念 画面感 间谍片 令人不安 | C | 130 | |||
|
Make Or Break [TBX232 - 3] |
2'02 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | ||||
|
Make Or Break (Underscore) [TBX232 - 16] |
版本. | 1'59 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | |||
|
Make Or Break (Underscore No
[TBX232 - 17] |
版本. | 2'02 | Edoardo Bombace | Clean, heavy, confident. Plucked strings are supercharged by emerging | 悲喜剧 trapedy 态度 社会悲剧 | Gm | 101 | |||
|
Skylift [TBX230 - 3] |
2'56 | Darren Mccaughey | Powerful, emotive, spirited. Muted delayed guitar conveys emotion | 自信 青春剧 态度 周期性的 | A | 136 | ||||
|
Skylift (Underscore) [TBX230 - 16] |
版本. | 2'49 | Darren Mccaughey | Powerful, emotive, spirited. Muted delayed guitar conveys emotion | 自信 青春剧 态度 周期性的 | A | 136 | |||
|
La Isla [TBX230 - 5] |
2'39 | Markus Gleissner | Sultry, exotic, laidback. Hot guitar stretches out with a lazy but | 放松 青春剧 cocktail bar 周期性的 | A | 85 | ||||
|
La Isla (Underscore) [TBX230 - 18] |
版本. | 2'39 | Markus Gleissner | Sultry, exotic, laidback. Bass plods along in a fun and carefree | 放松 青春剧 cocktail bar 周期性的 | A | 85 | |||
|
Coming In Hot [IOM044 - 1] |
2'40 | Daniel Lobel, Megan Steenkamp | Fun, charismatic, stylish. Whispered vocals usher in sultry pop 歌词 | 态度 舞蹈流行音乐 人物 现代 | Dbm | 123 | ||||
|
Coming In Hot (Instrumental) [IOM044 - 12] |
版本. | 2'40 | Daniel Lobel, Megan Steenkamp | Fun, charismatic, stylish. Whispered vocals usher in sultry pop | 态度 舞蹈流行音乐 人物 现代 | Dbm | 123 | |||
|
Coming In Hot (Underscore) [IOM044 - 13] |
版本. | 2'40 | Daniel Lobel, Megan Steenkamp | Fun, charismatic, stylish. Caribbean-coded instrumentation starts | 态度 舞蹈流行音乐 人物 现代 | Dbm | 123 | |||
|
Coming In Hot (Alt Version) [IOM044 - 14] |
版本. | 2'40 | Daniel Lobel, Megan Steenkamp | Fun, charismatic, stylish. Whispered vocals usher in sultry pop | 态度 舞蹈流行音乐 人物 现代 | Dbm | 123 | |||
|
City Girl [IOM044 - 3] |
2'13 | Iain Harper, Madeline St John | Dancey, popular, heavy. Garage beat lands with huge sub bass, female 歌词 | hyperpop 现代 令人激动 时尚 | Eb | 132 | ||||
|
City Girl (Instrumental) [IOM044 - 18] |
版本. | 2'13 | Iain Harper, Madeline St John | Dancey, popular, heavy. Garage beat lands with huge sub bassSynth | hyperpop 现代 令人激动 时尚 | Ebm | 132 | |||
|
City Girl (Underscore) [IOM044 - 19] |
版本. | 2'13 | Iain Harper, Madeline St John | Dancey, popular, heavy. Garage beat lands with huge sub bassSynth | hyperpop 现代 令人激动 时尚 | Ebm | 132 |