| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Smog Monster [CEZ4380 - 38] |
0 | 1'56 | Maxence Dussere, David Gubitsch | Soundscape / US independant cinema. Terrorizing & bizarre. sound fx @ | 自然灾害 冷沙漠 社会悲剧 背景音 | Bm | 111 | |||
|
The Rapture of the Depths [CEZ4380 - 40] |
1'36 | Maxence Dussere, David Gubitsch | Soundscape. Ascending movement. From darkness of the deep to clarity | 背景音 进行中 地下 有毒 | Bb | 120 | ||||
|
The Rapture of the Depths
[CEZ4380 - 63] |
版本. | 1'37 | Maxence Dussere, David Gubitsch | Alternate version with a loop. Soundscape. From darkness of the deep | 背景音 进行中 地下 有毒 | Bb | 120 | |||
|
Gates of Fire [CET9012 - 6] |
1'29 | Gabriel Saban, Philippe Briand | Brutal, spasmodic & suspended. Impulsive hits & rhythm with clock. | 突然 冲突 时间(滴答声) 轰隆声 | Em | 124 | ||||
|
Gates of Fire Alternate 1 [CET9012 - 24] |
版本. | 1'29 | Gabriel Saban, Philippe Briand | Alternate with less perc & without clock. Brutal, spasmodic & | 突然 轰隆声 无情 悬念 | Em | 126 | |||
|
Gates of Fire Alternate 2 [CET9012 - 25] |
版本. | 1'29 | Gabriel Saban, Philippe Briand | Alternate without clock. Brutal, spasmodic & suspended. Impulsive & | 突然 冲突 轰隆声 无情 | Em | 126 | |||
|
World Crusher [CET9012 - 10] |
2'17 | Martin Emilio Insaurgarat | Suspensful, anticipating, ominous & haunting. Build-up gradually with | 冲突 冲击 令人不安 悬念 | Cm | 60 | ||||
|
World Crusher Alternate 1 [CET9012 - 30] |
版本. | 2'17 | Martin Emilio Insaurgarat | Alternate with less percussion. Suspensful, anticipating, ominous & | 令人不安 悬念 神经病 气势 | Cm | 60 | |||
|
World Crusher Alternate 2 [CET9012 - 31] |
版本. | 2'01 | Martin Emilio Insaurgarat | Impacts only. Suspensful, anticipating, ominous & haunting. Low & | 冲击 军事冲突 进行中 预告片 | Cm | 60 | |||
|
Damages Simulation [CET9012 - 14] |
1'57 | Gabriel Saban, Philippe Briand | Fierce, tribal & warlike. Martial drum impacts & insidious analog | 预告片 恐怖 冲突 警匪片 | D | 72 | ||||
|
Damages Simulation Alternate [CET9012 - 37] |
版本. | 1'57 | Gabriel Saban, Philippe Briand | Alternate without percussion. Mysterious, anticipating & ominous. | 预告片 恐怖 警匪片 追逐场面 | D | 72 | |||
|
Cosmology [CEG5014 - 4] |
0 | 2'48 | Gréco Casadesus, Gregory Cotti | Anticipating, moving & cyclic. String orchestra, sound design & | 太空 宇宙音乐 悬念 神秘 | C | 70 | |||
|
Between the Shadows [TBX034 - 12] |
2'00 | Eyal Goldshtein | Spooky, uneasy, dark. Eerie, bleak sound design swell and atmospheric | 悬念 恐怖片 令人不安 悬念 | Dm | 100 | ||||
|
Between the Shadows 30sec [TBX034 - 24] |
版本. | 0'30 | Eyal Goldshtein | Spooky, uneasy, dark. Eerie, bleak sound design swell and atmospheric | 悬念 恐怖片 令人不安 悬念 | D | 100 | |||
|
Chara [INP014 - 4] |
1'40 | Matthew Howes | Fearful, threatening, dark. Industrial sound design hits with eerie | 恐怖 悬念 令人不安 不稳定 | Em | 63 | ||||
|
Chara - 30sec [INP014 - 16] |
版本. | 0'30 | Matthew Howes | Fearful, threatening, dark. Industrial sound design hits with eerie | 恐怖 悬念 令人不安 不稳定 | Ebm | 99 | |||
|
Malus [INP014 - 8] |
1'47 | Matthew Howes | Spooky, bleak, dark. Rising, eerie and wind-like sound design with | 有毒 阴暗氛围 自然灾害 冷沙漠 | Ebm | 82 | ||||
|
Malus - 30sec [INP014 - 20] |
版本. | 0'30 | Matthew Howes | Spooky, bleak, dark. Rising, eerie and wind-like sound design with | 有毒 阴暗氛围 自然灾害 冷沙漠 | Ebm | 75 | |||
|
Bad Times for Bandits [CEO2064 - 11] |
0 | 1'07 | Elisabeth Skornik, Guy Skornik | Atmospheric drone, dark & threatening. Electronics & baritone | 嗡嗡声 自然灾害 声音设计 悬念 | Am | 63 | |||
|
Undercover Experiment [CET9003 - 5] |
3'01 | Gabriel Saban, Philippe Briand | Suspenseful percussive intro. Melancholic piano arpeggio with brutal | 预告片 电影乐团 调查研究 气势 | Fm | 120 | ||||
|
Undercover Experiment
[CET9003 - 18] |
版本. | 2'59 | Gabriel Saban, Philippe Briand | Suspenseful percussive intro. Melancholic piano arpeggio with brutal | 预告片 电影乐团 调查研究 气势 | Fm | 120 | |||
|
Things Under The Stairs [TBX013 - 13] |
0 | 1'34 | Sergey Kolosov | Bell composition with deranged, spooky yet magical bell motifs. | 马戏团 恐怖喜剧 稳定的 魔幻电影 | Dm | 100 | |||
|
Trinity [TBX013 - 14] |
0 | 2'47 | Alexander Joseph Irvine Mcconnell | Magical, wondrous and fantastical bell and mallet arrangement. Kicks | 马戏团 恐怖喜剧 稳定的 魔幻电影 | F | 93 | |||
|
Xmas Dreams [TBX012 - 8] |
0 | 2'06 | Ross Edward Gidney, Sergey Kolosov | Ambient, church-like, romantic winter/christmas track. Vocals, bells, | 圣诞节 飞行 宁静 全景图 | A | 70 | |||
|
Solar [BIB038 - 5] |
0 | 4'26 | Conor O'Brien | Gentle church organ atmospheres. Romantic yet thoughtful, slowly | 全景图 抱歉 进步 声音设计 | Am | 70 | |||
|
Robot Dies and Goes to Heaven [BIB038 - 10] |
0 | 2'51 | Sergey Kolosov | Positive and fresh sounding intro with simple topline and ambient | 高潮 飞行 完成 明朗 | D | 65 | |||
|
Better places [BIB038 - 11] |
0 | 3'24 | Conor O'Brien | Gradual, positive and calm into. Additional synth textures create | 梦幻 飞行 全景图 进步 | B | 95 | |||
|
Glowing [TBX004 - 12] |
0 | 2'02 | Sergey Kolosov | Many textural layers, with a simple piano melody and eventual beat, | 无电声钢琴 飞行 高潮 全景图 | A | 60 | |||
|
Tired of Saying [BIB055 - 2] |
0 | 3'20 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A looping melancholic piano incorporating a hypnotic tumbling motif | 循环 自信 周期性的 科学 | Ebm | 90 | |||
|
Don't Stop [BIB055 - 5] |
0 | 3'11 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Tape delay effect intro, develop into a driving, shimmering, marimba | 循环 企业宣传 sequencing 通透 | Cm | 120 |