| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Perfect Crime [ISC015 - 3] |
2'57 | Gabriel Saban | Intriguing intro with creepy pulsative piano & cold strings. Heavy & | 司法 调查研究 动荡 间谍片 | Em | 100 | ||||
|
The Perfect Crime Alternate [ISC015 - 14] |
版本. | 2'57 | Gabriel Saban | Alternate version without percussion. | 司法 调查研究 动荡 间谍片 | Em | 100 | |||
|
The Final Enigma [ISC015 - 5] |
2'43 | Gabriel Saban | Spooky & anxious intro evolving with pulsation, piano & creepy FX. | 恐怖片 令人不安 阴险 动作片 | Cm | 110 | ||||
|
The Final Enigma Alternate [ISC015 - 16] |
版本. | 2'43 | Gabriel Saban | Alternate version without percussion. | 恐怖片 令人不安 阴险 动作片 | Cm | 110 | |||
|
Change Is Coming [TBX134 - 4] |
2'07 | Benjamin Mcelroy | Urgent, sophisticated, intense. Sharp string revolutions create a | 果断 跟踪摄影 紧急 固执 | Bb | 147 | ||||
|
Change Is Coming (Underscore) [TBX134 - 16] |
版本. | 2'07 | Benjamin Mcelroy | Urgent, sophisticated, intense. Sharp string revolutions create a | 果断 跟踪摄影 紧急 固执 | Bb | 147 | |||
|
Juggling [MAG6075 - 13] |
0 | 2'59 | Christophe Zurfluh | Suspenseful, strange, questioning & mysterious. Synths, sound-design | 神秘 缓拍 进行中 悬念 | Am | 87 | |||
|
Weak Signal [EOS78 - 8] |
0 | 1'28 | Esteban Fernandez | Dystopian, tense & abyssal. Like a scrambled signal. Sound design. | 恐怖 令人不安 声音设计 神秘 | F | 163 | |||
|
Strange Land [BIB196 - 4] |
2'15 | Conor O'Brien | Spooky, weird, eerie. Collage of ominous FX craft an atmosphere of | 轰隆声 令人不安 地下 嗡嗡声 | C | 75 | ||||
|
Strange Land (Underscore) [BIB196 - 14] |
版本. | 2'15 | Conor O'Brien | Spooky, weird, eerie. Collage of ominous FX craft an atmosphere of | 轰隆声 令人不安 地下 嗡嗡声 | C | 76 | |||
|
Deep Breath [BIB196 - 5] |
2'33 | Conor O'Brien | Otherworldly, tense, anticipatory. Low rumbling bass meets with | 间谍片 令人不安 调查研究 深邃 | Cm | 70 | ||||
|
Deep Breath (Underscore) [BIB196 - 15] |
版本. | 2'31 | Conor O'Brien | Otherworldly, tense, anticipatory. Low rumbling bass meets with | 间谍片 令人不安 调查研究 深邃 | Gm | 93 | |||
|
The Silence of The Golden [CEO2138 - 13] |
2'21 | Eric Daniel | Mysterious, restrained & misty. Electronics, drone & sparse | 冷沙漠 自然灾害 悬念 太空 | A | 70 | ||||
|
The Silence of The Golden
[CEO2138 - 21] |
版本. | 2'09 | Eric Daniel | Altrenate with ethereal & mystical female lead voice @ 0'28. | 冷沙漠 自然灾害 悬念 太空 | Am | 105 | |||
|
Savage Landscape [CEO2139 - 11] |
0 | 3'04 | Bruno Alexiu | 1st part: toxic, threatening & resonant. Low drone & string orchestra | 自然灾害 有毒 令人不安 灾难 | F | 68 | |||
|
Universology [ISC010 - 2] |
0 | 2'40 | Gregory Cotti | Slow & floating layers evolving slowly to a luminous & intriguing | 宇宙音乐 海底 原声电子 梦幻 | C | 81 | |||
|
Unhinged [INP040 - 5] |
1'53 | Killian Magee | Scary, intense, energetic. Dissonant moaning percussion sets out a | 工业噪音 动作片 固执 画面感 | Db | 140 | ||||
|
Unhinged (Underscore A) [INP040 - 18] |
版本. | 1'42 | Killian Magee | Scary, intense, energetic. Whirring dissonance joins with bubbly | 工业噪音 动作片 固执 画面感 | Db | 140 | |||
|
Unhinged (Underscore B) [INP040 - 19] |
版本. | 1'43 | Killian Magee | Scary, intense, energetic. Whirring dissonance plays out, wavering | 工业噪音 电子琴 调查研究 固执 | Db | 137 | |||
|
Night Terrors [INP040 - 6] |
1'52 | Killian Magee | Heavy, raw, intense. Sharp, resonant bass thunders, creating an | 冲突 强调突出 画面感 轰隆声 | Dbm | 162 | ||||
|
Night Terrors (Underscore) [INP040 - 20] |
版本. | 1'26 | Killian Magee | Heavy, raw, intense. Deep kick drum pounds set out steady consistent | 强调突出 画面感 无情 动作游戏 | Dbm | 107 | |||
|
The Lurking Fear [CEC8021 - 3] |
0 | 3'06 | Bo Tian | Dark, nocturnal, haunting & anxious. Sound-design, flute & | 悬念 稀疏 神奇 伴音 | Dm | 72 | |||
|
Waterland [CEO2137 - 15] |
0 | 2'11 | Gréco Casadesus, Gregory Cotti | Mysterious, underwater & regular. Drone, water effect & sound-design. | 潮湿 海底 奇怪 (音效)水声 | C | 68 | |||
|
Final Assault [CET9052 - 3] |
2'37 | Julian Lee | Strong & stimulating intro building-up with arpeggiator in an electro | 果断 固执 冲突 动作游戏 | Fm | 178 | ||||
|
Final Assault Alternate [CET9052 - 18] |
版本. | 2'30 | Julian Lee | Alternate without lead. Strong & stimulating intro building-up with | 果断 固执 冲突 动作游戏 | Fm | 90 | |||
|
Contemporary News [TBX119 - 1] |
1'00 | Michael Tedstone | Tense, dramatic, urgent. Tense beeping synth tune moves alongside | 爆炸性新闻 固执 政治 工业 | Cm | 130 | ||||
|
Contemporary News (Loop Bed) [TBX119 - 12] |
版本. | 0'34 | Michael Tedstone | Tense, dramatic, urgent. Risers and dramatic percussion set out a | 爆炸性新闻 固执 政治 工业 | Cm | 130 | |||
|
Contemporary News (Sting A) [TBX119 - 13] |
版本. | 0'14 | Michael Tedstone | Tense, dramatic, urgent. Dramatic melodies and percussion set out an | 爆炸性新闻 固执 政治 工业 | C | 130 | |||
|
Contemporary News (Sting B) [TBX119 - 14] |
版本. | 0'14 | Michael Tedstone | Tense, dramatic, urgent. Dramatic melodies set out through strings | 爆炸性新闻 固执 政治 工业 | Cm | 129 | |||
|
Front Page [TBX119 - 3] |
0'50 | Michael Tedstone | Urgent, adventurous, sophisticated. Thundering percussion, bells and | 爆炸性新闻 赛事 果断 冒险片 | Cm | 125 | ||||
|
Front Page (Loop Bed) [TBX119 - 19] |
版本. | 0'33 | Michael Tedstone | Urgent, adventurous, sophisticated. Thundering percussion, chopped | 爆炸性新闻 赛事 果断 冒险片 | Cm | 125 | |||
|
Front Page (Sting A) [TBX119 - 20] |
版本. | 0'17 | Michael Tedstone | Urgent, adventurous, sophisticated. Thundering percussion leads into | 爆炸性新闻 赛事 果断 冒险片 | Cm | 125 | |||
|
Front Page (Sting B) [TBX119 - 21] |
版本. | 0'20 | Michael Tedstone | Urgent, adventurous, sophisticated. Thundering percussion leads into | 爆炸性新闻 赛事 果断 冒险片 | Cm | 124 | |||
|
Frontline Report [TBX119 - 7] |
0'58 | Steven Cracknell | Prideful, energetic, gripping. Urgent strings and percussion swiftly | 爆炸性新闻 官方仪式 骄傲 赛事 | Bbm | 151 | ||||
|
Frontline Report (Loop Bed) [TBX119 - 30] |
版本. | 0'29 | Steven Cracknell | Prideful, energetic, gripping. Partnership of fast paced phasing | 爆炸性新闻 官方仪式 骄傲 赛事 | Bbm | 100 | |||
|
Frontline Report (Sting A) [TBX119 - 31] |
版本. | 0'11 | Steven Cracknell | Prideful, energetic, gripping. Layering of melody and bass strings | 爆炸性新闻 官方仪式 骄傲 赛事 | Bbm | 149 | |||
|
Frontline Report (Sting B) [TBX119 - 32] |
版本. | 0'15 | Steven Cracknell | Prideful, energetic, gripping. Phasing synth leads into layers of | 爆炸性新闻 官方仪式 骄傲 赛事 | Bbm | 148 | |||
|
Mars In Orbit [BIB182 - 1] |
0 | 3'25 | Guy Purssell | Ethereal, celestial and calming analogue synth minimal underscore. | 太空 稀疏 漂泊 宇宙音乐 | Db | 144 | |||
|
The Unexpected [EOS66 - 3] |
0 | 2'44 | Roberto Negro | Post-classical / soundscape. Ethereal, dreamy & peaceful. Sparse & | 背景音 安静 海底 宁静 | F | 68 |