| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Caged Beasts [CET9027 - 4] |
2'14 | Julian Lee | Threatening & striking intro with cinematic impact & sound effect. | 预告片 画面感 突然 声音设计 | Dm | 140 | ||||
|
Caged Beasts Alternate [CET9027 - 15] |
版本. | 2'14 | Julian Lee | Alternate without lead synth. Threatening & striking intro with | 预告片 画面感 突然 声音设计 | Dm | 140 | |||
|
Awakening the Beast [CET9027 - 6] |
2'06 | Julian Lee | Anticipating intro with industrial signature sounds & insidious sound | 令人不安 画面感 神经病 预告片 | E | 120 | ||||
|
Awakening the Beast Alternate [CET9027 - 17] |
版本. | 1'50 | Julian Lee | Alternate with percussion only. Anticipating intro. Clock @ 0'28 | 令人不安 画面感 恐怖片 神经病 | Em | 120 | |||
|
Awakening the Beast Alternate
[CET9027 - 18] |
版本. | 2'06 | Julian Lee | Alternate without clock. Anticipating intro with industrial signature | 令人不安 画面感 恐怖片 神经病 | E | 120 | |||
|
Ravager Roar Alternate [CET9027 - 11] |
2'10 | Julian Lee | Alternate without lead synth. Suspenseful & anticipating intro with | 动作游戏 气势 团队运动 果断 | Am | 100 | ||||
|
Ravager Roar [CET9027 - 1] |
版本. | 2'09 | Julian Lee | Suspenseful & anticipating intro with low impact, industrial | 动作游戏 气势 团队运动 果断 | Am | 100 | |||
|
Phone Tapping [CEG5023 - 22] |
0 | 1'38 | Elisabeth Skornik, Guy Skornik | Mixe od differents voices, telephone sound, computers & networks. | 声音设计 悬念 令人不安 调查研究 | C | 164 | |||
|
Deep Immersion [CEZ4380 - 8] |
1'15 | Maxence Dussere, David Gubitsch | Soundscape / sci fi. Underwater sound-design. Oscillating & luminous | 深邃 声音设计 背景音 自然灾害 | G | 172 | ||||
|
Deep Immersion Alternate [CEZ4380 - 47] |
版本. | 1'14 | Maxence Dussere, David Gubitsch | Underwater soundscape. Soundscape / sci fi. Oscillating luminous | 深邃 声音设计 背景音 海底 | G | 165 | |||
|
Typhoon [CEZ4380 - 15] |
0 | 2'20 | Maxence Dussere, David Gubitsch | Soundscape. Dark, frightening & brutal. Sound design & percussion | 背景音 声音设计 令人不安 地下 | Em | 151 | |||
|
Industrial Zone [CEZ4380 - 17] |
0 | 1'44 | Maxence Dussere, David Gubitsch | Soundscape / sci fi. Intense & ominous manchinery. Sound design & low | 背景音 声音设计 地下 气氛 | C | 149 | |||
|
Ravaged Nature [CEZ4380 - 31] |
2'18 | Maxence Dussere, David Gubitsch | Soundscape / electro ambient. Sad, tragic & desolate. Synth pads & | 背景音 自然灾害 声音设计 感动 | Cm | 112 | ||||
|
Ravaged Nature Alternate [CEZ4380 - 58] |
版本. | 2'18 | Maxence Dussere, David Gubitsch | Alternate version with percussion. Soundscape / electro ambient. Sad, | 背景音 自然灾害 声音设计 感动 | Cm | 133 | |||
|
No Man's Land [CEZ4380 - 32] |
0 | 2'08 | Maxence Dussere, David Gubitsch | Soundscape / US independant cinema. Gloomy, sinister & harsh. Synth | 背景音 自然灾害 声音设计 美国独立制片电影 | D | 123 | |||
|
Underground River [CEZ4380 - 39] |
1'16 | Maxence Dussere, David Gubitsch | Soundscape / drone. Abyssal & dark drone with liquid fx. Sound | 背景音 嗡嗡声 声音设计 地下 | Dbm | 118 | ||||
|
Underground River Alternate [CEZ4380 - 62] |
版本. | 1'38 | Maxence Dussere, David Gubitsch | Alternate version with a constant & low note. Soundscape / drone. | 背景音 嗡嗡声 声音设计 地下 | Bb | 118 | |||
|
High Society [ISC118 - 4] |
2'43 | George Wilkinson | Neoclassical trailer. Noble intro with pending & cautious strings. | 骄傲 历史片 预告片 史诗 | D | 97 | ||||
|
High Society Alternate 1 [ISC118 - 16] |
版本. | 2'43 | George Wilkinson | Version without percussion | 骄傲 历史片 预告片 史诗 | D | 97 | |||
|
High Society Alternate 2 [ISC118 - 17] |
版本. | 2'43 | George Wilkinson | Version without percussion | 预告片 画面感 史诗 无情 | D | 97 | |||
|
Dangerous Choices [CEG5058 - 5] |
0 | 1'03 | Les Cosmonotes | Suspenseful Clockwork. Tense, overwhelming & anxious. Constant | 都市景色 间谍片 诡异 地下 | Gm | 100 | |||
|
Time Bomb [CEG5058 - 9] |
0 | 1'03 | Les Cosmonotes | Creepy Clockwork. Disturbing, unsettling, unstable & tense. Clock | 不稳定 神经病 声音设计 背景音 | Gm | 120 | |||
|
Icebreaker [ISC110 - 1] |
2'13 | Zoltan Zadori | Cinematic texture. High-pitched & eerie intro turns into an edgy & | 令人不安 悬念 无情 画面感 | Em | 161 | ||||
|
Icebreaker Alternate [ISC110 - 11] |
版本. | 2'13 | Zoltan Zadori | Underscore version. | 令人不安 悬念 无情 画面感 | Em | 150 | |||
|
Netrunner [TBX220 - 4] |
3'01 | Sergey Kolosov | Heroic, vast, explorative. Rough synth binary tune starts a rhythm | 抱歉 自然灾害 悬念 太空 | Dm | 116 | ||||
|
Netrunner (Underscore) [TBX220 - 16] |
版本. | 2'53 | Sergey Kolosov | Heroic, vast, explorative. Pained chords push out into an epic space. | 抱歉 自然灾害 悬念 太空 | Dm | 116 | |||
|
Nacht und Nebel [CEO2177 - 12] |
2'09 | Antoine Glatard | Misty, atmospheric, dramatic & menacing. Sound-design & bass | 自然灾害 神秘 背景音 气氛 | Em | 62 | ||||
|
Nacht und Nebel Alternate [CEO2177 - 16] |
版本. | 1'36 | Antoine Glatard | Alternate version with wind SFX @ 1'00. | 自然灾害 神秘 背景音 气氛 | D | 63 | |||
|
The Knife Edge [CEG5051 - 3] |
3'00 | Bruno Alexiu | Heavy, punchy, incisive, distressing & energic. Beat, bass synth & | 调查研究 阴险 工业噪音 令人不安 | Cm | 70 | ||||
|
The Knife Edge Alternate [CEG5051 - 18] |
版本. | 3'00 | Bruno Alexiu | Version with percussion only. | 工业 IDM 令人不安 电子鼓 | Abm | 70 | |||
|
The Knife Edge Edit 1 (60sec) [CEG5051 - 19] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 2 (60sec) [CEG5051 - 20] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 3 (30sec) [CEG5051 - 21] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 4 (30sec) [CEG5051 - 22] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 阴险 工业噪音 令人不安 调查研究 | Cm | 70 | |||
|
The Knife Edge Edit 5 (15sec) [CEG5051 - 23] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
The Knife Edge Edit 6 (15sec) [CEG5051 - 24] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 阴险 工业噪音 令人不安 调查研究 | Fm | 70 | |||
|
Tribal War [ISC077 - 4] |
2'42 | Christophe Le Guen | Cinematic / Trailer. Spooky intro with terrifying sound design & | 冲突 恐怖片 画面感 民族打击乐器 | Dm | 90 | ||||
|
Tribal War Alternate [ISC077 - 14] |
版本. | 2'26 | Christophe Le Guen | Version with percussion only. | 冲突 恐怖片 画面感 民族打击乐器 | Dm | 90 | |||
|
Catacombs [ISC075 - 2] |
2'27 | Francesco Bondi | ☆ Nominated "Best Crime / Investigative" @Mark Awards US 2025 ☆ | 诡异 冲突 画面感 动作片 | Gm | 110 | ||||
|
Catacombs Alternate [ISC075 - 12] |
版本. | 2'27 | Francesco Bondi | Underscore version. | 诡异 冲突 画面感 动作片 | Gm | 143 | |||
|
The Road to Hell [CEG5043 - 1] |
0 | 2'40 | Denis Levaillant | Resonant, spooky, circular & sinister. Drone/sound design based on | 嗡嗡声 恐怖 恐怖片 摩擦声 | Dm | 105 |