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打击乐| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Recitation of the
[OCR560231 - 5] |
0 | 5'15 | Rinzai Sect from P.D. | Bells, dora (Japonese gong), soloist & male choir chanting in | 民族 赞美诗 佛教 日语歌唱 | Gb | 87 | |||
|
|
Prayer 2 [OCR560231 - 6] |
0 | 2'14 | Rinzai Sect from P.D. | To Buddha. Bells, dora (Japonese gong) & soloist chanting in Sanskrit. | 民族 佛教 赞美诗 日语歌唱 | Dbm | 98 | |||
|
|
Instrumental Interlude 2 [OCR560231 - 7] |
0 | 6'21 | Rinzai Sect from P.D. | Small and large bells, shakuhachi (Japonese flute) & dora (Japonese | 民族 佛教 shakuhashi 原声 | Ebm | 62 | |||
|
|
Recitation of
[OCR560231 - 8] |
0 | 6'53 | Rinzai Sect from P.D. | Bells, dora (Japonese gong), soloist & male choir chanting in Chinese. | 民族 赞美诗 佛教 男声民族合唱团 | Ebm | 91 | |||
|
|
Prayer 3 [OCR560231 - 9] |
0 | 4'28 | Rinzai Sect from P.D. | To Buddha. Bells, dora (Japonese gong) & soloist chanting in Sanskrit. | 民族 佛教 赞美诗 日语歌唱 | Dm | 95 | |||
|
|
Instrumental Interlude 3 [OCR560231 - 10] |
0 | 5'02 | Rinzai Sect from P.D. | Small and large bells, shakuhachi (Japonese flute) & dora (Japonese | 民族 佛教 shakuhashi 原声 | Eb | 62 | |||
|
|
Recitation of Precepts [OCR560231 - 11] |
0 | 3'17 | Rinzai Sect from P.D. | Bells, dora (Japonese gong), soloist & male choir chanting in | 民族 赞美诗 佛教 日语歌唱 | Dbm | 90 | |||
|
|
Instrumental Postlude [OCR560231 - 12] |
0 | 4'42 | Rinzai Sect from P.D. | Small and large bells & dora (Japonese gong). | 民族 佛教 shakuhashi 原声 | Gm | 108 | |||
|
Trigueña Linda [OCR560208 - 12] |
0 | 2'46 | Julio Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | C | 95 | |||
|
|
Un Bebedor de Aguardiente [OCR560208 - 13] |
0 | 2'38 | Unknown | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | D | 108 | |||
|
|
Reseña Campesina [OCR560208 - 14] |
0 | 2'25 | Romel Rodriguez Penton | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 99 | |||
|
|
De Cuba Montes y Llanos [OCR560208 - 15] |
0 | 2'11 | Guillermo Gonzalez Vazco | Punto cerrado en clave. Small ensemble composed by tres, acoustic | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 120 | |||
|
|
El Matrimonio y la Zafra [OCR560208 - 16] |
0 | 5'13 | Leonel Castro | Sordo de canon. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | Em | 144 | |||
|
|
En Cuba [OCR560208 - 17] |
0 | 5'03 | Efidelio Guerra | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | G | 105 | |||
|
|
Perla de las Antillas [OCR560208 - 18] |
0 | 2'29 | Orlando Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | E | 100 | |||
|
|
Controversia [OCR560208 - 19] |
0 | 13'38 | Raul Herrera, Luis Martin | Punto libre. Small ensemble composed by tres, acoustic guitar, Cuban | 民族 古巴 传统乐器合奏 锯琴 | Am | 144 | |||
|
|
Suite de la controversia -
[OCR560208 - 20] |
0 | 3'32 | Unknown | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | D | 104 | |||
|
Uncharted Territory [CEO2015 - 8] |
0 | 3'35 | Bruno Alexiu | Dramatic & tragic orchestral suite with strings, sound design, | 改变 小说纪录片 军事冲突 中断 | Cm | 92 | |||
|
French Kotis [CEZ4118 - 20] |
0 | 2'08 | Imade Saputra | Scottish. Dancing but heavy. Solo diatonic accordion, percussion, | 民族舞会 民族 罗德里格斯岛 全音阶口琴 | D | 85 | |||
|
Karotseris [OCR560223 - 13] |
0 | 5'05 | En Chordais | "The coachman". This song is often played as an instrumental piece. | 民族 希腊语歌唱 传统乐器合奏 希腊 | G | 117 |
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