Attitude, energetic & raw speed-rock sung in Spanish. Revealing the Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
Spinning, confident & punctuated with a touch of irony. Fast piano Spinning, confident & punctuated with a touch of irony. Fast piano arpeggio, claps @ 0'35 & bass drum.
Pop song, funk 80's. Groovy, catchy & lively. Suggested for jet set Pop song, funk 80's. Groovy, catchy & lively. Suggested for jet set party & celebs. Female singer, synth, electric guitar, bass, & rhythm. Electric guitar solo @ 3'23.歌词
Hunting days and night, powerful light wich goes out x2 They would move heaven and earth to get the eternal light
They would remove spirit and gods to get the eternal life
Are they on the right way ? Is it the goal to keep shinning always Are they on the right way ?
Right way
Hunting, days and night, powerful light wich never goes out x2
Big fight to keep shinning for their own glory Big fight to keep the crown to get control all around
Are they on the right way ? Is it the goal to keep shinning always Are they on the right way ?
Right way
Are they on the right way ? Is it the goal to keep shinning always Are they on the right way ?
Fallen August of our love You mention my name in your sleep This my love is where you carry on without me
Watching snow fall on the lakeHow could I ever want to leaveThis my darling’s where it endsFor me
I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more Coldest autumn on my ownI hope you’ll remember For this my love is where i’m goneAnd you’re free I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more
Deceptively kitschy noble intro with strings ievolving with epic Deceptively kitschy noble intro with strings ievolving with epic metal riffs in a swashbuckling spirit. Eccentric, hybrid, courageous & glorious but parodic march. Build-up @ 1'20 with organ synth & tireless drum. Break @ 1'36. Build-up @ 2'08 with fat & heavy toms. Suggested for video games, gothic heroic fantasy & pirates.
Bossa Nova typical of Brazil in the early 60's. Tender, warm & Bossa Nova typical of Brazil in the early 60's. Tender, warm & charming with a touch of melancholy. Female singer, Brazilian guitar, shaker & flugelhorn @1'12.歌词
Como não recordar de nós dois, quanta saudade
Tantas lembranças tão antigas tão presentes
Que não posso esquecer, como poderia
Nao tem jeito não
Mesmo se eu quisesse renegar, anos depois
Cada passo lado a lado
Cada laço assim atado
Eu não poderia deslembrar jamais
Tem jeito não
Tempo passou pra nós dois
Mas ficou um gosto bom
Tempos depois pra nós dois
Tempo bom que passou
Que passou que ficou
Typical Bossa Nova from the 60's. tender, warm & charming with a Typical Bossa Nova from the 60's. tender, warm & charming with a touch of melancholy. Lead fuglehorn, guitar & light Brazilian percussion.
Jazzy bossa-nova in the spirit of the 60's and 70's. Sophisticated, Jazzy bossa-nova in the spirit of the 60's and 70's. Sophisticated, classy, charming & relaxed. Female vocals & jazz quartet. Piano lead @1'25. Ideal for hotel lounge.歌词
Não é fácil ver ao tempo que là esta passando
Flutuando em nossas mentes, não quero ver ninguém
E se fosse por mim
Eu ficaria sozinho na minha árvore nunca saindo
Lembrar de você é como esquecer meu coração
Você não deixou o traço do nosso imenso amor
Saber quantas vezes eu poderia ter mudado
Você não quer ver ninguém tampouco ser encontrado
Solidão doi a alma e pode destruí-la
Coração aberto revela novos sentimentos
Bossa nova jazzy in the spirit of the 60's and 70's. Sophisticated, Bossa nova jazzy in the spirit of the 60's and 70's. Sophisticated, classy, charming & relaxed. Jazz quartet with delicate lead piano.
Jazzy samba in the spirit of the Brazilian 60's & 70's. Carefree, Jazzy samba in the spirit of the Brazilian 60's & 70's. Carefree, festive, exotic, optimistic & classy. Jazz sextet with flugelhorn & flute lead @1'35.
Rough, bold & proud hard rock riff & heavy drums. Build-up @ 0'57 in Rough, bold & proud hard rock riff & heavy drums. Build-up @ 0'57 in a determined mood. Lead guitar with eccentric bends @ 1'42 building-up with massive drum kick. Relentless finale. Suggested for extreme roads, lumberjack & racing.
Alternative / hard rock. Heavy, swagger macho & determined. Exploding Alternative / hard rock. Heavy, swagger macho & determined. Exploding drum, screaming & stoner riffs. Break @ 0'50 with keyboard. Build-up @ 2'12 until a massive wall of guitar & finale impressive lead. Suggested for extreme roads, sports & video games.
Furious, powerful & stubborn. Heavy metal riff with double kick drum. Furious, powerful & stubborn. Heavy metal riff with double kick drum. Punctuated & powerful guitar riff @ 0'41. Virtuoso lead guitar @ 2'14. Suggested for extreme sport, racing, motor & wresling.
Savage, determined & nervous. Heavy metal epic riff & drums. Virtuoso Savage, determined & nervous. Heavy metal epic riff & drums. Virtuoso lead guitar @ 0'36. Drum fill & short lead guitar break @ 1'27. Energetic finale. Suggested for motor racing, fast action sport & video games trailer.
Clapping anthemic hard rock track with wah wah guitar FX & organ. Clapping anthemic hard rock track with wah wah guitar FX & organ. Proud, sensual & groovy. Break @ 0'51 with lead guitar. Suggested for sport, wrestling & extreme roads.
Constant, obstinate, interrogative, both restrained & urgent. Constant, obstinate, interrogative, both restrained & urgent. Repetitive piano hook, drums & discret staccato strings. Will the mystery be solved?
Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin percussion, melodica, lead piano @ 1'24. Male choir @ 4'05. Solo drums & percussion @ 4'33.歌词
Percussive Latin jazz track dedicated to Afro-Cuban traditional Percussive Latin jazz track dedicated to Afro-Cuban traditional percussion including, bongo, conga, timbales, cowbell, & drums.
