| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dance All Night [BIB028 - 6] |
3'09 | James Desmond, Panauh Kalayeh, Dean McDannel | Filtered synth intro with drum rolls develops into a glitchy, | 俱乐部 电子舞曲 果断 不平稳 | Dbm | 128 | ||||
|
Dance All Night 2 [BIB028 - 17] |
版本. | 2'38 | James Desmond, Panauh Kalayeh, Dean McDannel | Filtered synth intro with drum rolls develops into a glitchy, | 俱乐部 电子舞曲 果断 不平稳 | Dbm | 128 | |||
|
Turn Me On [BIB028 - 8] |
0 | 2'14 | Huw Williams | Commercial glitchy dance. Bags of energy and drive. Electronics | 舞动 电子舞曲 喜庆 极限运动 | Eb | 128 | |||
|
Dancefloor in Cannes [BIB028 - 10] |
0 | 2'29 | James Desmond, Panauh Kalayeh | Straight-ahead driving darker electronic pop. Building synths and | 电子舞曲 果断 动人 极限运动 | Gm | 122 | |||
|
Life's a Beach [BIB006 - 1] |
0 | 3'08 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Atmospheric relaxed house with an emotional bittersweet feel. | 电子舞曲 果断 动人 介绍 | Dm | 120 | |||
|
Ice Cream [BIB006 - 6] |
0 | 3'18 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Contemporary production, quirky synth lines and bouncy beats build | 电子舞曲 动人 电子鼓 电子琴 | A | 121 | |||
|
Sunset Sniper [BIB006 - 10] |
0 | 3'03 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Laid back beats, relaxed electric guitar and warm synths give this | 电子舞曲 电子琴 电吉他 疑问 | Em | 60 | |||
|
Revolver Ocelot [BIB006 - 11] |
0 | 2'44 | Ian Scott, Josef Wretham | A dynamic arrangement of warm basslines, driving beats, and | 电子舞曲 果断 动人 电子琴 | Fm | 120 | |||
|
String Thing [BIB001 - 10] |
0 | 3'58 | Giacomo Antonio Trivelli | An energetic, driving dance track with uplifting synths and a | 俱乐部 电子舞曲 动人 令人激动 | F | 125 | |||
|
We Got The Flow [BIB298 - 4] |
2'12 | Olivier Bibeau | Fun, relaxed, exotic. Balearic beat with vocal samples skipping off 歌词 | 2010 喜庆 海滨 人物 | Bm | 128 | ||||
|
We Got The Flow (Instrumental) [BIB298 - 17] |
版本. | 2'12 | Olivier Bibeau | Fun, relaxed, exotic. Balearic beat with chiptune chords. Visions of | 2010 喜庆 海滨 人物 | Em | 129 | |||
|
We Got The Flow (Bed) [BIB298 - 18] |
版本. | 2'12 | Olivier Bibeau | Fun, relaxed, exotic. Balearic beat with chiptune chords. Visions of | 2010 喜庆 海滨 人物 | Em | 128 | |||
|
Jump Nation [ISC114 - 5] |
3'20 | Loïc Ghanem | EDM. Uplifting, festive & radiant. Synth & rhythmic. Drop @ 1'02. | 俱乐部 青春剧 电子舞曲 令人激动 | Fm | 128 | ||||
|
Jump Nation Alternate [ISC114 - 15] |
版本. | 3'20 | Loïc Ghanem | Version without lead. | 俱乐部 青春剧 电子舞曲 令人激动 | Bbm | 128 | |||
|
In The Hall of the Mountain
[AMS5056 - 5] |
2'32 | Dmytro Berezhnyi from P.D. | Classical remix. Driving & catchy. From "In the Hall of the Mountain | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 124 | ||||
|
In The Hall of the Mountain
[AMS5056 - 39] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Version without percussion | 古典音乐改编曲 电子舞曲 固执 广告 | Bm | 124 | |||
|
In The Hall of the Mountain
[AMS5056 - 40] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Version with percussion only | 古典音乐改编曲 气势 电子舞曲 沉重 | Gbm | 123 | |||
|
In The Hall of the Mountain
[AMS5056 - 41] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Version without strings | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 42] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Version without choir | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 43] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Bed version | 古典音乐改编曲 电子舞曲 固执 广告 | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 44] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Underscore version | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 45] |
版本. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | 古典音乐改编曲 气势 电子舞曲 沉重 | Gbm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 46] |
版本. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 125 | |||
|
Big Power [TBX219 - 5] |
2'37 | Sidney Kennedy, Mike Newport | Bold, exciting, intense. Sticky electro beat with thin melodies | 体育电竞 联盟 广告 欢快电子音乐 | Fm | 115 | ||||
|
Big Power (Underscore) [TBX219 - 19] |
版本. | 2'37 | Sidney Kennedy, Mike Newport | Bold, exciting, intense. Thin melodies play out with a cool and | 联盟 广告 日间节目 果断 | Fm | 115 | |||
|
El Camino [TBX219 - 7] |
1'59 | Gaelan Aguado, Willie Eaglin | Clean, adventurous, spacey. Dreamy synths and vocal samples give a | 令人激动 明朗 广告 电子琴 | Ebm | 98 | ||||
|
El Camino (Underscore) [TBX219 - 21] |
版本. | 1'59 | Gaelan Aguado, Willie Eaglin | Clean, adventurous, spacey. Dreamy synths give a futuristic vibe | 令人激动 明朗 广告 电子琴 | Ebm | 98 | |||
|
We're On Top [TBX202 - 5] |
2'53 | Lewis Amoroso, Jacinta Christofi Tsourou, Cameron Nesbitt | Passionate, groovy, confident. Squelchy retro bass gives a stabbing 歌词 | 青春剧 动人 流行歌曲 女歌手 | Gbm | 130 | ||||
|
We're On Top (Instrumental) [TBX202 - 20] |
版本. | 2'53 | Lewis Amoroso, Jacinta Christofi Tsourou, Cameron Nesbitt | Passionate, groovy, confident. Squelchy retro bass gives a stabbing | 俱乐部 青春剧 动人 舞蹈流行音乐 | Dbm | 130 | |||
|
We're On Top (Underscore) [TBX202 - 21] |
版本. | 2'53 | Lewis Amoroso, Jacinta Christofi Tsourou, Cameron Nesbitt | Passionate, groovy, confident. Squelchy retro bass gives a stabbing | 青春剧 动人 俱乐部 舞蹈流行音乐 | Dbm | 165 | |||
|
City Lights [TBX167 - 1] |
2'26 | Oliver Lloyd, Matthew Payne | Meaningful, relaxed, hopeful. Smooth sidechained vocals and pads fall | 日间节目 时尚 滑行运动 流行电子音乐 | Bm | 115 | ||||
|
City Lights (Underscore) [TBX167 - 14] |
版本. | 2'27 | Oliver Lloyd, Matthew Payne | Meaningful, relaxed, hopeful. Smooth sidechained vocals and pads fall | 日间节目 时尚 滑行运动 流行电子音乐 | Bm | 115 | |||
|
Love By The Ocean [TBX167 - 6] |
2'24 | Oliver Lloyd, Matthew Payne | laid back, passionate, modern. Steel drums play out a sequence | 健身 电子鼓 青春剧 电子琴 | Eb | 120 | ||||
|
Love By The Ocean (Underscore) [TBX167 - 22] |
版本. | 2'24 | Oliver Lloyd, Matthew Payne | laid back, passionate, modern. Steel drums play out a sequence | 健身 电子鼓 青春剧 电子琴 | Eb | 120 | |||
|
Party on my Mind [ISC026 - 5] |
0 | 2'37 | Kabes | Dubstep. Heavy intro build up in a trap style. Incisive, heavy, tense | 气势 极限运动 果断 回响贝斯 | Em | 128 | |||
|
Ten More Rounds [BIB225 - 8] |
2'03 | Omer Agca | Wild, hypnotic, powerful. Fast-paced percussion meets with muffled | 节奏感 广告 气势 现代 | Ebm | 126 | ||||
|
Ten More Rounds (Instrumental) [BIB225 - 24] |
版本. | 2'03 | Omer Agca | Wild, hypnotic, powerful. Fast-paced percussion meets with muffled | 节奏感 广告 气势 现代 | Ebm | 126 | |||
|
Ten More Rounds (Underscore) [BIB225 - 25] |
版本. | 2'03 | Omer Agca | Wild, hypnotic, powerful. Fast-paced percussion meets with muffled | 节奏感 广告 气势 现代 | Ebm | 126 | |||
|
Gangsta' EDM [CEZ4537 - 9] |
2'06 | Felix Weber | Electro / trap. Festive, eccentric, streetwise, cheeky, pulsing & | 态度 果断 动人 喜庆 | Dm | 100 | ||||
|
Gangsta' EDM Alternate [CEZ4537 - 25] |
版本. | 1'59 | Felix Weber | Alternate without vocal. | 态度 果断 动人 喜庆 | Dm | 100 | |||
|
I Really Like That [CEZ4501 - 4] |
1'27 | Maxime Nercessian, Morgan Sansous | Electro dance, electro clash. Fat, danceable & catchy. Synth, pitched 歌词 | 朗朗上口 青春剧 现代 舞动 | Em | 123 | ||||
|
I Really Like That Alternate [CEZ4501 - 22] |
版本. | 1'28 | Maxime Nercessian, Morgan Sansous | Instrumental version. Underscore | 朗朗上口 舞动 电子舞曲 喜庆 | Em | 123 |