| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Seven Last Words Of Our
[CLA2002 - 14] |
0 | 2'35 | 约瑟夫·海顿 | Aestimatus Sum | 十八世纪 古典时期(1750-1800) 原声 基督教 | Eb | 76 | |||
|
Seven Last Words Of Our
[CLA2002 - 15] |
0 | 6'34 | 约瑟夫·海顿 | Sonata VII, Largo | 十八世纪 古典时期(1750-1800) 原声 基督教 | Bb | 67 | |||
|
Seven Last Words Of Our
[CLA2002 - 16] |
0 | 1'28 | 约瑟夫·海顿 | II Termoto, Presto e con tutta la forza | 十八世纪 古典时期(1750-1800) 原声 基督教 | Cm | 133 | |||
|
Shadi 'The Prophet, an
[OCR560229 - 1] |
0 | 4'19 | Madarassati Nidhoimya (Hamjago) from P.D. | A cappella traditional female singer. | 民族 民族女声独唱 阿拉伯语歌唱 debaa | Dm | 130 | |||
|
Debaa 'Grant Us Substance and
[OCR560229 - 2] |
0 | 8'02 | Madarassati Nidhoimya (Hamjago) from P.D. | Responsorial a cappella singing between a female soloist and a female | 民族 阿拉伯语歌唱 女声民族合唱团 debaa | Am | 155 | |||
|
Shadi 'The Intoxication of
[OCR560229 - 3] |
0 | 3'49 | Madarassati Salamia (Bambo-Ouest) from P.D. | Responsorial a cappella singing between a female soloist and a female | 民族 阿拉伯语歌唱 女声民族合唱团 debaa | Bm | 130 | |||
|
Debaa 'My Intoxication Has no
[OCR560229 - 4] |
0 | 7'19 | Madarassati Salamia (Bambo-Ouest) from P.D. | Responsorial a cappella singing between a female soloist and a female | 民族 阿拉伯语歌唱 女声民族合唱团 debaa | Abm | 155 | |||
|
Shadi 'Love's Enslavement' [OCR560229 - 5] |
0 | 2'41 | Madarassati Madania (Boueni) from P.D. | A cappella traditional female singer. | 民族 民族女声独唱 阿拉伯语歌唱 debaa | Gm | 117 | |||
|
Debaa 'The Hope of a Meeting' [OCR560229 - 6] |
0 | 10'26 | Madarassati Madania (Boueni) from P.D. | Responsorial a cappella singing between a female soloist and a female | 民族 阿拉伯语歌唱 女声民族合唱团 debaa | Gm | 164 | |||
|
Shadi 'Prodigious Birth' [OCR560229 - 7] |
0 | 3'09 | Madarassati Toyaria (Mtsangadoua) from P.D. | A cappella traditional female singer. | 民族 民族女声独唱 阿拉伯语歌唱 debaa | Gm | 148 | |||
|
Debaa 'Nostalgia for a love' [OCR560229 - 8] |
0 | 10'07 | Madarassati Toyaria (Mtsangadoua) from P.D. | Responsorial a cappella singing between a female soloist and a female | 民族 阿拉伯语歌唱 女声民族合唱团 debaa | Bbm | 129 | |||
|
Shadi 'Panegyric of the
[OCR560229 - 9] |
0 | 3'49 | Madarassati Nourania (Tsimkoura) from P.D. | A cappella traditional female singer. | 民族 民族女声独唱 阿拉伯语歌唱 debaa | Abm | 72 | |||
|
Debaa 'Love of the Prophet' [OCR560229 - 10] |
0 | 8'47 | Madarassati Nourania (Tsimkoura) from P.D. | Responsorial a cappella singing between a female soloist and a female | 民族 阿拉伯语歌唱 女声民族合唱团 debaa | Em | 140 | |||
|
The Bible [CEO2017 - 6] |
0 | 4'48 | Armand Frydman | Tragic & haunting. Cello ensemble & double-bass. | 大提琴合奏 动荡 以色列 灾难 | Fm | 100 | |||
|
Moroccan Wedding [CEO2011 - 9] |
0 | 2'14 | Bruno Alexiu | Bewitching suspended atmosphere. Treated voice, strings & electronics. | 嗡嗡声 催眠 神奇 漂泊 | D | 117 | |||
|
He is Born the Divine Christ
[CEV3031 - 16] |
0 | 2'02 | Julien Vega after P.D. | Joyful & uplifting. Constant progression. After "He is Born the | 传统圣诞 进步 改变 著名音乐 | Am | 178 | |||
|
Silent Night [CEV3031 - 17] |
0 | 1'52 | Julien Vega from P.D. | Tender & lazy. Accordion, glockenspiel, celesta, organ, harmonica & | 传统圣诞 small ensemble 童年 著名音乐 | Fm | 85 | |||
|
Silent Night in Blue [CEV3031 - 18] |
0 | 1'23 | Scott Taylor from P.D. | Lazy & sad. After " Silent Night". Trombone & electric guitar. | 传统圣诞 著名音乐 好玩 过时 | G | 60 | |||
|
Silent Night [CEV3031 - 27] |
0 | 1'30 | Scott Taylor from P.D. | Lazy & evocative. Flugel horn & accordion. | 传统圣诞 著名音乐 懒惰 内心活动 | G | 65 | |||
|
Defeat [CEZ4083 - 9] |
0 | 0'23 | Marc-Olivier Dupin | Tragic conclusion. Pipe organs. | 恐怖片 轰隆声 教堂管风琴 悲剧 | C | 107 |