Excitable, rustic, joyous. Bottleneck guitar joins with banjo and Excitable, rustic, joyous. Bottleneck guitar joins with banjo and strumming as a lively instrumentation pushes out with fun and buoyancy. Lyrics about the religious joy and excitement, supported by drums and harmonies at 00:56. Banjo and country instrumentation gives a sense of rustic Americana.
Excitable, rustic, joyous. Twinkly twanging guitar sets out with Excitable, rustic, joyous. Twinkly twanging guitar sets out with strumming. Lyrics about the religious joy and excitement, supported by drums and harmonies at 00:56. Steady tambourine giving a snowy Christmas vibe. Acoustic version.
Excitable, rustic, joyous. Bottleneck guitar joins with banjo and Excitable, rustic, joyous. Bottleneck guitar joins with banjo and strumming as a lively instrumentation pushes out with fun and buoyancy. Tremolo guitar sets out with a celebratory religious tune. Banjo and country instrumentation gives a sense of rustic Americana. Alternate version.
Excitable, rustic, joyous. Bottleneck guitar joins with banjo and Excitable, rustic, joyous. Bottleneck guitar joins with banjo and strumming as a lively instrumentation pushes out with fun and buoyancy. Large drums and harmonies at 00:56. Banjo and country instrumentation gives a sense of rustic Americana. Instrumental version.
Well-known 19th century minstrel folksong composed by Stephen Foster. Well-known 19th century minstrel folksong composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.歌词
Verse 1
Well I come from Alabama with a banjo on my knee
I'm bound for Louisiana, my own true love for to see
It rained all night the day I left
The weather it was dry
Sun so hot I froze to death
Susanna, don't you cry
Chorus
Oh, Susanna
Don't you cry for me
‘Cause I come from Alabama with the banjo on my knee
Verse 2
I had a dream the other night
When everything was still
I dreamed I saw my girl Susanne
She was coming around the hill
The buckwheat cake was in her mouth
A tear was in her eye
I said I come from Dixie girl
Suzanna, don't you cry
Chorus
Oh, Susanna
Now, don't you cry for me
‘Cause I come from Alabama with the banjo on my knee
Yeah Oh, Susanna
Now, don't you cry for me
‘Cause I come from Alabama with this banjo on my knee
There's More Pretty Girls There's More Pretty Girls Than One [BIB191 - 7]
0
2'12
Traditionnal
Hopeful, fun, adventurous. Lively guitars set out an upbeat feeling, Hopeful, fun, adventurous. Lively guitars set out an upbeat feeling, with male vocals spinning stories about love and romance. Rambling atmosphere from rustic lyrics and country style, an individual making their way through life and making the most of their time. Guitar solo at 01:29 conveys excitement and a jovial spirit. People drinking and enjoying themselves.歌词
Fast country bounce. Confident & urgent. Flat picking guitar, fiddle, Fast country bounce. Confident & urgent. Flat picking guitar, fiddle, electric guitar @ 0'58, slide Dobro & rhythm with brush.
Traditional bluegrass, finger picked, lilting acoustic guitar Traditional bluegrass, finger picked, lilting acoustic guitar melodies. Bittersweet but determined and hopeful.
Famous 19th century folksong also known as The Great Rock Island Famous 19th century folksong also known as The Great Rock Island Route and became a country music standard. "From the great Atlantic Ocean to the wide Pacific shore...". Male country singer, rhythm section, banjo, mandolin with a bluegrass touch. Harmonica solo @ 1'25 & electric guitar. Instrumental tr-26.歌词
Verse 1
From the great Atlantic ocean to the wide Pacific shore
From the queen of flowing mountains to the south side by the shore
She's mighty tall and handsome and known quite well by all
She's the combination on the Wabash Cannonball
Verse 2
Now She came down from Birmingham one cold December day
As she rolled into the station you could hear all the people say
There's that gal from Tennessee she's long and she's tall
She came down from Birmingham on the Wabash Cannonball
Verse 3
Yeah Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball
Verse 4
Our Eastern states are dandy so the people always say
From New York to St. Louis and Chicago by the way
From the hills of Minnesota where the rippling waters fall
No chances can be taken on the Wabash Cannonball
Verse 5
So Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball
Instrumental version of tr-2 in a folky spirit. Dobro slide, guitar, Instrumental version of tr-2 in a folky spirit. Dobro slide, guitar, mandolin, lap steel, sousaphone & drums building-up gradually until finale..
Instrumental version of tr-4 in a country/bluegrass spirit Mandolin, Instrumental version of tr-4 in a country/bluegrass spirit Mandolin, guitare& slide dobro. Lead fiddle & bass @ 0'58. Lead harmonica @ 1'29.
Reverent, spirited, positive. Wistful guitar melodies assert a Reverent, spirited, positive. Wistful guitar melodies assert a wholesome sense of importance and gratefulness. Male vocals sing about service to God and the church of Christianity. Feelings of redemption, those who have been down on their luck and destitute finding stability in religion. Repetition of chorus conveys sense of working hard and for a good cause.歌词
I’m working on a building, working on a building
Working on a building, For my lord, for my lord
It’s a holy ghost building, its a holy ghost building
A holy ghost building, for my lord, for my lord
If I was sinner I’ll tell you what I’d do
I’d quit all my sinning and I’d work on a building too
I’m working on a building, working on a building
Working on a building, For my lord, for my lord
If I was drunkard, tell you what I’d do
I’d quit all my drinking and I’d work on a building too
I’m working on a building, working on a building
Working on a building, For my lord, for my lord
If I was a preacher I tell you what I’d do
I’d keep on preaching and I’d work on a building too
I’m working on a building, working on a building
Working on a building, For my lord, for my lord
It’s a holy ghost building, its a holy ghost building
USA. Fast & driving country-rock. Optimistic, confident & cheerful. USA. Fast & driving country-rock. Optimistic, confident & cheerful. Lead electric guitar, acoustic guitar, mandolin & rhythm. Pedal steel @ 1'03. Suggested for road trip & Americana way of life.
Determined, dramatic, upbeat. Playful plucked banjo intro is joined Determined, dramatic, upbeat. Playful plucked banjo intro is joined by brooding bass and lively, mischievous fiddle. Atmospheric, confident harmonica brings a brooding feel. Cool electric guitars and drums bring attitude. Cinematic americana folk with swagger.
Determined, dramatic, upbeat. Playful plucked banjo intro is joined Determined, dramatic, upbeat. Playful plucked banjo intro is joined by brooding bass and lively, mischievous fiddle. Atmospheric, confident harmonica brings a brooding feel. Cool electric guitars bring attitude. Cinematic americana folk with swagger.
Determined, dramatic, upbeat. Playful plucked banjo intro is joined Determined, dramatic, upbeat. Playful plucked banjo intro is joined by brooding bass. Atmospheric, confident harmonica brings a brooding feel. Cool electric guitars and drums bring attitude. Cinematic americana folk with swagg.
Determined, dramatic, upbeat. Brooding bass intro is joined by Determined, dramatic, upbeat. Brooding bass intro is joined by atmospheric, confident harmonica. Cool electric guitars and drums bring attitude. Cinematic americana folk with swagger. Stripped back underscore version.
Determined, dramatic, upbeat. Playful plucked banjo intro is joined Determined, dramatic, upbeat. Playful plucked banjo intro is joined by brooding bass and lively, mischievous fiddle. Atmospheric, confident harmonica brings a brooding feel. Cool electric guitars and drums bring attitude. Cinematic americana folk with swagger.