Chinese song expressing a desire to escape: ''How I'd love to run ...Chinese song expressing a desire to escape: ''How I'd love to run away with you, across heaven and earth''. Positive, carefree & dreamy. Pop/Rock band & singer.歌词
中文:
在夕阳落下之前
你可曾感到遗憾
当星辰升起之后
你是否感觉孤单
我多想 能和你 一起去逃离
穿越那天地
任岁月 肆意的 拍打我的脸
那是旅途的寄语
在繁华凋零之前
你可曾心怀眷恋
当新绿初放之时
你是否种下期盼
我多想 能和你 一起去逃离
跨越那山川
任时间 无情的 穿破我的心
那是生命的礼赞
say…
ENG:
Before the sun sets beyond the sky,
Have you ever felt regret?
As the stars begin to rise,
Do you ever feel alone?
How I long to run away with you,
To cross the heavens, vast and free.
Let time and wind caress my face,
Whispering the echoes of our journey.
Before the bloom begins to fade,
Have you ever held on tight?
When the first green leaves appear,
Do you plant your dreams inside?
How I long to run away with you,
To climb the mountains, chase the streams.
Let time, relentless, pierce my heart,
For this is life’s eternal hymn.
Say…
FR:
Avant que le soleil ne se couche,
As-tu déjà ressenti des regrets ?
Lorsque les étoiles s’élèvent,
Te sens-tu seul(e) ?
Comme j’aimerais m’enfuir avec toi,
Traverser le ciel et la terre,
Laisser les années frapper mon visage
Comme un message du voyage.
Avant que la prospérité ne fane,
As-tu déjà ressenti un attachement profond ?
Lorsque les premières pousses verdissent,
As-tu semé un espoir ?
Comme j’aimerais m’enfuir avec toi,
Franchir montagnes et rivières,
Laisser le temps transpercer mon cœur sans pitié,
Comme un hommage à la vie.
Say…
Reassuring, warm, bluesy. Proud piano plays out with trills giving a ...Reassuring, warm, bluesy. Proud piano plays out with trills giving a stylish vibe. Soulful male vocals reassure an individual of company, affection and togetherness. Experienced, wistful energy from performance. An older individual reassuring a baby or younger person. Major chord sequences on piano give that sense of relief and understanding. Clicking percussion gives a sense of coolness and nonchalance mixed with candid emotions.歌词
When you remember this song, I’ll be long gone, But I’m not leaving you today.
You may shed a tear, To find that I’m not here, But I’m not leaving you today.
The hands of fate, Have left me running late, When I should be on my way.
And though in my heart, I am ready to depart, I’m not leaving you today, I’m not leaving you today.
I’ve been steady as a rock, Just sitting on the dock, So I’m not leaving you today.
Well I know that I will cry, When it’s time to say goodbye, But I’m not leaving you today.
So please don’t fear, As the day draws near, We’ll watch the tide roll away.
For there will always be a spark, However far apart, And I’m not leaving you today, I’m not leaving you today, I’m not leaving you today.
I’m not leaving you, I’m not leaving you, I’m not leaving you today.
Reassuring, warm, bluesy. Proud piano plays out with trills giving a ...Reassuring, warm, bluesy. Proud piano plays out with trills giving a stylish vibe. Major chord sequences on piano give that sense of relief and understanding. Clicking percussion gives a sense of coolness and nonchalance mixed with candid emotions. Instrumental version.
You must live with this pain and soon my heart you received and death blow all the time you fight in vain and soon my words full of hanger and sorrow
you my bloodyful heart you know the world like me no like my brain I'm so tired You my bloodyful heart you know the melody You can't leave 'cause I'm not human
my heart drumped in his own blood and soon overwelmed by the weather I'm so in love You must try to explode and soon take, take this weapon I'm so in love
you my bloodyful heart you know, now I'm hungry 'cos my brain doesn't hangry you my bloodyful heart know you must fight for me you can win be my liberty
you my bloodyful heart you know the world like me no like my brain I'm so tired You my bloodyful heart you know the melody You can't leave 'cause I'm not human
Hopeful, redemptive, uplifting. Organic strings bloom with ...Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads and soft male vocals about an important realisation, living with a bigger purpose. Pulsing bass drives instrumentation forward with a sense of determination into upbeat EDM-style drums at 01:00. Heavy bass trades blows with whirring sidechained synths. Hopeful lyrics about seeing darkness, looking for clarity and someone to share it with. Cathartic breakthrough at 02:54 with bright lyrics and celebratory melodies.歌词
I am finally in a place where I can breathe, I was living out of insecurities, Cannot waste more precious time or energy, There’s a bigger man that lies inside of me, Yeah.
After sitting in the darkness quietly, I’ve been looking for a chance to make some peace, I was seeking for your guidance, But I hope that now you see, There’s a bigger man I know that I should be (there’s a bigger man I know).
Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back, You’ve made all this way, To this very day, Now it’s time for you to show what you’re about.
I am finally in the place where I can breathe again, I was living in the box that I was screaming in (yeah), Is there anybody out there who can break my misery? Is there anybody out there who can feel the mystery?
In the bottom of the ocean really low, I’ve seen darkness that I can not really show, But I’ve learned the biggest lesson,
And I hope that now you see, There’s a bigger man that lies inside of me.
Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back, You’ve made all this way, To this very day, Now it’s time for you to show what you’re… Time for you to show, Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back, You’ve made all this way, To this very day, Now it’s time for you to show what you’re about.
Hopeful, redemptive, uplifting. Organic strings bloom with ...Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Pulsing bass sounds drive instrumentation forward with a sense of determination into upbeat EDM-style drums at 01:00. Heavy bass trades blows with whirring sidechained synths. Cathartic breakthrough at 02:54 with bright melodies. Instrumental version.
Hopeful, redemptive, uplifting. Organic strings bloom with ...Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Slow building instrumentation into upbeat EDM-style drums at 01:00. Resonant synths and ornate plucked string sounds find their way through heavy bass. Stripped back underscore version.
Hopeful, redemptive, uplifting. Organic strings bloom followed by ...Hopeful, redemptive, uplifting. Organic strings bloom followed by muffled dramatic piano notes. Pulsing bass sounds drive instrumentation forward with a sense of determination into triumphant drums. Resonant synth plays through loud celebratory instrumentation with proud melody. Stripped back underscore version.
Hopeful, redemptive, uplifting. Organic strings bloom with ...Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Pulsing bass sounds drive instrumentation forward with a sense of determination into triumphant drums signalling a feeling of magnitude.
Sentimental, melancholic & poignant lo-fi folk-pop sung in Spanish. ...Sentimental, melancholic & poignant lo-fi folk-pop sung in Spanish. Getting over heartbreak. Female singer, female backing vocals & Spanish guitar with flanger fx.歌词
ES:
Dime como el tiempo sanará lo que hiciste
dímelo
dime como se mide
como mido las distancias
entre el suelo y la cama sin caer
sin caerme de espaldas
me he quedao' sin bromas se me ha caído el show
se ha caído al suelo como a Amy el Ron
más fuera de órbita que fuera estoy yo
de tu mala onda con tu falsa socialización
mírame a la cara pa' mirarme el corazón
el mismo que dejaste en estado de inanición
estás más vacía que un colegio en domingo
te juro que estás en proceso de extinción
estoy en una línea de paralelismos
en la misma recta que un coche en un abismo
en la misma recta que tres vasos de lean
más fuera que dentro más rota que estando aquí
más colocada que los de Requiem For a Dream
más arropada de lo que podría pedir
no soy Jezzebel pero tampoco estoy bien
y hace tiempo que me arde poco a poco la piel
Dime como el tiempo sanará lo que hiciste
dímelo
dime como se mide
como mido las distancias
entre el suelo y la cama sin caer
sin caerme de espaldas
Dime como el tiempo sanará lo que hiciste
dímelo
dime como se mide
como mido las distancias
entre el suelo y la cama sin caer
sin caerme de espaldas
sin caerme de espaldas
sin caerme de espaldas
mis mejillas son rojas las cadenas me aprietan
los cielos son escombros entre ruinas abiertas
en la calle hay una vieja que siempre me mira mal
en la calle hay una grieta que me hace tropezar
voy determinada con todo a determinar
buscando unos ojitos que sepan empatizar
aunque pa'l caso todo me da igual
gata de calle gata deja de llamar
porque llamas si después no va' poder quedar
porque llamas pa' abrir una herida por cerrar
llamas pa cerrar una brecha en tu conciencia
tienes un seis 3 veces tatuado en la lengua
y no quiero que me digas que me entiendes
que te compadezcas pa luego perderte
y no quiero que me digas que lo sientes
sabes bien que es como un cabezazo en la frente
Dime como el tiempo sanará lo que hiciste
dímelo
dime como se mide
como mido las distancias
entre el suelo y la cama sin caer
sin caerme de espaldas
Dime como el tiempo sanará lo que hiciste
dímelo
dime como se mide
como mido las distancias
entre el suelo y la cama sin caer
sin caerme de espaldas
sin caerme de espaldas
sin caerme de espaldas
sin caer
sin caerme de espaldas
Dime como el tiempo sanará lo que hiciste
dímelo
dime como se mide
como mido las distancias
entre el suelo y la cama sin caer
sin caerme de espaldas
EN:
Tell me how time will heal what you did
tell me
tell me how to measure it
how do I measure the distances
between the floor and the bed without falling
without falling backwards
I've run out of jokes I've dropped the show
I've fallen to the ground like the Amy's rhum
I'm more out of orbit than ever
with your bad vibe and your fake socialization
look me in the face to look at my heart
the same one you left in a state of starvation
you're emptier than a school on Sunday
I swear you're in the process of extinction
I'm on a parallel line
on the same straight line as a car in an abyss
on the same straight line as three lean glasses
more out than in more broken than being here
more poised than those of Requiem For a Dream
more tucked in than I could ever ask for
I'm not Jezzebel but I'm not well either
and my skin has been burning slowly for a while now
Tell me how time will heal what you did
tell me
tell me how to measure it
how do I measure the distances
between the floor and the bed without falling
without falling backwards
Tell me how time will heal what you did
tell me
tell me how to measure it
how do I measure the distances
between the floor and the bed without falling
without falling backwards
without falling backwards
without falling backwards
my cheeks are red the chains tighten my grip
the skies are rubble among open ruins
in the street there's an old woman who always looks at me dirty
in the street there's a crack that makes me stumble
I go determined with everything to determine
looking for a pair of eyes that can empathise
but for me it's all the same
street cat street cat stop calling
why are you calling if later you won't show up
why are you calling to open a wound to close
you call to close a gap in your conscience
you have a six three times tattooed on your tongue
and I don't want you to tell me that you understand me
that you pity me to then get lost
and I don't want you to tell me that you're sorry
you know well that it's like a headbutt on the forehead
Tell me how time will heal what you did
tell me
tell me how to measure it
how do I measure the distances
between the floor and the bed without falling
without falling backwards
Tell me how time will heal what you did
tell me
tell me how to measure it
how do I measure the distances
between the floor and the bed without falling
without falling backwards
without falling backwards
without falling backwards
without falling
without falling backwards
Tell me how time will heal what you did
tell me
tell me how to measure it
how do I measure the distances
between the floor and the bed without falling
without falling backwards
Heartfelt, uplifting, sentimental. Romantic, hopeful piano melodies ...Heartfelt, uplifting, sentimental. Romantic, hopeful piano melodies build with atmospheric string sustain and delicate, jazzy drums to become determined and atmospheric. Reflective beginnings become strong and purposeful, building to a positive, inspiring peak and rousing finale. Nostalgic contemporary classical cue full of emotion.
Heartfelt, uplifting, sentimental. Atmospheric string sustains build ...Heartfelt, uplifting, sentimental. Atmospheric string sustains build with delicate, jazzy drums to become determined and atmospheric. Reflective beginnings become strong and purposeful, building to a positive, inspiring peak. Nostalgic contemporary classical cue full of emotion. Stripped back underscore version.
Irreverent, playful, summery. Relaxed electric guitar with laid-back ...Irreverent, playful, summery. Relaxed electric guitar with laid-back drums and dreamy keys are joined by atmospheric male vocals, building to reflective, emotive choruses with bright, glimmering synths. Hypnotic lo-fi bedroom pop with a slacker feel.歌词
Forget my name I’m coming apart again Brain dead I’m going out of my head
Don’t you know You turn me round so slow But I like it There’s no point in fighting it
Ooh ooh ooh ooh If it’s not getting easier Oooh ooh ooh ooh Why are you keeping it up I’m tired of being in love
Running late You keep me in the dark again Brain dead Thinking bout what you said
Irreverent, playful, summery. Instrumental underscore version. ...Irreverent, playful, summery. Instrumental underscore version. Relaxed electric guitar with laid-back drums and dreamy keys are joined by bright, glimmering synths. Hypnotic lo-fi bedroom pop with a slacker feel.
Irreverent, playful, summery. Stripped back underscore version. ...Irreverent, playful, summery. Stripped back underscore version. Relaxed electric guitar with laid-back drums and dreamy keys. Hypnotic lo-fi bedroom pop with a slacker feel.
Whistling, xylophone, guitars and piano make for a hopeful summery ...Whistling, xylophone, guitars and piano make for a hopeful summery track with a positive feel.
Female vocals, with a romantic, hopeful theme, whistling, xylophone, ...Female vocals, with a romantic, hopeful theme, whistling, xylophone, piano and guitar make for a summery positive feel.
歌词
We don't need money, no, We don't need money for no rainy days, We don't need anyone, We'll shoot the breeze and sail away.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
Come and see me now, Come up and see me I'll make you smile, Get out the city now, Follow me and I'll make you wild.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
By tomorrow we'll be in oyster bay, Here's to sunshine, here's to making play all day, We don't need money, We don't need money for no rainy day.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
Upbeat, wistful, affectionate. Light heartfelt guitar mixed with ...Upbeat, wistful, affectionate. Light heartfelt guitar mixed with chorus lead riff inspires a wholesome energy and poignant atmosphere. Female vocals reminisce about sunny days where life was peaceful and exciting. Seeing importance in past experiences. Quaint energy from formulaic emotive sequence. A person staring out on a field, sighing as they happily remember the past.歌词
I look at the sun,And I know it’s gonna be one of the days,That takes me right back to when I was young,Dreaming through the summer haze. When nothing was scary, I could do anything.Loving to cartwheel and dance in the rain,Pulling up daisies to put in a chain,Laughing for hours and rolling down hills,Climbing the trees at the old farmer's mill. These are the days I remember,These are the days I miss,When young and free was all I had to be,And reality didn't exist. Stuck on the train riding to work again,Life on a one-way street,My only escape is to pause and replay,Like a memory played on repeat. When nothing was scary, I could do anything.Loving to cartwheel and dance in the rain,Pulling up daisies to put in a chain,Laughing for hours and rolling down hills,Climbing the trees at the old farmer's mill. These are the days I remember,These are the days I miss,When young and free was all I had to be,And reality didn't exist. Take me back to being young,Take me back to being young,Take me back to being young,Take me back to being young.
Upbeat, wistful, affectionate. Light heartfelt guitar mixed with ...Upbeat, wistful, affectionate. Light heartfelt guitar mixed with chorus lead riff inspires a wholesome energy and poignant atmosphere. Quaint energy from formulaic emotive sequence. A person staring out on a field, sighing as they happily remember the past. Instrumental version.
Upbeat, wistful, affectionate. Light heartfelt guitar inspires a ...Upbeat, wistful, affectionate. Light heartfelt guitar inspires a wholesome energy and poignant atmosphere. Quaint energy from formulaic emotive sequence. A person staring out on a field, sighing as they happily remember the past. Stripped back underscore version.
Private, sombre, hopeful. Slow, calculated drumbeat meets with stark ...Private, sombre, hopeful. Slow, calculated drumbeat meets with stark piano and female vocals. Lyrics about being in the darkness and silence. Light, glimmering country guitar offers a meaningful atmosphere. An individual sitting on their own, being emotional and letting out their sadness and finding solace in being vulnerable.歌词
Sun goes down,Dark all around,Look away, go away now,Nothing left to say now. Doors stay closed,What was new now is old,Run away, turn away now,Nothing you can say now. It falls away,The cracks appear in the glass,Facing the ghost of the past,Making the heartaches last,It’s up to me,The keeper of my destiny,Too far for the eye to see,Wrapped up safe and sound inside me. Tears fall down,Never make a sound,You can go, you can go now,Nothing you can do now. Life goes on,Forever holding on,Another day to take away now,Nothing left to say now. It falls away,The cracks appear in the glass,Facing the ghost of the past,Making the heartaches last,It’s up to me,The keeper of my destiny,Too far for the eye to see,Wrapped up safe and sound. It falls away,The cracks appear in the glass,Facing the ghost of the past,Making the heartaches last,It’s up to me,The keeper of my destiny,Too far for the eye to see,Wrapped up safe and sound inside me.
Private, sombre, hopeful. Slow, calculated drumbeat meets with stark ...Private, sombre, hopeful. Slow, calculated drumbeat meets with stark piano pushing out into an empty landscape. Light, glimmering country guitar offers a meaningful atmosphere. An individual sitting on their own, being emotional and letting out their sadness and finding solace in being vulnerable. Alternate version.
Private, sombre, hopeful. Slow, calculated drumbeat meets with stark ...Private, sombre, hopeful. Slow, calculated drumbeat meets with stark piano and female vocals. Light, glimmering country guitar offers a meaningful atmosphere. An individual sitting on their own, being emotional and letting out their sadness and finding solace in being vulnerable. Instrumental version.
Private, sombre, hopeful. Slow, calculated drumbeat meets with stark ...Private, sombre, hopeful. Slow, calculated drumbeat meets with stark piano. Pushed forward by a loose guitar tune. An individual sitting on their own, being emotional and letting out their sadness and finding solace in being vulnerable. Stripped back underscore version.
Avant-garde pop/electronica ballad with a touch of R&B. Edgy, ...Avant-garde pop/electronica ballad with a touch of R&B. Edgy, inspiring & passionate. Female singer, vocal sound design, delay fx, electric bass, synth & percussions.歌词
Now that we’re parting Now that we’re parting I see you Now that we parted Now we’re parting I see you
I get it now you’re part of me we’re cut in half I get it now you’re a part of me we’re cut in half (Well there’s nothing back home) I see it now but too late
Now that we’re parting I see it now bu too late Now that we’re parting Now that we parted I see it now but too late
You’re a part of me (And I get that there’s nothing back home) Now that we’re parting I see you Now that we’re parting I see you Now that we parted You’re all I need I see you
I see you I get it now you’re part of me we’re cut in half (Now that we’re parting) I get it now you’re a part of me we’re cut in half Too late
Alternate without lead vocal. Avant-garde pop/electronica with a ...Alternate without lead vocal. Avant-garde pop/electronica with a touch of R&B. Edgy, inspiring, atmospheric & sparse. Vocal sound-design, electric bass & percussion.
Emotive, uplifting, hearfelt. Positive, hopeful piano drifts over ...Emotive, uplifting, hearfelt. Positive, hopeful piano drifts over dreamy string sustains in reflective melodies. Expressive string swells bring an inspiring feel with light synth pulses. Warm, expansive contemporary classical cue with heart.